Raising Flying Chickens in a Giant Insect World

The writing in the front is okay, but the setting of the lords in the back is really awkward. Except for showing some leadership qualities when escaping from the Flame City, the protagonist never commanded more than 5 people later on. As a result, all the senior officials inexplicably thought that he had the qualities of a lord. According to this leadership ability, he can only be a platoon leader at most, but the protagonist is still arrogant, I don't want to be a lord, I don't want to be, but in the new chapters, someone suddenly comes - I want to be! Make the whole world look like Shi Lezhi. The centaurs were lured to the birdman village and the elders were killed. As a result, no one in the whole village could make up their mind and asked an outsider what to do next. I am a little bit addicted.

After reading this book, I think Zhou Yu should leave it alone and just read this. I really want to read it.

One thing to say, it's a lot of fun to read. This book doesn't have too much of the author's previous spicy style. I hope more people will read it and there will be more updates.

Although people who run away are generally considered to be cowards, choosing to run away unswervingly in any situation becomes a different kind of persistence. Huck, the male protagonist of this book, is the most unforgettable male protagonist I have ever seen: even if the world is about to be destroyed, and even if he has paid the huge sunk cost of being alone for millions of years, Huck's will has never wavered in the slightest. He says it has nothing to do with me, and it has nothing to do with me. Favors and friendships, wealth, fame and fortune, no hesitation, just throw them away, just like an Arahant who is not bound by cause and effect. If I could be like Huck and remain unmoved in the face of external pressure, maybe there would be no regrets about many things...

The City of Fire is Huck's highlight moment, and the rest of the plot is just a kid who thinks he's thoughtful. All I can say is that it is still the same author, and the protagonist he describes is always controversial.

These two chapters were really infuriating to read, and I'm not the kind of person who needs the protagonist to be happy all the way through. I can accept the protagonist being forbearing and being looked down upon, and I can accept the people around the protagonist being killed by powerful people, and being scheming to death by weak people who are not as powerful as the protagonist. But these two chapters really made me angry. It is clear that the protagonist no longer intends to hold back, and wants to become a lord, showing some of his strength. However, he was inexplicably robbed by a centaur who was not as powerful as the protagonist, lectured by a ranger who was weak (compared to the protagonist), and led by two weaklings. Then, suddenly, the wingman who came to pick up the protagonist was killed. The protagonist will only rush on his way first, and he will definitely take revenge in the future. Is this still the protagonist I know? Is this still the protagonist who acts decisively and kills the baron whenever he encounters him? The protagonist in my impression is one who hides and lies dormant when things cannot be done. Once he seizes the opportunity, he strikes out with thunderous means and hits the target with one strike. The summary is that I tolerate it because I am not as strong as you and I am willing to be wronged, rather than being bullied by someone who is far weaker than me. That is not a grievance, that is a humiliation.

The first part was okay, but the part about escaping from Strawberry City was simply incomprehensible. The protagonist's previous character has always been a affectionate and righteous young man, and Mary has always been good to the protagonist. No matter what her intentions are, she has indeed never harmed the protagonist. At most, she has some decadent class concepts. During the protagonist's escape, she is a weak woman with no fighting ability, and she cannot stop the protagonist from escaping. She does not understand why the protagonist kills Mary. If the character of the protagonist in the past was a decisive and decisive character who killed gods and Buddhas, then the plot was passable. The problem is that before this, the protagonist almost had kindness written on his face, saving civilians and girls from other families. He even did not hesitate to expose his secrets and took out his own life-saving insect repellent. With such a character, he suddenly dealt a cruel blow to an etiquette teacher who was very kind to him and had no fighting ability. Doesn't the author feel that this character is broken?

I still think Song Yu's book is quite interesting.

Giant worms seem to be blood-sucking carnivores that lurk in the world and the civilized ecosystem. The protagonist is an extremely self-rational intelligent creature who only recognizes the companion chicken, who is his partner in eliminating the giant worms! The protagonist hides as a child, tolerates as a teenager, and is perverse as a youth! From the beginning to the end, the protagonist never wanted to integrate into this world and this civilization, so he has no nostalgia for intelligent creatures who do not identify with this world. The protagonist is an alien descended from the sky, a superman who cannot be fooled!

This is the author who best suits my taste on the entire Internet. I have ordered all of this book. I love the author's conciseness and directness, which reveals his strong confidence in the article. How can I not love my writing style that is so clean? I don't know why most authors always write about these little corners, as if they are not themselves if they don't write out the details, and then the writing power is not enough, which drags down the plot. The so-called online writing should be unconstrained and free. Some authors write long and smelly tomes, but few have the strength. The article should have the feeling of tearing the paper apart for people to read, direct and strong. The main reason is that I vomited when I saw the writing by those great masters. Dragon Clan, Jian Lai, and Son-in-Law are all top-notch works. Then, these authors were so meticulous that they didn't even want to write about it. They kept updating frequently, and the large amount of detailed descriptions overwhelmed the main line. Most of them couldn't be contained in the later period, which made me very annoyed.