Infinite Adventures: Starting as a Wanderer

I couldn't stand watching part of it, mainly because the author didn't have a reasonable plan for the protagonist's system. When I saw the part about killing wolves and fighting goblins, I was thinking about a question the whole time. Does the author want to write a mixed martial arts system or a dnd system? You are a thief system character who has taken up a job as a trickster. You have no relevant planning at all when fighting. Where is your sleep spell? Where is your Dharma table? The mage's hand can be used to assassinate, but he can't throw away the lime? When playing a warrior and three wolves, not to mention the shadow movement that was the same bug as before, and just throwing two sleep spells, I don't believe that the three wolves and a goblin barbarian can solve it. Sleep controls a wolf, uses shadow movement to assassinate one, uses mage's hand to add a flying knife to stab one, and waits for the goblin to come out, then throws sleep and backstabs to directly solve the battle. As a result, the author, let alone using the magician's spell, did not even think about making two Molotov cocktails to cover the face, bringing a animal trap, floor nails, shadow movement and burying a trap. This is a standard thief strategy. You are a magic assassin here who is both seeing and throwing knives. The system is confusing and the battle planning is unclear. The description of the battle is neither satisfying nor beautiful. If the genre you choose at the beginning is an assassin who kills the target by force, such as the kind who work hard for big guys like Zhuan Zhu and Nie Zheng, it will look good if you practice swordsmanship and flying knives, and slash all the way through. You chose a trickster, and the monkey buff uses spells to create advantages to divide the battlefield, disrupt targets, set up traps, and assassinate. It's also nice to see. As a result, you choose a character template with the ability to cast spells to fight with goblins? ? Do you know how I feel? What? 🤔 Not to mention that inexplicable salad, don't you prepare all the ingredients in advance and find that the ingredients are missing on the battlefield and then engage in "innovation"? Not to mention that it's made fresh, but it's obviously made within an hour and you eat one portion right away? Even if eating this portion is an experimental effect, what does it mean for the cleaning soldiers to eat another portion at the beginning? Before writing, is it right not to think through your logic first?

The martial arts knife-throwing ability is a bit weird, and it doesn't work well in the early stage. It would be better to give him a basic flying knife or the in-game knife-throwing skill, and later add martial arts-type long-range skills.

The weakest pig's foot on the entire network. The other players are either cultivating immortals, cultivating demons or wizards. This pig's foot turns out to be a ground rat.

It was okay at first, but became boring as it went on. I feel like I was interfered by Sequence 0, the originator of comprehensive network, and started to engage in literary youth.

Obviously you want to be a rogue, so it is reasonable to cast some shadow-related spells, but you can't just cast them and use them. You don't use them when you sleep. You don't use them when you sleep. You don't use them when you avoid shadow teleportation. Three dogs are afraid of them barking. Can't you just sleep one by one? Don't tell me that these three dogs can withstand first-level spells. What's even worse is to fight an orc. They go berserk, and you still fight them closely. You have become a rogue. If you have a shadow teleport, you can't beat them. It's over if you can't run away. What's the point of fighting them head-on? It's not easy to kill them after dragging out the berserk? I'm done trying to persuade people to quit.

The 20-plus chapters of The First Wenqing Assassination made me frown, and they were all written in a mess.

Wanderer, isn't it a version of sewer? 🙂

I can't watch it anymore. There is nothing modern about it. The protagonist could be in ancient times. The arrangement is too deliberate. Whatever is prepared is used, and whatever is dropped is used immediately. It feels more like the game's NPCs have assimilated to the protagonist.

Don't be a literary youth, a literary youth means a violent death

I've been a bit lazy in writing lately, and I'm enjoying myself. How can I put it, online games have become online, and newcomers and teammates talk and act too online, modern and weird, and the role of the protagonist has obviously become less, which makes it a bit unbearable.

One thing to say, don't engage in sensational plots. Just accept the mission. If you want to sublimate the character of the protagonist, don't set the mission. Let the protagonist take the initiative to complete the revenge. Moreover, the mission is hidden. Why not set it to be a hidden map in this dungeon, and a new dungeon has to be generated. Old games did not have this technology in the past. You have already written novels. Can you be more bold in designing the plot?

In fact, Zongwang wants to be a literary and youthful person. So many people write about it, but it actually doesn't feel like they are bald and show off. Of course, having a bald head isn't much better. Watching too many copies is boring. But I'm pretty cool there. You have to write about the feeling of traveling through time and seeing the indigenous people. In fact, that's about it.

The author has a bad memory. The protagonist's ability was forgotten by the author later.

Welcome everyone to improve Cheng Yi's box and specialization card drawing pool. I will put the ideas and jokes into PS. After all, this is the essence of Zongwang.

I have seen more than 70 pictures. Except for the novice story, there is only a lighthouse and a battle. There is no other story. The battle is still the same, not a real story. The version number is not used at all.

I actually like both genres very much, but I think you, the author, have a clearer score, because a large part of the excitement in the early stage of the comprehensive network comes from the fact that every time you upgrade, you can brush up several DND-like skills from different genres like meat pigeons for the protagonist to build. Then readers can also discuss the choice in the comment area, so there is no direct exchange of points for skills in the world like unlimited streaming. You came up and directly redeemed the Haki in One Piece. I almost thought I was watching some Samsara Paradise fanfic. The key point is that your network currency is not like other people's unlimited streams. You have to do all the tasks in the entire world dungeon to earn it in a hurry. You can just brush the novice copy for ten minutes on the network, and the harvest can be directly exchanged for two powerful and growth-producing skills. The narrative of prices and upgrade systems has almost collapsed. And I feel that it is a bit strange to read the DND team-running style and the abilities in the anime together. Of course, it may just be a personal sensory issue.

Will the protagonist face a room full of golems with only a broken dagger in his hand? Or maybe a group of elements will do?

If you want to do it, just do it. Where can I put a special chapter to write about my heart 1? I'm good at listening to books

The writing of the first battle is so rubbish and mindless, I really want to persuade you to quit. Have you ever seen anyone write such a bad first battle on Zhejiang?

It's all a hodgepodge. What's the point of the career panel? It's about adventure stories where game skills come true, not a hodgepodge of omnipotence.

Rogues are pure tools. Their combat effectiveness depends on the warrior. They can kill five times per second.

It's a great Zongwang. It has the talent of a bald man. It has a strong Zongwang flavor. There is no bitterness or hatred, and there is no sensation. Once you enter the dungeon, you will go on a killing spree. When you exit the dungeon, you will feel relaxed and daily. It looks very comfortable.

The author does not need to write out the process when describing, just tell the readers what skills to choose. Everyone has different ideas, especially when the three skills are good, the author conceives and strengthens them according to his own ideas. It is a one-time screening for readers with different styles. For example, I can follow your rhythm if I don't write. After writing, I personally feel less and less satisfied with the growth of the character. The sense of involvement is getting worse and worse, and the acceptance is getting smaller and smaller. If I try a little poison, I will no longer have the desire to read. . . .

The writing is quite good, but the plot is too monotonous. Since there is a real world, why not start writing about it? I quickly became tired of reading one copy after another.

So in the end, the protagonist turned into a shadow and stopped being a human being?

When will we develop the world of shadow and build a shadow army

As a plane, the protagonist can be cast into an avatar through stories told in other worlds, and the avatar has the abilities in the story. In the future, there will be a feeling that a certain tyrant is no longer a human being, and several online players are bragging in the tavern: If the rogue boss I know is here, a certain tyrant will be dead. Then the camera turns and the protagonist's avatar steps out of the shadows and begins to carve his own story in a new world.

A bunch of literary words, which affects reading very much. They always describe this light, this tree, this water. I don't want to read anymore.

I just read a few chapters on the computer web version. When I exited, I found that the bookshelf was automatically added Since it was added, I cast two votes.

Interesting enough, update! You know