Game Development: I’ll Revive Chinese Games

In the early days of domestic games, check out Bloody Battle on Shanghai 🤣. I've played them all but never bought one.

Selling dog meat on a sheep's head is said to be domestically produced and a cultural export. In essence, it is still plagiarism. The latest chapter of "The Lord of Mysteries" is also a plagiarism. Just because it is written by a Chinese, it cannot be regarded as Chinese culture! It's obviously a Western style. The last book was blocked and not on the shelves. I complained about it originally, thinking that this instinct had changed, but it turned out that the more I wrote, the more biased it became. I don't want to watch it. Can't the Three Kingdoms do it? Can't Xianxia and Martial Arts do it? I know the author wants to make money first, but putting the cart before the horse is completely inconsistent with your title. At least I have no interest in your first few games at all.

The author has ideas, and the main line and vision are very attractive, but the update experience may not be very good. So hurry up and write 100,000 words a day

😢😢😢

This author is really good at writing game content. If he didn't engage in those messy key policies and stopped updating, the results would be much better than now.

The game article must involve politics, and then it must force positive energy. It deserves to be banned, and it is impossible to distinguish the priorities. It is purely self-pleasure. The content of the testimonials and leave requests are purely self-motivated by the author. This is the first time I have seen a bunch of people coming to ask questions after it was released. The author also said that there is an outline. Is this called having an outline? Is it too difficult to read even if there is an outline?

Let me tell you my own opinions. I finally found a good book, but this section was recently put on the shelf. I don't know why the author wants to test like crazy on the edge of 404. I just can't figure out why the author has a strong sense of separation in his recent writing. Pig's trotters give me a kind of long-term horse riding, which is very handsome, but I was miserable in my previous life! I have a labor background and am very good at riding horses, but I was miserable in my previous life. Don't worry about why it was miserable. Then there are things that this system gives me. If I have this kind of background, I seem to have seen that Beidou, loitering bombs, drones, etc. Can appear in advance, but I don't want to make games. Then my brother wants to use an algorithm to kidnap the world to help me (aren't you embarrassed, anyway, I have deducted four rooms and one living room) I don't even want to say that I am a secret friend, but after reading the introduction, if you look at this title, do you think secret is appropriate? Isn't this book a game? When the mystery becomes popular and you have a foundation after reading the novel, won't it make it more realistic when you do it? Doesn't this seem like cultural export? Now it feels like I'm telling a story in imitation of a Cthulhu novel. I don't know what the author's mentality is now. I read your acceptance speech and said that I reported it to you, but aren't you now on the verge of 404 and testing like crazy? Originally, everyone came to see you play games, so why bother? When I first watched "We Are Human, I'm Sorry", wow, I thought it was so interesting that someone actually thought of pine nuts to make a game. Now I just feel that the feeling of separation is getting more and more serious. You have written all these things about the pig's trotters now, and you still think that the pig's trotters will be released to Japan. Logically speaking, pig's feet don't even need to think about going abroad. Or replace the book with a technological stream. Okay, that's all I'm done complaining about. You can listen and scold me if you think what I said is wrong. I didn't want to post it at first, but I really feel uncomfortable and unhappy about it!

It's well written. Like similar games, the system directly generates code, or the protagonist completes the optimization in one day, and the development progress depends entirely on his subordinates. No one doubts it at all, and it's not rigorous at all. The more you read, the more interesting it becomes. This book is very solid, and the foundation is also well laid. It can be seen that there are honest plots. Currently, it is limited by the performance of the machine, and it is all about the plot and the game, but if it goes towards the king's road Adventure games are a must. In short, free exploration has been the mainstream until 20 years ago. Although it is not powerful enough, in short, don't limit yourself. Readers may think that they only write plots. Go in the direction of platforms, integrate production and research, or open more overseas branches. Domestic platforms will have many restrictions, and it is possible. It has full potential, go for it!

Ever since I saw this original Monster Hunter series, I have been frantically searching for this kind of material. I also collected a lot of ideas in the comment area. If the author really wants to write, he has to talk to the up owner and these players to see if they can authorize it. I remember there was a group chat at the time, but I didn't join it. Not just the author, if other book friends want to write or use it, please leave a message and I will go and read it myself after the book is opened. And I have been diverging my thoughts while watching these videos. For example, the initial equipment can be made of bronze, gold and silver, jade, and even lacquerware, ceramics and other Chinese-style items. I have collected a lot of videos for future use. As for jewelry and alchemy, you can use jade pendants, belts and other jewelry from various dynasties in China instead. You can also use some small items that are not equipped with equipment. For example, if you carry a (a tool unique to China, worn on the thumb to help archery) when archery, you can increase or increase the attack speed. You can choose clothing and weapons from the videos I found, and don't forget to read the comments. There are a lot of good things in them: I took some from each dynasty of our country (except the Qing! Except the Qing! Except the Qing!) And used them to make equipment and NPC styles. The 1993 version of "Tang Minghuang", the 1987 Huang Hong version of "Wang Zhaojun", the 1985 version of "Zhuge Liang", the 1982 version of "Hua Tuo and Cao Cao", CCTV version of "The Romance of the Three Kingdoms" (believe me, China is not the only one who is keen on the Three Kingdoms); the top Directly turn on the immortal cultivation mode, you can follow various immortal pictures, shapes figured out by Hanfu enthusiasts, and even old works such as "Journey to the West", "Flower Rain on the Silk Road", "Essential Change", "Reappearance of Miracles", "New Jigong Living Buddha", etc. Can be integrated into it! You can even directly copy various fairy tale movies, such as "The Legend of White Snake·Love", "The Legend of the Eight Immortals", and "The Legend of Shushan". I really love the weapons in it! The hunting flute can fit all kinds of musical instruments in our country, just amplify it! The first choice of clothing for receptionists and waitresses is the versatile Tangyuan collar robe! Those responsible for higher-level tasks can wear official uniforms from the Xia, Shang, Zhou, Qin, Han, Jin, Southern and Northern Dynasties, Sui, Tang, Five Dynasties, Song and Ming (no Qing! No Qing! No Qing!) Dynasties for men, while women prefer the clothing of female officials and ladies from the Tang and Song Dynasties, as well as women's dresses from other periods. Then you can output Chinese traditional culture in various annotation text comments, just like what is written in the Buhulong equipment. On the basis of the original video, you can add progressive changes to the architecture: from the original thatched hut to the buildings of Qin, Han, Tang, Song and other periods. Of course, I strongly recommend the four periods of Han, Tang, Song and Ming. I declare again: Don't want the Qing Dynasty! Not the Qing Dynasty! Not the Qing Dynasty! I would choose the Yuan Dynasty over the Qing Dynasty! And our game also needs a new hunting partner. I personally recommend: horse and eagle! This is a good hunting helper passed down from our ancestors. Of course, there's no Monster Hunter, or even Rise, in this game yet, so we can add our own hounds to the mix, plus Ellu the Cat, and it's perfect! Players can also own ancient chariots, which can also be used as cat carts in this game. The names and shapes can be found in various ancient paintings and texts. Again: I don't like the Qing Dynasty, but I particularly like the things designed by the Qing Emperor for cats and dogs, especially the dog cage made of various gold, silver, jewels and jade, which can be used as a pre-order bonus or collectible. The same goes for cat rice. I have collected the banquets in those videos, and there are also many ancient Chinese recipes. These are all acceptable. The following are some ideas I collected in the video comment area. My personal suggestion is all! Monster Hunter, The Road to Creation/Tour" , I think it should be called this. It can indeed be used as a g position. Observe the migration of Tianchuanglong and explore the eternal miracle of creation! This time the taboo is not the hunting target, it is the new continent that is about to be born - Long Chen! In fact, you can use the traditional Chinese dragon frame. The back is like a mountain with snow on the top, and the scales are like forests. The four claws surround the body like clouds and water. The eyes are like the sun and moon, which is the feeling of color. When it moves, the scales are light like stars, and the mane is flowing like flowing water. You can let the flowing cloud iron sand adhere to the front paws, making them look like sleeves, robes, silk robes, and feather coats intertwined. This ore can be wrapped around the dragon like a water sleeve streamer, greatly increasing the B grid. Actually, the oversized Chinese dragon looks like a dragon. It is just a huge spiral staircase spiraling up. I think it feels more epic this way A little personal opinion: The design seems too complicated, and it may not be necessary to reflect all the elements in the dragon's shape. With mountains and sand on its back, grass and trees growing on its back, it is visually dazzling, and conceptually it is not in line with the Chinese concept of "great simplicity". In MH, many ancient dragons with multiple colors and powerful abilities, such as the Mingbo Dragon and the Tiandihuangcrying Dragon, are all grown up, and there is even a Kirin pony. The blind pursuit of visual shock and diverse elements may be the reason why the design lacks "divineness" (personal opinion, personal opinion, first put a desire for survival here) Yes, but can you change the angle, for example, because the body is too large, it cannot be reorganized with the current level of technology Body observation, so the observation of each part is an independent observation, and then the overall appearance is pieced together after the information is summarized. The environment, timing, and even the posture of the body during the observation will have an impact on the observation results, so the collection and summary will appear colorful and exaggerated. In fact, the structure and shape of the ontology are actually more compact or harmonious to the ontology. Perhaps humans face Tianchuang just like ants face humans. For Tianchuanglong, it may be just simple hair and carapace, but for humans, it may be forests, valleys, and plains. The design drawings are designed to be as detailed and information-transmitting as possible, so they appear complex. The design of up is more inclined to the feeling of "my world" rather than simple power and divinity. These two feelings are more similar to the accessories or companion products brought about by the long lifespan, huge body and unique ecology. In this case, there will probably be a task like shaving - to prevent excessive beard from interfering with eating. Pay attention to safety during construction. This game starts directly with cultivation. The hunters living above maintain the ecology above, and then change their trajectory when necessary. A new generation will be born directly, and the hunter's village will be on the back of the Tianchuang dragon. The hunter's hunting is to protect the ecological balance of the dragon's body and to protect the healthy symbiosis of the ancient dragon. You could even consider the time it catches a meteor as a village celebration. As for the materials of Tianchuanglong, they can be divided into two parts. One part is collected by Tianchuanglong itself, and the other part is created by hunting larvae of Tianchuanglong. But the hunting here does not mean killing the juvenile Tianchuanglong, but a battle with the juveniles who are about to reach adulthood, using a large number of weapons and even dragon shooting guns to break the opponent's carapace. It is not only a hunt, but also an adult ceremony. After completing the battle, the Tianchuanglong that breaks through the carapace blockage will go to a new world independently, and the remaining materials will become the hunter's harvest. After the dragon finds a suitable place to stabilize the continent, it disappears and gives birth to baby dragons in the core. Hunters help the baby dragons grow and circle the world. It feels a bit like a dragon's dentist to me The forbidden monster should be another ancient dragon that is parasitic on Tianchuanglong. It keeps devouring other creatures on Tianchuanglong and even starts to eat Tianchuanglong itself, thus posing a threat to the mainland. It would also be good to have a priest setting, responsible for communicating with dragons. Then the poster girl in this work is the priest. Although this is a good idea for starting a business, it doesn't quite match the style of Wu Hunter. It's a bit inconsistent. Because Tianchuanglong consumes a lot of physical energy, it usually sleeps. However, after sensing the passing of meteors, it will rush to several fixed locations to attract the meteors to complete its feeding. During this period, people from each village will come to Tianchuanglong's feeding spots to obtain the remaining materials from the meteors and communicate with the villages on Tianchuanglong's back. People in Tianchuanglong village will also leave Tianchuanglong on the same day, for safety reasons and to appreciate the scene of Tianchuanglong's preying. This becomes a celebration. By the way, it can also become a hunting ground for Tianhui Dragon, Hunt Tianhui Dragon to prevent it from affecting Tianchuang Dragon's predation. And so on. In fact, I think your plot is more suitable for a game like Toukiden I got excited when I heard this setting. At the beginning, you gave me a viewing angle from near to far to see the village and the shooting stars on the dragon's back. Niubi's How can such a level of divinity reproduce normally? You can refer to the golden-horned giant beast in the star-devouring sky. When it is about to reach the end of its life, an egg will condense on its back and hatch into a cub. The hunter helps him complete the adult ceremony and the cub flies away. Interesting settings China's stargazing culture has a long history. After all, it is a farming civilization and needs to use the stars to specify the calendar to guide production, so the stargazing design is completely fine. In the history of ancient astronomy, only Chinese records are credible It can be set like this: Tianchuanglong usually stays or travels not only for eating, but also for observation and learning. It raises its head to observe the movement of stars in the universe, and bends down to observe the laws of the planet itself. The long life span will come to an end after giving birth to larvae, and then Tianchuanglong will use its last strength to send out its offspring, so that the descendants can continue to pursue the path of the truth of the universe with the knowledge they have gained throughout their lives and a set of miniature ecological seeds~ This is the greatest farewell gift on the planet, and it is also a coming-of-age ceremony to celebrate a planet that truly and completely owns its own ecology. Tianchuanglong can accurately predict its own death. When its life span is about to end, Tianchuanglong will immerse its body in the sea, just like some monsters will go to a specific place to die. Dying in the water has special meaning for Tianchuanglong. The death of Tianchuanglong is a long funeral. In the first stage, Tianchuanglong will release the strongest gravity, attracting a large amount of mineral mud and sand, because the intensity of gravity is higher than the repulsion of dragonite, Tianchuanglong's body The body is wrapped in layers and becomes the base of the continent. This process is called "dragon entering the coffin". In the second stage, the floating island on Tianchuanglong's back will slowly lower and connect with the base. The huge dragon energy will rapidly spread the ecological environment on the island. This process is called "dragon creation". In the third stage, Tianchuanglong will completely die, but his core will become a new young Tianchuanglong, and his body will become the "dragon vein" of this new continent. This process is called "dragon inheritance". Is it possible to set it up like this: (the life of Tianchuanglong) the larvae of Tianchuanglong will be launched into outer space by the adult Tianchuanglong, carrying the life income of the adult Tianchuanglong, absorbing various energies in outer space to grow, and spend their infancy. After landing on a new planet, they will grow with the planet and create an ecosystem tailored for this planet. During the journey, this ecosystem will be spread all over the world, erasing the immature ecology and spreading a more mature ecology. At the end of life, several larvae are asexually reproduced, allowing them to carry the knowledge of past generations and launch them into outer space to continue the process, while they themselves are completely integrated into this planet, becoming a part of this planet, and becoming Pangu in the true sense. If multiple larvae descend on the planet together, there will be no competition between the Sky Creation Dragons due to the excessively high ecological niche. They will jointly create the ecosystem until the end of their lives (if there are five Sky Creation Dragons, it will be a legend in the New World). Tianchuanglong keeps traveling, bringing destruction and rebirth. When its life is about to end, it will wrap itself with the dragon energy it has stored for a lifetime and leave the planet. After finding a suitable position, it will curl up into a round sphere, and the dragon energy in its body will attract more meteorites to wrap itself up and become a planet. It will release a stronger magnetic field through the back of its back to change everything. Finally, it will become a cherry red (other colors will also be available) planet, breeding unique life. At that time, people understood that the meaning of Tianchuanglong's journey is to learn. They are ignorant creators, learning and observing the life forms in this world. For them, every life has the meaning and value of existence. In the end, they will fly to the universe and become a beautiful planet full of life, on which new life will be nurtured. This is their life, and they are the real creation dragons. Perhaps the planet beneath our feet that raised us is also a Celestial Dragon? I have a question, is Tianchuanglong the only existence without a population? If not, then is the ecosystem of each Tianchuang dragon different? If it is different, then each Tianchuang dragon must have more or less unique monsters, and the time span to breed a mature and complete ecosystem is quite long, which directly makes it difficult to predict the lifespan of the Tianchuang dragon itself. Moreover, how vast the world of monster hunting must be to accommodate multiple such existences. It is huge, difficult to observe and predict, and even impossible to track. If such an existence is the only one, then this is no longer a monster that can be hunted, this is a god who stands upright! Isn't it able to control meteors? Moreover, its cub is still spherical. It can be thrown out of outer space with dragon energy and let the cub find a planet to play on. There is only one on a planet, and it keeps swimming in order to transform the planet, extend its lifespan, and at the same time bring about new life. After adulthood, the offspring will be scattered to other planets in the universe to continue the spread of ecology. I think it should be possible to create a setting like a phoenix that after death will go through countless years of reincarnation and then give birth to the next generation and be reborn alive. Copying a ready-made ecology does not fit the word "creation", but turning it into a planet is indeed quite grand. It's not copying but learning. Learn other life systems to create your own ecosystem. Brother, what you said is exactly the same as the ancient dragon design in "Above the Sky". As a completely independent pan-universe ecological communicator of the Creator, you can read this book when you have time. ! If every continent is a dead body of Tian Chuanglong! This explains it! ! After death, the dragon attribute energy disappears, and the continent directly covers the back of the Tianchuang dragon. Moreover, every existing continent with humans has rich deposits of dragonite. Could it be that a place like Dragon Crystal is the energy furnace of the Tianchuang dragon? It can be made into a village, and the village worships it as a totem. The main line is that the union assigns hunters to help the village (Hand Sword Dragon) fight against Lai Bai Dong Fang Kai Sword Hand Chuang. The movement problem of Tian Chuang, if walking on the ground, may bring destructiveness not only to the matter of relocating the village, but also to the issue of hunting or changing the migration route. Relying on the dragon is obviously not enough, and it may be necessary to do something similar to the Molten Dragon. My personal idea is to crawl on the bottom of the sea and move once when you need to eat (hundreds or thousands of years). In ancient times, there were legends about Tianchuang. In modern times, it was discovered for the first time that due to the huge dragon-type energy generated by Tianchuang when eating, a large number of ancient dragons were directly attracted to it. There are also ancient dragons that are accompanied by Tianchuang, sucking the energy of Tianchuang, and also helping Tianchuang resist the ancient dragon fire that covets Tianchuang's energy. That's right, the ancient dragon who covets the power of Tianchuang, who else besides my would be

Does this book require commercial results? Since you want to make money from readers, you have to write what the readers of your book want to read, right? It's not that you can't write about business wars, marketing, and intrigues, but everyone who reads your book probably wants to see you making games, right? You said, eh, I want to promote an online game mall and attract users, then I will organize some kind of voting on the alumni network Renren... I actually have no objection, but you can't go into detail: ah, why no one participates in the school beauty selection, then I will organize an ugly selection... Do you update a lot? If you write tens of thousands of words a day, update 10 or 20 chapters, and finish this branch line in one day, then no one will say anything... How long have you been procrastinating? The reason why everyone can tolerate your writing about the super invincible compression algorithm and game engine that involves a large amount of returning content is because it is indeed directly related to the game. If it is handled well, it is not only a foreshadowing, but also a prerequisite for the game to be successful. But this strange selection has been delayed for too long. What's more, you still wrote about Lord of Mysteries' ultra-high-degree-of-freedom network narrative CRPG game that has not been made in reality. Without a prototype, there is no sense of immersion. If you don't spend more time on this game, readers will not find any sense of immersion. Come on, I still like this book.