A Sneeze Destroys a Magical Civilization

The wizard's harem is really the biggest failure. I start looking at you from the perspective of investment. I saw a comment on where Harry Potter had a harem and never watched it again. The writing power on the front is really good. I also enjoy being a fan in the Harry Potter world. The question is, are you, a wizard, really trying to persuade me to quit by opening a harem? What a pity.

If the author doesn't want to read what you are writing now, I can accept your criticism. After all, it is a common problem with long-form online articles. I am quite happy to read many novels in my daily life. You made a typo, no problem. I will update 10,000 words a day. I can understand it. If you want Empire, the Fourth Natural Disaster, and Infinite Streaming, I can also read it. If you stuff it with private goods, that's fine. After all, words are the carrier of ideas, but are you writing private goods? It's preachy, the plot is dry, and it lets the various characters blow it. Is this all I saw? I made my family members smile. You don't really think that these principles of yours are very high-end.

Really, the first part was pretty good and I was very happy to watch it. Isabella was a bit addictive but her presence was low at the beginning and I tolerated it. But when it came to Harry Potter, she started to get sick! Nowadays, all novels have to deal with harems? I don't understand, so I deleted the book. Let's see the author again when we are destined.

The first island was quite nice to see, because the main character was a mage. It is more distinctive, with various spell effects, skills, and squatting grass. It looks like a mage. The following is that the value is too high. It means stepping on the left foot and raising the right foot to the sky. The left fist does more damage and the right fist does more damage. What surprised me the most was that on the island in the first dungeon at the beginning, the protagonist seemed to have captured the heir of a small caravan. Then the plot development is that the protagonist follows the caravan as a guard and takes risks along this route. At that time, I thought it was a development towards farming. As a result, before this trade route was completed, the protagonist faced the gods, established a lich organization, became the overlord of the sea, the mastermind behind many countries, and so on. It's too hard to collapse. It's not that the protagonist can't be stronger. It's just that it's developing too fast. His apparent identity is that of a caravan guard. In fact, it is the ruler behind the scenes of the world who came behind the scenes. This comparison is too weird. Maybe I am too shallow as a short-lived species. In fantasy worlds, there is such a setting. For example, silver dragons and the like like to become humans, and they like to engage in this routine of pretending to be pigs and eating tigers. This kind of development is still very strange as a novel. I kept thinking about it while watching it. You are so strong, why don't you just open a portal or something like that (the protagonist is strong and rich anyway.) Teleport directly to the destination, and then start not eating beef. Instead of wandering along the road with the caravan, waiting for people from all walks of life to come to your door, and then passively pretending to be slapped in the face.

If I just play Planet Gods and assimilate into the environment, my children can conquer the world.

Can I have more sperm today?

In fact, the lethality of viruses in modern humans is not that powerful. If the protagonist is so powerful, he must have been an experiment in a virus laboratory before traveling through time.

Is the protagonist okay? Will you not be infected by alien viruses? Hurt each other? Or is it already infected but cured by special medicine from another world?

Founded a country in Faerûn, destroyed a city, killed all the orcs, and sealed the abyss lord. Run to Harry Potter to join the magic academy, bully the magic middle school students, make inventions, and fall in love. Don't you feel separated?

Updates are getting later and later. Author, would you like to take a look at what you have written recently? After getting the pocket watch, if you don't go back immediately to solve the disappearance of the god, you still have time to fall in love? ? Or with a little girl? ? Is it interesting? It doesn't matter if you want to have a harem. You can also be single but you want to fall in love? ? It's really rubbish. Besides, if you have time to fall in love, why not hurry up and get the Well of Souls?

I feel that the author has been letting himself go more and more recently, and has been exporting private values to fill the air. It doesn't matter if there is less. Now he has a large section of the world view, and repeatedly emphasizes cognition and philosophy. The problem itself is at the level of two swords. The more he writes, the more timid he becomes. Why bother by forcibly lowering the IQ of the natives? Brother, I am here to see the planeswalkers, not to see you exporting values. Even if you write more content about imperial hegemony and productivity, it would be good to read it as a farming article. Is it the conspiracy of the petty family every day? Some, the key point is that your writing is not very exciting. You can only improve yourself by defeating your opponents. Your level is much different from when you started the book 😥 It is normal to be overwhelmed at this stage of writing, but there is no need for Jiang Zi to repeatedly check the readers' brains. Write more about other worlds. The plots related to the world or the old dragon are good, but the chaotic struggle in Faerûn should be less watered down 🤫 It's boring to watch the protagonist repeatedly exporting values ​​to this god and that god every day, and they still listen to it clearly 😫

Harry Potter, a children's script, I don't understand why the author wrote this, a new world of wisdom, not good at all, the previous ones are okay

Hello author, I saw someone recommending this book on Longkong today. I haven't seen a Magic-themed novel for a long time. I have a few suggestions for your reference: 1. The title and introduction of this book are relatively vague. I understand that your selling point is Faerun DND + Magic Planesque system, so your book title should be somewhat recognizable. If it hadn't been recommended by others, I might not have clicked on it; 2. It is easy to discourage readers by throwing out settings in such a long paragraph. Please don't rush to throw out settings. Many readers who don't understand mtg and dnd may lose their patience 3. I will keep reading for now. I hope to see a systematic Magic card in the future. It seems that the protagonist will follow the blue and black genre 😁😁

I feel that this book underestimates the power of the gods. The threat of plague to the gods is not that great at all, otherwise Talona would have been a powerful god. Especially when the orcs were infected with the plague, the orc pantheon had a god of death and plague, so it was impossible to cause such a large number of casualties.

The HP world feels like it's falling apart. . . JK writes a book based on a fairy tale. It should be written as if it were a real world book, so why not dig deeper into the worldview? It's really a retarded fairy tale, in which a lot of noc-like retarded people will only accept the protagonist's verbal output. . . . And some wizard uses Muggle expulsion and amnesia spells to open a harem. . . . If Muggles were really that weak, there would be no hunt for wizards but for Muggles. In fact, what another book said is very interesting. The foundation of the wizarding world is the law of secrecy. Those who are a little sober in the wizarding community know that although the wizarding community crushes magical creatures, it is absolutely weak compared to Muggles. Therefore, the wizarding community is not a normal form of political power, but a standard military-first politics. Therefore, Gringotts gives the goblins, using seemingly beautiful rights to stabilize the biggest unstable factor in the wizarding world. However, in wartime, the goblins can understand what military-first politics is at any time. The reason why Hogwarts deliberately creates conflicts is that "eggs cannot be put in the same basket". If the law of secrecy fails, Muggles will seize wizards on a large scale. Badger House has a large number of Muggle wizards for moral kidnapping. Snake House is the backbone during war. Lion House maintains the balance of power in peacetime to prevent Snake House from going solo. Eagle House preserves inheritance and can pass on knowledge as long as it survives in the end. Isn't this world view better than the fairy tale world view written by the current author that a centenarian is as wise as a child?

I don't know what to say for a moment

The main joy of this book is that the male protagonist continues to grow stronger and builds forces to launch conquests. This does not mean that he cannot write about his descendants, but it is a bit difficult to write about these descendants. The eldest daughter is rebellious and successfully plotted against the male protagonist once, and the eldest son respects the male protagonist but helps his enemies to hide it. The twins are not mentioned when they first appear. These descendants have benefited from the innate strength of the male protagonist's bloodline to reach the sky. Not to mention being kind, at least they are kind. However, they do not bring any positive feedback to the male protagonist. Instead, they cause trouble. You must know that most readers are assuming the perspective of the male protagonist, so in my eyes, writing the descendants like this is a failure. I suggest that the eldest daughter have more family interaction, and beautify the antagonism with the male protagonist into coquettish and rebellious; change the eldest son's behavior of actively helping Sha'er to hide it into the plot of the male protagonist who doesn't take Sha'er seriously at all, so he asks the eldest son not to tell the truth, but treats Sha'er like a cat and mouse. This way the perception will be much better.

The more I write, the more arrogant I become. Author, have you forgotten that Harry Potter is a safe house world? You just brought people here from Faerûn, and you still fall in love in Harry Potter? Wouldn't it be better for a safe house to be as hidden and hidden as fewer people know about it? Shouldn't we first find a way to eliminate the wizards and implement a so-called self-centered approach? What kind of inventions are there? After clearing out the wizards, setting up a base, and transporting supplies from Faerun from time to time to stock up is enough 😅 One last thing, do you think we were attracted to read this book? Is the protagonist in love?

Being persuaded to quit in the first chapter gave me an inexplicable feeling of a dimensionality reduction blow. Slot 1: Why is the protagonist immune to the microorganisms of the El civilization? Point 2: Why is the protagonist immune to the magic version of the earth's microorganisms that have been changed by magic energy? Point 3: This so-called magic civilization is too fragile and was directly hit by the dimensionality reduction of the magic version of the earth's virus. The key is that you have relevant knowledge and do not understand microorganisms at all. Trough 4: The lethality of the virus is inversely proportional to its transmissibility. Everyone has died. I don't know what this virus is like.

There are no bacteria or viruses in this other world.

I can tolerate the rest, but the problem is that the protagonist's original perception of order gradually moves toward evil, and then toward chaos. I really can't stand it anymore, such a chaotic and evil joke.

I like Harry Potter very much. Author, please don't look at the people downstairs to affect your mood and end it hastily... Because most of those people have never read the original work.

I rarely say that I should give up a novel, but what he wrote was too complicated and had no main line at all. Just like the Stitch Monster, I wrote here and there, and then stopped writing about the planeswalker. What is the plot of the old dragon? , , Blue Star, the Fourth Natural Disaster, we no longer write, and then build a west coast empire, the plot will not advance very much, , The Void, Time Crossing Bridge, Old Dragon, War of the Spark are no longer written, they are just in the Marvel Universe, pretending to be awesome, but I feel that the pretending is not very good, the writing is not deep enough, there is no main line at all, I don't know what the author wants to write, I write this now, and that now, what do you want to express? It feels like it's all water, and it doesn't advance the plot at all. I can just write 10,000 of them. Oh, now I've opened a new map, I've started writing the Holy Grail again, I've added a few new characters, and I can cheat money with the word "water". I've written five or six, then change the map, and then write five or six, and then change the map again. No matter which map you change, your main plot or sub-plot will not be advanced. It seems that you haven't written it. Many times you don't write about the protagonist, it's just a profile. You describe the protagonist from every angle. How to pretend to be cool? It's really boring. I feel like I'm helpless when I watch it. It's useless and I can't give it up.

What should I say about the protagonist? As long as he is a god, he can grab the protagonist and look through his memories at will. A planeswalker with no privacy is like a pet raised by others. . . . .

I have read more than a hundred chapters, but I haven't found anything interesting about it. I feel that the author is not suitable for writing online articles.

I was careless. I didn't read 1,000 chapters at first, and thought they were very few. But the more I read, the more strange it became. I read it for almost a week and didn't finish it. The last time I read it, the total number of words was 8 million. This author is awesome. One chapter is almost 10,000 words.

There are a lot of mages who have stacks of power and melee combat. To put it bluntly, under normal circumstances, the progress of mages is very cost-effective.

Is there any similar book? It can also be written by an outsider. The protagonist has a high level of vision and is not a holy mother. He sticks to the good camp.

I just discovered that this book actually has 8.47 Million words. I can't believe I've finished reading it. And the author often updates 10,000 words a day, which is awesome

It's a very good book, but in the later period, the protagonist's camp was too evil. It was too much to capture and dissect humanoid intelligent creatures, and capture and force eggs to be absorbed by dragons, so I had to give up.