
A Monk's Journey Through a Fantasy World
武僧的奇幻世界之旅
- Status
- Ongoing
- Length
- 1.8M Words
- Genre
- Western Fantasy
- Subgenre
- Sword & Sorcery
- Updated
- 3d ago
- Source
- Qidian
Stats
Tags
Honours
Synopsis
More by this author
In booklists 5
Yinglong's Dark Library Is Open
This is a personal list, powered by love, featuring new releases and ongoing novels. Completed novels will be removed after a while. Please follow and save the list. Lately I've been seeing more fantasy stories about dragons, and finding more interesting books. There have also been more COC steampunk novels lately. I only just noticed that a lot of veteran authors have launched new books. I'm still searching for stories I like. The quality of new releases in Qidian's historical fiction section k
Since 2005
Please note: I almost never read books all the way to the end. I usually drop them at around one million words, depending on when I catch up with the updates and how quickly the author posts. So I only vouch for the first half of a book.
Books I’ve Enjoyed Recently
Mostly books I've enjoyed recently. Every now and then, I might recommend a classic completed masterpiece. Maybe. Probably. I'm lazy, so I'll write reviews later. That's all. (I might not forget.) I just fixed this up, so don't gossip about me behind my back.
Great DND Stories
Books I had the patience to read all the way through
Interesting Books and Personal Favorites
Mainly D&D fantasy and historical fiction. Rated out of ten.
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Reader comments 40
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Monks are really interesting only if they switch to the PF series.
The strength of the dnd monk is too humorous, but PF is still watchable. And the core of dnd monk is monk, and the core of PF monk is martial arts. In comparison, the latter is definitely more beautiful.
The reasons why this book has so many interesting points
Do you know what the author's biggest problem is? The author's logic in writing this book is not from the perspective of writing fantasy novels or dnd novels. Rather, it is written from the perspective of ordinary people in the human society of the real world, earth, and the world without demons. It was written without any reference to the fantasy setting of dnd. Use the logic of the real world without magic to demonstrate the rationality of the fantasy and extraordinary worldview. That's why all kinds of outrageous remarks were made. The author has never thought about it. In a fantasy world, individual power can represent rights to a great extent, or even be rights itself. Nor have I thought about individual differences and social differences among other races and humans. Take the point that explodes first, 24 base strength level 4 barbarian orc. First of all, orcs are a race that often appears in a tribal social structure in standard fantasy worldviews. Strength is the core of the social system of the orc race. A powerful individual must be from the backbone to the highest level of orc society. Therefore, it is impossible for the author of this book to say that he is not full because of insufficient charm, because in a society of "the weak and the strong" like the orcs, strength is the attribute of charm. Not to mention the orcs who can directly reach 28 strength by just being violent. Such a powerful individual is not the core backbone of the tribe, and it can't eat enough. Then when the author writes about extraordinary power, he actually writes from the perspective of ordinary people in his eyes, rather than from the perspective of the author who writes about fantasy worldviews. Especially, among the protagonist's choices between Qi Sea Doubling and Holy Light, he actually chose Holy Light. Ordinary people in the author's eyes may think that learning more will automatically make you stronger. However, from a fantasy and extraordinary perspective, the power that is refined and strong is stronger than the power that is mixed but not refined. From the perspective of a monk, it is even more impossible to choose the Holy Light. Because Qihai is the core system of the monk. It is still the core setting of the monk, the core setting that the power comes from itself (roughly meaning) There are also the author's private goods with unknown meaning. The power of the fantasy worldview comes from the crowd, not from power. I can only say that if it is the earth and a world without demons, then the author is right. But this book is a fantasy worldview, a real world with gods and extraordinary power. Power is right and truth. Of course, there is another point, that is, the author really likes the deus ex machina. It can be said that the protagonist's combat effectiveness does not depend on his numerical values, combat skills, or battlefield environment. It depends directly on whether the author wants to kill the enemy directly. If you think about it, then a direct glass cannon is inconsistent with biology and reality. How can such a creature have such strong logic to kill it in an instant? It could even be that the author thinks that the protagonist can kill him instantly. For example, the protagonist killed a white dragon instantly. There is also an understanding of numerical values. For example, the 30 power in dnd, the author believes that an African elephant in heat has 30 power. The giant who completely ignores the strength of 23 is better than the so-called African elephant in performance.
The choice of being strong as the first specialty is really a double-take. The bullshit excuse of "it's too late, just pick one" is an insult to the name of a monk. Please switch to a warrior class.
Real FW protagonist, random selection of specialties, weak attributes, extra language selection but no dwarf elven language, these two are useless, useless card with no potential in the future
About the author's protagonist card opening
I really can't understand. Only people with extremely low understanding of DND can draw such a starting card Let's talk about attributes first. What kind of understanding can draw a card with 14 points except for 10 points of charm? Is the author really not afraid that he can't beat anything? You have a hard time with attribute identification and a hard time with combat. But the reality is that the more average the better The reality is that if you have a main attribute that is higher than the enemy's, you can have a strong main attribute and fly bricks If you have high physical attributes and strength, you can blow the enemy with a few slaps. If you have high speed, you can use agility to avoid the opponent's attacks and counterattack. If you have high physical attributes, you can hit the enemy hard. The opponent's attack will trade blood for death, and in reality, high physical fitness means strong recovery and endurance, and strong perception can not only improve dodge ability, but also rely on the monk's professional ability to defeat the enemy. If you play an average game, you really can't play anything There are also languages, lingua franca, have you never thought about it at all? Co-author: Don't elves and dwarves know Common Tongue? Or is the author afraid that the protagonist won't understand some puzzles in Elvish and Dwarven languages? Are you not considering extremely useful languages such as dragon language, heaven, demon, hell, etc.? There are also specialties. Would anyone really choose a specialty like robustness? It does not add attributes, but only provides a small amount of health in the early, middle and late stages. This amount of health can only resist an attack with a small die point in the early stage. In the later stage, it cannot even resist an attack from a powerful enemy for one more round. Any time you change some useful specialties, it is considered as your effort to check the data.
It can only be said that the author really does not intend to make money by writing novels. When readers of DND novels generally know some DND knowledge, he opened a messy card, and the specialties were chosen in a messy way, which did not give readers any pleasure at all. When the readers said that the protagonist's attributes were too low, he deliberately wrote an orc with extreme attributes and was easily beaten to death by the protagonist. Now he ends up quarreling with the readers, and the quarrel can't be resolved.
Although the author's writing is rubbish after all, the setting is inconsistent. But the author has good perseverance and persists in writing despite being scolded for poor traffic. He is much better than those eunuchs. I wish the author better and better writing skills.
After reading Chapter 5, I was persuaded to leave, but I thought for a long time that I would come back and make a post to complain, otherwise it would be uncomfortable. There is no time limit for the language selection of system rewards. Normal people can either save it for the critical moment when the common language cannot communicate and click it when they must use the ethnic language, or for future development, choose a language with inherent power (dragon language, etc.) Or choose a language that is particularly difficult to obtain (infernal language, devil language, etc.). I never expected that the protagonist would directly choose Elvish or Dwarf. Firstly, there is no urgent need for racial languages. Secondly, the elves and dwarves who can meet and go out for activities can also speak common language. Thirdly, these two languages are not difficult to acquire compared to other languages. The fourth language itself has no power. The most important thing is that even if the purpose of learning Elvish is to pick up girls and gain favor, then what's the point of learning Dwarf for the main character, a monk who cannot wear equipment? Just to gain favor, buy a set of heavy armor and go home and pay for it?
Some don't understand
Emmm, can the author tell me what you think? Dwarves generally know Common, so why choose Dwarven? And doesn't it feel like it's too bad to choose health as your first specialty? 🤔
DND, 2024 new version of dragons
The green dragon looks like a flying serpent. The black dragon's face looks more like a skeleton. The Red Dragon has not changed much from before. The bronze dragon looks like a big bird. The golden dragon is a bit of a return to the image of the oriental dragon in version 2. When straightened, it looks like a dragon body turned into a sword.