Manor Revolution

After reading Chapter 384, tell me your thoughts about these chapters (spoiler warning) In order to prevent someone from not understanding, let me briefly explain the content of these chapters. It can be summarized as: a magically modified version of the locust plague broke out in the country across the sea (locusts have collective thinking and can communicate, more like an invasion of one civilization against another). In order to preserve its strength, that country negotiated with the locusts to cede land and compensate for food, and set aside a free hunting area for the locusts. Therefore, the safety of demon spirits (supernatural beings with various forms) in its territory could not be guaranteed. The Demonic Council decided to provide rescue to the demonic beings in the country to help them escape life-threatening danger. The man who goes to the rescue is the male protagonist (who has the mobility of an era and has more than a hundred stone giants under his command that can take off and land on the spot for intercontinental travel) Let's not mention whether it is reliable for the male protagonist to lead people to use a single-shot rifle to shoot down a 60cm long locust swarm The question is how does our male protagonist provide disaster relief? When he arrived in the country, he first went to a city in the safe zone, and then discovered a pair of demon sisters in this city (who of course had a grudge against local celebrities). After making a big fuss, the male protagonist took the two sisters back to the manor, told the Speaker that the rescue operation was a success and asked for money from the Speaker. ? ? ? ? ? Is there something wrong with my understanding of the word consummation? All the monsters in the disaster area that cannot be evacuated safely are relying on you as the rescue team (during the meeting, it was said that many monsters cannot be evacuated immediately). You, the old man, went to a safe area in the disaster area and came back with your sisters and said that the disaster relief was completed?          ， Wow, you actually rescued two people. That's great. I can keep up with you. Is this the Demonic Council you created? What they say is high-sounding is actually treating the lives of their compatriots as nothing more than dirt. Don't you feel that your disaster relief efforts are child's play? He has a technical level that is far ahead of the times. He has stated that he wants to provide disaster relief. If he sees someone taking him away, is it done? For example, country A is at war. The lives of members of force B in country A are in danger. Force B sends a rescue team to save the people. The rescue team takes a pair of sisters back from the safe zone and reports that the disaster relief is a complete success. Give me the promised benefits as soon as possible. I'm asking you if it looks disgusting. Our male protagonist is the captain of the disaster relief team, a man who has armed helicopters but uses cars to rescue disasters I know you shouldn't take novels so seriously, but I really feel that this kind of phenomenon of treating you as a compatriot but not caring whether you live or die is very disgusting, not to mention that it still appears on the male protagonist. I have so much nonsense. I was very angry when I wrote it, so the word order and paragraphing are very poor. Thank you for your willingness to read my complaints in full.

Anyway, I read half of Manor Revolution and didn't see anything related to revolution. Forget it, it is not a proletarian revolution. It is not even a bourgeois revolution against the feudal order. It is simply the protagonist carrying a bunch of modern knowledge to engage in feudal rule in ancient times. As a result, rule does not look like rule, and petty bourgeoisie does not look like petty bourgeoisie. I have read several books of this genre before, such as Let Go of the Witch, The Equation of Heaven, and Revolutionary Goddess. Those books at least pretended to be bourgeois and had a sense of superiority. Only this book called Manor Revolution could only make Marx's original words recur in my mind after reading it: [This gave rise to feudal socialism, which is half elegy, half slander, half echo of the past, and half intimidation of the future; it can sometimes pierce the hearts of the bourgeoisie with spicy, playful and biting comments, but it is always ridiculous because of its complete inability to understand the process of modern history. In order to win over the people, the nobles waved the proletariat's begging bags as flags. But whenever the people followed them, they found that their buttocks bore the old feudal coat of arms, so they laughed and dispersed. There is a weird sense of humor in it as you read it, allowing you to experience what absurdity is.

How can I put it, the middle and later stages become more and more boring, like milk tea filled with syrup and flavoring powder. Various plot designs increasingly disregard the worldview and background, and new characters and new settings completely disregard the overall style. They look like colorful but still boring colorful plastic collages. Whether the protagonist is improving his strength or climbing the technology tree, he almost always gets what he lacks. Almost without even completing the foreshadowing and explanation of "what's missing", the "what's coming" was eagerly introduced. The Spider Queen's Silk, Infernal Black Gold, and Spellbreaker Computer are almost all typical examples. It doesn't mean that "whatever is missing will be given", but the narrative should be more calm and rich. The introduction of high-quality magic conduction materials, high-quality metal materials and computers can be described in other ways, rather than directly saying "I happened to pick up this baby today, and this baby happened to solve my problem, and I will pick up another baby tomorrow." The material issues that restrict development should be laid out in longer and more complex chapters, and a result should be obtained in the end, instead of being almost all deus ex machina like now. A very important source of improving the pleasure of online articles is to first let readers feel the pain of "lack", and then focus on the pleasure of "gain". Whether it is pretending to be a pig and eating a tiger, all kinds of hard struggles, or development, it is inseparable from this technique. It is so common to suppress when you want to advance, but it is rarely used well. When others read Little Yellow Book, they have to write a good plot and change the characters. Here, all the direct problems are solved, which looks very strange and powerless. When I read the first volume, the struggle in Icefield Town was full of ups and downs, the characters were concise but vivid and rich, and the setting was full of background, which was amazing. After that, there were almost no fights worth watching. The character changes were unconvincing and too idealistic. Although the new settings did not destroy the underlying structure (the designs of Lingge and Ancient Gods are eye-catching), some settings can't help but make people feel confused. For example, why does the Blood Night Stalker appear to seduce women? Is it because the dark/fear spirit contains temptation? In Monster of the Abyss, the design of the worms "digging holes" on the surface but actually "opening tunnels" is also very brilliant, but what about the trees planting sheep? Why is this creature two-faced? Why is there a pure and harmless side? If you are just a "sower", why do you need to deliberately grow into this image? This seemingly strange setting, which actually has no setting as a foundation, occupies the mainstream in the middle and back part of the book. This book is not without its merits. But now it seems that the shortcomings are bigger. If it's just for a purely casual read without brains, or for a don't starve/farming fan, that's fine. Other than that, I don't recommend reading it.

Teme has been using Qidian for more than 10 years, but I still don't know what "refining" means! I've ordered them all, how about I get one too?

This book is an upper-level work among farming articles. The reason for its lack of popularity is probably that the early progress was too slow. After all, I almost quit. As a farming novel, I only got my own piece of land after Chapter 200. I have to say that this spread is a bit long. And looking back from the overall situation, the big figures in the original town that the protagonist tried his best to deal with in the first 200 chapters have been replaced by various rookies in the later stages. If it was just to draw out the powerful enemy of the XX Society and dig holes in mainland history, there seems to be no need to lay the groundwork for so long. However, if you can insist on seeing Matthew get his own manor and start farming, then congratulations on discovering a pearl that has been covered with dust. Although there are still some gaps in writing skills with those works that made God a god in one book, you will definitely be amazed by the author's conception. From a small manor in turmoil to absorbing the first batch of talents, and then taking advantage of various opportunities to flourish and lead the times, the author not only uses Matthew's golden finger as a time traveler, but is also good at communication and cooperation, leveraging strength, and the villain's IQ is online, creating a group of characters with their own characteristics who are both enemies and friends, and the final blank space is also good. More importantly, the author did not describe too much about large-scale war scenes and other content that he was obviously not good at. He probably discovered the shortcomings of this ability and stopped at it. The emotional descriptions are bland but there are occasional bright spots. In fact, the author could write more. No one would report the story about farming and harem. (Dog Head) Among them, I think the most exciting one should be the volume of the Manor Era. The Manor has changed from a pebble in the trend of the times to a beacon that breaks through the darkness, completing the transformation from a chess piece to a chess player and then jumping out of the chess game. The development of the Manor's technology has been focused, reasonable and natural. In terms of making jokes, I think most of them are quite good, such as the use of names of people and objects. Just click on it. Those who know the name will know the source of his image. If you don't know, it will not affect the reading. Some minor flaws, such as: the theory of the power system in the later period is too complicated. Gods, demigods, gods and apostles are already a very clear power system. Personally, I think that adding a few major powers, primitives, and weapons with similar highest authority will seem very verbose. Obviously you already have Lv and F-S power marks? So I didn't order it because there were a few chapters explaining it. There is also over-optimism about people's abilities. It is true that some technical achievements can be achieved by breaking through a layer of window paper, but something like XX (five characters) can be invented by a girl with zero basic knowledge. I still feel that something is missing. However, this is also a common problem in farming literature. With excellent story framework and storytelling ability, it is not a big problem. In summary, it can be regarded as an excellent farming article. The writing style still has room for improvement. It is a good book worthy of full subscription and support. Come on, author!

First of all, the subject matter and writing style of this book are very good, but the currency system is a bit broken, and then there are cars that are taken for granted. Cars cannot run fast on bumpy dirt roads. It would be more reasonable for you to directly build tracked tanks, or off-road vehicles. Then, it is reasonable to make locusts as enemies. This is too unreasonable. They have an almost all-people air force and super high mobility. Why should they charge head-on with your infantry? They were overwhelmed in numbers and the single target was stronger than ordinary soldiers. They just dispersed and airborne, and that was it. It was a fart city gate guard battle, and they were about the same size as a puppy. The sight of hand-to-hand combat was very embarrassing just thinking about it. In a world with relatively low magic, we really shouldn't set up such outrageous enemies. Even if you directly replace the locusts with the abyss monsters, it is much more reasonable. At least the air force is only a minority and will play a tower pushing game with you. The locusts can directly parachute to your house to remove crystals 🙂

It feels like the protagonist's name looks like a battleship

There are a lot of bugs, but they are very interesting and have the kind of fun that makes people chase them.

The first 3 chapters were not well written and I had no interest in reading any more.

This is a rare and good book. Unfortunately, there are no pictures. I would like to see the main character's masterpiece.

It's too hard-core and very brain-consuming, like a man with a science degree showing off various tricks.

If I hadn't read Sword of the Dawn, I would give this book an 8. But now I give 6.5 At most. It even advertises farming, so let's talk about the big problem of farming first. If you want to watch the protagonist launch the industrial revolution, you can leave. The author's understanding of the word "industry" is obviously one-sided. As a result, the series of "industrial" constructions carried out by the protagonist are actually more complicated handicrafts and cannot be copied at all. Change the world? After reading 40% of the book, I only saw a corner of the story about building a factory and buying goods to make money. I no longer have the patience to read the rest. The second is the rhythm problem at the beginning. Simply put, it is losing popularity. The real start of farming is in the second volume. This kind of rhythm is rare in the first place, and it is quite a test of patience in this era. The quality gap is also obvious. The high level of writing and logic makes the following volumes of farming seem so boring. It would be better than the status quo to start farming as soon as possible, or to write the rest of the story as an alien biography of the protagonist on the level of the first volume. That's why I think this book is a pity. The protagonist's lack of interest in the main plot is considered a minor problem in these two aspects.

It's starting to get weird. What was good at first suddenly started to crazily belittle witchcraft and crazily elevate science. . . I really don't understand why. First of all, if it is a fantasy world, science is definitely not the only way. As the saying goes, there are thousands of avenues. Whether you are cultivating immortality or anything else, it's the same. It doesn't mean that you can go far if you are scientific, but I can't walk even half way. Having this kind of thinking is often just your own thinking that limits its development. The background of the book itself is witchcraft civilization. Is it necessary for you to insist on touting science in it? It would be good if you develop some science. But I always feel that science in the future will definitely turn against the guest. But you have to know that many knowledge theories in modern science were proposed by many, many scientists hundreds of years ago. It didn't break out within 100 years. Your book may only be studied by a few people. How can it be possible to crazily promote scientific civilization in such a shameful way? ? ? I think the main research direction is not witchcraft civilization? He has his own foundation that is much, much, much more comprehensive than scientific civilization in this world. Isn't it faster for you to develop it than for you to gradually discover scientific civilization later? I didn't watch it later. But if just a few people can rapidly promote scientific progress, I think it is too ridiculous. Even if it is a novel, I feel speechless. Also, from time to time in the book, it seems that witchcraft is God trapping human beings or something, which I think is too exaggerated. There are multiple settings in the book. You have a broken planet and if you work hard to develop it for tens of thousands of years, you will die in front of this kind of god with just one breath. Whether you are into witchcraft or science, you must die. If God is afraid of human beings, so he only allows humans to study witchcraft, I think this statement is too outrageous. Then the gods will definitely be able to see your little move at a glance, and so will your progress gods. Are you better than him? Can't he shake the brains? Select super geniuses from countless planets, and add up to tens of thousands of them, giving them super thinking. The human brain surpasses quantum computers, and countless resources can be used unlimitedly. Others are not afraid of you telling the truth at all. You can't compare to others in anything, so what should you compare yourself to.

(Part of it contains spoilers! Some of it contains spoilers! Some of it contains spoilers! Don't read if you don't mind) I saw this book from the daily push, and I followed it to the updated place. Let me talk about my feelings: First of all, this book is very good. It can be seen that the author has good writing style and conception. It's worth a read if you have a certain foundation in writing, but the results may not be very good. After I subscribed, the number of followers was 2463, ranking 206th, which is quite unpopular. It may be related to the fact that the author did not go to PY. The publicity is not very good, and there may be a lot of pirated copies. I hope everyone can support the genuine version. Let me talk about what I think is not very good, I hope it can be helpful to the author: 1. The protagonist's personality changes: the protagonist died once in time, and his mood did not fluctuate. After resurrection, he did not need to calm down, and went out to explore directly. But when I entered the battlefield of the Ancient Gods, I made so many preparations. I knew the battlefield was very dangerous, but I actually played backgammon, which made me dizzy. I also brought long-range weapons and did not look for the commanding heights. Even if the battlefield is sandy and difficult to find, I should explain it so that I can portray my character. At the very least, the strange spot should be surrounded, and each person should look at it. It would not be discovered after a nest appeared behind it. It is a bit forced, and it seems a bit crazy here. Since everything is so messed up here, it is better to leave the battlefield to the experienced supporting character to portray the supporting character's wit, and then the protagonist will learn a lesson, etc. However, the author still portrays the protagonist's wit, and the rest of the credit belongs to the protagonist. It is a bit uncomfortable that the IQ fluctuates up and down. The most important thing is that I still don't understand why the protagonist sets up the manor? For oneself to be stronger, for the family, for the country, or all three, the author did not express it clearly. It can be seen from these that the grasp of details is not very good. 2. Supporting role: Lucas's portrayal is quite good, but after entering the manor, there is basically no scene. . . There are not as many scenes as the gangster recruited halfway. I thought, no matter how powerful your gangster is, he can't be as good as the regular army to defend the manor. It might be more diplomatic for the gangster to engage in diplomacy. This is something I don't quite understand. I probably want to write a scene where the prodigal son returns without paying for the money. Then there is the issue of the female counterpart. There was nothing wrong with Giselle's portrayal before she entered the manor, but there may be a bug after she entered the manor and had two personalities. The reason why she didn't leave before was because the living corpse was attracted to the plant larvae, which is understandable. But after having the two personalities, she still didn't leave. The reason was not stated (maybe I didn't see it? Anyone who saw it is welcome to tell me). If it was not stated, I can only think it was because of love. Pamela's portrayal in the early stage was not a problem either. When I was playing the Lord of Purgatory, I didn't understand why I didn't tell the protagonist about the method of sacrifice. If it was a secret that couldn't be told, then just don't tell it later, and I would tell it easily later. . . The protagonist went all out, and the protagonist also proved himself to be very witty in the early stage. It's really bad not to mention this. After all, there are many ways to sacrifice, and the female supporting character chose the stupidest one, at least that's what it seemed to me. The arms of the Spellbreaker at the back don't necessarily have to be drawn out this way. 3. The depiction of the manor: Now that I see it, I don't know what this manor looks like. Maybe I'm stupid. I didn't see whether the manor was round or square, how much land the main castle occupied, whether the original manor was flat or had mountains and lakes. (If I missed something, please point it out). The inventions in the manor are so fast. It would be understandable if the two female partners invented them. They were all invented by apprentices. A textile machine and a magic locomotive were all invented by apprentices. In this kind of world, civilian women should be considered to have relatively good conditions for being able to read. It only takes a few months for them to learn the basics, but to directly invent it, at least I feel it is very inconsistent. 4. Economy: The author himself should know that the expansion is a bit severe. There are silver coins in the front, but hundreds of thousands of gold coins in the back. . . . The goblin engineering team only earns so much from a business trip. Excluding losses, what else is there? It relies solely on the caravan to make money, but what does the caravan's profit have to do with the engineering team? I feel like I can't make ends meet. 5. Fertilizer: I don't know if the author forgot, but your own manor has fertilizer. Demonized seeds require very heavy fertilizer. How to solve the problem of fertilizer in Eric City? Just plant a piece of land and then throw it away? That will kill more people. I can only think of this much for now. If there are any inaccuracies, you are welcome to discuss them rationally. I hope the author can write better and better.

Go out and advertise more, don't write books with your head covered. The aroma of wine is also afraid of the deep alley.

I ❌, it's free at 2pm. When I read it around 11am, I felt pretty good about it, so I ordered it all right away... When I just started reading it, I was told that there are still two days of free time. My heart ached, but the book is good, so it's not a loss. Can the author do a better job? 😰😰😰 Make up for my injured little heart

1

It was amazing at the beginning, but after paying the fee, I found that the article was like running water, and the combat power collapsed. I suddenly got the apostle to write very well, and then the apostle's combat power of about 3200 became the standard, and later it suddenly exploded into tens of thousands of combat power. What's even more annoying is that suddenly an ordinary and somewhat excellent alchemist turned the fire barrel that originally only had two or three hundred into more than two or three thousand in a year. The principle was not explained. I said it was doubled before. The magic power is doubled, but your ordinary fire tube does not have this magic power multiplication at all. It is increased by about ten times and the combat power collapses at the top of the road. There are also stone men who are obviously below the ordinary level of 3000. Suddenly they have 3000 combat power without self-destruction. It can be said that the early writing is very good. In the later stage, when the manor is written, the combat power collapses. It is obvious that there is a guarantee for high-end combat power to reach the sky in one step, and suddenly everyone has soared! The first part is a brain-burning and meticulous flow, but the second part is suddenly invincible and illogical.

After reading more than two hundred chapters, the human beings in the world view of the novel are really desperate. There is a god above them, but human beings cannot cultivate. First of all, let's talk about the setting of witchcraft. This is the most fundamental power of human beings, but witchcraft is just like electricity and heat energy in reality. It can only be used through external devices, and people themselves are just ordinary people with no power. Then there is the setting of the ancient monsters and gods. There are monsters in the world view of the novel, and monsters have levels and can be cultivated and grown. Even the ancient gods can enhance their power through symbols, but humans cannot. You can imagine how desperate humans are in this worldview. As for the protagonist's camp, the protagonist's golden finger and time travel come from the ancient gods. The protagonist's farming and technological advancement also come from the ancient gods and the demon spirits under the ancient gods. The source of all power is external objects. Whether it is guns, guns or vehicle seeds, they are all skyscrapers developed on top of ancient gods and demon spirits. But the foundations belong to others. This kind of farming has no meaning. Human beings are still powerless. As for the organization of the Secret Order, without the existence of the protagonist, this is the real hope for the rise of mankind. Although the behavior of the Secret Order tends to be chaotic and their methods have no bottom line, their purpose is to bring great power to mankind and give mankind the power of the ancient gods. Looking at other novels, this kind of organization is the originator of cultivation, and it is an existence that wants to be on the shrine of future generations. The protagonist is the biggest obstacle to all this, the real reactionary. The above is the review after reading more than two hundred chapters. The writing logic, plot structure, and refreshing points are all good, and there are no major poisonous points. However, the leading idea of ​​​​the novel can only make people stay away from it. Maybe it wants to express that mortals can also kill gods and stand on the top of the world. However, the existence of the Secret Order proves that mortals can also have the same power as gods, and such an organization is just a villain.

Matthew Pair. . .

I haven't officially started reading it yet, so I flipped through some chapters in the pirated version, and I feel that there is a bug in it, which is that I want to use a hundred people to carry out the cross-generation development of science and technology. There are several people here who didn't even know the words at first, but they have made shocking achievements as soon as they were trained. This is too ridiculous.

Those who like harem novels and those who like novels without female protagonists are silent. Only those who simply like farming and don't care about female protagonists will like this book. . .

The writing style is a bit awkward, with descriptions such as "Matthew was startled, Matthew was stunned, and Matthew suddenly realized". He also has poor naming skills for the characters. The names are too awkward, including Bismarck for the protagonist, and Jennifer who invented the textile machine. The familiar surnames and first names are too awkward. Also, the protagonist's abilities are a bit weak. He relies on his subordinates and friends to promote the so-called "revolution". New technologies such as textile machines and automobiles have nothing to do with the protagonist. They are all invented by the subordinates themselves. It is completely impossible to see the role of the protagonist with the memories of future generations. Instead, the inventions and thinking of these subordinates make the protagonist startled and stunned at every turn. The protagonist also claims to be good at making decisions before taking action. In short, the whole book is all kinds of awkward.

Chapter 1 Living Corpse Manor Xiancao, I dug up a treasure, I'm going to fucking blow it up! Especially the arcane spies, it would be a wonderful script! Chapter 2 The Apostles Attack Well, this is a pretty good farming article, you can read it. Chapter 3 Purgatory Transformation Goodbye, my dear, onion and potato mithril mine, you discovered it casually? I wonder if I can find one of these three things at random, it's not just my ancestor's earl, right? Not to mention the price collapse, all kinds of resource adventures are more diligent than those given by Xiao Baiwen. Why doesn't the protagonist go to heaven?

I have read more than 30 chapters. Where is the farming article I want to read? Just tell me how many photos I can see farming and let me see if it is true or not. I am reading it.

What can I say about this book? I always feel that it is a monster-killing, collecting and upgrading novel under the guise of farming. Call it a farming novel. It does involve territorial development and technological advancement. It is said to be a farming novel because the protagonist has no development direction. In the early stage, I was talking about surrounding things and investigating, and I almost forgot that this novel has the label of farming. Later, when I got the manor, I thought I could finally farm and develop science and technology with peace of mind. But it is still mostly about collecting monsters. The production basis is mainly based on the special abilities of monsters. Research and development relies on a few people. As for the role of the people at the bottom, it is not written at all. Anyone who knows the industry knows the importance of machine tools. However, after more than 500 chapters, the gun barrel and chamber parts were still rubbed by hand. No wonder it had to be mass-produced. The witch next door had a steam machine tool at the beginning, which was used to dig holes and produce accessories. But there is no such thing here, and the production is still done by hand.

I originally came here to write about farming, but I didn't start farming until Chapter 70 or 80, and I even briefly touched on it. After reading Chapter 120, there is still no farming. I have no idea what the main plot of this book is. If the economic system collapses, the head maid will earn 100 gold coins a year, a living corpse will cost 2,000 gold coins, and the annual tax on a manor will cost 100 gold coins. If it were a farming novel, it would be meaningless if the economic system collapsed.

I want to ask if this book has a female protagonist, no female protagonist, single female protagonist, or a harem story I have read more than two hundred chapters, and there are always various ambiguities between the female character and the male protagonist, and outsiders' imagination.

The data is very poor, especially the money. Do you have no concept of money? Also, when there are only about 70 people in the manor, there are various problems with personnel allocation. I feel that 70 people are used as hundreds of people. After nearly 300 chapters, money is no longer money. It costs 100 gold coins to recommend a person, and 5,000 gold coins are given to the recommender when hired? Crazy? A pioneer collar is said to be worth 1,000 gold coins in the early stage. How many gold coins does an ordinary worker's salary cost? But later on, everything gets messed up.

The breeder who stepped on the horse has lost his hair? I read several chapters but didn't see any mention of farming. I opened the table of contents and looked at the chapter names, but I didn't see any farming-related names. Are you lying?