
Korean Entertainment: The Movie Star
韩娱之影帝
- Status
- Completed
- Length
- 5.4M Words
- Genre
- Urban
- Subgenre
- Urban Life
- Updated
- 8y ago
- Source
- Qidian
Stats
1.2kChapters
2Votes
520.6kRecs
96.5kFans
Tags
Synopsis
More by this author
Readers also read
1977, Starting from the Marriage with Axiang
China Entertainment: Being a Top Celebrity Starts by Entertaining Your Younger Self
The Prodigal Son of Huayu, Stop Criticizing the Little Flowers Like Crazy.
Return to the 75Th Five-Year Plan and Open a Ranch in America
Dating My Manager Is Forbidden
Became a Variety Show Heartthrob by Riding Coattails
My Years in Film and Television
108 Rule Cards of the Underground World
My Company Commander, Charles De Gaulle
Running Into My Life
At First, I Only Wanted to Be an Actor
I Am Valdi
Restoring the Song Dynasty
Expand and Advance
Conquering the Han
Shaosong: Extra Stories
Banishing the Dragon
Reader comments 49
Google Translate
A reference for those who are confused about the emotional lines of this book.
True love Lee Soo Man, the childhood heroine is Sika, the beauty Injeong Park Soyeon, Chorong has no choice but to be a bed partner; Crystal's sister, Sooyoung YoonA seems to have grown up, Eunjung is stuck in her first love, Geunying regretfully refuses early; President One Day When a couple gets married, Seohyun can only run along; Yoori is still a close neighbor, and Eunji's best friend is doing a good job; I dislike Hyojoo too much, but Taehee still has to count her years; Song Qian's family is virtuous, so it's not as good as Jiyeon to lie flat. The poor girl has many layers, and the chapters are broken at the climax. If Erdan can continue the beginning, I don't know how long he will stay. ——To a generation of Korean entertainment's pinnacle masterpiece "The Best Actor"
Ten years of Korean entertainment, no more misty words This is the third time I have read this book from beginning to end. To be honest, there are not many books in the Korean entertainment circle that I have read. One is Fat Man's Star Wars. His portrayal of women is basically entry level, but his overall view is really too small, which makes all his books have no other highlights except women; the second is Otaku Artist and Ordinary Road, which is also the first time I cried because of a Korean entertainment online novel. According to Dandan, one of the two people is Kim Tae-ho and Na Ying-seok, one is full of tension but uses too much force, and the other is trickling but dripping with water. So, what about Dandan? To be honest, after seeing the movie, I no longer read the movie as a Korean entertainment novel or even an online novel. Due to the limitation of the subject matter, this book is destined to be neither popular nor popular, but the quality of this book has its own system because there are not so many trolls. There are too few descriptions of women in this book, which is extremely rare in Korean entertainment, but this is also what makes this book extremely successful. Just like Xiao Jin's performance, the book is immediately extremely fleshed out by the lack of Xiao Jin's image described by women. Not only that, but the richness of other men and the search for author information are rare. I will always keep this book on my bookshelf. Because many plots made me grow a lot during this reading. The actor has become a classic, and classics never go out of style.
[Comment] The author's writing style when describing men is not limited.
When I saw Han Eun-jeong taking the initiative to have an affair, I actually had the feeling that Kim Jong-myung was cheating on Lee Soo-man behind his back 🤭 After reading the comment section, I unexpectedly came up with a strange idea: Lee Soo Man-Happy Enemies Bae Yongjun-Silly Sister Park Jin Young - boring female gorilla Jang Keun Suk-Little Pets
I think the book promotion is a bit too much, hahaha
When I read the author's new book, I thought he was a master of history. It turns out that he was writing about Korean entertainment before, and the span is quite wide. The key is that the historical text is so well written!
Are you like me, who first read Overthrow of the Han, then followed the Song Dynasty, and now Chasing the Dragon, only to find out from the reviews that the first book of Emperor Dan Ling was Han Yu, and came here out of curiosity? As a blank slate who knows nothing about Korean Yu, in the end I felt that the Best Actor was the best writer.
Really drunk. No matter how well the author describes the male characters, the female characters are just as bad. When I was reading Fu Han, I was persuaded to turn away because of Lady Gongsun, and when I was reading this book, I was turned away because of a bunch of seductive female characters. I don't understand why the male protagonist is so good-tempered towards a bunch of female characters. It can be called a bitch. Even though my sister is annoying, she insists on pampering her. There are some female characters that the male protagonist may have only met once, but the male protagonist will go out of his way to help. The male protagonist seems to regard himself as some kind of savior. As long as a female celebrity is in trouble, he is willing to help regardless of whether she is close or distant. It's really central air conditioning. Maybe the female character in the book likes the male protagonist very much, but as a female reader in real life, I am really bored with this kind of person! The most important thing is that these female characters who were helped by the male protagonist have no sense of gratitude at all! It's okay if you can get something in return for helping. Many female characters give me the feeling that they use the male protagonist as a tool. It's natural to ask him for help. If he doesn't help, he will be angry. I never thought of repaying him. The description of the male characters is much more normal. Has the author never had contact with girls in real life? I really don't understand why the girls in your novels are so different from each other? As a girl, I can't stand it because the girls I know are not like this! I also really want to watch Fu Han. After all, it has such high reviews, it must be very exciting. But I was also put off by the female characters in it. I couldn't stand it anymore. Obviously, except for Aunt Gongsun, the other male characters are all normal. The previous plot is also very exciting. But as soon as Aunt Gongsun came out, I didn't want to watch it anymore. I'm really speechless. But it is a pity for me that I cannot read that book. Because I know the main plot should still be very exciting. It's just that I personally can't stand a character who has too strong a presence. But after reading this book, I regretted it. I felt like I wasted several hours. The early plot was okay, but the more female characters appeared, the more poisonous it became, so I really had no choice but to give up. Although many people say that this book is for fans, the actions of the male protagonist are to save those female artists who are being bullied. But I want to say that your book is a novel after all. He will not become reality. The protagonist is not a tool for the author to realize his regrets. Perhaps the author feels sorry for the female artists in Korea who are being bullied and wants to help them. But the protagonist shouldn't be a golden tool used to realize their wishes. Can you please make the protagonist appear more self-respecting? Why can't we help those people while taking into account the protagonist's own dignity? It was obviously the protagonist who was helping them, but it gave me a feeling of being humbled. This is really the first time I've seen this kind of tool-man protagonist. He is domineering and arrogant in front of other people, and he is humble in front of female characters. Helping others is taken for granted, and he is bossed around by the female characters. The protagonist is willing to help them, shouldn't they be grateful? Just because the protagonist behaves like a central air conditioner, they can get in trouble? The original intention of this novel may be for some of the female stars that the author likes, but in fact you have ruined their image in my mind after writing it. It makes me feel disgusted with them. I really don't know if this is a work for fans or for anti-fans. As a protagonist, I really can't stand such a tool-man protagonist. Can't the author be fair to the protagonist? Although I know this article has been completed, my opinion is irrelevant. But after all, I spent a few hours reading some content. This wasted time is also precious, and I think it is necessary for me to share my thoughts. PS: I only saw a small part of the content after it was put on the shelves, and I couldn't stand it anymore. Chapter V was a pirated version, but I didn't want to do it for free, just to avoid a pointless waste of money. Generally, if I like it, I will go back to the original version and order the pirated content I have seen. But because I don't want to bear the fan value tag of this book, I don't even want to have the apprentice tag, and I don't want to spend money on this book, so I will reward Fu Han accordingly. This can be regarded as a manifestation of personal obsessive-compulsive disorder. I don't want to be labeled as a fan of a book I don't like. I hope the author doesn't mind.
The biggest highlight of this book is that Grenades Afraid of Water writes politics in an entertainment article. Although it is Korean, it has to be said to be unique. From this point alone, it is not surprising that he later transformed into historical and political classification.
These days, I have followed Fu Han to read this book, and now I have ordered more than 1,700 points. I will make up for 2,000 points in a few days, and I will say goodbye. Although this author has experienced the success of Overturning the Han, Hanyu still made me deeply admire his literary youth and naughtyness, so he doesn't want to get involved in his new book anymore. The fan power from Overturning the Han will be completed by me re-ordering the next monthly subscription craze for the Overturning the Han. For me personally, I don't have many such frustrating experiences, and only aldehyde stone can compare with him. I have never watched Korean entertainment or Japanese entertainment before reading this book (because I have never followed stars, and I have no impression of most of the idols and groups in these two countries or even our country, so the entertainment industry only looks at domestic ones. But because I prefer pure literary giants/literary public servants, I can only accept stallions instead of harems. However, most of the authors prefer to have a harem, regardless of whether the protagonist has developed enough to have a harem. ), So I have no preconceived impressions about all the male and female characters that appear in this book, so I just treat it as an ordinary fictional/original domestic entertainment industry article. At most, some of the rules in this time and space are rather weird (predecessors, directors > actors > comedians) But I have read almost half of the book, and I only see Sika's ignorance and willfulness, Crystal He is smart but always speaks inappropriately and has no regard for anyone or anything, Kim Jong-myung is an inexplicably centrally air-conditioned and extremely warm man, and all the female idols who have nothing to do with him have to worry about them and make them angry. Quan Bolan and Park Ji-yeon always target the protagonist inexplicably (although they are not malicious), Eun-jeong and the protagonist have a relationship that can't be reconciled and "break up and get back together" many times, the protagonist gives won in the early stage I don't know why the author designed this plot about dergirls writing a song that caused his sister's group to be suppressed. (Why did Sika have to join Girls' Generation? Can't she do a solo if there is no other suitable group? Why did she have to give those songs to wondergirls? As a plagiarist, do you really feel so guilty about this kind of behavior that you must "return" it to the original owner in some form?). In short, in addition to the interactions between Sika Crystal and the protagonist when she is not acting as a demon, this book also has the protagonist's daily interactions with friends and some more enjoyable plots (such as domineeringly confronting others), including too frequent variety show plots. Although I am not interested in it, I am not disgusted at all, so it is okay. The character of the protagonist in this book is really annoying. He compromises and gives in to Sika and Crystal almost unconditionally and unprincipled. I don't know why the author set it like this? According to the initial description, except that Sika is spoiled, the protagonist is no different from a father and daughter towards Crystal. So why does the protagonist often feel helpless towards Crystal after knowing that he has spoiled Sika? Also, does the author have any misunderstanding about "Tongyanwuji"? ? The most "childlike" plots in Crystal really made me want to go to the book review section and get bloody. Is there a generation gap or something? The author actually thinks that this kind of love is good, this kind of plot and this kind of character are good? ? I won't say anything about the principle of the heroine. Anyway, I have no impression of anyone. It's up to you to arrange it, but why do you want to give Eunjing so many emotional dramas? ? You arranged for Moon Geun-young to confess to the protagonist but was rejected, and you and Sunny spent an afternoon as a vegetarian couple. I didn't think it was a problem, neither disgusted nor good. But why did Eunjing repeat this incident so many times? Either let them just stay together, or don't let them have so much drama. The heroine you set, Park Chorong, will also debut in a year. So does she have any advantages over Eunjung in the idol career? As someone who wants to be an idol, why can't you choose Park Cho-ryong as the heroine but not let Eun-jung and the protagonist be together neatly? ? After this, I don't have the guts to touch Korean or Japanese entertainment anymore. Just like I will never read Aldehyde's books in the future, and just like people like He Busan and Bao Xing, I am afraid of you young literary people. I just pretend that I haven't been here before the wind blows or the rain falls.
[Comment] Isn't Zhong Mingxi going to invest in a wave of live video streaming websites to make money?
I have always been looking forward to Zhong Mingxi's continued investment in these pan-entertainment industries. At the end of 2010, it was still more than half a year before the birth of Twitch, which would dominate the world. South Korea's Afreecatv was nowhere to be seen. As for China's Douyu, it would take 14 years to appear. At present, China's video live broadcast pioneer YY is still in the stage of competition for voice communication market share. This can be regarded as the biggest opportunity to make money after 10 years of Internet entrepreneurship. Websites like Douyu, which barely maintains the top spot in the domestic live streaming market share, raised 2 billion yuan in financing in 2016 alone, and only received capital injections from major VCs such as Sequoia and Sequoia. The current valuation of the company is more than 10 billion before it is listed. If Zhong Mingxi enters the market early and advances the trend of the video live streaming industry by a few years, not to mention South Korea and China, the Western market may be able to grab a lot from Twitch. Once it is listed, it will not be a matter of billions of dollars, but it is estimated to be tens of billions. I hope Zhong Mingxi can invest 🥺