Banishing the Dragon

Gai Wenming is in charge of political affairs, but the mediocre monarch is delayed in his career. In the past, Hu Hai was greedy and greedy, and the Qin Mountains collapsed; Huan Ling was comatose, and the Yan and Han Dynasties were divided. When this mediocre lord is in power, he enjoys his own prestige and blessings; but when people threaten him, he dares not speak out. Eventually, the country will be defeated, and his ancestors will be burned. This humiliation will be a lesson to the world forever. Today's Emperor Danling is weak and has no virtue. He has experienced the prosperity of the Han Dynasty, which is beyond his wisdom, and has experienced the prosperity of the Shao and Song Dynasties. Losing people's hope to this point is a sign of laziness. It has been a long time since the Zhou Dynasty, the hydrology is also complicated, the scholars are angry, and the people's resentment is getting heavier; one man is working hard, and the whole state is united. Nowadays, the country's imperial mausoleum is late, and its outline is slack; the holy dynasty has no help, and there is no chance of breaking and rushing. The country is in danger, and the artifacts are covered with dust. The state government should organize the righteous soldiers, Luo Luo's realm, raise their weapons and show their power, and help the country, swearing to work hard to defeat the faint king!

Shan Hai Xing 35 Map

It has been abandoned. If it is finished in a few years, I will probably come back to have some fun. I am quite curious about how to resolve this situation. The statement may be harsh, but the fun is written by the author himself, so others might as well read it and comment: Grenade's emphasis on plot expression and light on character portrayal is taken to the extreme in this book The protagonist is written as having no likes and dislikes, no sorrow or joy , a "sage" who worries about the country and the people all day long and thinks about life with the world in mind Li Jing was written as a madman who only knows how to fight, a gangster who only wants to prove that "I am a person", and is accompanied by a red-haired girl who only knows how to look at her husband with stars... And she was forcibly whitewashed. Qin Qiong wrote about a migrant worker from Shandong who wanted to be a civil servant. The growth that was laid in the front was all in vain. I did whatever the court said... And then forcibly cleared it. The heroine Li Er's template, I don't know whether I know how to write it or I don't dare to write it. I fell in love with the protagonist for some reason, broke up with my family for some reason, disappeared for some reason, and appeared for some reason, an omnipotent tool. Without decent characters, no matter how good a person is, he or she will make mistakes and cause problems, which is used to set off the protagonist's correctness. There are not many villains. No matter how bad of a bastard you are, there are still protagonists to save and persuade, to set off the protagonist's "accepting and winning" character. In fact, all the characters lack temperament. They are all tool men who can "hold hands and speak sincerely" and then talk nonsense without surprising the author to let the author vent his three views. It's great to educate sentient beings with unscrupulous talk. It's even more satisfying when no one refutes it. It's even more satisfying to make money... As for characterization? Plot device? Narrative technique? Idea conflict? Readers' feelings? … Let's see how it ends.

I don't understand why the exchanges between the Sui and Tang Dynasties can be written like this At first I thought the protagonist was decisive, and the "I dare to kill you" at the beginning highlighted the wrath of a common man, with blood splattering three feet Then after pulling up the Dragon Gang, he became more and more mother-in-law There are also direct clowns (for example, when he wanted to cut a mountain, he suddenly asked Bai Si to help at the end) You have to say that it is necessary for management power, reflect on it, and put aside for the time being whether this kind of hypocrisy is reasonable But this power has experienced The camp is also very awkward The rebellion claims to value the people Then you create a bunch of supernatural energy The war is just two people forming a formation to fight against each other It claims to break the barrier, and the people take a breath However In the end, it gives you the feeling that ordinary people can't do it in anger It all depends on the charity of the protagonist Don't ask for a stream of iron to flow through like the one at the end of Shao Song Dynasty In a normal army, don't worry about the superpower all day long, can't you do it?

It's been really ugly lately. It's obviously a wonderful battle, but it's written by the author in a tasteless way, like a piece of shit. The biggest problem in my personal opinion is whether it should be thin or thick. Moreover, many descriptive paragraphs in the article are used again and again, completely losing their previous aura. A war is a war. The life and death of the soldiers are completely out of your control, but the main subjects of the war are the soldiers. If it were before, I would definitely choose a few outstanding soldiers to write about and exaggerate the emotions. This is a sense of substitution. Either you write it in a big way, and use other people's hands to describe how important, shocking, and rare this battle is, with anxiety, surprise, or seriousness. This is the cool part of online writing. However, the entire process of the war was like a camera hanging in the air with a blurry lens. It was recorded, but there were no details, and it could not go up or down. The number of seats is limited, so I just kept repeating the same thing over and over again.

Came from Shaosong. This book is still worth reading, but there is a very big problem. It is too unreal. 1. Seeing now, everything exists for the uprising, but why the uprising. It is always said that the people are in dire straits, and everyone is against it, but the descriptions of this aspect always exist verbally. You can definitely open up a few civilian subplots to describe them, and don't always focus on the protagonist. 2. Internal conflicts within the Deposed Dragon Gang. It can be seen that the author is very careful, and the plot design is very good. But these contradictions are conveyed through dialogue. Such an important and detailed conflict is directly expressed in a single sentence... If it were expressed in several branches, it would be absolutely amazing... 3. The content of the liberated areas. Alas, just like Shao Song, the policies and situations of the liberated areas are briefly mentioned. A Hundred Days of Foundation Building can be completely written as a branch line, using the perspective of a young man to show the living conditions of ordinary families in the liberated areas, the senses of the Deposed Dragon Gang, and using him to express the state of the lower-level officers and soldiers of the Deposed Dragon Gang's army. I prefer this novel. It is what I want to see, but if it is not available, I will continue to support it...

Historical readers want it, fantasy readers also want it, but it doesn't please either of them. In the early stage, Zhang Xing's combat power has not collapsed among ordinary people, so the fantasy content in the middle and later stages is nothing. Let's talk about characterization, fantasy and personal heroism. Who wrote this book? Group portraits that stand out in history. How many distinctive characters are there in this book? There is also a plot, which may be caused by literary youth disease. It is dragging, it is really dragging, and it is inexplicably dragging. It seems that Shao Song is the author's peak.

This article was first published in the Qilong Book Friends Circle. No doubt, that one is me too. Again, this is a non-professional interpretation from my perspective as a former world view architect and former character setting editor. They are all subjective thoughts and entertainment articles. Do not take them seriously. I just say this, and you just listen to it. After all, grenades are afraid of water and he knows shit about Fu Han/Shao Song/Depose Dragon. The author himself doesn't understand it, and I don't understand it even more. Unfortunately, Zhao Jiu's interpretation, which was owed for two years, was only put forward today, hoping to catch up with the popularity of "Shao Song" on Lao Ford and Zhihu. The book "Shao Song" can be called a famous work that grenades are afraid of water. It fully meets the characteristics of the popular market in the field of Chinese Internet historical themes - time travel, change and great rejuvenation. As a fusion of these elements, the characterization of the protagonist Zhao Jiu (Zhao Gou) closely revolves around one word - tool. Yes, he is a tool used by the author to write the original character arc of the Song Dynasty. I estimate that the original intention of writing the book "Shao Song" originated from a widely circulated question in the Chinese Internet history area: "What would history be like without Zhao Gou?" This question reflects a common concept on the Chinese Internet, that is, if Zhao Gou's appeasement policy had not been available at that time, and the Song Dynasty had not been hindered by the appeasement policy, he would have really been able to win over the Jin Dynasty, and might even have regained the lost territory. This view reflects to a certain extent the regret on the Chinese Internet about the history of the Song Dynasty. The book "Shao Song" tries to answer this question by reinterpreting historical events. The author imagines in the book where the Song Dynasty would have gone without Zhao Gou's appeasement policy. For this question, the existence of Zhao Gou is not necessary, because this question is intended to show the character arc of the historical characters of the Song Dynasty without the interference of the appeasers. However, in historical novels, Zhao Gou's role is indispensable. In response to the previously mentioned question, how to show the glory of the historical role of the Song Dynasty, we can't help but think: Is a protagonist needed? If a time-travel setting is adopted, what should this time-traveler do? If we go deep into the long history, how can we show the glory of the original characters of the Song Dynasty? As a bystander, what kind of situation should the reader be put into? If the soul travel method is used to descend on Yue Fei and Han Shizhong, how will the original historical characters deal with themselves? As for crossing Qin Hui? Your life is at risk, right? Furthermore, with the core theme of "No Zhao Gou", only by becoming Zhao Gou himself can the time traveler have both the protagonist and the historical role, thus forming a contrast between the observer and the observed. In this way, there is both a protagonist and a perspective that shows the arc of the historical character, while avoiding Zhao Gou's original decision. If the time traveler wants to rewrite history, as Zhao Gou, he will inevitably be inclined to support the anti-Jin faction. Therefore, in the first stage of the story, Grenade was afraid of water and took the lead in launching operations against several key figures of the appeasement faction, such as Liu Guangshi, one of the "Four Generals of ZTE". If these characters will affect the subsequent plot, they must be eliminated - so Liu Guangshi's head ended up under Zhao Jiu's axe. It can be said that the appearance of Zhao Jiu was intended to help Yue Fei, Zongze, and Han Shizhong "cross the river" to fight against the Jin Dynasty. He is just a prop used by the creator to control the development of the plot. It may be extreme, but compared with the other two protagonists, it is obvious that the original intention of the character Gongsun Xun was to explore whether the locals of the Han Dynasty had the ability to overthrow the existing regime and build a more equal living environment for the Han people after absorbing modern ideas. In contrast, the character Zhang Xing attempts to explore whether modern people, when they have mastered outstanding leadership skills, can fulfill their purpose of serving the people in the Sui and Tang Dynasties, or even in a more fantasy world context. The setting of these two characters corresponds to the two situations of reality and fantasy respectively. The former is similar to the discussion on the Zhihu platform of "Can people in history directly enter modern society if they have modern ideas?", While the latter is similar to the hypothesis of "If modern people travel to ancient times and establish a party organization, can they lead the socialist revolution?" Through the shaping of these two characters, "Grenade Afraid of Water" attempts to explore the relationship between history, reality and ideals in a literary way, as well as how human beings adhere to and pursue their ideals and goals in different eras. However, judging from the current situation, "The Overthrow of the Han" can still maintain a logical deduction under the grenade-fearing pen, while "The Deposition of the Dragon" shows a more obvious refreshing style. However, in novel creation, logic is an indispensable element. During the deduction process of "Grenade Afraid of Water", I found that the plot was difficult to justify, and there was really no way to continue the deduction. In order to avoid the work being interrupted before it was completed, I had to continue to work hard, which affected the speed of updates to a certain extent. The book "Shao Song" aims to demonstrate the possibility of the Song Dynasty counterattacking the Jin Dynasty. Therefore, when writing "Grenade Afraid of Water", it did not delve into the details that required practical reasoning. In short, the focus of the discussion in "Shao Song" is not complicated discussion, but focused on the core vocabulary of "crossing the river". All the actions taken by Zhao Jiu were dedicated to achieving the goal of crossing the river to fight against the Jin and regaining the lost territory. The plot development of "Shao Song" after the Battle of Yaoshan does not present much content worthy of in-depth discussion. Even in some plots, such as the "preservation" and other parts, there is a phenomenon of messing things up. This is mainly because, as the storyline progresses, the overall situation has been decided, the situation is clear, and the space for creation is relatively limited. The final trend is to steadily advance all the way to achieve the ending of unifying the Central Plains and reaching far away from the Han and Tang Dynasties. As for the plot mentioned later in the article in which Taiyuan and Damingfu were simultaneously blown open by gunpowder, although the grenade is afraid of water and the writing is vivid and powerful, it can arouse strong emotional resonance when reading it for the first time. However, after repeated reading, its importance is inferior to Yaoshan's strategy. Therefore, I once said in the book circle of "Shao Song" that "Shao Song" is actually a literary work of group portraits, rather than a single protagonist as the core. In this work, you will find that Zhao Jiu looks like he has many characteristics, but they are all similar to a duck, a raccoon cat spirit, etc. These characteristics make him appear full of personality, but they are not the normal image that a protagonist should form. So, in my opinion, most of Zhao Jiu's performance in the plot is not the real emperor protagonist, but more like a guy who does practical things. Many of his famous scenes are like the pretentious postures displayed by a college student or a normal person when they are satisfied. He has only two character arcs in the story, one is when Liu Shiguang is killed on Bagong Mountain, and the other is when the sculpture collapses on Dagu Mountain on Yao Mountain. The appeasement policy established by the former was completely bankrupt, while the latter represented that the Song Empire had completely bottomed out and embarked on the road to revival. Only these two plots are written to shape the character of Zhao Jiu. Because of this, I think Zhao Jiu has no particularly outstanding advantages. In this work, he is nothing more than an ordinary person, experiencing various challenges and hardships, and gradually growing into a responsible and wise emperor. It is for this position that he has this role. However, in the Chinese Internet field, the comprehensive discussion of the role of Zhao Jiu is not sufficient. Instead, many people are keen on the CP relationships between Zhao Jiu and Xiao Yang, Zhao Jiu and Han Shizhong, etc., As well as the interesting memes between Civet Maoer and Kodak Duck. To put it bluntly, this phenomenon is quite emotional and, in my opinion, a bit sad.

The protagonist's mental journey towards this society is too long. He repeatedly talks about how the emperor is immoral and incompetent, how the nobles are arrogant and extravagant, and how miserable the people are. It would be fine if there was a different sublimation of the state of mind and understanding, but it doesn't happen. The understanding of society, officialdom, the emperor, and politics is still the same over and over again. It just means that the protagonist is helpless, speechless, and tired of these phenomena. There is no promotion of the plot, and the relationship between the characters is not sublimated. The progression of the plot and the relationship between the characters has nothing to do with the description of these social phenomena. What is the use of repeated descriptions of similar phenomena?

Zhang Changgong, the legitimate son of the Zhang family in Hedong, was brave and courageous, but looked like a woman, so he wore a mask. Chang Gong was an upright man, benevolent and righteous, friendly to the people, and often broke the law. People at the time called him "the partner of justice and the Masked Rider". In the tenth year of the great cause, Zhang Xing entered the black ribbon with special honors, and Cao Linqi took him. He wanted to ask for a son with a lot of money, but to no avail, he was very angry. There was no one on the left or right who dared to speak, so Chang Gong gave him a reprieve. ——"Book of Wei. Biography of Zhang Changgong. Part 1"

To be honest, with this book, I feel that the author is not interested in the characters at all, and is just mechanically promoting the plot. It doesn't take much. After writing a book in this state, one's spirituality will be almost the same. The last one I lamented about the obvious decline was Yan Gui. He could have become a god but now feels stuck at this level. No matter how slow you Dan Lingdi wrote before, at least the content was carefully polished. What the hell are you writing now? Did you come here for political education after listening to too many party classes? The key point is that your political education is not very good. There is no way to rely solely on dialogue to drive the battlefield. Nowadays, junk games on Steam do not do this anymore. If you are really busy, just say it seriously. I have never been diligent in updating before, but the article is really beautiful. Now this content is really unbearable. Your writing skills have deteriorated to the point where you can only use dialogue to advance the plot?

As much as I love Fu Han and Shao Song, I cannot accept this book. Before the uprising, this book still had the heroic spirit of the protagonist written by Emperor Dan Ling. But the later it gets, the weirder it becomes. I want the spirit of daring to be the first for the world, but I also want to create a dish to satisfy my literary desires. The group portraits are also inexplicable. What he did was an even more backward tribal military leader, Danzui, who directly paid tribute to ancient Rome and Hou Jin. In the later period, he even prepared to imitate the Shinra Empire. Everyone started to vote for the emperor, right? Did Emperor Danling find a ghostwriter? Is this the same Emperor Danling who wrote about Danhan Mountain walking alone, the white horse crossing the Hutuo River, and the bowed eagle falling in front of Mount Yao?

Added a couple relationship to Bai Yousi and Zhang Xing, added the label of true heroine to Bai Yousi, the banner of Bai Sihan's legs, I stand here. We solemnly declare: 100% do not want to interfere with the creative ideas, character positioning and plot development of "Grenade Afraid of Water". We love eggs, letters, eggs, etc., And protect the author's free creative rights, starting with you and me.

Since the Three Expeditions, everything has collapsed This book is more appropriate from the beginning to Jing'an Terrace and Fulong Rhythm Guard. At this time, it should have described the life in the Eastern Capital and various places, to pave the way for the wars in various places in the later chapters. The second king's expedition to the west and north deserves a good description (the previous trip to Jiangnan should also describe more urban life, instead of just looking down at the so-called tax burden issue). There are only two commendable places that reflect civilian life, one is a small village in the mountains that echoes back and forth, and the other is the raging bandits on both sides of the river. Places such as Jingantai Patrol Street, Qin Er's hometown, Beidi, and Lao Bai's house are not described very much. The whole world is not three-dimensional, giving people a feeling of purely looking at a map. Before, it seemed like I was going to go around the Northland, but now with this rhythm, the Northland is just a background board. The pace is fast, the world is not three-dimensional, and the characters are not fleshed out. Before, I just felt sorry for the White Snake, Li Ding and his wife, Qin Er, and a bunch of old people from Jing'antai. Later, I found out that the big guys from the Deposed Dragon Gang have also become paper people. Now it feels like the protagonists have become The preaching machine seems pale and feeble, as if the author himself is acting as the "Zhang San" and expressing his "Zhengshuttle" through such a megaphone, but this should be expressed through different people throughout the book. The characters are not vivid, and the novel becomes a thesis. Finally, Bai Hengqiu, an old fox, acts like a fool when he first appears. He is greedy for success, lacks strategy, and is desperate. Does he have to show that he wants to destroy himself?

After reading this book, I have some personal feelings, just for reference: 1. The theme is not clear enough. The author wants to talk too much, but the plot is not concise enough. 2. The characters are somewhat vague. There are many characters and complex relationships. A considerable number of characters are not helpful in establishing the theme and promoting the plot, but there is too much ink. Character descriptions and related plots should be chosen with determination. 3. The pace of the story is too slow. Compared with the ups and downs and rhythm creation of the paragraphs in the first two books, several paragraphs in this book (returning home - dormancy - Eastern expedition - uprising - World War I) have long stories, but the climax is not exciting enough, the ending is not decisive enough, and the text is too bland. As a reader, it feels like it is neither up to down, difficult to empathize with, and no aftertaste.

Halfway through the book, I saw a hot comment from a reader saying that the protagonist is a bit awkward at times, but it can't be helped because the author himself is awkward and arrogant. He is so right. Books written by people can never be separated from people's thoughts. The author is good at everything, he can be called a starting point hero, but this is awkward and there is nothing he can do about it. Several books are ruined by awkwardness, and the creation of characters is often ruined by awkwardness. On the other hand, the supporting characters, because there is not much thought and writing, and the author does not project many thoughts and feelings, are not so awkward, and have won a lot of praise.

I abandoned the second volume after reading Tiger's Journey. How can I put it? In my opinion, the so-called voting system is really just childish and wishful thinking. Moreover, in the social environment established in the book (feudal slavery society), it has no social foundation and no guarantee of long-term foothold. It is more likely to lead to divisions and more cruel struggles after the efforts of people in an era! His wishful thinking will eventually lead to the rapid collapse of the great achievements established by countless people who follow him and trust him after a short period of time! It's really too idealistic

It is tasteless to eat and a pity to throw away. There are only fifty-five chapters left to read, but I can't read anymore. Sorry, goodbye.

I regret it. I shouldn't have written these magical and fantasy stories.

That's it? ? ? Is this the same Emperor Egg Ling who once crossed Hutuo Ping with a white horse and wore a yellow turban under a dragon in Mount Yao?

The more I read, the less passionate I am. Is it because the Sui and Tang Dynasty script where the main character is walking is too deliberate and I can't tell that the main character has the belief in who he is doing things for? Or is it because the pacing of the book is too weird? Now I feel like a person with perfect theoretical knowledge is trying to formulate formulas to deal with unfamiliar things. What he expected to do is not surprising, but he is lukewarm and procrastinating, and has no motivation for self-motivation. The writing power is getting better and better, but compared with the heroic spirit and fortitude of the first two books, the book seems to be missing its soul. Can you think carefully about the rhythm and follow-up content of the book, and spend less time on Weibo and Zhihu, which purely affects emotions and cognition?

Let Lao Bai beat him to death. I really can't stand the chapter about walking on foot. Fu Han and Shao Song are not that good either!

The shortcomings of Deposed Dragon are quite obvious. It is slow and unstable in updating, and it is too difficult to write a high-level duel. Other than that, it is good-looking 🙂

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​. No wonder various book review websites rarely recommend this book. The other is the meaning of Gaowu Hou, the Emperor and the Supreme. In a world with divine power, the traditional struggle for hegemony is not the ultimate pursuit. In order to couple with the will of God, many things of destiny were added in order to pursue the supreme service. The other one is the positioning of the work. This is a master of history, and Shao Song is also a breakthrough work. If you are looking forward to the Sui and Tang Dynasties, you want to see the wonderful traditional history. If you really want to see the Red Founding, you should go see the modern works, there are many high-quality works. If you insist on doing this in the Sui and Tang Dynasties, it is completely different. It is nothing more than serving the supreme purpose of conforming to God's will in the setting.

It's helpless to say, but in fact, this book ends with the fall of the Wei Dynasty and the heroes of the Wei Dynasty, and deals with too many theories and literary youth. It is not to say that it is comparable to the Shao Song Dynasty and the overthrow of the Han Dynasty, but it can at least be a good work. At this stage of nondescript writing, in addition to the fact that the quality of the original paragraphs cannot be guaranteed, the rhythm is sparse, and the writing style is also a bit bland, I hope the author can make a decision sooner.

(1) Qin Er and Li Si (2) Xu Shiying and Cheng Zhili (3) Xie Minghe and Zhang Shizhao formed three distinct control groups. Qin Er and Li Si are capable, ambitious, and like-minded as Zhang San, but they have not walked on the same road with him yet because they are still young and still have choices. Although they recognized Zhang San's path, they always felt that they had better opportunities and that Guanlong and Dong could also choose, so they kept hesitating. To put it bluntly, the beatings suffered by society are not enough. Xu Shiying and Cheng Zhili have different ambitions from Zhang San. They have a lot of little Jiujiu of their own, but they have been with Zhang San until now. Everyone thinks Xu Dalang is "loyal beyond words". Why? Because they have no choice. Their background determines that they can only rebel, and if they want to rebel, there is no better choice than Zhang San. They cannot betray their own class. Xie Minghe and Zhang Shizhao are people who betrayed their own class to a certain extent. Why? Maybe it's because they have tried and fully experienced the beatings of reality, but they still have some ambition in their hearts and refuse to give up. Zhang San is a new possibility that they have finally seen. How can they be willing to give up if they don't try?

Everyone has been discussing who Zhang San looks like. I personally feel like a high-end version of Gao Huan, with a stronger military, deceitful political agenda, and top-notch scheming. Of course, her looks are not good (this wife doesn't care about her face, she is soft and fragrant). You can write about such a person as scheming, betrayal, ambitious, or a living succubus. But you just can't be pretentious and stupid. As a result, these pictures are getting more and more embarrassing, including those around you. Are you getting the halo of wisdom? What became of that cunning, tyrannical man who dared to argue with the great master? I have tolerated being lazy and slacking off at work, and being disrespectful to others. Now the work begins

The closer the core is, the farther back the history is. The more I read the detailed description of the Three Kingdoms, the more refreshing I become, and the more I read the appropriation of modern history, the more irritated I become. I think it's a cool article, and it's logically consistent, but it's a bit fragmented.

I didn't read it carefully and skipped many chapters in the middle. From the perspective of the story, there is still some meaning in Zhang Xing's time in Dongdu. It was only after the great masters officially participated in the development of the story that it seemed a little out of hand. After the First World War in Hebei, the great masters from all over the world gathered together and had a discussion that seemed reasonable but seemed awkward in terms of plot. I personally felt that the author was in a dilemma in terms of writing. Especially the first decisive battle with Bai Hengqiu, "Living to Death", the foreshadowing is sufficient, and there is pressure and urgency. However, after all, the various threads of the story are too scattered, the threads are too slow to be wrapped up, and the plot progress seems sluggish, so there is no ups and downs and soul-stirring feeling. I can't say too many things that make people think deeply, but it also seriously affects the perception. Including the problem of updating, it can be regarded as adding insult to injury. However, the progress since then has probably entered the comfort zone and has improved slightly. With the history referenced and the foundation established in the first quarter of the book, I probably bit the bullet and finished it, but there is no room for further progress, and the author probably does not have the energy and heart to polish it. Anyway, it is a hasty ending of "mysterious and mysterious". I can only say that it is finally an attempt.

I voted for this majestic phoenix. There is too little written about Boss Bai in the novel, and male channel novels cannot treat Bai Sisi like this. I am so powerful and domineering that I kill dragons, kill dragons, and kill dragons.