The Bizarre Wizarding World

It's so unbelievable. The initial Apprentice Island has been laid out for so long. The level gap and level of wizards are so high. Members of the royal family from a continent 100,000 nautical miles away come to be apprentices. Official wizards can rule an island even if they are on the ceiling of the island. Then the protagonist's combat power is almost the same as that of the official wizards. After graduation, a newbie map is made. When he arrives on an island nearby, there are as many formal wizards as dogs. The protagonist's combat power is almost the same as that of the official wizards, and he is bullied by a group of middle and low-level apprentices for ten chapters. At the end of the day, I feel like everything here is rotten. I think it's just to save face by talking about going high and going low. The back part feels like it was sewn together by another book.

The author's writing style makes people feel comfortable, the characters are well portrayed, and many events in the work are handled with a sense of reality. It feels that the author has considerable work and life experience to support the author's writing, which makes the whole work vivid but not empty. And it can be seen that it has a good world view setting. It is a reasonable deduction based on the classic fantasy setting (maybe haha, you can see a lot of fantasy shadows), adding gods and knowledge pollution. The priest side is once again honored to be the villain hahaha. Finally, it's not toxic to me, I like it very much, but I often see people talking about sex, sometimes talking about sex, and sometimes talking about short things. The number of authors is indeed not that much, but after all, I am a new author, so I guess I still work part-time, so I should be a little considerate. As for those who talk about water, do you know how rare it is now to have a book that doesn't mess around with the cause and effect and has a reasonable description? It doesn't mean that the lines are messed up and women are underdeveloped. What kind of water is water? Come on, author, keep your mentality stable

All I can say is that the story is good, but why do readers always feel a sense of suffocation until they have the strength of a formal wizard. At the beginning, I said how awesome the formal wizards are, but now that I have this ability, I feel that the protagonist's behavior and treatment are not as good as those of an intermediate apprentice. It feels like there are many conflicts everywhere that come out of nowhere. You can feel that the author wants to give a background, but it is always too sudden, as if it is for arrangement. As for the arrangement, the protagonist's reaction is always weak at the beginning, always giving people the impression that he is deliberately weak and gets into trouble. This kind of thing happens once or twice, and then it happens often, which makes me speechless and the experience plummets. The originally good story is always a bit depressing and aggrieved. The main reason is that there will be no plot release after the accumulation of such negative energy, or that the problem will be solved with a few strokes and then nothing will happen. Then you are really procrastinating by writing so much foreshadowing. I talked about some questions intermittently. One is about the protagonist. From the beginning, I can see that the author at least hopes that the protagonist will be rational, intelligent and maintain his own personality (appropriately retaining some concepts of modern society), but the problem is that the protagonist always does smart things and stupid things at the same time. For example, almost every time he encounters something, he is not decisive, indecisive, and tied up. I don't mean to say it's impossible, but can it not be like this every time? It really makes people feel speechless. There is also a problem with the rhythm of the plot. The early stage development is so long and delayed, but every time a plot ends, it feels ordinary. Many of the ups and downs in it are even caused by conflict plots that are not very related to the main plot. How can I put it, it feels very strange. Mingming says something that seems pretty good, but he can just give you silence. In summary, it's a matter of rhythm and character.

There are many bugs. The first loophole in the early stage is that doesn't the protagonist's golden finger gold paper absorb magic stones and convert them into limit breaking points? The villain who offended the protagonist in the early stage was sent by the wizard on the first island to mine the magic stone veins {although this novel set that mining may cause some diseases. But it can still be done. }, I think if the protagonist goes to dig the magic stone mine, during this period. Crazy conversion of magic stone veins, converting all the magic stone veins on the entire island into limit breaking points. The protagonist takes off directly. After successfully summoning the Golden Evil God after encountering the Evil God ritual on the first island in the early stage, you can also do this. The first method: guide the evil god to invade the human race's base camp, and take advantage of the official wizards to deal with the evil god. The protagonist goes to the magic stone mines and the warehouse where wizards store treasures to steal. The protagonist immediately takes off. The second method is to cooperate inside and outside, collaborating with the enemy and betraying the country. The protagonist works with a cultist. The protagonist looks for islands for those evil god believers, and the protagonist enters those wizard schools. Find the places where treasures are hidden. Then the cultist summons the evil god to make a plan to divert the tiger away from the mountain, and the protagonist takes the opportunity to steal the house. {I don't believe that there are really 100% believers in evil gods. Are there no particularly greedy cultists? Are there no cultists who are bold enough to want to devour gods? } {Aren't wizards engaged in knowledge and truth? The setting of this book is: God is the embodiment of truth and knowledge, prying into knowledge and blindly pursuing knowledge. They will transform into something indescribable or a descendant of an evil god. This can also be done, since evil gods can influence humans through knowledge and truth. Then humans will in turn influence the evil gods, or devour the gods with a large amount of humanity. }

This book has a good setting and is pretty good to read, but I found it difficult to read. I don't know why.

Why does the protagonist keep talking about wanting power but doesn't practice it properly?

The pig's feet are always escaping, the human society that passively fights back is quite unpleasant, and the shocking scenes of the wizard war are average, so I followed it here.

Boring! Nothing to see! Damn it, personal opinion

Out of 10 points, this book would probably get a 7. The advantage is that the writing is very good and you can tell that he is an experienced author. The disadvantage is that it overemphasizes the protagonist's strength and makes you easily bored after reading too much. The plot is a bit intellectually depressing, but it's still acceptable.

The plot on the island in the first volume is quite interesting. Everything in the back is just fucking water. It was a waste of my day and more than 900 starting coins.

The overall story is quite well written. It would be better if the characters were more fleshed out and flexible. However, the overall character creation is not that impressive at the moment and feels not vivid enough.

System, system optimization points, breathing method, physical strength at the same level, unique money-making skills brought by the system, the core is not self-learning but system optimization. . . It's really too tacky. Why is it that no matter what type of novel is now, whether it is about immortality or supernatural fantasy, this system of changing the name is indispensable?

Aren't you still a senior wizard apprentice? Why did you suddenly become a first-level wizard?

It remains to be seen whether the recent rare good rice is jelly grass I started reading this article when I saw it in early March, and I caught up with the updated chapters in one breath. It can be seen that the author has become more and more powerful in writing from the beginning, and can be called a rare excellent work I hope this article can have a good ending. At present, it feels that the problem of the combat power system and the relationship between the protagonists may be unfinished. At present, there are more than 400 chapters. The author It does not write about the situation of high-level wizards, and there is not even a name. I think it is quite unreasonable. As a Jin Yu within the system, he does not even know his immediate boss. I hope the author will plan early in this regard, and don't wait for the protagonist to reach a high level and suddenly a lot of fourth-level wizards will appear, and say that the fourth level is nothing The second is the relationship between the protagonists. I feel that this wizard article actually lacks the protagonist's research process and thinking, and relies entirely on the cramming of knowledge on gold paper. Although this updated chapter has improved, I still hope that the author can add more communication and research content, and don't just have a sudden flash of inspiration or something. Knowledge is stuffed with gold paper. Wizarding stories should be pursued for reasons. Otherwise, wouldn't they be the same as upgrading? In the end, I just don't know if this article is about a harem or something. At present, the senior and Shelly seem to be a bit like the heroine. I personally have no preference in this aspect, but I hope the author handles the relationship carefully. If he thinks that the writing power has not reached that level, he will downplay the emotional relationship. Poorly written emotional dramas are very bad for the public. I really don't want the talent to become rotten before it grows up😳

First of all, the following is my subjective opinion and is full of immature personal thoughts. If you think it's wrong, just don't listen. I've only read 100 chapters and my thoughts are most likely not pertinent. But I didn't feel comfortable watching it, and I couldn't vomit or feel happy. I would like to mention here whether the author's intention is too low if he only emphasizes power. Have you ever read The Book of the Dead? The Book of the Dead essentially talks about the alienation of rights from people, but in such an era, we have to shout out love to shout out people. This concept is great, and the most important thing is that we think about it when we watch it. The work provides completely side descriptions. This writing method is very traditional: the work only tells and discusses, but does not go in depth to figure out the main idea. At least you have to consider it yourself. But this way of writing works very well. Returning to this book, let's talk about the alienation of power from people. Since power in this world is linked to rights, I would suggest talking about this in detail later. If you just shout for strength, then I can only say that this is too traditional online writing. My point of view is that it is really unnecessary for you to repeatedly emphasize this matter here. I hope that I can see a different development in the future. Whether it is from a business perspective or the idea of ​​a work, if we still shout for strength as we think, then I think it is really unnecessary. This matter does not need to be mentioned repeatedly, as if it is internalized in the heart. When expressing this point of view, it is better to describe it sideways. Furthermore, there is no problem with changing the idea. But if it is badly written, you can consider changing it. For example, I thought about it. If I wanted to write it myself, then I would definitely put forward the idea that being strong and powerful is the means, and survival and life are the goals. There is no need to emphasize the power, because it is not written directly but everyone can think about it and sigh, and the effect is better; there are also some personal opinions. For example, if you think this novel is a traditional wizard style, then I suggest it be based on Western fantasy. Everything that should be included is included, and the power struggle is dark. The experiment could have been more exciting and complicated, because in fact, as a wizard, the practice process is not explained in detail. For so long, it can only be focused on maneuvering and fighting, so the writing style can be more fantasy-like and anti-routine. I am not stacking up the armor at the end to say that I am good at it. I am just good at writing and the structure of the worldview is a complete failure. I admire every author's world view structure because I can't

Taste, taste, that taste

I personally think that if the protagonist is promoted so quickly, won't it attract any attention?

What are you doing, paying me to watch duplicate content?

Excellent product! Please hold on.

In an environment where the author's language proficiency is average to that of a primary school student, this book is really the best among the shortest. It avoids the biggest poisonous point, and the protagonist's characterization is okay, like a person who thinks for himself and has normal intelligence. The author's language skills are also passable. At least he can tell a good story, which is really good.

Hello, author, here I only give a few opinions to the author on behalf of myself. I hope the author can see it First of all, there is the problem of cheats. The protagonist's cheats are relatively rigid in the novels I read. They are too rigid. As the protagonist of the wizard class, cheats provide advanced skills without giving advanced options but are given dead. This is quite rare in my opinion. Not to mention those that can even provide customized skills, most wizard cheats also provide advanced branch options, so I hope the author can make cheats evolve in the future. This is the first point. The second point is the protagonist's thinking problem. The protagonist's thinking is too rigid and relies too much on the golden finger. I'm not saying not to use the golden finger, but I am saying that you should also work hard on your own. For example, the golden finger only provides one skill branch, and the protagonist should use this application to develop other skills. For example, if the skills obtained after breaking the limit of the ignition skill can be used directly on the flash skill, or put it directly on the face of the fireball skill, aren't these good research directions? You can't just hold on to what Golden Finger gave you, right? Moreover, the memory utilization rate of the protagonist's previous life is too low. So far, he has only borrowed bullets from his previous life, novels, TV series, comics and animations that he read in his previous life. Many of the ideas in them can be borrowed, right? For example, there are many ideas for knights, such as fighting spirit, internal strength, Lunmai, etc., And alchemy, magic, etc. For wizards. So far, I have borrowed one of them. It has not been clearly borrowed, but I feel that it has been borrowed after reading it. If you don't borrow anything, then there is no need to design a time traveler protagonist, right? Because it feels like there is no difference. The third point is the problem of the male protagonist's interpersonal relationships. Is the male protagonist's performance a bit too withdrawn? Is there really no social interaction other than politeness? Although the wizarding world is dominated by power, it cannot be without social interaction at all. For example, gatherings are an important source of information. Information is a very important thing before the power is overwhelming. Friends are a great help. In an isolated island, it is impossible to talk about communication. They are fair-weather friends and so on. When someone wants to trick you, they will tell you the truth. If the protagonist doesn't make a friend, it is basically equivalent to sealing his own ears. For example, didn't the vice-captain in front of him trick him because of the lack of information? The fourth point is the supporting villains, etc. Are there too many petty characters? Although most of the characters' IQs are online, after reading about ninety chapters, there are four petty characters, and most of them are antagonists to the protagonist. This is not good~_~ It feels like the character design is repeated, and I also feel it is a bit inconsistent. After all, you can't be petty and be bumped into by the protagonist, right? The last point is the problem of skill description, that is, the description of skill upgrades is too flat (originally I should have written this in Goldfinger, but I think this point is very important, so I mentioned it separately). For example, the skill of meditation has no description before the upgrade, and there is still no description after the upgrade. , It's just like an upgrade and that's it. You upgraded your skill and didn't say anything about it. To be honest, I've read novels for so many years and this is the first time I've seen someone write it like this. Basically, there's no description, so it's okay. Normally, shouldn't there be a pre-upgrade effect, how does it feel after the upgrade? You don't introduce anything. I don't know anything about the effects of your skills. The only skill currently introduced is the fire-starting skill. I just mentioned it in one go. Basically, I know that the fire-starting skill has an additional effect and the rest is still unknown. Author, you need to know that the skill introduction is actually a kind of cool thing, because the golden finger is unique to the protagonist, and the skills learned through the golden finger are only common. Only through the author's skill introduction can you see how it is different from other people's skills, and you can get a sense of satisfaction that the protagonist is stronger than others. This is a hidden pleasure. What's more, we can also roughly know the protagonist's combat power in the current system in the skill introduction. Therefore, the skill introduction really cannot be written so flatly. Your writing is even more flat than Princess Taiping The above five points are some suggestions put forward by me as a reader. I am sorry that the writing is a bit long. I hope the author can listen to it. I am more or less an old bookworm. It has been fifteen or six years since I started reading novels. The above opinions are also my experience after reading novels for so many years. I hope they can help the author achieve better results. By the way, I will give you two monthly tickets. Come on!

It's quite good to watch, and it feels a bit like watching a version of a wizard who lives in a mysterious world. Some of the hot reviews almost discouraged me from quitting it, but after checking it out, I found it to be surprisingly good. Those who say that knights stretch their hips, and that the protagonist has to be forced to join the academy, what is there to argue about if the setting is like this? The setting is that knights are ordinary people, not extraordinary professions, and the great knights are not much stronger. It is not normal to be unable to defeat the extraordinary professional wizard apprentices; The protagonist has a fourth-level talent and is placed in the defense team and patrol team. There are six to seven hundred intermediate apprentices in this academy, and they are not high-level talents. Should we let the first-level talents go to patrol and the fourth-level talents go to further training? Speaking of the protagonist going to the patrol team after having a chance, the protagonist doesn't want to expose the chance at all. In the eyes of others, he is still level 4. Besides, when the protagonist reaches a higher level, he can naturally go to other places. It was also said that those who have not passed the ten-year mark should be allowed to patrol, and the protagonist wizard should further his studies. Firstly, those junior apprentices are not considered as academy members, secondly, junior apprentices cannot defeat ferocious beasts, and thirdly, there are several hundred intermediates. If there are many, it is not a rare thing. How can everyone not work while training? Besides, everyone has to work, but the positions are different. It is also said that there is a problem with forced dispatch, and the form of task distribution. First, although it is forced dispatch, everyone has to be on duty, and it is not targeted at the protagonist. Second, the entire island is the asset of the academy. You are working in your own territory and you still accept tasks? Could it be that all these years of training these disciples were in vain? And these positions are not very busy. Except for the difference in magic power up and down the mountain, they are all considered leisurely. I think these settings are quite normal. They are a little different from traditional wizarding literature, but there is nothing controversial. Wizarding literature has not existed since ancient times, so some changes are acceptable. In addition, it suddenly occurred to me that converting the Wizard Academy into an Immortal Cultivation Sect, a foundation-building ancestor, with hundreds of Qi-training monks, was stationed on the island. There are hundreds of thousands of civilians and some small families on the island. Doesn't it feel very familiar? The writing has a sense of farming, and it is very comfortable to become stronger step by step. The protagonist has a pretty good personality, not a fool, and the plot is reasonable. There is no vulgar plot, no pretending to be a pig to eat the tiger, no pretending to be slapped in the face, no girls cheating, it seems very smooth, I like it very much. Come on, author, the first order is not bad, I hope it will be longer.

I feel that there is something wrong with the focus of this book. The focus of the wizard should be on weird witchcraft, secret realm exploration, pursuit of knowledge, and even various bloodline transformations, new and strange monsters. This is very interesting. Take another look at this book... The most powerful skill currently mastered by the protagonist is actually arrow shooting. Isn't golden arrow shooting still arrow shooting? It's not that it's not powerful. Golden Finger can increase the power of spells, but it can't increase the spell's B rating. Is it interesting to use one spell all the time? Looking at the monsters we encountered, we encountered wild boars, large wild boars, and a violent large wild boar king in the academy forest... After defeating them, I didn't see any interesting and impressive monsters after leaving the academy. Let's talk about the part where the academy goes to the island auction. Is there any difference between this plot and fantasy novels like Dou Po? What's weird? Where is the wizard style? I can only say that the writing of the third golden chapter was okay, and it lured me in, but the subsequent plot is not the wizard novel I want to read. There is no strange blood transformation, no novel and weird witchcraft effects, and no attractive unknown exploration. Even the monsters I encounter are not interesting. .

Recently I saw in a discussion thread that some people were criticizing this book! I think it's understandable to say a few words about it if you see it's not your type and it doesn't satisfy you! But please, when you spray, just spray whatever you need to spray! Let's not go so far as to attack this book. Many of us readers hope that this book will continue to be written, and that it will get better and better. To be honest, there are countless exciting and passionate novels on the Qidian website. As a bookworm of 18 years, I have only read 23 out of 10 of them, and I will get bored after reading too many of them! When I saw this book, I was actually attracted by the title! The first part was really good, but the second part started to get dull! I was still a little unaccustomed to it, but when I thought about it, I wanted to read it for a lot of fun. Why would I read this book again and again? To be honest, this book still has a lot of highlights. Otherwise, if you look at it and it doesn't have any allies, why would book friends have almost 300,000 hits! I say so much just because I hope you friends can criticize it if it is written poorly, but please don't deny the whole thing! There are a bunch of us watching! You have to be patient to read what I wrote👍!

The levels are too high. Every skill is at every level. There are dozens of chapters. I can't do it. I have to upgrade. No way, the skills haven't been upgraded. No way, the meditation method has not been upgraded. No way. The meditation method is too monotonous. No way. The meditation method has not broken the limit. No way.

I like this style very much, there are not so many inexplicable conflicts and advanced frustrations. I think it's good that the protagonist didn't get to join the Athos Society. I've seen too many other protagonists who have to participate in some kind of trial in order to advance, and it's already annoying.

I've read hundreds of chapters, and the author really doesn't know how to write three-dimensional characters. Some of the villains are very superficial, and he just wants to educate readers not to be imbecile tool people. Novice readers may be able to broaden their eyes, but experienced readers can only say to hurry up and read on, they have already tasted enough. This is indeed a problem of the new author's writing skills, and nothing else. For example, many people talk about water, slow upgrades and the like. I don't think this is a problem. I feel that Shui is just catching up on updates every day. As a result, what the author writes is not what I want to read, so I feel like I haven't written anything, Shui. Actually, those who fight for dozens of chapters are really bad. The author's writing skills are not refined enough and the updates are slow, so it is not good. Just stop chasing updates. As for the slow upgrading, it is always soy sauce or something, this is basically the reason why the Wizarding World map was opened, not the slow upgrading. Becoming a wizard means that the protagonist has joined the largest wizarding force in the world. He has a direct view from the top, and his enemies are directly like the gods. Can we not make soy sauce? If you asked Xiao Yan to join the Ancient Clan from the beginning, then he would be fighting until the end. Thirty years in the east of Hedong and thirty years in Hexi. Before becoming a fighting saint, you were nothing. How could you control your destiny? If you think he levels up quickly, it's just because he has too many realm names, and the map is too restrictive, so the strongest opponent there is only a little higher than him. If you insist on writing it like this, that is, when the protagonist is a junior knight, his enemies are multiple juniors, but juniors also have strengths and weaknesses. The protagonist pretends to be cool and wins more than one fight. Then there is a mid-level knight enemy, who jumps over the level and wins, surprising the audience and becoming the boss. After dozens of chapters of pretentious development, a high-level knight appears, but he can't beat him and run away. After a short period of adventure, he became an intermediate knight. He went back and jumped up to win. Then he found that there were several high-level knights on the opposite side to help him, so he broke through the high-level knights and pretended to win. Anyway, just take your time, the enemy will always be just a little taller than the protagonist. At most one section higher. For example, when the protagonist is a knight, the enemy's biggest backer is the senior wizard apprentice. Although he can defeat the protagonist ten thousand times, the protagonist tolerates it for a while and finally becomes a wizard apprentice and wins the battle in 300 rounds. Which do you think is faster, this upgrade speed or the author's upgrade speed? Obviously this is faster. And with Xiao Yan's way of living, in a map like the Wizarding World, you can die very quickly. You may encounter gods and die just by walking out. After all, if you don't have a backer, you are the biggest backer. If you can't fight or escape, just send him. So this is not a question of the speed of upgrading at all, but that you like the feeling of being the boss, the biggest supporter of others, and controlling your own destiny. Then you have to look at the kind that is invincible at the beginning, or the author opens the map little by little, limiting the enemy to never be much higher than the protagonist. Anyway, I feel that this kind of restriction of constantly changing places and repeating the younger brother becoming the boss is really bad.

It's written the same 💩, don't order all of them

The protagonist is like a lone star from heaven. Until he gets there, everything is calm, but once he arrives, a disaster star will come. Isn't there too many people like him that can kill everyone around him?

Chapter two hundred and seventy-eight, I can't stand it anymore. All kinds of mentally retarded sidekicks are making trouble for the protagonist for various mentally retarded reasons. None of the protagonists are going smoothly. Even if they give a briefing, they can still be made things difficult by the front desk. I'm really convinced.