The Zombie Calamity of 1644

Just talk about my thoughts on the Yangzhou Volume, spoiler alert After reading Chapter 251, I roughly understood the writing effect that the author wanted to achieve in this long series of twists and turns of the Masonic plot. It should be to use this unprecedented misunderstanding to let the original understanding of the fake The two people with opposite historical attitudes go in both directions. The male protagonist gradually wavers, that is, becomes a normal person, and the female protagonist gradually becomes obsessed, that is, merges with the male protagonist, and by the way, the Yangzhou line and the emotional line are promoted. However, if it continues to develop like this, the story will become boring and even lose its anchor after a short period of fun. Sure enough, in Chapter 251, the author completely overturned Fang Zhier's previous misunderstanding and allowed him to return to the clean-up sequence. Presumably, he will also create new misunderstandings in the near future, allowing the male protagonist to once again firmly believe in the pseudo-historical theory and firmly believe in the existence of the civil servant group, and by the way, take Yangzhou on the main line to promote the rhythm required by normal historical writing. However, this two-way journey in terms of character cognition only briefly ended in Chapter 251 where Fang Zhier originally believed in pseudo-historical theory in a very funny and blunt way, and soon had to recognize reality again. Although the male protagonist has not been written yet, I believe it will not let the male protagonist get rid of the pseudo-historical theory. Writing like this is certainly newer than the first volume, and it's a bit fun, but I personally don't like it in two aspects, which only represents my personal opinion. One is that the character growth in this volume completely disappeared or even backfired after the misunderstanding was resolved. Looking back, although they were originally two gods, the character arc of the male protagonist in the first volume was very significant, and the character growth was also very appropriate. Although the growth and thinking of the female protagonist were relatively blunt in comparison, especially when she was a clear fan, she was very rigid, but she at least had a certain side of the character. She played an important role in rescuing the male protagonist, thinking independently, and serving as an explainer or even a spoiler of the official history. As for this volume, the image of the male protagonist is becoming more and more "great and upright". On the one hand, if the character does not get rid of the pseudo-historical theory, he will always make national policies and go around in circles, which is not interesting. On the other hand, in the interaction with other people, it is also because of the growth of this image that it is difficult for the author to write the first volume. The most interesting and best-looking plot of Dihua, such as the plot of Yan during the time it was released. The only characterization of the male protagonist in this volume that shines is the scene where he and Huang recognize each other on the battlefield. Other than that, there is no fun. Occasionally shouting slogans to create some contrast only completes the basic task. The problem for the female protagonist is even more serious. If the anchor point of the male protagonist is to verify the pseudo-historical theory + save the Ming Dynasty, it can support the male protagonist to do great things while playing tricks. Then the anchor point of the heroine from the beginning is to surrender or seek happiness. In this volume, the heroine adds an important anchor point of verifying the pseudo-historical theory, and the character continues to develop around it. However, first of all, this Masonic misunderstanding is very blunt. Secondly, after Chapter 251, the heroine's entire volume revolves around verifying the pseudo-historical theory. The dynamics of thought and the interaction with all the characters related to the Zheng family, Qian and others have been completely eliminated, and even backfired on the heroine herself, causing her to lose an important anchor point, and it is difficult for her to repeat doubts and firmness several times. She has fallen into a more thorough cleansing sequence, and her connection with the male protagonist has become shallower. Of course, I believe that in the future, it is possible to write about the characters and thoughts of a man and a woman who find a balance between extremes and extremes, or continue to develop the plot between the two extremes. However, from the perspective of reading, the previous chapters of Freemasonry are embarrassing and boring. After the character development in this chapter is reset, it becomes even more useless. The second is the advancement of the plot. After the misunderstanding was resolved in Chapter 251, what did the lengthy fictional Freemasonry leave for the plot? Compared with the more sophisticated confession letter in the previous volume, the content of this volume of Freemasonry actually only produced a confession letter. However, the functions of the confession letter and the confession letter are very different in the plot. The confession letter is very important. It is not only the emotional connection between the male and female protagonists as time travelers, but also the connection between the male and female protagonists' historical concepts. The confession letter is boring except to advance the emotional line. If it is later written that the male protagonist and the female protagonist misunderstand each other emotionally, I personally think it is very meaningless. In other words, I think the long Freemasonry section does not provide sustainable help for character creation, nor is it key to the plot. If it jumps directly from the southward trip to Yangzhou to today's Nanjing soldiers crossing the river in a few chapters, I think the effect will be the same, but it will only add so many chapters of sketches. Finally, since I personally don't like the recent plot, I should also talk about how I think it should be more interesting and useful. For the same plot, I feel that the biggest inappropriateness is not that today's chapter 251 backfires on the character's growth, but that this long series of plots has always been internally consumed by the actions of the male protagonist and the female protagonist. In his remarks on the previous volume, the author mentioned that this volume will be about the emergence of a civil servant group in the hands of the heroine. I did not expect that it would be completely created through the interaction of two people. The other people in the game have no subjective initiative, and there is no interference from external forces. Therefore, the Rashomon series is limited to this and stops here. If the Masonic content in this volume introduces external forces and creates a larger misunderstanding, will it allow the characters to develop and the plot to progress? I think the author must have already thought of it, and the direction he planned to write in the later sections should be based on the theoretical influence of the male protagonist and the misguided operation of the female protagonist. Really create a specious "civilian group", which can be used as a joke and as the main line. But if in this volume, one or two such characters or forces are introduced in advance to pave the way for the follow-up, at least to introduce some forces other than the male and female protagonists to this joke-like Freemasonry and misunderstandings, that is, to avoid the current situation where there are only male protagonists and female protagonists in the game. It can also pave the way for subsequent development. Can the male protagonist be more reasonable and firm in pseudo-historical beliefs, while the female protagonist retains a trace of doubt for better character development? I believe that the benefits of this writing method are inevitable. At least so many chapters can be written and read in vain. Of course, if the original purpose is to extend the life of the book, there is nothing wrong with leaving this kind of plot for the subsequent plot, but now the reading experience has become worse and worse than before. From my personal point of view, friendly discussions are welcome, and I also thank the author for providing enough high-quality content, which is at least much better than most books.

Watching it now, it feels like watching the weird-smelling Don Quixote and his weird-smelling and reluctant Sancho navigate a more absurd but realistic world.

I don't know if the author can see it, but after reading the first dozens of chapters, I came here to talk about my reading experience. The first three chapters are really eye-catching and very interesting, and they can grab the reader's attention immediately. The following ten chapters are also very smooth to read, with dense plot points, relaxed and interesting writing style, and the overall impression is very good. However, after similar memes appear repeatedly and are piled up intensively, aesthetic fatigue can easily occur, and the novelty fades quickly. By the time I read more than thirty chapters, I couldn't relate to the protagonist's character at all - the character's style was too comical and stayed on the surface. Especially relying on the "civilian group" throughout the whole process and relying on this line to drive the protagonist's behavioral logic and ideological changes is really not very pleasing. It's hard for me to imagine how the subsequent tone and main plot of the book will be advanced. Does the entire work rely on the line of the civil servant group to support the plot? After seeing this, I feel tired of this setting. In addition, the protagonist's eloquent narrative sense throughout the whole process also makes the overall writing style a bit out of the ordinary. Most historical novels rely on solid, ups and downs of the main plot to retain readers, but this book currently gives me the feeling that there are more plots than main plots, and the existence of plots completely overshadows the story itself. If things go on like this, not only will the subsequent plot be difficult to support a long story, but the character of the protagonist will also be difficult to stand up and like. The foundation of this book at the beginning is actually very good, but if the style and setting have to be changed very late, or even no adjustments are made throughout the whole process, it will be a bit difficult to follow. Of course, there will definitely be readers who prefer this style, but I think most people read books and make fun jokes just for seasoning and embellishment. The core pursuit is the sense of substitution and immersive experience. If the author can adjust the character settings as soon as possible and let the main plot return to the story itself, instead of relying on jokes and one-line advancement by the civil service group, and make the protagonist and heroine's characters more realistic and normal, the work will definitely be more lovable and the story will be more exciting. Another point is that extreme settings such as "Mingfen" and "Qingfen" are repeatedly used in the book. I don't know if it will be more normal in the future, but at the current time of more than 30 chapters, it is really unacceptable. Maybe I am not the target audience of this kind of setting. The overall setting is very innovative, and I sincerely hope that the work will get better and better. 🌹

This book always makes me laugh out loud after a long day at work.

Author, you write so eloquently! A second-year junior high school student who is a pseudo-historical Ming fan, and a green tea fairy who is full of petty bourgeoisie. The two great heroes and heroines travel through the late Ming Dynasty when zombies broke out. It is a perfect match. It made me laugh. I just want to read this kind of exciting novel. The article is interesting. Reading this chapter said that quarrels are more interesting 😜

Suddenly I saw this book. I originally read it while browsing forums and eating. I thought I hadn't read Qidian in a few years, so I ran back to read it. I suddenly felt the author's talent The protagonist, Wang Zhiming, the king of Ming, and the fake prince of Ming? A modern psychotic patient who aims to restore the Ming Dynasty in modern times. He has learned archery and archery since he was a child. He has a lot of force and is extremely capable of action. He is the ultimate pseudo-historical patient. He talks about all kinds of outrageous history and wants to recreate the Ming Dynasty. He uses all kinds of ideas of his own to pretend that it is the Hongwu Year. It is actually a modern strategy. Become a New Ming Dynasty The heroine, Fang Zhi'er, a roadside opening, the protagonist's random bed-warming maid, little bourgeois, modern egoist, doctoral degree, consulting company consultant, fence-sitter, intensive reading of various history books, not caring about who wins, only caring about who wins, thinking about the time before the Qing Dynasty came Accumulating capital is convenient for surrender The two only look at their modern identities. One is a second-year middle school student with mental illness, and the other is a Ph. D. Redeemed But even so, the female protagonist still surpasses the male protagonist, because she is extremely familiar with history books. As long as she is still a normal late Ming Dynasty, her plan can still be completed, because her goal is much smaller than that of the male protagonist The author then introduced the setting of doomsday zombies, familiar with history? As long as the amount of change is big enough and all the normal order collapses, that'll be fine. The protagonist is just fishing in troubled waters to develop, and the heroine is restricted from leaving. The two can't live without each other, and various stories happen.

To be honest, the subject matter of this book, the route, etc. Are really good and have great potential. But I think in the middle of writing, as the protagonist continues to come into contact with new ministers, officials, and new characters, he will use this as an opportunity to constantly wake up, and even completely wake up in the later stage. Isn't this a kind of refreshing article, and it will also attract more people. There are many "normal" readers who have been watching the fandom for a long time. It will be boring and tiring after a long time. You can create some plots of the protagonist's awakening from time to time to seduce readers. There is nothing to say about the heroine. I am happy to have enemies and cp, but I don't know when the protagonist will know about double dressing.

This book was recommended by the author when watching Bai Yi Qingxiang. I clicked to read it out of curiosity. Unexpectedly, I caught up with the latest chapter. The miraculous journey of the middle school boy in the late Ming Dynasty, I really laughed to death, but there were also tears in the middle. I have to say that this book by the author is really unique! Write it well, and as long as it stays good, I will follow it until the end.

It would be better to end it in three or four hundred chapters than to continue like this. This kind of anti-routine writing can easily make people dislike the protagonist, such as becoming the richest man after losing money. But if he changes his ways, many people will scold him, such as the Imperial Master of the Ming Dynasty. It turns out that this guy is just teasing readers, and the end of the first chapter made me sick to my stomach. Nothing is above or below, and it doesn't give me a staunch defender of Jiahao's true history. In conclusion, this is not a funny plot; it also does not give me a sense of Jiahao awakening and becoming a defender of fake history. In conclusion, this is not a twist plot. After reading this, it feels ridiculous to look at Jiahao's clones and civil servants group. What made me pay to watch was not only the conflict between the Ming and Qing Dynasties, the conflict between true and false history, but also the atmosphere of fighting zombies in the cabin at the beginning, and the characterization of the characters in a few sentences. Now that the atmosphere has been brought back to its original state with a stick, there is no thought at all, no room for turning, no hint of a turning point, no battle of wits, only disgust. Give me a break, ah ah ah ah

Great, it's finally been updated and I can eat real history again 😍

On the one hand, the faceted deconstruction of Ming and Qing powder is very interesting and easy to understand, with no questions asked. On the other hand, it's very funny. The history aspect and the strategy game aspects are well integrated. There is no content that is too controversial. There is a bottom line where there should be a bottom line, and it should be ignited when it should be ignited. The main reason is that the protagonists are well chosen and can be viewed objectively. They are neither fandom nor too one-sided. Their behavior can be understood and not too annoying. I am very happy when I celebrate.

The author may have been inspired by watching the Korean costume zombie film "Kingdom"

1. No extreme dynasty fans, otherwise you will be banned forever 2. No personal attacks, otherwise you will be banned for one month 3. No advertising, otherwise you will be banned for one week 4. No spoilers, otherwise you will be banned One week 5. Political speech is prohibited, otherwise you will be permanently banned 6. War-making speech is prohibited, otherwise you will be banned for one week 7. Those who violate the rules multiple times will directly increase the original punishment to a higher level. One week turns into a month, and a month turns into forever If you encounter the above situation and no one handles it, please leave a message under this post and the operation team will handle it after confirming that the situation is true. Report format: Which volume? Which chapter? Which paragraph? Who published it? What remarks were made? It's best to bring screenshots, the operations officer and assistant will handle them.

Because the Qing Dynasty was different. From the Qin Dynasty to the Qing Dynasty, every dynasty had people it disliked. Only when criticizing the Qing Dynasty, hehe, it was a scam. In the past few years, a group of organizations that colluded with foreign countries and wanted to carry out restoration were arrested. If An An died in a latrine without so many people scolding him, it would be over after all. But those old people didn't want to go there, otherwise they would be enemies. After all, Mr. Sun Yat-sen's original slogan was "Expel the Tartars and restore China."

When I opened the comment area, I saw two waves of people quarreling, and I didn't understand what to brag about. The Ming and Qing dynasties were both feudal dynasties, and the end of the dynasty must have been dull and dark. There were famous games in the Ming Dynasty that starved to death, and the Qing Dynasty was beaten to pieces by foreigners. I don't want to tell you how many times the Qing army surrendered. To be honest, he was also a bullshit feudalist in his heyday. The Ming Dynasty had its own powerful masters, and the Qing Dynasty had its own officials and gentry minions, all of whom exploited the people and sucked their blood. The only thing worth learning is culture and history, but it is not for you two groups to quarrel. We are all Chinese now. Don't think Qingchui is more awesome than Mingchui. The ethnic minorities were not Hanized that time. This is because of the population base. Part 2: It only focuses on the dross of the feudal dynasty system, without denying the excellent traditional culture and national self-confidence. The people are the writers of history. The feudal dynasty promoted the development of productivity, but it was inevitably backward. We must also be firm in our confidence in history and culture. China is an ancient civilization and has always played an important role in the development of world culture. I write this comment just to hope that the Chinese who are scolding each other because of this matter will calm down.

It is a peerless masterpiece. I originally thought that the early stage of The Holy Maiden's Not Accepting Food was already an unparalleled masterpiece, but I didn't expect that the author could go even higher. It's really: Who is the peak at the end of the historical road? When I see the prince, the truth becomes empty!

A heroine like Fang, who is full of all kinds of poisons, is now running wildly on the road to bring Jiahao to ruin. What you need to do now is to stop the loss in time and stop writing about your neurotic heroine.

Nowadays, there are thousands of posts every day saying that I really can't stand it. If you see disgusting comments, please report them directly @admin

What Mingfen says makes people's heads hurt, and what Qingfen says makes people's fists hard. It's really a pair of Tiggers and two boxes of Crunchy Shark.

In fact, I quite like the protagonist, because the protagonist really wants to build his ideal Ming Dynasty for the people to live a good life. He is different from Fang Zhi. He can say yes and laugh at it, but guys like Fang Zhi who have prostitute values ​​can say yes and deserve to be scolded. What else can people like Fang Zhi do besides surrender and betray their country? If the country is really going to fall, people like the protagonist can still take over.

Many people are emphasizing that ➕ should be allowed to grow up and that the plot should be compact and reasonable. I would say that this book would have no special features at all. What you read is the strengths, not the shortcomings. In fact, you can completely understand that ➕ is a high-functioning schizophrenia, and his behavior is his way of escaping from the pressure of reality. No matter how good he is at fighting, he is still a junior high school student. Facing the life-and-death struggle during the changing dynasties, without this extremely paranoid sense of belief, the person will collapse. If you can't eat or sleep, you'll be dead in a few days. Watching the new plot, you will find that ➕ has entered a state where "facts are facts and true history is true history". For example, you think that the three-eyed gun is a pepper bottle pistol, but I have no money and can't afford to equip it anyway, so it is a pepper bottle pistol and no proof is needed. Another example is that you think Liu Zeqing is a loyal minister, but he really wants to kill me, so Liu Zeqing must be a clone, no proof is needed. This is a typical automatic thinking state described by Karen Horney in "Neurosis and Human Growth". Although Pineapple may not understand psychology, this character portrayal is actually quite realistic. I just don't know why he understands the mentality of severe chuunibyou so well...

It would have been better if it had been written later. When the author wrote it, the civil servant group was still in control of the Ming Dynasty, the civil forts were in Europe, and the Yongle Dadian had steam engines and the like. The current versions include gods, orcs, Buzhou Shandi Moon Elevator, robot Li Zicheng, etc. If I write it later, maybe we readers will really be able to see the author write our own pseudo-historical war hammer.

From the book club circle to the chapter review area, the big hand of a civil service group has descended. . .

The heroine is a Ph. D. In history and is proficient in the history of the Ming and Qing Dynasties, but she is a staunch capitulator (whoever forces her to surrender).

Wait, since the heroine has read the history of the Southern Ming Dynasty, how can she still fantasize about being a princess? The Manchus are the most inhumane ones. Logically speaking, she should know the human-like value of the alliance between the backward Manchu () nobles and the most decadent landlords () (). Below are the blood and tears of countless people. During the Anti-Japanese War, both sides could cause ptsd

I really don't know whether you wrote this novel to mock the Qing Dynasty or the Ming Dynasty. It doesn't feel like a normal person.

I wonder if anyone understands this amazing book. It's a double-edged sword. Whatever the author writes can lead to a lot of discussion, especially when there are real fans in the book review section to back it up.

The male protagonist is so proud that I actually see a hint of motherhood in the female protagonist The female protagonist is so outrageous that I actually see a hint of divinity in the male protagonist I am looking forward to what the country will be like in the future when these two are really in charge, and how people will evaluate these two gods in the future.

If Nanming fails, then rebuild or overthrow it, but turning to the Manchus is another matter. This is pure Han ().

Even if the heroine is a fan of the Qing Dynasty and knows the Qing Dynasty very well, she would not be so stupid as to join the Qing Dynasty as a woman at this time, right?