Players Are Super Just

A difficult book to review. If you have an appetite, it's great, and you'll like it like an invincible person. If you don't have an appetite, you really can't stand it. Let's talk about the highlights first: Awesome world structure, novel power system, and lovable characters. A character whose IQ is basically online. Good description techniques and wonderful copy story. As for the ordinary aspects, the author's writing power and writing skills can be said to be excellent in the entire Internet literary circle, but in the circle of great writers, they can only be said to be not bad. The narrative rhythm can only be said to be not bad. I don't know if the author didn't pay attention or if he paid attention but couldn't control it well. The narrative pace of this book is not good. It often happens that the previous plot is not completely concluded before the next plot is inserted. It's not confusing, but it feels like the author is being led by the plot and can't fully grasp the plot. Finally, here are some points of disapproval. First, too many foreign names may not matter to some readers, but may confuse names for others. Let me name the Lord of Mysteries here. It is also a novel with a Western fantasy background. However, most of the plots with non-essential characters will have nicknames to help readers remember. Secondly, there are too many mind-reading, amnesia, and time-related abilities, which actually lead to many logical flaws in the plot if you look deeper. Moreover, although the power system is novel, it is quite loose. So readers who don't want to remember people's names and those who like rigorous systems and strict logic may not read it.

*The content of this article has been converted from traditional to simplified. Please forgive me if there are typos or unclear words A protagonist who travels through the game world, matched with the common flow of summoning players. It features a dungeon-like nightmare that also contains interesting clues to solve puzzles and some scattered but profound back stories. Through the fragments of these back stories, a thoughtful and far-reaching story can be pieced together. It is also better to restrict player flow or some regular behaviors. Small-scale summons and moral screening can avoid the scattered perspectives of a large number of players and the strange behaviors of some players such as locusts crossing the border. I don't think anyone likes to see those behaviors that we find annoying in games. Another part I like is that both the player and the protagonist have the opportunity to explore the same nightmare. The gameplay of solving a nightmare from the player's perspective and the protagonist's perspective at the beginning is great. The different perspectives shown by the protagonist's puzzle solving and the player's puzzle solving are indeed very fresh. Unfortunately, there will be no such interesting nightmares in the future. The initial Gallery Nightmare in Frozen Water Port is a simple, old-fashioned but far-reaching dungeon in the early stage. I especially like the different characters' interpretations of Annan's behavior when Annan enters with the players different times. Each time a part is revealed, the image will be supplemented by the next time, and even As for the discovery of the reversal of the image, I have no resistance to this kind of peeling back the layers of a complex puzzle. The clips where Amos, Ellie, Angelo, Joseph, and the Skeleton Man continue to intertwine and conflict with each other as the plot progresses are my favorite way of unfolding the story. Let's mention the particularly exquisite character creation. The stories and emotions behind them are memorable. Not only the main characters Annan, Kafni, and Salvatore, but even most of the supporting characters have mellow and intoxicating stories. Benjamin and Evelyn, Hugo and Bernardi No and Isaac, Lily and Anya, and Yuffie, there are too many stories for me to list them all, but I think to sum them up, no one of these complicated people is absolutely right or absolutely wrong. They may be full of regrets, and they may lament the wrong choice, but in the end they need to move on and do something. Annan's father Ivan was the best Grand Duke in the history of Winter. Ironically, it was precisely because his deepest wish was not to be a Grand Duke, but to hope that his relatives would live well, that the curse was triggered. "That's the curse called [The Fate of Invincibility]. In this life, whatever you want most is destined to be impossible to get... As compensation, things that are just in the category of 'interests' can always be completed beyond expectations." Dmitri is a The prince is the eldest son but not talented enough to take on the responsibilities of the cold winter. He is even full of guilt because he failed under Fufu's gamble despite not being his responsibility. However, he is the most tenacious or stubborn person. Even though he became a little decadent, he never fell down from the beginning to the end. Maria is a typical tyrant, all love is ranked according to preference, and luckily Annan always comes first. Neither of them can feel love, but they can give true love to others. "We will get to know each other again. If we really have extremely sincere feelings, it will be like a name engraved on ice... Even if new ice covers it, the traces will still be wrapped in it." Like the setting of the novel a long time ago, the Eighteen Palms of the Dragon did not really exist. There have been eighteen palms, and the Thirteen Saints and the corresponding holy bones have not really all appeared. The ones that have appeared in the novel are as follows: Eye of Patience, Flesh and Blood of Sacrifice, Bone of Fearlessness, Hand of Hope, Heart of Justice, Skull of Honesty, Tongue of Mercy, Wrist of Perseverance, and Guardian (I don't know what organ). However, the Twelve Gods have clearly appeared and each represents a month: the Bone Burial Granny, the Mysterious Lady, the Silent Lady, Yaweng, Silver Siren, Red Knight, Miss Good Luck, Mr. Yao, the Cup Girl, the Moth Mother, the Sui Father, and the Old Grandmother. These thoughtful little settings give people a sense of classical fantasy. As for the twenty-four wizard towers, there is no complete definition. After reading these, when I was sorting them out, I always wanted to find the author to dig out his detailed settings and study them carefully. It is interesting but also a pity that the power level is too high. A higher power level allows us to watch the protagonist go layer by layer to unlock the secrets of the connection between the crane and the world, but it also makes the outdated friends quickly lose the opportunity to play. For example, most of the players appear only to wave the flag and block out the miscellaneous fish, or for example, the cute seniors always lament that they are useless again and again. I think the more regrettable part is the setting of the black tower. Although a very interesting ultimate theme is designed for each black tower, it is not arranged in the exploration itinerary. "The Fire that Is Not Lighted for Myself" and "More Perfect" respectively show the spirit of the Black Tower of the Zeland and the Jade Tower. This makes people want to know the secrets of the other 22 black towers. Unfortunately, after the power level rises in the later stage, there is really no time to go to each black tower to complete the tour dungeons. I think the different contrasting views of identity between players and aborigines are well explained in this film. First of all, from the gallery of the deep water port, it is an unsolvable nightmare for the aborigines, and someone needs to stop it. Through subsequent profiles, we learn that the initially inconspicuous priest Louis did not hesitate to choose to sacrifice himself. When Annan thought that Louis was just cheating and giving him wrong tips, he didn't expect that for Louis, this was already his best attempt to "no matter what happens, don't look back." Nyousel and Nefertari in the underground world then imagined an image of players facing nightmares without fear of hardship or death. This also vividly describes how deep the nightmare is for the aborigines. As wise men in the underground world, they know very well what an endless sacrifice this is for the indigenous people. "I don't care what the wise men and diggers in other cities do, but I want them to firmly believe... When they come here, at least one city will welcome them, and at least one city will recognize and remember their contributions. Their efforts are not in vain." Even after they understand the differences between the players and them, they still thank the players with a simple comparison. "An ordinary person who will be burned to death by fire and an extraordinary person who is not afraid of flames both rescue an innocent person from the fire. Their achievements should be the same. ' Si An Ke and Lin Yiyi is the story that impressed me the most among the players. It was first introduced by the story of the painter Nigel. After the painter with extremely low yield realized the harm caused by selling scrap manuscripts to Zhi Ji, he decided not to rely on Zhi Ji to deal with the scraps but became what people call a waste painter. However, at this time, his family accepted him and understood his dream. The monologue at this time is touching: "But every painting of mine is painted with all my strength... I really didn't... Not perfunctory..." "It's just that I am too incompetent..." Then compare Amos and Nigel at this time, similar Mortals have also encountered the limits of their talents. Nigel's talents are not even as good as Amos, but in the end, one of them chose the shortcut of Bones, which ultimately led to tragedy, while the other chose to face Yaweng's criticism and practice day after day to make his debut again after twenty years. "I will not die. My life is still very precious. When I am about to die of old age, I will support a few poor students who love painting and teach them what I have learned throughout my life - passing on the kindness Zhiji gave me in the past and the hopes and dreams she gave me." Finally, back to Lin Yiyi, she wanted to give her brother a goal and point him in the direction of progress. She should not panic or be uneasy, and give this care gently. '——Why should he have such an excellent sister? ' The answer to this question was found in Nigel, which was the answer that Lin Yiyi never said. He was not his sister's shadow, but a transcendent, inheriting the hope passed down from his parents and teachers. To summarize, this is one of my favorite novels that summons players. First of all, the player's sense of integration into the different world is particularly high in this book, and there are no out-of-order and unpleasant behaviors. Secondly, the protagonist is indeed a light that guides everyone and does a great job of pulling the characters together in the story. The excellent character creation left me wanting more after reading it.

The protagonists of Qi Miao's books all have a kind of divinity. I went to ( ) two days ago to finish the previous book "To Four Thousand Years Later", and found that whether it is Solomon or Annan, or the earlier Roland ("Mercury Blood"), the protagonists of Qi Miao all have an otherworldly, god-like rather than human characteristics. What they do is of a higher divine nature than human nature, just as God does on earth. They can sacrifice everything for a "great cause" (such as saving the world). They walked toward salvation, and those who walked with them were gods and saints, those who followed them were wise men and prophets, and those who accepted their teachings were heroes. People always worship them and love them, but they always go alone because they are born to know what they are doing and do their duty. Now Annan has also embarked on a lonely road. This is a road he can only walk by himself, a battle he can only fight by himself, but he firmly believes that he will triumph. When you read Qi Miao's book, you probably get this kind of story and epic feel. It is difficult for us to empathize with the savior, because it is difficult for ordinary people to do so, but this does not prevent us from admiring him. This is the epic of the savior.

Read some of them and evaluate them. 1. The settings are good, similar to the Lord of Mysteries. The occupation and level are bronze, white-eyed gold, and above are good gods, evil gods, and subordinate gods. However, the leadership of the country is not determined by gods. The various weapons and curse settings are also more reasonable. 2. The narrative rhythm is okay, but there are also some problems. One is the often lengthy self-talk, the description is not very clear in some places, and the abrupt emotional description. 3. The biggest problem for me is the character setting, which is also the reason why I couldn't watch a small part of it. The author sets the protagonist to be very witty, self-disciplined (a robot), and unable to feel negative emotions. This aspect is acceptable. But the protagonist often suffers the affection of strange women, female players, gods, and all kinds of women want to touch him? The protagonist doesn't refuse at all. . . This can be watched by those who can accept the main character being a god and a cute pet.

A complementary building for book lovers. The format includes name, age, birthday and gender. Other parts can also be self-study and provided to the author for reference, but adoption is not guaranteed. Please don't name it too strangely, don't use special symbols, and please abide by relevant laws and regulations. After all, this is a serious book. Of course, if it is difficult to read, it will reduce the probability of adoption. After all, this is a novel for people to read. The above, let's have a happy rua cat together.

[4000-Word Rainbow Fart] From the dungeon design, see "Player Super Justice" Warning before reading: This article contains a small amount of spoiler content, readers who have already entered the trap but have not yet caught up, please read with caution When I write book reviews, I often say: "A good story" is the highest honor a novel can receive. However, there are always some outstanding authors and works that, while perfectly exerting their own charm, can also blaze a new path for future generations. We call them the ancestors of a school. Just like the poets and poets to lyrics and music, and like the mountain of infinite flow, the great pioneers broke through the limitations of genres and formats, and used their outstanding creativity to help latecomers solve many problems that were previously untouchable and unsolvable. For example, the book "Player Super Justice" we are going to talk about in detail today (hereinafter referred to as "Player") More than one teacher has written a book review for "Player" in this Dawn Cup, so this article will bypass arguments such as the atmosphere theme power system and focus on talking about the exquisite design of "Nightmare". In other words, this article is not to tell you whether "Player" is good or not, but to tell you what is good about "Player". People in the world improve themselves and become extraordinary through "nightmares" of different types, different difficulties, and different triggering conditions. After the death of the extraordinary person, a new nightmare will be generated, becoming an endless reincarnation. I believe that every fan of "Player" should have these four words among the reasons for pursuing books: Nightmare: Gallery. As the second copy of this book and the one with the most written content so far, it has deeply attracted all readers with its exquisite structure, beautiful multi-player perspective switching and atmosphere inherited from several classic horror games. A teacher in the book club even said: I didn't dare to read at night when I was in the gallery. It is enough to show the excellent atmosphere creation. When the author saw this paragraph, I almost mistakenly thought it was a horror novel (fortunately it was not, otherwise I would not have had the guts to finish it). It can be said that the copy of "Gallery" is the most "nightmare" copy. Why is this design exquisite? Because it helps authors solve many difficult and complicated problems of traditional online writing. First of all, if you conduct a questionnaire survey to online article authors, what are you most afraid of when writing? Among the top three answers, there must be this one: too many readers are lost during the plot transition period. Therefore, current authors either place the transition period at the beginning and end of a volume, or try to compress the transition period as much as possible to increase the density of the plot (when it comes to density, you can't help but cue Kingdom Blood, which is the most realistic novel that the author has ever seen for its plot). What is the transition period of the plot? It is the foreshadowing before the story begins, and the ending after the story ends. Such sections are often carefully designed by the authors, just like the last two lines of a thirteen-line poem. But such an exquisite design cannot retain modern readers who come and go in a hurry. If you set the stage here, readers will go to other novels. On any website, there are countless novels at the climax of the plot every moment. The use of dungeons in "Player" solves this problem to a certain extent: For the same dungeon, no matter who comes (without distortion), his settings, introduction of the plot, general process, and touching points are all fixed. Readers already know this when watching the first character play the dungeon. Then when the second character starts to type dungeon , readers don't need to endure to read the plot (even the author can explain it without too many words), they can directly see the climax of the plot and see what makes this character different from other characters. His personality, characteristics, and shining points will be obtained by readers in an easily acceptable way. The advantages of nightmares are also reflected in character creation. Flattening of player images and tool-humanization are pitfalls that many fourth-day disaster novels find difficult to avoid. This is understandable because the main perspective is generally locked in a different world (often following the protagonist). Players travel to different worlds in various ways and grow with the protagonist. Since the main perspective is in a different world, naturally not much writing will be left to the real world. Since there is not much focus on the real world, how can it support the image of many modern players? Through the design of Nightmare, this problem has also been solved very well: Nightmare is not purely about force. In many cases, players will lose their ability level after entering. Simply put, you can only use what the system gives you. So after losing the plug-in settings of force, level, and ability, nightmare naturally becomes a game of battle of wits and courage. In the high-pressure environment of nightmares, players have better reasons to vent themselves, show themselves, and leave a deep impression on the audience. The representative situation is Husky and Shisanxiang playing "Nightmare: Gemini". They showed completely different qualities and abilities from the protagonist Annan, allowing readers to understand them and remember them in the most chapters. From the new martial arts novels to the now dominant fantasy novels, the authors have studied a standard process: the protagonist is often attacked or persecuted, and faces certain powerful enemies, so he works hard to practice, makes friends, and finally achieves his goal. Such a standardized design is naturally an excellent system that helps creators cut off the branches and leaves, leaving only the strongest trunk. But such a system also has to face a problem: how will the plot develop after the enemy is defeated? If you want to create a powerful boss, you often need a lot of plot to support it. You need many people on both sides to set off the boss's ruthlessness and boundless power. But after you defeat him, the plot will often face an awkward period. This embarrassing period is acceptable for traditional paper books, but for online articles, this awkward period is destined to lose a large number of viewers, because at this time, the book loses its biggest attraction. Excellent books such as "Lord of the Mysterious" cannot avoid this problem. Many book reviewers said that after the protagonist killed his enemy, the atmosphere suddenly felt wrong. But if you always hang on to a boss and fail to defeat it, it will easily become a mess and be scolded and insulted by others. What if you defeat a boss and immediately arrange for a bigger boss to appear? This is the current mainstream approach, but it cannot completely solve the problem, because the vacuum period of the plot still exists, and subsequent bosses can easily be said to be flat in shape, without foreshadowing, and not as impressive as the previous boss The design of nightmare may have proposed a new solution for this difficult problem. Currently, when the protagonist kills a big boss and achieves a big goal, it is often accompanied by a big level increase (authors use this to balance the reader's psychology). In "Player", if a character wants to upgrade to a large level (such as from bronze to silver), he not only needs to complete tasks and kill enemies to gain experience, but also needs to clear certain special nightmares. The higher the nightmare difficulty, the better the performance, and the stronger the advanced profession. If the protagonist team wants to level up and achieve a certain big goal, they have two plans: defeating the big boss and clearing the difficult nightmare (many times the two are related, and they don't appear to be out of the ordinary, as they are closely linked to the plot). For example, it's like other shooters only have one magazine and you have two. Then some readers may ask: Since nightmares can be upgraded and advanced, why are there no players like the "Shilipo Sword God"? Simple, because there is a limit to the number of nightmares. The more nightmares weavers have, the more powerful they are, and the fewer nightmares tend to hide more information (the details here will involve a lot of detailed settings later, so skip them). Having said this, readers should be able to appreciate that the degree of completion of this design is surprising. I am not sure whether this design is completely original by the author, but its high quality and detailed settings are enough to deserve the respect of every online reader. I wonder if readers have ever played Sekiro? When the plot progresses to a certain key node, the protagonist will find that the map he walked through once in the novice stage has completely changed. The monsters have changed, the forces have changed, and even the most eye-catching visual image has also changed greatly. On the one hand, this design reduces the game volume and the producer's modeling workload. On the other hand, it also gives the player the most intuitive feeling: the world has changed because of me. The same principle applies to "Player". It is the creator's skill to write a bigger story with less pen and ink. Even for pitfalls such as "narratives and flashbacks" that most online writers avoid, the author also uses the "nightmare" design to come up with his own answer: Narratives and flashbacks are not monsters that cannot be mentioned. As long as they are done in the right way, readers will even shout that they are really delicious. Using dungeon design, the same plot has been used many times, and different answers are given from different perspectives. The most typical one is the "Nightmare" series, with three versions and explorations by more than a dozen different players. It is like an out-of-character mystery novel, handing you various details in stages, and depicting the truth of the incident bit by bit. It is worth mentioning that although many of the novels nominated this time were not shortlisted in the top 20 (such as Guns of Embers), they bravely charged into the various minefields mentioned above and found their own way out, which really makes the author happy. In "Player", there are actually a lot of elements of restraint, mystery and esotericism. But the smart author has made a choice, reconciled the niche and the public, used subtle rhythms and dosages to release the charm of these elements, tempting readers bit by bit, instead of scaring people away as soon as they start. How can we adjust this rhythm? Or a copy, a copy called "Nightmare". We can even chat quietly off-site. If the author is not satisfied with the performance of a previous copy, or the readers' response to it does not meet expectations, perhaps, we can just do another copy. (Definitely not implying that the Skeleton King and the wonderful "Nightmare: Gallery" will soon appear again in the plot) Novel is a moving art. As appreciators and critics of this art, we should applaud the outstanding and encourage the innovators. So how should we treat the excellent and innovators? How about voting for a monthly vote? The last convention is my pretentious sentence sublimation time: This is not just a good story.

I used to be an ordinary person, until I saw from a book the true name of the great being that recorded the past and the future - Wuqi Shixian, my world has changed! Infinite wisdom has blinded my brain, but human beings have limits and wisdom is infinite. There is a limit to what books can carry and what I can see. God has mercy on me, I found a new diary... However, how can a human know everything? Quanqin often whispers in my ear, but I never remember it. The first update revealed something to me, but I don't know its meaning. The second update is manifested to me, but I don't know why. So I share it to give all living beings the path to advancement. Finally, the name of Duo Geng was interpreted... Ah, today, wearing a black robe and holding a sharp knife in my hand, I will find the man named Duo Geng and stab him in the back as a sacrifice! Don't run away from the many people. My compatriots are so many! +1 +1, one after another! ! ! More checkmate, full attendance comes! ! !

Although I have only read 16%, I have to say that this is indeed the best book Qi Miao has written so far. The story structure is small and exquisite, compressing the number of characters as much as possible so that the relationship between the characters becomes extremely "strong" and the plot unfolds more smoothly. I think the biggest improvement is that I have somewhat controlled the arrogance that was revealed unconsciously, so that readers can have a better reading experience and be able to feel the emotions behind it through the words.

Just finished reading the latest update today, and I once again lamented that this is really a masterpiece. I personally feel that the author's skill in polishing the plot of the dungeon is really delicate. The dungeon of Bones uses a jumping and progressive narrative method. In hundreds of chapters of various events, a story of love and betrayal is told with fragmentary fragments and obscure foreshadowings. At the end, it echoes the original "I am listening", which makes people remember it for a long time.                                                                                                                                The arrangement of the player roles makes me feel a little uncomfortable, or it may be the influence of the author's style. He focuses on portraying a group of more real, flesh-and-blood players, adding complete settings and backgrounds to them one after another instead of highlighting their locust-like destructive power, so it is different from the recently popular fourth natural disaster. Especially recently, the multi-threaded exploration of different plots from the player's perspective is certainly very attractive. I think it will be very fascinating if it is completed. However, I personally feel that it will inevitably be a bit procrastinating when catching up. The interaction of several players in one thread lasts for six or seven chapters, and the role of the protagonist becomes blurred and forgotten as the time for updating increases. There is a sense of obstruction of opening a chapter every day only to find that the plot is difficult to advance. The above are just some of my personal thoughts. I think the author's skill in writing books is very powerful. I am pursuing many books at the same time, so I am sorry that I cannot order them all. I hope the author will write better and better.

I just read the chapter where Father Shi explains the truth to Nicholas, and suddenly I have an inexplicable sense of reality: If the world is regarded as a "human" or other creature, these gods can be regarded as various human organs such as "brain", "heart", "pancreas" and "hypothalamus", which can have an impact on the human body (i. E. The world). Various popes and the like are regarded as "pheromone" to transmit organ information to cells, and ordinary people are various "cells" and "microorganisms". The collision between the same world may be similar to the communication and contact between "people" and "people", which will cause communication at the "microbial" level, which may cause "people" (the world) to be harmed, such as "diarrhea" or even death. Then Annan may be something like a "transplant organ" or an "antibiotic", that is, an existence from another world to solve these "foreign germs". Annan can summon some "antibodies" (players) that are harmless to the body of this "person" (the main world) to help solve this disease and help resist the "germs" (catastrophe) brought by another "person" I haven't seen the back yet, but I just felt a sense of immediacy after watching Shi's explanation.

I watched part of it while jumping. This is not because of the author's poor writing skills or poor content. Frankly speaking, the logic of this book is relatively strong, the main plot and copy settings are exquisite, and I even like the author himself. Overall, it's an interesting novel worth reading. I am a reader who doesn't quite keep up with trends. The player stream seems to have been popular a long time ago, and I just noticed it. So I searched for the keyword "Fourth Natural Disaster" and found this book. It's my favorite type. The setting is realistic to a certain extent. The world structure is relatively complete and the concept is exquisite. The main characters will not be forced to lose their intelligence just to advance the plot... It's very interesting. However, it does not meet my demands. This is my personal reason. When I read the end of the copy of Bones, I started to skip reading. In addition to the three hundred silver mark marks brought by the "player" element to the protagonist, it seems that the role of other parts is not necessary. It does not mean that the player is not portrayed well. The children, geese, horses, and wine in it all left a deep impression on me. Even in Chapter 450, the protagonist said something like the player's low sense of presence. It was laughable and a bit cute, just like a class teacher who likes to peek at the screen and suddenly remembered that the people in the video were his students the night before the final exam, so he sent a notice overnight to inform him of tomorrow's exam. Let's get back to the subject. From the perspective of the work, I feel that the two elements are somewhat separated. Just like the P picture, people and scenery look good separately, but the blending at the border is a bit unharmonious. However, the root cause is just my subjective factors. I thought I wanted to order a cup of honey tea, and after taking a sip I found that it was a cup of high-quality honey with a few drops of Dahongpao added to it. Finally: skipping reading is just because it does not meet my personal needs, but the book as a whole is still worth recommending. Tickets are presented.

{"NickName":" pray for ten strings","UserId":212989463} Congratulations on getting the trial opportunity to obtain the highest honor of the starting point: [Immortal Milk]. The trial has begun, and the first wave of poisonous milk has been put in place. You have obtained the chapter recommendation of [Big Eyeball] Far Eye, one of the three poisonous milks. The trial period is one month and it has been completed on 6/30. Please note that once you fail to survive this wave and the following two waves of poisonous milk, you will receive one of the punishments such as [Book 404], [Discontinued], [Disease-ridden] or even [Evaporated] depending on your character. The trial has begun and cannot be terminated or avoided. Please try to survive and good luck.

I'm currently up to chapter 278 of the second part, and I feel like I'm stuck in my throat, so I beg the author for spoilers. How will the matter in the virtual world be resolved in the end? Is there any salvation in the virtual world? Will this world be reborn in the future? If I were to evaluate one thing in this book that is the most unjust, the most evil, and the one that deserves the most retribution, then I would choose the Crusade. Invade another world and poach the heart of the virtual world, causing a good world to collapse and perish. How many tragic things happened during the destruction of the virtual world? These are all caused by the invaders from the Mist Realm. The creatures in the mist world absorb the blood of the virtual world to obtain the power of elements, so that the way to ascend can flourish. These are all stepping on the destruction of another world. If even Annan thinks that the expedition to seize the sky is normal and nothing, and that he wants to wipe out the world he destroyed, which is more fascist than fascist and more devil than devil, then he is not qualified to claim justice.

An author's portrayal of the protagonist can reveal certain qualities of the author himself, such as intelligence and tenacity.

The author has a lot of personal stuff. . There are many places where I find it incomprehensible 😥😥 Some of the jokes are completely inaccessible to people who don't understand them. . Overall it's a bit messy. .

Qi Miao Miao is great! Yun Yang prays for meow!

The book is a good book, but I personally don't like this type of book. After reading about ten chapters, I couldn't stand it anymore. I'm sorry.

This Fufu is so mean

Who am I, where am I, what am I going to do, what is this, why The brain is never enough. After reading the book review, my mind is even more confused Abba, Abba, Abba, Abba, like a mentally retarded person.

Cover art for cats. . . By black cat Krnk

1. Bone Burler (god of death and earth) 2. Mysterious Lady (god of secrets and rituals) 3. Lady Silence (god of darkness and rejection) 4. Yavon (god of nobility and art) Holy emblem: dove 5. Silver Siren (trade) God) 6. Red Knight (God of War) 7. Miss Good Luck (God of Luck and Accident) 8. Mr. Yao (God of Purification and Light) 9. Cup Girl (God of Blood and Desire) 10. Moth Mother (God of Decomposition and Fertility) 11. Suifu (god of fire and creation) 12. Old grandmother, cold-blooded lady (god of frost and tradition) The serial number is the month of Zhengshen Known real name: 12. Ligredo The false god may not be complete, welcome to reply and remind Subordinate god: a part of the false god Seeds, independently recruited by the righteous god The god of springs and rivers - Bone Burial Granny (1.14) The Faceless Poet (the god of records and keeping secrets) - Lady Silence The Stone Father (the god of palaces and sculptures) - Yaweng Zhiji (the god of painting and illusion) - Yaweng Double poem Singer (god of minstrels) - Yawen God of transportation - Sir Silver (5.4) Lord of Sanctuary (god of blackmail and promise-keeping) - Sir Silver God of lamps and candles - Suifu False gods: Skeleton Lord (god of bones and betrayal) Anji Luo (the angel of betrayal) The Corruption (the god of immortality and childlessness) The Greysmith (the god of memories and despair) The Pale Princess (the god of ghosts and spirits) The Man in the Mirror (the god of mirrors and clocks) The Tragedian (the god of murder and conspiracy) The Bell Ringer The Black Widow

Reminiscing about the time when Kaifuni and Annan met in the garden when they were young - At the end of the painting, I realized that I couldn't paint a sea of ​​flowers (ಥ_ಥ) Let's just make do with it_(:з∠)_

Kafni, whose skirt is full of secrets I tried my best... It has been dead for many years_(´ཀ`‖ ∠)_

"Praise to the Name of the Sky Crane" ——That is the story of the legendary madman. In the past, there was a madman who heard about the mystery of the crane and decided to look for the legendary crane. He was so excited that he declared to his fellow countrymen: "Destiny is a treacherous wheel, and I am the driver of fate! I will not just be the one being controlled, because I am also the controller, the one who sings, the one who is praised, the one who lives forever, the one who lives forever -" The parents of the madman have a son in old age and cannot accept the fact that their son has left them. So they deceived him and even found someone to threaten him, telling him that "seeking the Sky Crane is equivalent to stepping into the grave." And the madman replied: "Let me go to the grave in peace - you only need to pray." "The unfortunate will die in the furnace of misfortune. My hands will be burned, because And become strong; my feet will be burned, so they will become strong; my pupils will be burned like glass, so I can gaze at the sky." So, the madman bid farewell to his parents and prepared to embark on the journey of pursuing pain. M. The madman has experienced many hardships and heard that only a "heart of kindness" and the "key to truth" can ride the sky train. So the madman went to find the saint. That is a saint with a "heart of worship". But he discovered that the saint's eyes could not see anything - he had already been blinded by crying for the world. Therefore, even if he had a "heart of worship", he could not enter the light world because he could not look directly at the sky chariot. So the madman had to give up this path. He knew in his heart that he could not give such pure devotion. The madman went to look for the sage again. His strong desire makes the sage who holds the "Key to Truth" even more happy. So after testing the madman, the sage finally taught the madman the secret ritual that he did not teach to others. If you want to ride the SkyTrain, you must first look at the sun. You need to first look at the sun and seal the light in your pupils - at night, then release the light from under the moon. In this way, the sky train can be seen at night by the light of day. After that, the "giant self" needs to be awakened from the soul and sent to the sky train. Because when the material body enters the furnace of the light world, it will inevitably be burned until nothing is left. You can only use the "other self" awakened in yourself to reach the light world. The "Key to Truth" held by the sage can awaken this "giant self" by inserting it into the depths of the soul. As long as the madman can seal the light in his pupils, he can lend the madman the "Key of Truth". So the madman started experimenting with great interest. "I gaze at the sun, seeking the light sealed in my pupils." "But when I gaze at the sun, all I shed is tears... I know in my heart that my body is just a mortal thing: "In the furnace of the light world, my body was eventually burned, my teeth rotted, and my skin and flesh dissolved - "I cried for this-I was a mortal thing!" He did not have the wisdom of a sage at all. Without the sage's dazzling gem-like soul, it would be impossible to seal the light in his pupils. He ran away from the sage. So, after experiencing many hardships, the madman found that he was still a mortal who could not ride the sky train... He realized that he had wasted too much time and was completely disappointed. He could only return to his hometown, but his parents had died long ago, leaving only two dry graves. The person who is still taking care of his parents' tombs is the childhood sweetheart he abandoned at home when he ran away from home. At this time, seven years had passed since he left his hometown. Compared to the goblins, witches, princesses, and goddesses he met outside... Her childhood sweetheart was so ordinary. But that sincere and unchanging love reminded him of eternity. So he fell in love with her passionately, married her and had children. I will never leave my hometown again. His childhood sweetheart, from the young daughter of the past, to the girl of today, to the mother and grandmother of the future... To the withered remains in the grave. The madman accompanied her throughout her life with his warm and unchanging love. "When I look at her, it's like looking at the sun. There are tears in my eyes and light in my pupils." "I am a moth admiring light, falling in love with her like a fire." "Her star-like pupils. The eyes reflected in my eyes are two mirrors facing each other. " "What is in the mirror is not light, but love." The madman possesses the blood and pure soul of the elf because he took the elf's fountain of youth during his journey. The lifespan of a madman is much longer than that of his wife - and because he has the blood of elves, he cannot have children with his wife. This resulted in that when his wife died of old age, he was still in his prime but had lost all his relatives. But the madman still did not leave his hometown. Just as his wife was waiting for him, he also guarded his wife's tomb for seven years. Until the anniversary of his wife's death in the seventh year, the fanatic looked at her tomb, but suddenly enlightened: "——I looked at the dead body of my lover, not to seek anything." "Her description has long withered, and the eyes that used to hide the stars are closed." "In my chest. Love never ends with death; just as it does not originate by itself." "... But when I look at the tomb, tears are shed in my eyes." "Ah, yes! I am a mortal; I am a mortal who loves others! , This love is fire; my soul is burned by the fire, rising like smoke; embracing the sun, like a moth admiring the light. "That is my light! She is my light!" "It is the third echo that sounds from the depths of the sun." " I don't know the light!" "No need for adoration, the key to truth." "Love can lead mortals upward." "I will grow old and decay, and I will fly toward the fire and be burned by it. "But until then, I will walk with the light." "I will walk with her! I will walk by the light! "—until I rise higher than this light. "Until I am alone again. My lover will be my shadow, the light cast in my shadow. "No need for a sky train – because my lover is my sky train. "She is the eternal daughter, the immortal light. The shadow in my light, the light in the shadow." "So I sincerely admire-" [-Only the eternal daughter can lead us up. The light of the first ray is the simplest, powerful and bright light. The light of the second ray is the light of hope that never fades and is always as new The light of the third ray is the light that never burns out in the eyes of the lover. The light of the fourth ray is the phantom light reflected in the eyes when the physical body crosses the world. It is the light of "protection". "The fifth ray of the sun is the light of the world reflected in the pupils" "The sixth ray of the sun is the light that is constantly splitting and converging inside the sun; the seventh ray is the light that is reflected in the extraordinary world. The light seen when the soul is sent to the light world by the chariot driver during the sublimation ceremony; and the eighth ray is the light in the sky before the earliest sun rises." [The light of the seventh ray has never fallen in the mortal world].

Let me say a few words about the CP of Annan x Kaifni - first of all, this CP is definitely not groundless. I have seen many people wondering about Kaifuni's inexplicable single arrow. On this point, my suggestion is to re-read "Nightmare: The Great Hunt", especially Kaifuni's status after the clearance and settlement. Excluding the customs clearance behavior, in a reenactment with matching starring actors (Annan and Kaifuni), Annan Bai basically perfectly restored Annan Black's original attitude towards Kaifuni, that is: sincerely praising her paintings, sincerely accepting her, and sincerely fulfilling her birthday wish. The only cheat here is that Kaifuni can see through lies, but she doesn't know whether it is intentional or not. She did not reveal this at all when she reunited with Annan Bai in the church. Therefore, just because Kaifuni can see through lies, without knowing that Kaifuni can see through lies, Black Annan and Bai Annan both treat people sincerely, which is even more valuable - it should be easy to understand that knowing that lying is useless so not lying to others is two different things from never thinking about lying to people from the beginning. So think about what it means to replay the nightmare and complete the level perfectly. It means that whether Annan has lost his memory or not, Annan's behavior pattern has not changed. There are only two things needed to clear "Nightmare: The Great Hunt" - "Believe in Kafni and save people." From Annan's perspective, the difficulty is at the back, as the child's appearance limits the range of activities; from Kaifuni's perspective, the difficulty is at the front, because even if you read the guide, you can't gain Kaifuni's trust if you have any doubts (holding hands in the boudoir and so on are extra operations). In addition, imagine that a physically autistic girl who was bullied since she was a child met a boy who did not lie to herself, accepted herself, and had a very special soul. The boy saved everyone including herself without saying a word. Then time passed and the boy grew up and lost his memory after the memories were beautified. As a result, he entered the reenactment copy and completely copied the operation back then and became even more ruthless, directly killing his own enemy. It is the player or the reader (or me) who can directly set the tone: He loves me - and Kaifuni: I love him. I don't think there's anything wrong with it. This arrow is very reasonable and convincing. Finally, I attach a screenshot of the homemade Ankh handwriting. You can read the handwriting in the comments for directions

Some more personal ones... I drew the fish when I just started reading the article

{"TopicId":"687804703744131072","TopicName":"December certification hits Christmas grain production event"} 1. Completion of the congratulatory picture? Okay, I originally planned to post it in the final event, but it turned out that I was overconfident, and it was two months late (face covering) But Qi Miao still didn't post the book, so it seemed okay to call it the final congratulatory picture? 2. Composition content On the top is Anlong, in the middle is the sublime avatar, and at the bottom are the main characters - here I put the chariot driver in the c position, mainly because this can make the black and white Annan symmetrical on both sides, and everyone else can probably see it. (Meow meow?) 3. Considerations about some details In terms of restoration, the color matching is very strange, but due to limited ability, I cannot restore the color while maintaining the texture. It is really a big shortcoming. Considering that many people may not like this, I also adjusted it. A black and white version—— Secondly, the corners of this painting are very deep, and overall the priority is not clear. This is because I have quite a lot of ideas and want to show the details as much as possible (I still lack the ability!) If you are interested, you can zoom in and find it yourself. Finally, I breathed a sigh of relief. Anyway, I finished the painting and expressed what I wanted to paint. No regrets! Thank you Qi Miao for bringing the players Super Justice. See you all again——

Is there no full version of "Praise to the Name of the Sky Crane"?

Congratulations on the completion. I posted the wordless version and some random thoughts on LOF so I won't write nonsense again... Anyway, it's finished. Please rest more and pay attention to your body. I look forward to new works.

4 Brushes. To be honest, I personally felt that the early stages of this book were a bit too toxic. Although I have to admit that the nightmares and foreshadowing are very good, the plot arrangement somewhat deliberately highlights Annan, and it has the feeling that the whole world revolves around one person like the early Shuang novels.