The More I Die, the Stronger I Get

I wrote the exciting points very straightforwardly. There is no bitterness or hatred, and there is no forbearance like the Dragon King. I just want to kill all the obstacles in front of me with one punch. No one can pretend to be cool in my face But there are also problems, such as the writing style is relatively new and there are some early mistakes. The ancient passers-by ridiculed and everyone looked down on them at first and then slapped them in the face, but they were all flaws and did not affect the coherence and enjoyment of the overall plot. The two biggest problems at present are that the plug-in increases the combat power too quickly, and it is difficult to grasp the rhythm of the plot. Among the currently appearing characters, there is an ability on the kill list that can display and locate people who have killed people. This person has killed the protagonist twice in a row, and he thinks that the protagonist is a villain who deserves to be killed. Doesn't this character positioning seem strange to the author? Be a female supporting role and become the protagonist. Corner pad, why write so much ink? As one of the heroines, she kills the protagonist twice in a row, and she still has the mentality of killing evil people. If she really has a sense of justice, she knows whether manslaughter can commit suicide. Otherwise, the protagonist will not retaliate, it will purely destroy the character, and become a man in the same place.

The advantage is that he is crazy and the male protagonist is not procrastinating and does what he needs to do. The disadvantages are that it is too old-fashioned, the conflict plot is lengthy, women are coveted, the male protagonist's family background is looked down upon, the top management are all villains, and the male protagonist is the enemy of the whole world... It's very enjoyable, but the strange plot is very strange.

Shouldn't this undead evolution be invincible within five chapters? In the first chapter, he died in water until he could breathe freely, in the second chapter, he jumped into magma and died until he could swim freely, in the third chapter, he died in a trillion-ton collapsing mountain until he could carry the mountain, in the fourth chapter, he died in a vacuum until he could walk freely, and in chapter five, he was reborn with blood dripping in a meat grinder. 🙂

You can't practice self-destruction skills and just blow yourself up when nothing happens. You can't self-destruct if you're seriously injured or you can't win in a fight. You'll get stronger every time you die. The cycle goes on and on. You're immortal. You can't be invincible

There is no rebirth. It's just that the resentment of a violent death is too heavy to be reincarnated. The Taoist priests who were invited set up an altar for salvation, and arranged a sweet dream for you to release your resentment. The system binding jingle is actually a shaking soul-stirring bell. Loyal subordinates, huge wealth, and a harem of beautiful women are all burned and tied to paper for you. Once you have no regrets, you will be transcended and completely dead.

Why does the girl next to the protagonist have to be particularly talented?

After watching the first few pictures, the part about killing yourself is quite interesting. The beginning of this book is really classic, with a strong tomato flavor, a classic aura resurgence type start, and the awakening ability at the beginning. It's up to the NPC to find trouble. If I hadn't been patient today, I would have given up after seeing the awakening ability. If you start with the part about killing yourself, and then explain it, I feel that the opening effect will be much better, and it corresponds to the title of the book, and it will definitely be much better than the power awakening in the book.

I started writing in the third year of junior high school and wrote many female protagonists. In the three years of high school, did the protagonists in hundreds of films become eunuchs?

It's a good novel. It's compact but the supporting characters are pale. In some places, the writing style is retro and feels like the return of the Dragon King. My suggestion is to reduce the portrayal of Wang Sheng's daily pretentiousness. For example, after Wang Sheng won the first place, a bunch of people gathered in the community to be shocked. Such refreshing points were acceptable a few years ago, but now I feel a little disgusted. This book My favorite plot is the process of the protagonist's dungeon progressing through constant deaths. The author did not deliberately suppress the combat power, so the real evolution brought about by each death is a great point, but still the problem I mentioned, the pretentious plot is the same old and the writing style is too short. The text is not comfortable to read, but it does not affect the fact that this is a qualified and refreshing novel that can be used to kill time.

It's too depressing. Although the protagonist is invincible, the protagonist's relatives and friends are not invincible. When I think of the protagonist's relatives and friends suddenly dying at any time due to various reasons, the protagonist is now hooking up with the Martial Saint, can't she be allowed to kill the protagonist with all her strength to upgrade?