Academic Gathering with Lich Colleagues

I have read more than 600 chapters so far, and I can't help but want to exchange a few words. Although this author who writes for fun may not necessarily listen to it... Let's talk about what's interesting first. The funny style of the lichs enjoying themselves in death complements the protagonist's behavior as a "normal person" but out of common sense. Just like the two characters in a cross talk, humor and humor are added with a spoonful of seriousness, which is very delicious. On the other hand, the various settings of this fantasy world are also very eye-catching, such as light bats, floating cities, delusional stories, etc. Various settings build a rich and lifelike fantasy world. Let's talk about the part that makes you feel out of touch. The lich seeking death is very interesting, and the three scoundrels in the literary club are very funny, but these humorous plots are independent notes. They are just scattered there, without a continuous tune to create a sense of rhythm in the main body. There is no good connection between chapters. Each chapter is like an independent event. Without a good line to connect them, there is a lack of overall rhythm. If I have to say it, Raymond and Holy Light are the line that continues from the beginning to the present, but it is a pity that the protagonist is not the lich who will make Holy Light invincible in the world. There is no mystery of death, no bitter hatred of brothers and sisters, and no faith and obsession. The protagonist has several friends, and has several labels such as "pure one", "evil god" and "traveler", and then he has done a lot of amazing things, and many girls like him. But I still don't seem to recognize this person. Can't see his motives, can't feel his emotions. Maybe it's because I don't have enough understanding. With the appearance of the villain Sheli Tong, this feeling of tearing becomes more obvious. The villain is so cool, extremely resourceful, evil and cruel, causing trouble one after another, and escaping unharmed again and again, as if there is a vulgar set note on his face like "I will live to the end to fight the protagonist to the death." Where is the protagonist? The protagonist has no sense of existence and is just running errands for family and friends as a tool. Anyway, in the end, with just a shout, the protagonist can summon the seven aunts and eight aunts, and use the power of "fetters" to defeat the lonely villain. Well, that's all.

It's just that the promotion is not strong enough. Good novels will eventually be discovered. Authors must not be eunuchs and write in the odd time they have every day.

It's a pity to read this book. The imagination of the daily life of the academy and the creation of supporting characters are quite successful. It is fun and funny and has a distinctive personality. The background setting is basically self-explanatory except for the fact that the "holy light" is too powerful, which may cause the collapse of the combat power in the later period. The protagonist's growth path does not have particularly vulgar pretense. But it is a pity that it is a pity in the shaping of the protagonist's emotional line and the plot of saving the wandering city in the Forgotten King chapter. The emotional line of the protagonist is too abrupt. If there is no comparison with William's emotional line in the Forgotten King chapter later, it would be acceptable. However, in fact, William's emotional line is more successful than the protagonist's emotional line. Maybe the protagonist has become a trial work for the author to practice the emotional line shaping? This led to the later chapters involving the protagonist's emotional line. I skipped the Hamlet Castle plot because it was awkward. I watched William's emotional line more than the protagonist. The pretense of Wandering City is very blunt, even at the cost of killing William's father. This poor man with not much space is not unable to accept death, but he is also a peripheral figure in the plot. However, his death was too sudden and deliberate given his identity and background, including the subsequent forgotten kings who gave their power as kings. Their exits are not as foreshadowing as the death of the Death Star apprentice. Even after the death of the Death Star, one can say "Oh, he finally killed himself." I don't know if this is because they want to quickly enter the main plot. Currently, I have only seen the Forgotten Kings chapter, and I don't dare to read it later. My teeth hurt after I ate two pebbles during the meal. Are there any spoilers that tell me how much of the protagonist's emotional line will be in the later part? Has the plot of the dead supporting character been improved?

What I want to see is the story of the protagonist, not the story of a supporting character. It's okay if you want to write a story about a supporting character, but can you not interrupt the protagonist's plot by inserting large sections of the supporting character's plot? The chapter title complains "Who is the protagonist?" Do you think you are humorous? Could you please stop focusing so much on the story of the supporting characters? Do you know what it means to readers when writing like this? The emotional description of the epidemic doctor is not even as much as that of William. Who wants to read William's story? In the witch chapter, some people complained that the protagonist suddenly disappeared, and a lot of new characters appeared to interact with each other. The protagonist only appeared after the interaction. I thought it was jelly grass, but I didn't expect it to be a poisonous weed pretending to be jelly grass, or a poisonous weed that only becomes poisonous after eating it at a later stage.

I can only say one word about the relationship between Arianna and the protagonist, "abrupt". The twist is abrupt, otherwise I would have given up on the previous writing, and would have turned it on and off again. There is no need to forcefully write it. If you don't have a heroine, it doesn't mean you don't have a wife. The protagonist can get married. It can be written in a subtle way and the wife does not appear.

The mission of the blood book editor (1/100)

The irresistible charm

It feels like a fantasy to explore the new and unknown. But is it really okay to read light novels?

I subscribed to Qidian specifically for this book. Now that I have read it, I want to complain. It feels very good, but the protagonist is too inconspicuous. Compared with the people around him, the protagonist's character is very ordinary and there is not much plot, so there is no sense of immersion. And compared to the surrounding bosses, the protagonist is not too strong. The look and feel is very strange. An ordinary, weak protagonist feels like a supporting character among a lot of bosses with distinctive personalities and superior strength. It feels the same with or without him. I hope there will be an unexpected turn later

The only drawback of this book is that the main character is a living person