My Days at Hogwarts

I've read a lot of Harry fandoms recently. 1. The Poisoned Egg starts out invincible. I just flip the table and set my own rules, abandoning all kinds of conspiracy theories. It's quite cool. 2. Connor's Hogwarts unfolds the magical world through paintings. It has a novel angle, is very funny, and has a very graphic feel. 3. The Alchemist is this one. I didn't watch it at first. It was very bland, but the more I watched it, the more it became more interesting and had the narrative characteristics of the original work. However, I came here too early and couldn't get enough of it.

You want to be popular! I'd better lick it earlier 😍

British Wizarding - A micro-society of about three thousand (legal) wizards. There are also a small number of illegal wizards. As the only wizarding school in the UK, the number of people in Hogwarts can determine the number of wizards in the UK. "Enrollment is now compulsory for every teenage wizard," he replied, "announced yesterday. This is a change, as it was never compulsory before. Of course, almost all British wizards attended Hogwarts, but parents have the right to homeschool their children or study abroad. And now In this way, Voldemort can put all wizards under his surveillance since childhood. This is also one of the ways to eliminate Muggles, because students must have a blood certificate to prove their wizarding ancestry to the Ministry of Magic before they can be admitted." Chapter 11 of the original book. There are only three wizarding schools in Europe and only thirteen wizarding schools in the world, so we can have a rough idea of the scale of the wizarding world. In the first part Gryffindor, Harry Potter's grade, boys only have five beds in the same dormitory, and by the second year, the dormitory door is marked "Second Year", there is no second grade number 1 or other dormitory numbers. When Gryffindor and Slytherin took their first flying lesson together, there were 20 broomsticks on the ground, and the professor asked "everyone stand next to the broomstick" - this is the original work, which also proves that this data is correct (Philosopher's Stone, Chapter 9). Potions class: When Gryffindor and Slytherin took Potions class together, they set up 20 cauldrons (each student bought them when he enrolled). Part 2 The Secret Room Chapter 6 Gryffindor and Hufflepuff take Herbology class: Professor Sprout prepares twenty pairs of necessary isolation earplugs. The following students appeared in Harry's Gryffindor class: Lavender Brown, Parvati Patil, Hermione Granger, Seamus Finnigan, Neville Longbottom, Harry Potter, Dean Thomas, Ron Weasley. The only male dormitory in the first part only has five beds, which can be used as a contrast. There may be two unknown girls, but if there are more Gryffindor students in this year, wouldn't it be strange that we have never heard of them in 7 years? They never speak in class, never participate in activities in the common room or elsewhere. Judging from the situations in the Herbalism, Flying and Potions classes mentioned above, they are not even in the same class. If there are other students in this grade, where are they? There is indeed evidence that there are two other girls, but they rarely speak. So it can be at least inferred that the number of Gryffindors in Harry's Hogwarts was 10, and from the number of earmuffs, brooms and cauldrons, it can be inferred that Hufflepuff and Slytherin were also 10. Assuming there are 10 new students in each college every year, then there are 40 new students in the school every year, and a total of 7 grades are about 280 students. With the exception of a few wizards, the life span is the same as that of ordinary people (the pure-blood families do not live long. The Malfoy family, the Weasley family with Ron, the Potter family, the Black family and the Lupin family have only one old person, Grandma Neville. Note, the original book only appears in pure-blood families, and there is no pure-blood nobles). Assuming that they all die at the age of 80, then there are a total of 62 students from 17 to 18 years old. This is the number of wizards living at the same time, roughly 2,480, plus 500 wizards who may have a way to live longer, the number is less than 3,000. Extended further, the study of the number of wizards in the world. There are two aspects: 1. As one of the thirteen schools in the world, Hogwarts has only 40 to 50 graduates every year according to my above inference. Judging from the background in the article, British wizards are not weak, and even as a "big country" that can influence World War II and the wizarding world, its background is absolutely high. Then the other twelve schools either have poor student ability, or the number is about the same as Hogwarts. Judging from the appearance of the two schools, they are not strong but not too bad. So the maximum number of students in other schools is three times that of Hogwarts, that is, 120 to 150 people graduate every year, and the total number of 12 schools is 1,440 to 1,800. Then the total number of wizards in the world, that is, the graduates of 70 years (it is estimated that all will live to the age of 87 and study before the age of 17. There are wizards who live for centuries, but there are certainly not as many wizards who died early, so it is roughly balanced.) There are approximately 100,000 to 126,000 wizards in the world. 2. One hundred thousand wizards came to watch the Quidditch World Cup, which made many readers feel that there were too many wizards. But this requires careful reading. First, the tickets are not expensive. The Ron family is not rich but they can get "first-class tickets", let alone the "top box". Mundungus Fletcher is so poor that "I know he actually spent the night under a cloak supported by a stick." He can also come to the game. Secondly, the journey costs less. You can fly to the UK via the Floo network and then use the key to get there directly. You can live in your own tent. Muggle flights and accommodation are not available, and if you buy cheap tickets and come two weeks in advance, you can make money as a hawker. Third, the Wizards are not broadcast, and you cannot watch the game unless you are on the field. This is equivalent to the only world game that is not broadcast, and there will definitely be a huge number of people watching the game. If the Muggle World Cup plus the NBA and the Olympics were combined, the tickets would be as low as Quidditch, and the accommodation and air tickets would be the same as taking the bus. In addition, there would be no way to broadcast it, then the number of viewers of the World Cup would definitely be horribly large. So the vast majority of wizards in the original book may have come. After all, there is only one entertainment competition in the world, so its attraction will be quite terrifying.

The condescension and arrogance of the time traveler like Pig's Knuckle makes me extremely uncomfortable! And bad conduct! Stealing Snape's potion ingredients on the grounds that it was difficult to collect them yourself. Snape owes you? And he did it in a crude way, throwing mandrakes directly into people's bedrooms! Don't be afraid of problems! Extremely arrogant! And he also stole mandrakes from the school greenhouse on the pretext that they were difficult to collect! He still has the arrogant attitude of going to engage in finance after graduation! He can't face even the slightest difficulty. After graduation, he must be directly confusing ordinary people with the soul-stealing curse! This is a bad behavior in finance!

I have read more than 1,200 pictures, and I feel that I am a bit out of shape now. My favorite is the protagonist's original adventure in the first or second grade (before Harry comes to Hogwarts). From that year on, Umbridge became a little bit unbearable. The main reason is that the protagonist is objectively too strong, cheating the opponent to death and adding various buffs, but the plot arrangement insists on telling you that the two sides are in a stalemate and you go back and forth. It gets more and more exaggerated as you go to the end, and it feels like 40 Death Eaters + Voldemort vs the protagonist + Dumbledore + Harry and his team + the entire British wizarding world. However, they also tell you in various places that the wizarding world will fall into darkness next, and the situation will be worse than ever before. It's like drawing a target while shooting in the void. Moreover, this protagonist is super strong and super cautious. Sometimes I feel pity for Voldemort. There is also prophecy. The protagonist's language ability is so invincible that he can predict everything and explore everything without any restrictions, and the plot tension is largely lost. But having said that, I have written more than a thousand hp fanfics, so I don't expect any plot. Let's wait and see how it ends.

Really, seeing Dumbledore die at the hands of Snape once again, I can only say that the level of this novel is probably second-rate. I understand that fan fiction generally cannot deviate from the main line of the original work, but since you want to follow the plot of the original work, at least don't be so stupid. First, it was repeatedly emphasized that Dumbledore was not in good condition, and that he and the Minister of Magic were doomed. In the two plots from Order of the Phoenix to Half-Blood Prince, the supporting cast spent at least dozens of chapters incompetently analyzing the protagonist's prophecies, and then hit them one by one, and then continued to commit suicide in various disbeliefs. Since the Magic War, we have either been hiding in safe spots to hide from the Death Eaters, and then the protagonist has been taught various skills for a long time, and has been caught in various ways, and the protagonist has been rescued in various ways. There is no sense in the plot of Shui's side characters. Potter asks for his memory, and the entire novel is devoted to his annoyance. Little do we know that we are also annoyed by it. In the fan fiction, Potter is no longer the protagonist. One or two scenes would be interesting, but it would be boring to write it in ten or twenty chapters. It's too obvious to fool the readers. If you ask me, this whole Half-Blood Prince should focus on the magical confrontation outside the school, guerrilla warfare, you and me from both sides, various outposts and intelligence operations, and then end with one or two big battles. Then Chunqiu's writing style brings the plot of the original work, ending with the Death Eaters defeated in the battlefield, Dumbledore betraying his butt, Snape's plan to cheat, and Voldemort being deceived and successfully stealing the house. It not only enriches the plot, but also embodies the protagonist's strategizing commander's character, while keeping the word count in line with the original plot. It is enough for Potter to show Hermione's admiration for the protagonist from time to time, there is no need to give too many scenes. The same goes for other supporting characters. What about the Defense Association and the Wizard Card Club? It took you a long time to write it, but it would still be of no use to these rookies. Even if you wrote it, it would be useless and scattered plots. Anyway, my feeling is that there are too many side plots, the main plot is unclear or the conflicts are not prominent enough. All the salty fish are trying to show their presence, but it directly dilutes the tension of the main plot of black and white. The daily life is also too much, and the rhythm is not well controlled. One moment, he transforms into a Night Walker and beats a Death Eater with a stew stick. The next moment, he squats at home with his wife and sister-in-law to heat the kang. This atmosphere is difficult for people to imagine. The last pain point: the protagonist's system has been hidden for too long, the tasks are unclear, the rewards are unclear, the protagonist's strength standards are becoming more and more vague, and there is no quantitative comparability between him and Voldemort. At first, I was following the author's preface about minors outside school. The setting of the trace of the spell caster is a pitfall. I think the author is a fastidious person and has a very good understanding of the original work. Unfortunately, it is a bit difficult to write an original plot by himself. The first and second grade students performed well in the past, but after the trio of saviors entered the school, their control of the plot has been on a downward trend. Maybe this is a common problem with most fan fiction, that is, they can't break away from the framework of the original work.

After reading more than two hundred chapters, I still gave up. I don't understand why the author's protagonist always makes people feel uncomfortable in very inexplicable places. For example, he received the crown mission in the first grade and the reward was extremely generous. Well, you may be cautious, but all the preparations have been made to turn around and abandon the mission. When he was in second grade, he saw Scabbers and took on the preliminary tasks to gain some experience. However, he stopped doing the follow-up task of rescuing Sirius. He even wrote out his feelings and told the readers that Sirius deserved to be detained for what I had to do. You, the protagonist, don't need to be a good person, but you really don't need to tell the readers your feelings to explain that the reason why the protagonist doesn't want to do this task is that he thinks that others' life and death has nothing to do with him. Although it does not matter, there is really no need to say it. We readers are not familiar with the protagonist, so there is no need to tell us his feelings. You only need to make the protagonist's behavior conform to the logic of his character. Another thing that makes me uncomfortable is that in the description of the relationship between the protagonist and his sister, the close relationship between brother and sister does not need to be reflected by applying sunscreen to the sister. Moreover, the sister is still a child of about 10 years old, and there is also a subtle hint that she deliberately found a reason for him to apply it instead of her mother helping to apply it. Don't say that I am wrong. When you read a text and feel that it is sexually suggestive, it must be deliberately designed by the author.

I have a solution for the previous protagonist who wants to conjure an umbrella from a magic wand

It was okay in the early stage, but after the third grade, it became bad. Later on, it was no longer a magical story. It felt like the old man and old lady in the alley had a naughty parent, or a children's version of the naughty parent. All kinds of grievances and trade-offs were made in order to successfully complete the task. In the end, the task was completed, and there was no gain. There was nothing later, so why are you struggling? Just for all kinds of grievances? My balls hurt! I can't stand it anymore, it's a waste of emotion, my money didn't come from the strong wind! So confusing

The author's writing power starts to dry up from the Goblet of Fire part, and it goes completely downhill from there. It is recommended to rewrite directly from the relevant chapters onwards. The author himself seems to have no ability to grasp the direction of the plot, and forcibly "corrects" the plot according to the original world line. If we talk about the protagonists of other fan fiction, they need to worry about the collapse of the main line, so they do not change the general direction, so as not to be unable to "foresee the future". 1. You, the protagonist, have unlocked the ability of prophecy and divination! After the game is over, you, the protagonist, actually know more about "Harry Potter" than Rowling, okay? 2. If you, the protagonist, are "chaotic evil" and egoistic in order to gain skill points, although you can't be called a good person, it still makes sense. But your golden finger skill points will be almost useless during the Goblet of Fire! The protagonist has directly become "Little Dumbledore", and the system panel is only mentioned once in ten or twenty chapters, so the experience points are almost the same as without him! It's completely inadequate to support the main character's motivations. 3. In the part of Order of the Phoenix, the protagonist said "busy, no time" throughout the whole process, but what was he busy about? So busy and lonely! There is no mention of what the protagonist is busy with when he is "busy". It's simply that the author couldn't control the direction of the plot, so he had to "block" the protagonist and transcribe Rowling's original text instead. Actually, you have a branch plot that you haven't developed yet. What's going on in Ravenclaw's second secret room? What happened to the bronze book? Does Hufflepuff have a Chamber of Secrets? These gadgets can be a good explanation of what the protagonist is "busy about", but until the protagonist graduates, there will be no more. 4. In the following part, the protagonist's operation is also very confusing: You can say that he doesn't care about the life and death of other people, he trains and equips his teammates. Tell me he cares. He threw his three roommates in a conspicuous place like Diagon Alley as bait (who has studied in the same school for 7 years, who doesn't know that the four of you are best friends?!) Tell him his identity is mysterious. Everyone in the school knows that he is a prophet. Without a nose, he already knows who he is by name and knows how to divination. You can say that he has a prominent status. When Sirius revealed the news to his own people, he only said "mysterious fortune teller". You said he was wary of Snape, because he made prophecies with his face crossed (Malfoy and Snape, the Philosopher's Stone) You said he believed in Snape, he wouldn't even enter the Order of the Phoenix. Including the latest chapters, You said that the protagonist is trying to train the savior. What this person does seems to be a pure fool. He knows it and won't tell it. I haven't seen any improvement in the savior. You can say that he is hiding the truth. He has basically destroyed the Horcruxes. To put it simply, this book can be read, but it needs to be polished after the Goblet of Fire chapter is finished. The writing power in the rest of the book is greatly reduced.