Connor's Hogwarts

Speaking of Connor, I think of short legs

Cuttlefish said she wants to update 10,000 yuan a day, and the pictures are proof

I know it's the male protagonist, I know

The emotional drama written by the author is also too toxic. . . The premise of a harem is to write good and impressive emotional scenes and characters that make people not want to choose just one person. Writing such poisonous female characters and emotional scenes will only end up making everyone dislike it, just like those garbage people in Riqing who buy illustrations and give away toilet paper. .

First of all, the first part of this book, the combination of Chinese and Western magic, as well as the themes of magic painting, family business management and school life in the magical world, are all written very well; I decided to order them all at that time. However, when the protagonist arrived at school and started writing emotional scenes, I began to feel uncomfortable. He was open to all girls. The superficial reason was to practice his painting skills, but he never painted for boys. The characters of the several girls highlighted are not particularly likable. In fact, if that's all it takes, it's still acceptable to have an affair with other girls before the heroine shows up. But after the collar appeared in Alice's story, and the story about Alice after the protagonist put on that collar, I felt sick. Alice went from being a pretty cute girl to a character that some readers wanted her to die (I was one of them). There is also the protagonist, who after clearly telling other girls that he has someone he likes, does not keep a distance from other girls, remains ambiguous, and has no way to deal with a little girl, which makes people feel very uncomfortable. Maybe the author doesn't know how to write emotional dramas! Here are some suggestions for the author. 1. Either there is no heroine, and the protagonist only focuses on career and magic. 2. Either have only one female protagonist and keep distance from other girls who like the protagonist (especially Alice, please break off the relationship quickly, it will be too uncomfortable for people watching). 3. If the author wants to open a harem, then please make each girl more likable. At least each harem should have a unique charm that can make readers like it. Forget it about Alice. After writing this book review, I will say goodbye to this book for a while and save a few more chapters. If the protagonist is still ambiguous with Alice after a while, and Alice's character is still so annoying, such an annoying person actually becomes the heroine. Then I can only say goodbye with great regret. I write this just hoping that this book will be better. I hope that this good book will not be ruined by emotional drama. Again, I hope that the author can write better and better. 🙂

I really can't fall in love with the character of Alice, so I can't help but complain about it First of all, this character setting is not likable. The daughter of a rich family is unconventional, blindly confident and mischievous. She is first-class in blind confidence and mischief. She doesn't even know when she causes trouble. In reality, how far away can such a person go? Secondly, the positioning of Alice makes me feel uncomfortable. Penelo is the secretary and Blanche is the cousin. Each has its own characteristics and functions, but Alice is completely useless except to promote the plot of Angel. It feels like there is no difference between her and her, but she has a lot of space. Is it the heroine or the female partner? In the end, all Alice's emotional fluctuations have not touched me at all. Her view of love is too childish (you can see in her dreams that she is completely willful and secondary). Pretending to be strong is still in front of others (if you want to be strong, don't cry in front of others. Who are you crying to? See? Isn't it just to find sympathy?), Open your mouth and shut up, my xx completely conceals his intelligence and ability, and his deliberate cuteness makes me feel sick (the student doesn't look like a student, he keeps changing his clothes), anyway, almost all the behaviors of this character are my fault. Don't say that she is a child balabala before she is a minor. Does she have to be so naive when she is a minor? (Other characters are much stronger than her) And what about aristocratic education? Alice has really been dancing in my mind all this time. I can tell by looking at the character that she is not that popular. I hope the author will reduce her role. I almost feel PTSD towards her now (she will do nothing good when she appears, all kinds of pretense, betrayal, and shameless behavior. I lost two pounds of goosebumps) Of course, if she is the heroine, I will pretend that I didn't say it, and I will slip away ε=ε=ε=┌(;´ﾟｪﾟ)┘

When I saw Connor, I thought of the assassin with the axe. It suddenly occurred to me that it would be very interesting if Assassin's Creed was integrated into Harry Potter. It would be very interesting if the Brotherhood of the Wizarding World promoted in it that all things are false.

Hehe

I love this book so much that I have ordered all of it! Do you dare the author to add some details?

I feel that the recent plot appeared a little too early and the author did not handle it well. First, there is a problem with Dumbledore's recent characterization. In fact, Dumbledore is wise and almost demonic. He has read most of the books on Hogwarts. Even if he doesn't know which angel he is, he should be able to guess the nature of the angel. But here, Dumbledore believes whatever others say. Apart from his ability to hold the Elder Wand, there is no way to tell that he is the most powerful white wizard. Second, there is a problem with the plot. The protagonist's halo is too much, and the transition is not smooth enough. They listen to whatever the protagonist says. You must know that the protagonist is only a student. In addition to the family's wealth, what is currently reflected is only the strength and wisdom of the student. Moreover, he has no contact with the Holy See. Even if you want to listen to him, Dumbledore should believe him. Not only does the Holy See not have a good relationship with Connor, but if he insists on saying it, it is a bit unreasonable. Because knowledge leads to fear. The Holy See knows the power of fallen angels, so it should be firmer, and then let Dumbledore and other teachers at Hogwarts serve as guarantees, compromise with each other, and give it a period of time to think of a solution. Then the Holy See will give information, and the protagonist will be wild and open-minded. The Holy See and Dumbledore will work together to complete the plan, so it will feel better. Third, it is still a problem with the character. The intelligence is too serious. Dumbledore is just a tool. The protagonist has no sense of character after living for decades. Even the teachers at Hogwarts can't get in the way. The protagonist talks about solutions as soon as he comes, not mentioning whether it is feasible or not. Dumbledore negotiates with the Holy See, or Dumbledore wants to When solving a problem, the protagonist cannot intervene except from the perspective of friends. In fact, the author can give the protagonist some tricks here, such as going berserk. In order to alleviate the protagonist's rampage, Dumbledore is forced to stop. This way, there will be a better reason for the protagonist to propose a solution, instead of being awkward like now. Fourth, it is still a matter of the protagonist's strength. With the protagonist's current strength, this plot should not appear. For the sake of students, Dumbledore cannot put the protagonist into a dream. I feel that the author could actually use the explanation of the butterfly effect to place this plot around the fifth to sixth grade. In this way, the protagonist can participate in the plot, instead of being just a marginal character like now, requiring the author to forcefully arrange the plot. In fact, in this plot, I feel that no one can remember it, which means that all the characters are not three-dimensional enough, and the author you wrote is not as good as before. That's it. I don't want to read the rest of the plot anymore. I hope the author can write better and better. Goodbye.