I Became a Divine King in a World Inside a Jar

What the hell is the Succubus Dance Troupe? It feels like falling from the God of Creation to the wealthy man in an instant. Even if you want to dance, shouldn't you start with the ritual dance? From ritual to dance, how little does the protagonist care about this vat that he can even sneeze into it? Shouldn't it be covered properly at all times?

If the author diligently updates 10,000 words every day, then the traitor will retreat in fear, and the moral gentleman will rejoice This is a feat worthy of praise by both Yao and Shun! I have heard that calves born in sheepfolds do not behave like sheep when they grow up. You are in Qidian. You use your computer keyboard frequently, but you have lost interest in updating. Is this reasonable? Qidian is strong because it has inherited the etiquette and skills of its ancestors. Stop bursting, and the pressure has nowhere to release, but becomes tired. Isn't this abandoning the roots of the tree and pursuing the treetops? If this continues, great disasters will surely befall! The reason why platinum can have With tens of thousands of royalties, they are not hurt by villains precisely because they are willing to listen to what upright gentlemen say. However, Poujie cannot get royalties, and are even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing that makes you cry for the author, and there are six things that make you sigh for the author. Since ancient times, people have often used very passionate words to express their opinions. If they are not passionate, they will not be able to touch the heart of the actor. Exciting words are akin to slander. Authors, you should think carefully about whether this is right or not Those authors who update less, delay, or owe updates have no time to feel sad about themselves, so they are drowned in the torrent of works, leaving only later authors to feel sad about them;

The essence of this book is that the protagonist is dancing in shackles, and he truly enters his own world, rather than being a bystander.

Your protagonist is actually in good health? Then who can help me fill in the missing piece of cancer?

Only those gods who have communicable wisdom, are recognized by the protagonist (god king), are willing to abide by order, and perform certain duties in this world are the righteous gods with "divine duties", and the rest are demon gods. For other lives in the vat world, the demon god who has power but does not fulfill the "divine duties and missions" given to it by the God King when he created it, and does not care about other lives and acts recklessly is too dangerous and is the source of destruction, which will destroy the evolution of the world and the development of civilization in the vat world. Therefore, demons who are unwilling to perform their priestly duties are either killed or imprisoned to passively perform their duties. The final right of interpretation belongs to God King Linge.

The author is clearly a newbie. The text in the first chapter is very self-proclaimed. But the plot design is reasonable, and the setting of the main body entering the world in the cylinder is also very good. The character creation is also okay. The big snake provides an epic feel, and the communication between the giant beast and the gods is very good. Colleen provides basic equal emotional communication and allows some basic character relationships. The role of the Masked Apostle's Fool is also reasonable. The protagonist's character is not distinctive and lacks charm, but it is qualified to be used as a god in an epic to highlight the fantasy of the story. The other characters are pretty unremarkable. In the middle of the setting of Magic Food, the writing was a bit biased towards food articles, which was a bit strange, but the epic feeling was still adjusted back. Then there are many comments that suggest that the author should not pay too much attention to it, such as the expansion of various imaginations, or negative reviews of Coleen. Writing a good story is the most important thing. Compromising the plot and characters for other people's imagination and evaluation will ruin the book. The current plot focuses a lot on the creation of the world and the growth of the protagonist, but I think these are not enough to become the main body of a creation story. As the plot develops, if the author does not intend to create a new creation story routine, then the epic of civilization will be the inevitable main body. At present, the author's preparation for this subject is not enough. Whether it is Tufu, Dragon Mother, Manling or Niwang, the characters are not outstanding enough. It is difficult to extend readers' attention to their corresponding races. At the same time, the current relations between various races are too harmonious and lack the soil for contradictions and conflicts. However, the recent plot of Masked Apostle has a tendency to interfere here. I think this development will be an important node for the smooth development of the civilization epic. In terms of setting, the evolution of the mission is very interesting, and many plots revolve around this, which is also developed very well. This is qualified as the main theme of this book The setting of the race is mediocre. There is a trend to combine missions and races, but only the pig part is barely okay. The setting of the Land of Oil and Fire lacks subsequent development. The first appearance of the dungeon was good, but the follow-up development was weak. I think the author needs to polish this part more. The world tank setting is basic, and the expansion is relatively ordinary. The plot surrounding the mission and the epic atmosphere are the main reasons why I think this book can achieve success, but there are also some hidden dangers that need to be resolved urgently. Regarding the development of the civilization epic, I think it is the key to the subsequent achievements of this book. In general, I think the quality of this book is superior compared with other new books, and it is worth paying attention to readers who like creation literature.

Every time the fish tank acquires a concept that it did not have before, the fish tank will expand by one point, such as: water, fire, and meat. Or the creations in the fish tank create special concepts, such as: language, writing, war, and oaths. Wait, the fish tank will also expand. Until the fish tank expands to the point where the protagonist can fully enter it, the protagonist will truly become a god. The fish tank in front expanded, but the protagonist didn't notice it because the expansion distance was too small.

A is a fish tank, B is a copied wooden house, and C is a copied fish tank. Now the male protagonist Ringo is trapped in A, and the fish tank A becomes a world. The copied wooden house B is his console. He can copy the copy in the wooden house by controlling B. Use fish tank C to control the world of fish tank A. For example, if you throw a hair into replica fish tank C in replica wooden house B, a big snake will appear in fish tank A, that is, a big snake will appear outside the replica wooden house. Use a plastic cup as a barrier

​​A very novel creation story, similar to the sandbox creation of novels like "Millions of Possibilities". This book does not have the common faults of creation literature on the market - that is, the protagonist does not suddenly become like a real god, and suddenly becomes superior; nor is it shaped like a rich loser in pursuit of the so-called "realism". The power system of the book is also very interesting. It is not the traditional western fantasy or fantasy that is badly written. When I read it, I thought the protagonist was having fun as a farmer. There are no signs of dastardly XP in the book, such as "the positive characters are all women, the negative characters are all men", "read it as Kingdom of God, write it as chicken coop"... Point of interest: In the tenth chapter, the protagonist built a smart creation to protect his own safety. This creation can not only freely enter and exit the protagonist's safe house, but also see how the protagonist controls the sand table. However, the author wrote it very appropriately. Because of this, this creature did not behave like a female brat, but more like a bodyguard with a closer relationship.

This book... How should I put it, its plot is quite creative, but it is only creative and does not give people enough emotions. There is no ups and downs one after another, and there is no interesting character interaction and eye-catching characters to attract. It just gives you ideas. What did the God King create and what did he obtain today? It all relies on a sense of expectation to see what else the protagonist can come up with. But in fact, I have no expectations at all for the "emotional fluctuations" that the subsequent plot will bring. It is better than nothing. It seems that Stardew Valley farming and winemaking make money every day through mechanized planting. Except for the increase in numbers and the increase in wine bottles, there is nothing else. But without holidays, as the richest man in Stardew Valley, I always give "Hailey" the most expensive gifts, hoping that Miss Haili will get me married and have children. It's probably like "encountering difficulties → creating → solving → harvesting." But I think there is something missing behind it. This process, who can help me fill in the pretense after harvesting, is like Da Feng. Whether you get money, status, or strength by solving a case, after harvesting, it is not just "status +1". After he used his new gains to solve the existing difficulties, he still had to show off wherever he could to his aunts, uncles, younger brothers, sisters, colleagues, bosses, big shots, beauties, in front of and behind others. I am not advocating pretentiousness, but the emotional fluctuations in this book are indeed relatively small. Originally, the creation text was unlikely to put the protagonist into a too anxious "melting pot", which lacked tension and excitement, but the emotions of the people under the protagonist were "Wow, the God King has created something new again." Well, it's tasteless to eat anyway, and it's a pity to throw it away. No other soup of this type can be tasted. The soup is good, but it has no salt and is bland.