Chi Dragon True Lord

：，，，，，，        ——， People like me who clearly identify with modern moral values ​​will have an obvious sense of strangeness when reading. Moral view: The author seems to have really come to such a world and become such a "spirit" in the form of a chilong statue, and at the same time he also has the knowledge of modern society. This knowledge allows the protagonist to "know etiquette and justice", but it does not create the corresponding three views of the protagonist. Of course, this is more in line with the protagonist's vague description of past life memories in the article. But the problem is that the protagonist's actual three views are just like the template he was born with. They are directly in line with the world view of the classical fairy tale: he has a sense of class that practitioners are superior to ordinary people; he has a simple concept that all problems can be solved by strength; he has a natural stance of being based on monsters; he has an egoism that puts himself first and does not care about others; he also has values ​​​​that everything can be traded... And so on. This way of writing has its own advantages and disadvantages, but it may be a danger to your performance. As the work reflects the author, I still hope that the author can achieve results with this. Rhythm: Generally speaking, it is sequential and orderly, with some light and some heavy. However, in terms of details, the author seems to want to show off his ancient prose skills, which makes some descriptions of the environment a bit overwhelming - of course, this does not exist for brothers who have a quick look at ten lines. There is no foreshadowing in part of the plot, which is a bit abrupt, but it is still within the acceptable range. Worldview & Situation: I have seen someone say this. The protagonist and supporting characters often act according to their heart's desire, and the holy nature remains the same. The worst thing to say is that they do not consider themselves and the situation at all. Especially in the early and mid-term, the protagonist wants to improve his strength with peace of mind, and the remaining soldiers will come to cover up the water and the earth. But what is the strength of Qingcheng Mountain? What is Xishan's strength? What is the strength of Ruyi Guan? More importantly, what is the protagonist's strength? The comparison of the protagonist's strengths from the reader's perspective is unclear, so how does the protagonist make a judgment? If the protagonist you want to write is someone who only cares about the three points in front of you, then... I can only say that the one that suits the protagonist is Su Hui's, but the setting is mainly about the monsters born in this world. Character creation: I really want to give you a thumbs up in the portrayal of the protagonist. I don't know if I'm over-interpreting it, but even if I just don't like the protagonist, his behavior and settings can be explained by each other. They are very detailed and unusual. I think the other supporting characters are a bit too facial-looking, and the only one I can look at is a fox, which is a plus for my personal preference. Finally, the work is a reflection of the author's heart. I have mentioned at length the strange feelings that the protagonist's three views have brought to me. Isn't this intentional on the part of the author? The biggest impression this book left on me was that the protagonist had a fight with Brother Qingcheng, who was seeking revenge, and the sky was filled with snow. After the fight, the dangerous wind and snow turned into moist snow, and the description given at the time was such that the audience was surprised by the protagonist's strength. You can write that the audience is silent, or you can write that the people at the foot of the mountain are frightened when they see the wind and snow, but feel moisturized after falling, but you choose to write about being surprised by the protagonist's strength. To be honest, I don't see the "people-oriented" nature of this description and its contents. Does the protagonist really care about the people at the foot of the mountain? Do Ruyi spectators who want to protect themselves from the wind and snow really care about the people at the foot of the mountain? Maybe a work should not be criticized from this perspective, but when I saw it, I just felt that the author thought it was not appropriate to write like this, so he brushed aside the wind, snow and the people. At least, it should have been more brilliant here, better reflecting the protagonist's character and the complexity and multi-facetedness of Ruyi's audience.

Overall, this matter has nothing to do with Xiao Huangxian. Why can a small sin lead to such a big punishment? You want to run a wild hall and eat incense, but all you get is a meal, just a meal. If nothing else, help the villagers exorcise ghosts and eliminate evil spirits. Isn't that a good thing? What view in your book, cure every disease and expel evil spirits with money, needless to say which merit is the greatest. Then, looking at the incident as a whole, a person commits murder and violates human law. If the case is solved, it is also a human case. Because of slander and suicide, you should also find the judge who will judge the case. How can it be possible that the main responsibility lies with Xiao Huangxian? If the laws of the underworld are as random as yours, then what is this underworld? All gods are ghosts, right? Then let's talk about the punishment of ghosts. They are not worthy of being called Yin. There is underworld but no heaven, right? The underworld is the biggest, right? If the underworld can meddle in human affairs at will, then there is no need for a court, and there is no need for cause and effect. Anyway, sooner or later, they will all be killed, so don't go down to the underworld, just come up and be human. Summary: A person killed two people because of some things, and then solved the case and was slandered to commit suicide. The government, not the local government, held full responsibility for solving the case. Are you sure that you, a member of the underworld official system, are not sealed by the government in the 21st century? They are all dirty. You are really not afraid of nightmares when you write like this.

The writing is okay, but the plot is poorly written and not atmospheric enough. Those who don't know it might think it's about some small animal. Forget it, I have never been like this as a dragon, so I don't blame the author.

If the protagonist is just a dragon-shaped stone sculpture, can he really be so powerful? I feel that the author basically wrote the protagonist as if he were a real dragon. Similar to using dragons and other auspicious beasts below the three realms, they cannot be measured by realms. But the problem is that the protagonist is not an auspicious beast, but a stone spirit carved into an auspicious beast. It would make sense to say that there is something special about this stone sculpture (just make up a story such as the spare body Balabara prepared by the poisonous dragon for itself) (maybe it is a foreshadowing? I see there are similar descriptions related to the poisonous dragon), but if It's just stone carving. There won't be any essential difference between dragon-shaped stone carving and 🐷-shaped stone carving. They are just stones... Jay Chou's fame and the fame gained by playing Jay Chou are completely different. It may also be foreshadowing, which will be revealed later, but the author's anomaly of basically writing the dragon-shaped stone sculpture as a dragon without indicating this is still a bit logically unsound. But the book is a good book. I have read them all. The book "Shan Yu Jiao" and "Shan Yu Jiao" are two good books on classical immortality and exotic beasts (dragon-like) that I recently discovered.

Chilong has no horns or wings, and is the female dragon That is to say, the protagonist is a little female dragon.

It feels good to me, but it smells of a female author for some reason, I hope it's an illusion.

A tiger-headed dragon statue was also unearthed in Sanxingdui. If you're curious, let's see if it's a chilong

There are a few questions that I have never quite understood. One is that the protagonist dares to offend the Taoist Crow of the Third Realm as soon as he transforms. He is not afraid of his opponent at all. Of course, this can also be understood as the Taoist Crow doesn't bother to come over to ask for trouble, or he has no time. The second is about Mi Jingzi. I looked at it a little too fast and forgot why he felt that the protagonist got the inheritance. The third is that this is a world with heaven and earth. How come it feels like the status of dragons is so low, and a person can cause trouble. Although the protagonist is a stone dragon, but Tian The dragon sign is born, and a bunch of little elite monsters around them just come over to touch porcelain. I have never understood this, and I have never written about whether there are other dragons in this world. If there is, the protagonist has a backstage. If not, I can only say that the protagonist is a bit brave. Speaking of realms, it was said at the beginning that the three realms are rare now. As a result, as soon as Crow Taoist died, three more appeared around him. Normally, the map should be changed and new ones would be released. In this small place, if there is anything to grab, one will die one by one.

If it is Ultraman, can the stone sculpture become Ultraman?🙂

The writing style of this book is half-literate and half-literary. The advantages of classical Chinese are concise writing and high information density. The disadvantage is that some words are too difficult to understand. The advantage of vernacular writing is that it is easy to understand, mainly spoken, and can be easily understood. The disadvantage is that it is a bit watery. This book is half text and half white. It combines the advantages of vernacular and classical Chinese. It has the concise text and high information density of classical Chinese, but also combines the ease of understanding. It seems that the author has carefully studied Journey to the West and Water Margin. Because many novels in the Ming Dynasty were half written and half white. In terms of literary talent, he crushes many current novel authors. . If you want to improve your literary talent, you should read more Journey to the West. . Alas, but the shortcomings of this book are also obvious, that is, the plot is relatively scattered, a bit similar to the flow of life, the control of the climax, and the plot structure are somewhat scattered. Looking at this book reminded me of another book called "Dragon King", which is also half-written and half-white. The current Xiaoxianxia novels are basically about underworld cultivating immortals. In fact, this is a truly reasonable fairy novel. As Meng Shenji said in Eternal Life, cultivating immortality is not about being carefree, flying up on a crane, or becoming immortal, but about naked fighting, plundering resources, fighting for a future, and fighting for immortality. The essence of this world is the competition for resources. Whoever can obtain resources will obtain the right to reproduce and the right to survive. If you lose resources, you will lose the right to survive, and the qualification to reproduce will become extinct. The animal world is like this, and the human world is like this.