Great Ming: Reborn as Zhu Biao, Zhu Yuanzhang Weeps
大明：重生朱标，朱元璋哭了
- Status
- Ongoing
- Length
- 1.1M Words
- Genre
- Historical
- Subgenre
- Song-Yuan-Ming Dynasties
- Updated
- 3d ago
- English
- Request a translation
Synopsis
Stats
184Chapters
132Monthly votes
3.9kRecommendations
35.9kFans
7 ch/weekPace
Honours
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Reader comments 14
Google Translate
Zhu Laosi: Big brother, you're not dead!
If you can deliver on what's stated in the synopsis, and then provide a definitive conclusion about Lady Lü and Zhu Yunwen, I'll definitely follow this book.
I still want to see if the caveman writes another book.
The arrangement of these few images being uploaded is terrible.
My personal suggestion is that the last paragraph of the free chapter should be Jiang Huan reporting the results of her investigation into the protagonist's background to Lao Zhu. Then, the release should feature Lao Zhu's various expressions of affirmation and surprise. (Disgusted with the author)
The book is quite good. I haven't figured out the scene where Zhu Da and Zhu Yuanzhang recognize each other yet, but I'm really looking forward to it.
I'm also looking forward to seeing Zhu Yuanzhang inspect the tomb of Crown Prince Yiwen.
The author is really a big liar.
I'm speechless. There's 30 cents worth of water in a 1-yuan article.
Oh my god, Chovy, what happened? Stop writing at the crucial moment! Hurry up and write more!
Having read *The Caveman*, I'm here to give the author a ticket.
It's been so many years since I last read "The Primitive Man," and I finally got to see it. I voted for it with a few monthly tickets, and then I was pleasantly surprised to see the author starting a new book. Although I haven't read many books about the Ming Dynasty, I still came to give them a few monthly tickets, and I'll also subscribe to support the author. All this persistence over the years must have been worthwhile.
Come on
At the beginning, everyone has bursts of inspiration, so save up more drafts.
After its release, it consisted of 1/3 irrelevant plot, 1/3 filler content, and 1/3 protagonist's story. Often, most of the plot was in the last third, with very few exceptions in the first third. The chapter titles and content were only connected by a single sentence; I wouldn't have bothered reading it if it weren't for the rare instances of this identity-based immersion.