Death and Rebirth

Update ps: I used to read a few old authors, but lately I have been in the habit of looking for new books, so I looked through the comment sections and chapters more often, and found that some books have more than one p-word at the bottom. I can really criticize them everywhere, so I just had to stop the author and write it myself. Looking back at Tingri, it was quite refreshing. I occasionally look at the comment section and see all the criticism, which makes me feel very sorry. I heard the Japanese say that they didn't even dare to read the comment section, and I feel like readers who support the author need to speak out. Personally, I still like this new work very much. I feel that there has been a lot of progress from the small world to the current one. The worldview seems relatively vulgar at first, but after two volumes, it feels quite novel. The writing style is more humorous and there are basically no embarrassing jokes in the small world. The character descriptions are more detailed. The weird sister Chen Fu and even the elite monster Kui Zhao make people feel alive, and everything they do is consistent with their characters. Of course, the most surprising thing is the protagonist. Unlike Ren Suo, who is overtly naive and secretly a scumbag, the protagonist is still somewhat intelligent and not lazy. He values ​​love and righteousness. He is not a scumbag yet. Of course, the most exciting thing is that Le Yuzui Pao is currently the ceiling of this book's combat power. . . Every time I watch Le Yu, I laugh out loud when he starts talking nonsense. It fits the name of the protagonist very well. In terms of plot, the first part is completed in one go, with many foreshadowings, few loopholes, and the world view is well developed. After one volume, the world has basically become vivid, and I even suspect that Tingri wrote the outline. . . At the beginning of the second volume, I originally thought that the plot would be uncontrollable if Qian Yuliu dies and then Ying Ying Kai dies again, but now it seems that it may be even better than the first volume. Judging from the latest chapter, the protagonist has lost a little bit of the idea of ​​staying out of the situation as a time traveler, and has accumulated a lot of hostility towards the reactionary forces. I am full of expectations for the second volume. Finally, I support Tingri as an author in implementing his own ideas in the book. After all, the troubled times have passed, and I hope that Tingri will not be discouraged by criticism. The current good monthly ticket score is the greatest recognition of this book.

In the end, Death and Life is the best written

Is there any next book? If so, would it still be a case of literary youth? It just ended because I didn't want to force or torture such a young protagonist. Please listen to me and answer these two questions truthfully. If the answer is: There is a next book, and if you don't offend the literary youth, I will continue to read your next book. If there is a next book, but the literary youth doesn't change it, I'm sorry I won't pursue it. Also, I would like to edit and add something to make it clear what I mean by "literary youth". It is not the style of writing, but the reason why the novel is unfinished. Using the excuse of not wanting to torture the protagonist as a reason for unfinished work is nothing but literary youth. The God of War Scroll is completely gone. From the beginning to the end, I have been emphasizing how important and beautiful the God of War Scroll is. If it is gone like this, why can't I say a few words?

The latest two chapters are only a few hours apart. They are obviously the two updates yesterday. However, the author has not released them yet, so he had to post one chapter first, and then accidentally crossed 12 o'clock. Don't be morally kidnapped.

The first two volumes were so good that I felt my scalp tingling. They wrote about what I wanted to read most, which is reasonableness, time-travel mentality, and growth. Reasonable What makes me happiest is that all the actions and changes of the protagonist and supporting characters are logical and self-consistent. A young man who travels through time is certainly not as good as those old Yin coins in terms of wits, but he can reasonably break the situation in the best way possible for the protagonist. Every supporting character is reasonable, whether they are stupid, bad, loyal or traitorous. There is a reasonable logic in it, and all actions can withstand scrutiny. Time Travel Mentality The writing about the time traveler's mentality is really good, but many authors cannot deal with the problem of time traveler's mentality. Travelers must be lonely, like rootless pings, and need to re-establish an anchor in a different world. Some authors deal with it in one stroke, and some authors use the family affection of another world to establish anchor points when writing about baby wear, but this book is really well written. Write an emotional counterattack. From the freshness and curiosity at the beginning of the journey, to using the imaginary well of gods and demons to delay collapse, to the emotional counterattack of crying in the middle of the night in the second volume, to using love as a new anchor. Growth The protagonist slowly grows from a newbie to the level of intelligence that can compete with the old Yin coins. From playing the world to the psychological growth of wanting to change the world, it is all well written. Unfinished I couldn't stand the third volume, it felt like jumping from a male channel to a female channel. Originally, the author's portrayal of female characters was very stereotyped, but when he wrote about the college life of the seven empress candidates, it had the immediate feel of a campus anime. Without the logical logic of the first two volumes and the deep exploration of the protagonist's heart, and the sense of reality, this dream is very easy to play out. Summary The first two volumes of Fengshen are among the few masterpieces I have read so far. The third volume was completely unfinished. Maybe as the author said, the results were not good and he wanted to change the writing method. However, this kind of vacillation to cater to the market made this book backstab the readers who liked it in the later period. It is a pity.

Although this book is very good, it is a trap! I didn't write about Lan Yan. I think this must be because the author is too lazy to write. I have been looking forward to the passionate collision with Lan Yan for so long, and finally stopped writing? Then you have laid so much groundwork in the early stage? Have you eaten up all the tricks? Why don't you take the usual path?

After reading it, I can't hold my breath. I suggest that it's enough to watch Unit 3. There is no need to watch Unit 4, which is the loyal minister volume. Anyway, I skipped to read it. The seven princesses vying for the throne, the Holy Grail War, the seven princesses, this setting is a headache, college life, all mixed together. The main reason is that the gap between writing before and after is too big. I finally skipped through the third volume, but it ended badly. I can't understand that in this world of low martial arts, the power of the masses can still be used, and the Holy Sword still has twenty years to overthrow this system. As a result, in the third volume, demons and immortals have all come out, and the holy sword can also be used in advance. With this setting, is it necessary to spend so much ink on overthrowing the Silver Blood Society? Wouldn't it be more convenient to go up and replace him directly? Eh! It is recommended that watching Unit 3 is enough.

How should I put it, at first I was attracted by the novel plot, but by the time I reached the Silver Blood Club stage, I was a little disgusted. There is a difference between peasant uprisings and revolution. Regardless of other countries, peasant uprisings have never ended well in the history of our country. Chen Sheng and Wu Guang, the Yellow Turban Uprising, Huang Chao, and the Taiping Heavenly Kingdom are all relatively famous. Why did these uprisings fail? Because farmers have no knowledge, they can fight for territory at first, but soon they will start to see internal strife and various problems arising from power struggles. Liu Bang was able to succeed because there were nobles and scholars from the six countries helping him. Zhu Yuanzhang succeeded because he accepted the inheritance from his godfather Guo Zihao. As for the Taiping Heavenly Kingdom, in the later period, they were busy fighting their own people. This was the fundamental reason for the failure of the peasant uprising. In the territory of the Silver Blood Society, it is obvious that the people do not approve of Bai Ye. The protagonist wants to overthrow this mountain, but he also wants to escape. This is simply a joke. Anyway, I only care about overthrowing it. What you do is not up to me. It is not as good as the Silver Blood Association. At least the Silver Blood Association will not let most people starve to death. So I don't want to watch the subsequent plot. By the way, one last thing to add, Bai Ye is impossible to achieve, it is too idealistic. This kind of situation only exists when the emperor suppresses everything hahaha

Don't ask why I can add precision, just ask py

If you don't want to start a new book, come back and rewrite this one.