My Magic Is Rather Special

This is the original author who said this is a man

Some of my suggestions about the world (for refinement) Since the protagonist has given his origin to the world, the world will protect the protagonist. Since it is a magical world, the strength will not be bad. The benefits are there but intangible. If it is not possible, you can use magic to find resources in other small worlds to supplement the protagonist. Therefore, if the protagonist gives his origin to the world, the advantages outweigh the disadvantages. If the protagonist gives his origin to the world, then the world will not reject him. As for women's clothing, he must have it!

We like the transvestite element, but we don't like it all the time. We will get tired of it after watching it. You attract us with the transvestite element in the beginning. If we are an ordinary reader, there will be various descriptions of this aspect later, and we will definitely get bored. But you are different. At the beginning of Jue Lun Yi Qun, there is a transition. By sublimating this character into Him, not only will you not get bored, but it will also keep readers more interested. What's even better is that your power system rises very quickly in the early stage, making the protagonist quickly become a god, avoiding the common boredom in this type of article. I don't know whether what you did was intentional or accidental.       ，！ It is said to be an article with transvestite elements, but after reading the whole article, it is more of an article that draws people out of the circle than an article for fans.  Perhaps beauty is in the eye of the beholder. You yourself always say that there are many poisonous points in novels, but we have all been through it at the beginning. No matter how you play, as long as it is within the regulations, we can all read it and be happy to see the results! I don't know what the status of this novel with transvestite elements is in your mind, but from what I have seen of these shoddy novels, your book can be in the front row, the top ten or even the top three, well, the top four, the three evil spirits are still suppressing it! But based on your intentions alone, you can be number one. If this book is very bad in your eyes, then I will look forward to your next novel with transvestite elements. The practice of writing will make you better and better. There is no need to underestimate yourself. Since you can write this novel, I believe you will also read it. But compared with them, can you read those books? Do you think we can continue reading this book after reading it? There is no harm without comparison. Just like the popular game "Genshin Impact", many people are scolding it, but really, what other online games can they play after they stop playing Genshin Impact? Picture quality, operation, plot, characters, vertical painting, and social interaction are all dimensionality reduction attacks. The original god is like this, but this book of yours is not even like this. I believe you should be clear about what constitutes an insult. Maybe at the beginning of the book, the character of the protagonist is not very attractive, and your writing style still has some problems. But when the protagonist becomes a god, everything sublimates. I I think the problem that you think this book is full of poisonous points is also here. It is not a problem with the book, but a problem with yourself. Your own writing style has been sublimated. Therefore, you feel that the poisonous points are because you think you can write better, and you can indeed write better, not because you are not good at writing this kind of novel. To be honest, it's a pity that this novel ends here. If you think you can't write anymore, it's more likely that you've reached a bottleneck, which affects whether you can become the next tens of millions. If you can endure loneliness and boredom, and continue to finish your novel, you may not be able to become a god with one book, but half a step into a myth is more than enough. Come on, wish you well, and look forward to your next book,

The title of this book is playing on that joke, right (=^･ｪ･^=)

It's getting cuter and cuter~(￣▽￣~)~, it's a picture from the Internet (´-ω-`)

At first, I came here to see the transvestite. Looking back... Some twists and turns in my reality have made me less fond of this type of work. After that, my mood also changed. This book gave me a deep impression. Mu Zhong changed from an indifferent young man who lacked emotions at the beginning to a cute and enthusiastic Mr. Mu Zhong. My mentality also changed from the beginning... (Young?) To an aging old man (ps: I used to like to see what kind of transvestites, What about the invincible style of hacking and slashing, and the leveling up style of monsters? Now, let's put it in terms of the reactions and comments from people around me... Is it more elegant? And sometimes I look like a vicissitudes of life, and sometimes I look like a cute kid? )? After that, I like this work. What I like is the world setting, magic setting, character setting, plot setting, and the appeal that I can feel. In the early stage, I just had fun looking at pictures of transvestites, and then I savored the charm? In most chapters I could feel a faint feeling, like tea or something. What tea drinkers drink is not just tea, but more importantly the artistic conception or charm? Then comes growth. The growth of the wooden clock, the growth of the author, and the growth of the readers. Some things may make people take away the tea, but they will always leave some traces. Traces affect the environment, the environment affects people, and people create traces. ps: This book is a work that I have seen that is meaningful in life. I hope I can leave traces of it. Some works are like chisels, like "The Shawshank Redemption" and other works, which will carve out a person's soul; some works are like drizzle, which is difficult to detect without feeling it. Once you notice it, it is when your clothes get wet. I just like meaningful works. I think reading a book can't just be about reading. Readers should draw useful things from the works (the author shouldn't feel pressure, just say it casually)

After reading more than 300 chapters, I really can't stand it anymore. The protagonist of this book is really that kind of person. . . A very special kind. You can say that he is a good person, but no matter what happens, he has nothing to do with himself. You can say that he is a bad person. You have never seen him do evil. Even if someone wants his life, he doesn't seem to care. All the characters in the full text say that he is a very upright person, but the protagonist slaps those people in the face all the time. It was okay at first, after all, he is still a human being, and the author constantly emphasized that the protagonist is weak and has no ability to resist. I accepted this setting. But when it came time to get the second key magic, I thought it would be a blast even if it didn't explode, and there were still people on the battlefield who wanted to kill him. The author suddenly gave me a paragraph. The protagonist is no longer in the category of human beings. He has half-stepped into the realm of the great sage. His emotions are weak, and then he returns to the previous stage. Damn it, he is almost no longer a human being. Let me sum it up, he is not too scumbag. So angry, really angry The supporting characters are all the Riddler. Except for daily life, no words are normal. When the protagonist encounters difficulties, he always insists that fate will cause trouble, and he cannot resist even if he resists. A book of swords and magic is filled with mystery, suspense, and horror

It's finished. What I like most is: The wooden clock satisfies all my fantasies about freedom and happiness.

After reading the beginning, how can I put it, although it can't be said to be poisonous for the time being, the protagonist always feels like he is talking to himself. It can be seen that the author wants to create an image of a protagonist who is forced to climb a single-plank bridge, but the external foreshadowing is completely insufficient. This makes the protagonist a bit extreme or even hypocritical: Is there a way to go back? Is there a way to live without studying? The protagonist seems to have never weighed the benefits and risks of learning magic (at least not in writing), and the protagonist is not a knowledge-seeking person. This is very incongruous. The protagonist is too extreme. There is a way that there are countless roads ahead, there is a possibility of retreat (returning to the original world, how do other people who don't know magic live, and relying on these magics to graduate...), And there are other ways forward (anyway, there is no crisis at the beginning of school), but he made a middle-school speech saying that he was forced to only have one way to go, and then resolutely chose a life-threatening path. It's a bit embarrassing... Probably because there's not enough foreshadowing

The protagonist and the people in the protagonist's camp are true virgins. No matter what crime they commit, they can treat it as if it never happened, and at most they will be sent home.