Can I Really Get Early Admission to the Monster Vocational College?

It's a pity. It's a very interesting theme and has many interesting ideas, but it's not very well executed: 1. Monster Vocational Academy is an interesting theme. When I first entered the academy, it felt a bit like the college version of Harry Potter, but there were very few classmates and learning links. The protagonist was practicing cheating alone 2. The pace is slow when it should be fast, and it accelerates you crazily when it should be slow. For example, it takes almost ten chapters to enter the academy at the beginning. When the reader is eager to see the extraordinary power, the protagonist is arranged to jog and go shopping to catch bugs. The pace is so slow that it is exaggerated; after entering the school, when the pace should be slowed down and more daily life, he is so fast. Various single-player crazy upgrades, but there is no daily routine 3. The career design is not good, and the general advancement will bring the characteristics of low-level professions. As a result, he is simply a job change. The low-level professions are like excessive ones. They are thrown away after use and have no sense of a career tree 4. A lot of words are spent describing the cultivation of friends, pets, and summoned beasts. As a result, the old partners are no longer useful as soon as they are upgraded, and all the ones that appear are replaced by powerful brothers (can you imagine that as soon as Ash gets a new Pokémon, he throws Pikachu at home to charge his mobile phone) 5. As a rare manufacturing protagonist, in the climax of the plot, he relied on the boss instead of his own creations... It's not unreasonable, but this is very understandable; let alone failing in the exam and beating the teacher by flying a spaceship that was not made by himself... Seriously, why do you want to write a genius character like this? Conclusion: The creativity is good, the performance is not good, it is readable, but it is not very interesting. You can read it in the book wasteland

I can feel that this book is different from the previous two. Although it is a daily step-by-step, the writing style of this one is obviously lighter, and it incorporates many more jokes and funny elements than the previous two. However, the protagonist still joins forces with others as always. Pure Deer Man, you still like metaphors for reality as always, and you also have the same love of drinking iced Coke and eating, but I don't know where the third-generation moon heroine is Then you have to hurry up! I refreshed the simulator and wasteland again. Why is it so bad? !

Fast update

I feel that it has the same quality as the first book, and the settings are explained very clearly, which is better than the book in Wasteland. After reading dozens of chapters in that book, I still didn't have a clear idea of ​​the foggy sea, and the writing was confusing.

The author is really awesome, a new work and a new world view. Could it be that this time he came up with meditating while staring at the pendulum clock? !

The author has reached an age of sexual repression

The author writes well, but is too greedy for money and starts charging for the wonderful chapters. Then I have no choice but to leave.

Although the protagonist of this Monster Academy book often drives a warship and uses others as speed bumps, and also likes to occasionally beat teachers into urns, compared with the protagonists of the previous two books, he still seems harmless. The protagonist Zhou Yi of "Wasteland Development Diary" is just an ordinary human being and the boss of an ordinary company, but his private life is extremely chaotic. His secretary, although she still looks like a girl, is actually the mother of two children. The protagonist still has an unclear relationship with her. The protagonist completely changes the beauty Luna by entering her body, and even the weapons must be female. The protagonist once fought with his adoptive father over the custody of his secretary's daughter. There are rumors that the protagonist led humans and machine life in a war just to give his female subordinates two more days off per week. The protagonist of "God Simulator", Lu Yao, looks like a human being, but he is actually a high-dimensional creature that likes to manipulate monsters and feeds on natural disasters. Even God, who was once aloof, was almost swallowed by him. Now he can only hide in another world and tremble. He pretended to be a human just to obtain the identity of the simulator player. Many people around him have already seen the abnormality in his identity, but they dare not say it. Now he is no longer satisfied with the current two worlds. He has already invaded the world where God escaped, and is extending his claws towards the world where the Soul King lives. Who will save the other world?

Let me tell you my point of view first: it is the most comfortable novel I have read in the past two years. (Unfortunately, it was discovered too early and there are not so many words yet). Let's talk about the protagonist first: If I could evaluate the protagonist in one word, my evaluation would be: positive. I personally don't like the so-called "decisive killing" protagonists in recent years. The type of protagonist I personally like is similar to Spider-Man who is possessed by venom (not compromised by factors such as justice and morality, and at the same time, as a protagonist, he will take the initiative and selflessly take responsibility when he has the ability). The protagonist of this book is a person who "lives by himself and lets others live." The advantage I appreciate the most is "high emotional intelligence". The protagonist's first choice to deal with the incident is to take advantage of the situation, by helping "others" if he is able, and making good friends with all parties, and the bosses are willing to give face to solve the problem. So it seems that when the protagonist faces enemies of the same level or even higher levels, he just uses his luck to run over them. Another advantage I like is that the protagonist is self-aware. The protagonist understands the importance of his own strength and will train himself diligently and relax. He is also polite and dignified to other supporting characters. The last point is my personal preference: in many books I have read, the protagonist has a good personality, but once the protagonist interacts with female creatures, it makes people uncomfortable. I personally can't accept it when the protagonist says dirty words to good-looking women, or when the author describes the women in his books in a very nasty way (that is, you can say how good-looking the women are, how attractive they are, that's fine, but some authors' protagonists act like they've never seen women before, using the form of a street hustler to say dirty things about a middle-aged greasy uncle to women, or they just "imagine" when they see a female counterpart in their mind.) I can't accept it at all. The protagonist in this book does not have the above-mentioned flaws at all. He just appreciates his good-looking figure normally, and when he gets along with the female counterpart, he talks about things and gets along normally. I like it very much. In short, the protagonist made me very comfortable watching it.

After reading the previous part of the book, I felt that the main body was too weak, and I was a little bit poisoned. I went to see God Simulator. I felt that God Simulator was much better. After reading Chapter 317, I felt the same problem as this book. The main body is very weak, but it is always unnecessary. Going to danger Going to die in a dangerous place is not really looking for death. It just feels like the protagonist knows that no matter how he tries to die, he will not die, so he is not afraid at all. He is so stubborn that I am still reading. I hope the author can really improve it in the next book. This is really disgusting.

When the protagonist is in Sequence 9, he can do something under the influence of the job agency. To advance to Sequence 8, he has to rely on the academy's drawings and the extraction and granting from cheating. When he reaches Sequence 7, it is even more exaggerated. Without the drawings, he cannot even make an accessory. It is better to say that he has no intention of making it at all. , The influence of the job agency is basically reflected in the two blueprints given by upgrading, and the talents given by Sequence 9. At Sequence 7, even basic ordnance cannot be understood or repaired without tutorials. Obviously, according to the description in the play, Sequence 7 is already beyond the reach of many people in their lifetime.

Isn't anyone complaining about the newly launched credit mall? 100 Points for graduation and 40 points for a dagger. Then if I take 5 daggers to their school, can they arrange a graduate status for me?

If the author diligently updates 10,000 words every day, then the traitor will retreat in fear, and the moral gentleman will rejoice This is a feat worthy of praise by both Yao and Shun! I have heard that calves born in sheepfolds do not behave like sheep when they grow up. You are in Qidian. You use your computer keyboard frequently, but you have lost interest in updating. Is this reasonable? Qidian is strong because it has inherited the etiquette and skills of its ancestors. Stop bursting, and the pressure has nowhere to release, but becomes tired. Isn't this abandoning the roots of the tree and pursuing the treetops? If this continues, great disasters will surely befall! The reason why platinum can have With tens of thousands of royalties, they are not hurt by villains precisely because they are willing to listen to what upright gentlemen say. However, Poujie cannot get royalties, and are even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing that makes you cry for the author, and there are six things that make you sigh for the author. Since ancient times, people have often used very passionate words to express their opinions. If they are not passionate, they will not be able to touch the heart of the actor. Exciting words are akin to slander. Authors, you should think carefully about whether this is right or not Those authors who update less, delay, or owe updates have no time to feel sad about themselves, so they are drowned in the torrent of works, leaving only later authors to feel sad about them;

I have a few questions to ask the author 1. ① The protagonist thinks that Flame King is a naughty child and an unfilial son, but the first protagonist only listened to the candlemaker's words when he made this conclusion. The Flame King has been imprisoned since he was created. The Candlemaker asked him to create the fifth floor. Then he has been passive and unwilling to go, but this is actually a normal thing and should not be criticized. As your boss in reality, the treatment given to you is not good. Are you willing to be passive and take advantage of the situation, or are you willing to work hard and obey orders? I think most people will choose the former. Let me ask a person who has been imprisoned, what attitude he should have towards the person who imprisoned him. It goes without saying, doesn't it? If a person's lying down means that resistance is not allowed, why not severely punish the person who imprisoned him? The candlemaker keeps saying that he wants to accompany them and treat them as friends, but do he and the protagonist really treat them as human beings? If you really think that Flame King is an unfilial son, you must first treat him as a human being. But he was not treated well, wasn't he? ② If the protagonist thinks that he is a creature and should not be treated as a human being, then the initial thought of a naughty boy as an unfilial son is not true, is it? What's more, this Flame King is just a child in his mental age 2. The author uses the teacher's words to say that the protagonist knows how to share, and refutes that other people do not know how to share, and then treats other people in a derogatory manner, but I want to say that the protagonist's behavior is not the same as the kind of sharing that the author wants to express. The protagonist's behavior is just a simple effort and cannot be regarded as real sharing. Just like if a person is young and promising, and then creates a company while in college, and then the company flourishes and becomes a leader or a unicorn, then it is a simple matter to reserve some places for the seniors, seniors or juniors of the school, just like the protagonist. If it is truly worthy of sharing as this teacher calls it, then the protagonist should share it and sail on dry land. I'm not saying that the protagonist must share, but at least the protagonist cannot reach the level of sharing that his teacher said. And here, when the teacher criticizes the selfishness of others, it is based on the fact that the protagonist is not selfish, but the problem is that the protagonist is like Sima Zhong of the Jin Dynasty, why not eat minced meat. The author is very open to the protagonist. He said at the beginning that for this cruel academy, the graduation requirement is sequence nine, but what about the protagonist? Upgrading is like drinking water, and having a client is almost outrageous. When it comes to excessive plug-ins, he is given the Scarecrow and Dark Souls. At this time, he already has the actual combat power of Sequence 2, so I think it is such a so-called harsh criticism. It is just that I feel that others do not share, that others are selfish, and that they just stand and talk without pain, that's all. It's like Fafa telling you, why are you so poor? It's just that you don't work hard. 3. I think the author, the ideal he promotes in his works, is communist as a template, right? But, in the story, whether it was the teacher at Monster Academy who said this, he was extremely arrogant and condescending. It's like if you don't eat, the world will be like fireworks. Or maybe at first, Criticism felt that this guy was doing whatever he wanted, which was a derogatory view of him, but what the protagonist did was exactly doing whatever he wanted. That is, what the author admires is completely opposite to the protagonist's portrayal. In other words, a large part of the protagonist's image is what the author criticizes. That's why I say that the protagonist's personality is problematic

Based on the framework of the "Evolution Academy", it sharpens the neutral concept of "evolution" into a more emotional and marginal "monster", and boldly grafts the highly socialized and utilitarian training goal of "career", instantly detonating dramatic tension and ideological potential that far exceeds the traditional upgrade stream. This heralds a profound story not only about the mutation of life, but also about the institutionalized survival and identity of "alien". Core idea: The professional and institutionalized survival of "monsters" The most amazing subversiveness of the book's title is that it puts forward a shocking and logically consistent proposition: when "monsters" are no longer just objects that need to be eliminated or studied, but are resources that can be "protected" and "vocationally educated", how will the power structure and cognitive system of the entire society be reshaped? The setting of "Monster Vocational Academy" is essentially a systematic integration and "de-threatization" transformation of "alien". As a "recommended" genius, the core conflict of the protagonist may no longer be to prove how strong he is, but how to keep his "monster" nature from being alienated within this system that aims to domesticate and utilize "monsters", and even in turn redefine the value of "monsters" and the boundaries of "career". Conflict levels: the triple game of talent, identity and system This setting naturally breeds multiple subtle conflicts: 1. Confrontation between talent and discipline: "Genius flow" is given a new meaning here. Is the protagonist's "monster" talent a "raw material" that the academy is eager to polish, or a "source of risk" that needs to be carefully guarded against? Does his growth follow his career plan, or does he continue to break through the safe boundaries set by the academy? 2. The anxiety of identity: Is "monster" a curse, an honor, or a professional identity to be developed? Will the relationship between the protagonist and his classmate "monsters" be to stay together within the system for warmth, or will they jointly question the logic of this discipline? 3. The depth of social metaphor: The setting of "vocational college" allows the story to sharply metaphor the socialization process of vocational education, genius training programs and even marginalized groups in reality. The ultimate question it explores may be: How can a society "safely" digest its "alien", and how can the "alien" find a way to survive and develop without losing its authenticity? Learning value: Embedding sharp social speculation in the genre framework From a creative perspective, the title of this book demonstrates how to use science fiction settings as a sharp scalpel to cut into the most current social issues. It transcends the individual narrative of "variation and upgrading" and directly constructs a miniature social experimental field. This requires the author not only to imagine bizarre biological mutations, but also to conceive a set of matching social systems, ethical disputes and power games, so that every ability of the "monster" affects the nerves of society. Look forward to Lu Renjia telling a shocking story about resisting discipline, reclaiming the name of "monster", and ultimately redefining what is "excellent" and what is "success" in this college full of paradoxes. This is not only the rise of a genius, but also a declaration about how aliens can live with themselves and change the world.

Let's talk about the supporting roles. Let's talk about parents first. They are normal parents in most families. They will love and care for the protagonist, and will be happy for even small achievements made by the protagonist (such as going to college, having a job, etc.). (I personally don't like the kind of family environment in novels where there is bitterness and hatred. Taking me as an example, my parents divorced when I was very young, and I also have a younger sister. But my parents are very good to me, and my younger sister is also very sensible. So I really hate those kinds of stories written by some urban authors, where parents are in charge. The relationship between the protagonist and the protagonist's sister is one of doting on his younger sister, favoring one over the other and being proud of the younger sister. In this kind of family environment, I don't think the protagonist has a normal outlook on life. Of course, the protagonist in this book has no bloody family problems) Also, the current male partner has a distinct personality. A cool and handsome senior who trains geniuses, a roommate who is abstract, reliable and affectionate, a mentor who cares about students and is eager to "progress", etc. (In order to avoid spoilers, I won't mention race. Anyway, except for the protagonist, there is no pure-blood human in this book.) As for the current female supporting characters: there are all you like. The cooking is delicious 😋 The idol senior who leads the way, the eldest lady who is a sociophobic tester who is dedicated to two tasks, the black-skinned beauty who loves gossip and rational straight-ball reporter, etc. (The same male partners, none of them are human) In short, although the supporting characters are biologically speaking, none of them are human, but in terms of behavior, personality and language, they are more like human beings than the anti-biological male and female partners in many novels.

God Simulator is the best. The previous one was just a good one. This one is really mediocre. If the author is not good at writing group portraits, this one will not write group portraits at all.

I changed the website and finished reading it. My biggest feeling was that I couldn't feel the oppression of the level. The teacher was a headhunter, and I couldn't imagine how to fight at level 3. There are also classes of girls, idols, the protagonist's own traveler, and beast tamer (the protagonist's target is basically a small insect, played as a farming profession), all of which have abilities that cannot be fought and are used for farming and escaping. Imagine a traveler reaching the highest level. As a result, you can run around and no one can catch you. An idol can only rely on charm to reach the highest level (this mechanism is too simple to write about combat), and a headhunter, wc, how can a headhunter fight? And at the same time, most of the protagonist's classmates are level 9 or 8

How much money does such a beautiful book cost? He is really not a human being, the author!

Isn't the author's introduction too brief, and I'm not interested in clicking on it?

Suddenly I realized that the three Laolu books I had read all seemed to have a supermodel combat power at the beginning, Isabel in God Simulator, Emerald City in Wasteland, and Ship in this book.

I've seen more than 250 chapters. Is this League of Legends game a must to write? Then at least write a higher rank? What the hell is it like to get gold after practicing with a professional for 3 days? Aren't you afraid that the opponent will be a genius who knows the game for 10 minutes and kills people, and then delays the time and fails? You should be a master. This kind of weirdness and sense of authority is like a brave man taking an adventure all the way, and then the decisive way to defeat the devil is to fire a real-life CS, and then after both parties coincidentally use the physical fitness of ordinary people to fight against each other, the protagonist wins through a computer bug. It has the beauty of being forced to advertise by the author.

It was quite good to watch at the beginning, with some wild ideas and a good plot. I voted for it every month, but later on it became more and more confusing. Many settings were lost after being written and became confusing. Many characters are becoming more and more template-like. It feels like NPCs have different names. The different personalities and characteristics in the past are all consistent, but they are very rigid to promote the plot. I will look back after it is finished and say goodbye.

It's hard to comment. Tianhuan Group subjectively sent its promising seedlings to the hands of the hostile forces (Brilliant Herd) (Endless Battlefield), allowing them to explore the quality of their own seedlings at will, and then the hostile forces decided whether to kill them on the spot. In this process, Tianhuan Group did not have any effective way to intervene, including using the power of the Dragon Palace to stop them. The protagonist went to the Endless Battlefield and came out to win the opponent with the Bone Demon at the beginning. A genius, it can barely be regarded as a leapfrog killing. Although there is nothing to talk about in novels about leapfrogging battles, it does not count as a climax, and there is no explosion of troops in the rear. The whole plot is just to make the brilliant herd operate illegally, and then let the protagonist call for a dry land boat ride to show that the protagonist has a boat. In order to accomplish this, the world view has been directly destroyed. Writing this paragraph is like stabbing himself with a knife twice. Let me see if he is smart enough.

I just came here. Is there a heroine and a love line? The first few chapters are ok for the senses. If there is no heroine, I won't read it. It's too monotonous.

The writing style, plot design and character description of Deer Man are all very good, but it is a pity that it likes to write about unpopular and unpopular subjects, so not many people read it. I hope Lu Ren can write about topics with a wider audience, increase the number of fans, and become a great star soon. Also, three chapters and 6,000 words a day is a bit too much. I suggest three chapters and 10,000 words. If you don't become a god, it is really unreasonable! ! !

In fact, I have always had a few questions, that is, well, the paragraph about King Yan in the article is in the wax museum, and then the author thinks that this so-called King Yan is an image of a breasted child, but I think it is unacceptable. First of all, you tell him, that is, the world is unfair, and you have to learn to fight for fairness on your own, so it means showing off. Isn't it a kind of struggle? Just like when many people are working now, the treatment given by their bosses is not good, and they just lie flat and fish. Isn't this wrong? If you think about it, that's all. You see that you said before that it is life, a real life. So if it is life, it is permanently imprisoned in a wax museum, where can it be? That is to say, being able to continue working means that kind of willingness. Adults are not willing, let alone a child. Then later on, the protagonist convinced the hot sauce, not the general, and then let him, uh, resurrect. The other three said King Yan, and then the protagonist said to the King Yan at the beginning, this is fair, right? , But the problem is that it is still unfair. This is the matter. If it means that King Yan is regarded as life, this kind of imprisonment is unfair in itself. How can he be a kind of naughty child? The protagonist is too biased. It seems that the existence of King Yan is to serve the general. If it is really just for the Lord. If it is about service, then there is no need to write about the so-called family love, it is not the so-called naughty child, isn't it? It is a naughty child, please be his, first it must be a child, and then he must be treated as a person, otherwise, how can we talk about naughty children? If you regard it as a creation, then it is even more important that you do not regard it as a human being. Then there is no such thing as a naughty child. Also, what Teacher Du said later is that the protagonist knows how to share, but in my opinion, it is actually very ridiculous to say such a thing. That is to say, he said that others do not know how to do it, but is there a possibility that the protagonist is just lucky? Do you think he can It is said that he can upgrade without exerting much effort. It is said that upgrading is like eating and drinking. He does not need to pay anything at all. There are cyclists to guide him and there are a bunch of people around to help him. Then it is said that he has inherited it inexplicably. That is to say, boating on dry land and even running now. It is said that he has mastered the hexagram that is difficult for ordinary people to reach. , That is to say, what you said later is that he considers the junior students, yes, but for ordinary people, if they are already developed when they go to college, then, just like the school allocates some places, and then in total, it means that the junior students may have better employment, then there is no problem, I believe it should not be Who would be willing? Just because of this matter, how unhappy I am, I think this is just a little effort, and sharing is the so-called ruler is short, and an inch is long. I think this is wrong. The main character is not called sharing. At most, it can be called a little effort. It releases goodwill, but there is no so-called sharing. Sharing, because the kind of sharing you are talking about is actually just sharing. To put it bluntly, I feel that this is the kind of sharing that is done by the surgeon. If the true meaning is to be praised and praised according to what he said, he should take it out of the land. Oh, of course, the protagonist can't do it. So, I just think, can we stop bragging? It means that what the protagonist does and what he does are perfect, they should match, right? You set such a big trap for the protagonist, and then backhandedly reprimanded those people for not knowing how to share. The problem is that you have cheats, and your progress is not very strenuous and easy. As for your love, you don't need to worry at all. As for your own ecological niche, and then you refer to others' selfishness, this is actually a very ridiculous thing. In one sentence, it means why not eat minced meat? I think it is actually more inclined to say that Jin Hui Emperor Sima Zhong is the same, that is, the protagonist should read his words, the author highly recommends it, and communism is OK, but does the protagonist's actions have anything to do with this? That is, does it first give others human dignity? What I mean is, that King Yan in the Wax Sex Hall, that is, can you feel his pain? That is, if the protagonist says, I mean, I will do whatever I want, and it is completely on my own side, then please, say no, you are linking the protagonist with the so-called idealism, I This doesn't mean that he can't do anything with a little effort, it means don't hook up, don't praise the protagonist very highly, as if the protagonist is such a moral person. I think it means that before you talk about others, do you have to consider whether others have the conditions you have? To be honest, this is very bad. The author said that when considering the tone, did you think about the setting of the protagonist? Egoists, stand on your own side. You see, before that Yuan Shen didn't have it, that is to say, uh, when it wanted to be orange, and then what did the protagonist think? He didn't think about it, that is, whether he was the so-called most talented person in this orange, but what was his first thought? It is to kill this orange. So, does he have anything to do with Gao Sheng's so-called ideal? I think he is a very realistic person, so since you are so realistic, don't always talk about ideals. What is the positioning of the protagonist? Have you seriously considered it?

Didn't I say one person becomes an army? Why do you keep putting on your own armor? Earlier, I wrote about how to fight this bone demon by myself, but then I put a suit on myself. You said you put it on yourself to protect yourself, and then commanded a lot of people to fight it. I can also understand why you have to fight it yourself?

Why is the protagonist in such a hurry? Why is he thinking about taking out the insect swarm for a loan?

It's all for you😋😋