Soul Painter

Xin Wei created Gao Fan, and Gao Fan created Lu Xinyuan. Xin Wei is an ordinary person in this life, and Gao Fan is also an ordinary person after going back in time and experiencing fading. Gao Fan was the one chosen by the Silver Key and had special mysterious blessings from the beginning. Lu Xinyuan also had the right to inherit the crown from birth. Maybe after time goes back, Lu Xinyuan will become a new god and create the next unattainable Gaofan. "It's a cycle"

Draft stream. I tried to follow the description in the book and combine it with my own imagination to draw it. The composition is easy to understand, but others are simply incomprehensible. Especially when it comes to black and white paint, is this kind of metaphysical painting possible for humans? Finally, I found a lot of references and decided to use the celluloid painting style that I am familiar with as a base. Then lay out the color. The areas with light are warm and the areas with backlight are cold. After painting, absorb colors from nearby, use warm color to lay a layer of lines, and use dark blue to lay a layer of lines. If you squint like this and look at it from a distance, the Maggot Man's body is full of lines, as if it's made up of many bugs. And it seems to be very complete, but the price is that it's full of shit when you zoom in (really). But doesn't this satisfy the need to remove San (cross out) The last step is to stretch the curve and increase the saturation until it makes you feel sick (x) The effect of the picture can be said to have nothing to do with my original cute cel style (x)

I have never studied oil painting, so I am just fishing in the stream of consciousness. The lighting and twisted limbs are all personal suggestions, please don't criticize them. (Does anyone really say that the basics of a frightened face copying are poor, the composition is rubbish, the color is shit, and it is useless? A crowd of people in a public place will watch you and scold you for half an hour every day while watching your painting. It is too scary to put it in perspective. If it were my words, I would be so shocked that I would cry and move out of the earth and into the arms of the ancient gods)

I have been wanting to read a book on this subject about the profession of painter for a long time, and I even wrote an outline myself. Finally I found this treasure book! ! ! The only drawback is that I like the author not to go overboard and write a bunch of numerical things. I hope to be able to refer to the content about paintings in works such as "Secret Cult Simulator" and "ck2", such as "capturing invisible mist and making it into invisible white to use as paint", "going to the market to obtain tape videos to obtain mysterious rituals", "using the black blood of old trees as pigments to paint", "exhausting inspiration and using banned drugs but falling ill and dreaming", "forming secret secret societies by leaving secret codes in paintings through superb painting skills", "finding branches of history that are either true or false to explore the world", so that the work does not rely entirely on numerical values. After a closer look, I have followed the author's previous books. No wonder they are very consistent. In the end, I like the author's ability to write better and better books! !

#Lin Senhao Fan# 1920. There are many ferries on the Huangpu River. There are a variety of buildings on the shore. Shanghai deserves to be an international trading city. Even 100 years ago, there was already such a prosperous city... No, it shouldn't be said 100 years ago, it should be said now. Lin Senhao watched a white warship honking its horn as it passed by on the Huangpu River. Some cargo ships ducked out of the way. Students on the street began to throw stones at the warship, shouting: "Expulse the great powers!" But it was not only the great powers that should be expelled, but also monsters that were not known to ordinary people. Lin Senhao, wearing a priest's uniform, touched the "Invisible Secret" disguised as the Bible in his arms. Through the mysterious link, he was able to contact the great will of the Invisible Son when needed. In this era, it is much easier to do this than it was 100 years ago. Lin Senhao believed that he should be a occult genius. He read through the "Invisible Secret" in his hand through his own understanding, and at the same time he was able to maintain the necessary sanity. Although it was not much, it was much more normal than Gao Fan, who was full of madness. Through the frequency of the Invisible Son, Lin Senhao noticed that there were at least three slaves entrenched around Shanghai. In the Huangpu River, there is a sucker-like life form silent at the bottom of the river. It is bigger than the warship just now. The curled sucker is like a jellyfish, constantly opening and closing, swallowing mystery. There is a mountain in the east. There is no such mountain in the Shanghai terrain 100 years later, so it should be another slave. And what looks like dark clouds gathering in the northern sky is the third one. Through the frequency of the Invisible Son, I felt the mystery as huge as a mountain and a tsunami, rushing in from three directions. The Invisible Son even expressed a kind of fear. Of course, He was not afraid of these slaves, but was afraid of the great existence behind these three slaves, which was a superior race, or even the old days. Although Lin Senhao himself was buried alive in the abyss by the incarnation of the past, the weird second highest being. When he crawled out of the pit, he found that he was 100 years in the future, but he still couldn't figure out what the past was? The Invisible Son is great enough, but the old days still make it fearful. In other words, in this 100 years, the great invisible son will also coil his tentacles, so as not to hinder the affairs of other greater great beings, and it will be ugly to be kicked away. This is such a chaotic era. If Lin Senhao wants to survive here, he needs more mystery. Mystery is a real resource in this era. It is a fragment of words left by great beings after they interfered in the world. If you find these things, you can gain the power to control the world. The "Invisible Secret" in Lin Senhao's hand contains a lot of mystery. This can be regarded as Lin Senhao's first pot of gold after coming to this era. With the help of "Invisible Secrets", he came all the way from Tianshi to Shanghai, escaping the bandits who blocked the road, and escaping the rogue bandits who were more ferocious than the bandits. The reason why he chose Shanghai was because Shanghai was currently under the cloud of war, and was the core area of ​​the conflict between the Huangtian Sect and the Three People's School. Behind the Huangtian Sect stands the mysterious King in Yellow, while the Three People's School worships the one who unites all things. Once there is a war, there will be a winner and a loser. The corpse of the loser will be the best source of mystery. For this reason, Lin Senhao must seek refuge with one party. He chose Sun Dixiang, the leader of the Three People's Society. Through some foreign friends he met on the way to escape, Lin Senhao got in touch with Sun Dixiang. At this moment, he was rushing to Sun Dixiang's residence to accept an interview. Although history has completely changed, which deprived Lin Senhao of any prophetic advantage, his understanding of the future social form and his confidence that the people will defeat the monarchy, feudalism, and colonialism make Lin Senhao believe that Sun Dixiang will regard him as a confidant. The only thing Lin Senhao didn't know was how the world in 100 years could be so calm and without any abnormalities under the premise that great beings interfered in the world on such a large scale. At this time, Lin Senhao passed by a fishing boat. There was a fishing net wrapped in front of the fishing boat. In the fishing net was a snake-like hair, purple-blue skin... Well, a monster. "Newly salvaged deep-sea monster! Only sold for a thousand oceans!" The fisherman's cry attracted Lin Senhao's attention. He walked to the fishing net and stared at the monster with the crowd watching. It should be a female, which can be seen from the rise and fall of her chest, and her topaz-colored eyes are looking at the world in horror. The "Invisible Secret" in my hand became hot, and the pages automatically turned to a certain page. The bloody words on it were twisting and conveying the advice of the Invisible Son to Lin Senhao: "Save it... A descendant of the past..."

Share a cool picture. . . .

(The following are all personal opinions, please don't criticize if you don't like it) I saw some readers saying that they don't like to watch investigative events, but like to watch Gao Fan's paintings. Maybe everyone has different aesthetics. For me, although the description of the painting makes me excited, what really attracts me to stay is the author's turbulent world view - and this world view is revealed through repeated investigations. If you only write about drawings, no matter how good the writing is, it will still be entertainment (unless you write purely about art and move to physical books, but few people will read it). You can make a certain profit during the serialization period, but the subsequent impact will be small and it will be easy to become outdated, let alone develop peripheral markets. But the introduction of Cthulhu elements is different. The upper limit of this book has been raised a lot. If it is well written, it may become "Thriller Paradise". The author does not just copy the world view of Cthulhu, but also has some designs of his own. Organizations such as STK and Gravedigger appear in the text, which is exciting. I can already imagine how exciting it will be when the major forces emerge and compete in the game! From this point of view, this book has become a god. But there are indeed some problems with the author's treatment, and the connection between the front and back parts is not natural enough. The first is the issue of market positioning. The beginning feels like an ordinary pretentious and slap-in-the-face article. The readers who are attracted naturally come here for this, and many readers who like suspense will be persuaded to leave; but later on, the entire theme is sublimated into saving mankind. The setting of "the end of 1920" is very exciting in my opinion, but many readers who come here for the beginning may not like it. (In the words of the writer's assistant, it is "selling dog meat with a sheep's head") The second is the problem of Lin Senhao's positioning. He has experienced the transformation from a small boss to an important second male lead, and it can be said that he has been promoted all the way, but the comparison of his personality before and after is obviously a bit fragmented (in the words of the fans, it is called OOC, but this is written by the original author, it seems that it cannot be called that). In the beginning, Lin Senhao hated Gao Fan because of the bloody love triangle, and was jealous of Gao Fan because he painted "Gates of Hell". He was a very mediocre little guy. There is no problem with this. As an entertainment novel, it does need some flat characters to set off the protagonist. (And the foreshadowing of him being the mini-boss is quite sufficient, which is a highlight.) But seeing that this person suddenly became concerned about the country and the people, and even contacted Xin Wei just to contact Gao Fan (previously, it was because Xin Wei and Gao Fan were jealous of each other), from this point of view, the previous portrayal of Lin Senhao seems a bit embarrassing. It's not that great people can't have small problems such as jealousy, but the dark and despicable side of Lin Senhao was too emphasized earlier, and the transformation process was not well paved. When he appeared again later, he was completely different, which seemed very inconsistent. But I still insist that this book can be used as a god. In my opinion, the following points of this book are very exciting: 1. The stranding law and the shaping of organizations such as STK. Facing the mysterious original sin, one is doomed to be alone; the opposition of ideas under the common great goal, the expression and pursuit of justice; the preparation to dedicate one's life for the destiny of mankind; principles and creeds... I have thought about a lot, and I feel that if these are handled well, the world presented in the novel will be very rich. 2. Dual personality. This subject is quite popular. Personally, I think the dialogue between the two Gao Fans is a wonderful piece of writing. The two characters have distinct personalities and are both interesting. The calm madman and the crazy normal person, gods and mortals are two sides of the same coin; the "world peace" in Gao Fan's subconscious seems to be cynicism, but is actually the kind and lawful under the mask of the madman; before Gao Fan went crazy, the two personalities could only see each other three times, so what happens after he goes crazy? Are you seeing the real world or falling forever? Was "Infinitely connected to eternity and you and I will eventually go crazy" written by a sub-personality? Is it a prophecy or a curse? Will it come true? It feels like there are many places to explore. 3. Protagonist image. Gao Fan has a very clear and consistent driving force - painting (or chasing mystery), and this driving force serves as an axis to pin the character. The need to collect SAN values ​​in order to draw made Gao Fan a madman who didn't seem to be lawful. The highlight is the author's description of Gao Fan's psychology after his rationality has been reduced. He instinctively wants to turn to evil but suppresses himself so as not to harm others - the contradiction between "man and self", one of the basic propositions of literature, is displayed here. Being tired of interacting with people and immersed in the world of painting, this personality is very special. If it works well, it can become Gaofan's signature feature. What touched me very much was the subplot of Gao Fan's portrait of Ren Youran after the collapse of the card. The character became more fleshed out at this moment: he is actually a gentle person at heart. In this way, this character is complex enough, real enough, and cute enough to easily create a derivative market. (And I feel like it would be great without a heroine. If the character of the protagonist had a heroine, it would be a huge OOC) 4. Lin Senhao. I think this character was very interesting to create in the later stage (although it was too late in the early stage). He is another madman besides the protagonist, but not so crazy, polite, and uses calmness to cover up the madness - completely another protagonist template. Conversation across time and space, doing his best for mankind, sending space-time slow delivery (fog) to Gao Fan, and seems to have become a marshal later? (When the title "Lin Shuai" came out, my DNA moved... Straight men don't have to understand jokes) With this character, the content of the novel is enriched, and the time and space span of the novel is increased in a more natural way. At the same time, the novel gets rid of narrow individualism and takes on the color of a group portrait. (It is strongly recommended that the author revise the description of Lin Senhao in the free chapter and delete a few lines of narration. By the way, revise the SAN value and skill value data in Chapters 3 and 4. The calculation is really wrong...) 5. Writing style. I feel that the author's writing style is considered to be excellent in the field of online literature. The long sentence at the beginning is very good, and the subsequent writing is also smooth. There are several environmental descriptions that are amazing. From time to time, there are some philosophical sentences that I can't help but make excerpts. It can be judged from the word choice and language habits that the author has a high level of education, but I feel that the author is suppressing his writing style in order to pursue the popularity of the writing. There are several scene descriptions that seem to have been deliberately cut out in the middle of writing... I must complain about the "writing style is useless" in major online literary forums. Writing style may not be that important for success, but it is definitely a necessary condition for becoming a god. Just like the description of the environment in "Sword of Dawn", techniques such as comparison, imagination, vividness, synaesthesia, etc. Are all used, and it can be used for reading for the college entrance examination. 6. Amount of knowledge. Looking at the author's evaluation of various Chinese and foreign artists and descriptions of paintings, I feel that the author is knowledgeable. (By the way, is the author an art major?) This also makes this book entertaining while also giving readers some thoughts and increasing their knowledge reserves. Arts majors are ecstatic, they no longer have to worry about memorizing History Elective 6! (No) In short, I feel that if the follow-up of this book is written well, it can become a god, so I hope the author can set a small goal of becoming a god, and don't suppress the writing style and pretend to slap the face in order to cater to the readers. It will be good to write according to the author's own ideas. Don't limit the number of words just to update, those chapters around the 106th chapter are very discouraging! (If the quality improves, it's not impossible to publish a monthly magazine. Take a look at Angry Banana and Three Days and Two Sleeps...) Finally, there are a few suggestions (I am a big fan, I am just giving advice from the reader's point of view, don't pay too much attention to me): 1. It is recommended to reduce the protagonist and strengthen the supporting roles. At present, I feel that the protagonist is too strong, and even The Shell of the Great Yith does not make people feel "desperate" (it still has a sense of atmosphere at the beginning, but in the end, a system solves it, and it is more like sending SAN value express to the protagonist). This leads to the lack of tension in the whole text, and the readability of the suspense text decreases. The villains were easily handled, and the characters were so useless that it felt like you were singing and I was coming on stage. It is recommended to design a "fear" that runs through the whole thing besides mystery. For details, please refer to "Lord of Mysteries". 2. It is recommended to enrich the content of the script. I feel that each script has less substantive content, is too short, and the events are not complex enough. Moreover, the theme meaning is relatively weak and lacks sublimation and explosion. Maybe I usually watch a lot of unlimited streaming, so my expectations for the script are like "Thriller Paradise" and "I Have a House of Horrors"... (Of course, if the author doesn't take this route and doesn't force it, I'm talking nonsense)

Elder Bengka was cleared, Lin Senhao was cleared, Xin Wei asked you to throw it away, the Kyoto team asked you to use the sword, the Tokyo team also asked you to use the sword, the Soul Demon and the Eternal Demon were cleared, Gao Zhengyi asked you to use the sword, Qinfan Heihua, Feng Yuan asked you to use the sword, Wu Haoxue, you also want the sword, the author really has you.

Easy to understand and indescribable😂

Wait for the ending to kick me, now I feel like the writing is getting worse and worse.