My Father-In-Law Is Li Shimin

You can still watch the beginning of the plot, but there is a bit of drama at the end. The characterizations of the old men are quite good, but the characterization of the heroine is average, and there is not much cuteness about it. The most unbearable thing is that there are too many typos and omissions of connectives. There are really too many. Even if I read it once after writing it, it won't be so much.

It's okay, not that heinous.

According to incomplete statistics from the Datang Branch of the Time Travel Bureau, among the time travelers in the early Zhenguan period, except for Li Shimin who was related by blood, Li Shimin could be called the father-in-law per capita.

After reading about a hundred chapters, I feel that the protagonist behaves and acts like a young man who has no experience in society. He has ideas and abilities, but he only thinks about them. The Tang Dynasty wanted to build tourist resorts and farmhouses. In what era was it a feudal society where people were divided into three, six or nine classes of people, high and low, and close to each other, and the rich and powerful could see this? That's where the status lies. It's hard for ordinary people to support their families, so if you have money, you can do this. Also, if you don't want to be an official, don't show off your talents. You really think the ancients were fools. There was also an era when imperial power was supreme, and the minister of the Ministry of Industry and Industry extorted money whenever he wanted. How awesome do you really think you are as a princess's consort? She is still a princess without any support from her mother's family. Do you really think that Li Shimin is just your father-in-law and not the emperor?

The writing style of the author seems to be very relaxed, but he always writes a realistic feudal high-pressure, and the protagonist often appears next to high-level officials. Why do you write like this... It makes people uncomfortable when reading it. It is better to abuse the master than to abuse the master.

The part describing the happy life of the young couple is pretty good, but when it comes to national affairs, it seems very childish and has incorrect views. The whole book is beautiful from the beginning.

A very ordinary life, the couple is not sweet, interspersed with various conspiracy theories and trivial matters, it is depressing, the protagonist has a temperament like an old man

The book was a bit novel in the early stages, but after reaching Chapter 112, I really couldn't stand it anymore. A normal person who travels to ancient times can be cautious and reasonable, and can barely convince himself. But in the face of the grand scene where the emperor came in person and read out the imperial edict, the protagonist's performance directly refreshed my three views 🤫 Everyone should be cautious when entering the trap, and read on if you can accept it 🤫

I recently discovered this book. The author writes fluently. Spent a few days reading it. The next few dozen chapters are a bit unbearable. Leave it for a while. Take your time and watch. Some suggestions. Write it down. The author writes here. It seems to be getting more and more awkward. The whole story creates a lone hero. Change the world by yourself. This itself is a myth. Progress and development of science and technology. Once it is beneficial to the people. Efficient. In fact, it is easily accepted by the public. What people cannot accept is the idea of ​​transcending cognition. Rather than a product of advanced technology. Scientific and technological products have also been the stepping stone of social progress for five thousand years. The emperor is ruthless. Politics is dark. But as a generation of emperors. He definitely has transcendent vision and experience. As long as it doesn't involve the throne or some of the protagonist's actions. It is completely acceptable to the emperor. But here it goes. There is only suspicion. Write about this period. The author seems to write confrontation for the sake of confrontation, which itself is inconsistent with the law of development. A personal hygiene issue can be written without being understood, and a clock can be written to criticize ethics. This seems a bit deliberate in my personal opinion. A little personal advice. Laughing. I wish the author a great sale of his works.

Li Shimin is a bit like a shrew in his preoccupation... His subordinates don't know Zhang Yang's temperament and how many things he has done, but Li Shimin knows everything. He makes money for you, develops weapons for you, gives you personal use, takes care of your children, and is his own son-in-law. He also made it clear that he will not be in charge of the army. He is obviously very dependent on Zhang Yang and still loses his temper with Zhang Yang every day. Li Shimin must be schizophrenic. The protagonist sometimes expresses his loyalty and sometimes hints that his daughter will rebel, sometimes instructs others to kill people and destroy the country and the city, and sometimes pretends that the Holy Mother does not make large quantities of gunpowder weapons. He is also a schizophrenic... I have subscribed to this book so far, and I just watch two schizophrenic patients arguing with each other.

I sincerely recommend the author to read these three books. "Friends of Military and Civilian Talents", "Barefoot Doctor's Manual", and "Militia Training Guide" are collectively called the three must-have books for time travel.

Let me tell you what you think after reading it. The overall writing style is a little bit nonsensical. Some people may find it warm and daily, and the intrigues are quite interesting. However, the portrayal of the protagonist's image is not three-dimensional enough, and the image descriptions of many supporting characters are better. The following contains some spoilers: the relationship between the first protagonist and the heroine is not described, at least I didn't see it. The person raised in the free chapter is not a wife but a daughter. Second, a happy life and a harmonious family have been achieved after you stepped down from the position of Minister of Rites. If the purpose of planning the Western Region is to obtain bargaining chips for the Lishan transaction, then there is no need to follow Li Gang's will and serve in the East Palace (even if this is an old man's last wish). Third, regarding imperial power, modern people must be full of imperial power when they return to ancient times. It is full of unaccustomedness and rebellion. If the protagonist is a simple student, he may have various behaviors that contradict the ignorant youth, but from the perspective of human behavior and psychology, the protagonist was at least a social veteran in his previous life. Such a person will not behave like contempt for the imperial power or making deals with the emperor, unless the superior status of the time traveler brings about a change in mentality. Fourthly, the whole novel probably ends with the heroine usurping the throne or capitalizing on the Tang Dynasty, but in terms of rhythm, the queen is revealed only after 300 chapters, and the heroine is already 17 years old at this time. Considering that it will take at least 20 years for Taizong to die, I don't know how much pen and ink the author is going to use to describe these nearly 20 years, or to use the power of capital to force Taizong to abdicate. In short, this novel is not suitable for old bookworms, but for those who have just read novels for a few years but are tired of mindless and exciting writing.

I felt really aggrieved when I saw it. First of all, I like the male protagonist character very much. But I really hate Li Er's approach of asking people to work but not giving them food. If the male protagonist is bad, I may continue to watch it. Now I really can't stand the aggrieved character 😒😒😒

What can I say about this book? The concept and perspective are quite good, but the deliberateness that pervades all aspects is a bit annoying, such as the plot of asking for water during negotiations and interrupting Li, the plot of bargaining with a hawker, and the plot of Yan Liben at the entrance of the village. All I can say is that this flaw is almost covered up...

The writing is so poor, the preface does not match the postscript

After reading more than one hundred and sixty chapters, the protagonist has a very awkward personality. He says he doesn't want to be an official but is working hard to make plans. He says he wants to be an official but keeps asking to resign every day. This can actually be used to see the effects But one thing is that the protagonist's calculations are too dirty, and a gentleman can bully him. People around him still play the game within the rules, and the protagonist plays dirty tricks outside the game. The final effect is that everyone else is mediocre and ordinary people, and the protagonist is a dirty bad guy. If the enemy is in the first year of junior high school and he is in the fifteenth year of junior high school, he will be considered a master. If everyone is such a cunning person, it will not show up. The key is that the protagonist does this. Perhaps we should first describe Xue Yantuo Yi's male Khan's many evil deeds to make it more acceptable to the senses. He is obviously a simple and reckless person In fact, it was also a bit like that in Tufan before, but there was no targeted character that time.

What is this book about? Is the protagonist a robot? Are the daily conversations between two robots? This is too stiff, and there is no storyline in the plot. It is just a robot protagonist who invents a gadget in the east and pokes something in the west. There is no development after making it. I only read Chapter 14 and felt that there was no plot, no characters, the dialogue was stiff, the main line was confusing, and the daily mechanization was not sweet. This is the first time I have read a book with no redeeming features...

One store sells 8,000 pieces of fast food every day! I'm so exhausted that I can't even do it. I can wash, cut, stew, and wash the dishes. Man, if you go to the fast food restaurant, you'll know how many people are needed.

After reading more than a hundred chapters, I knew that the protagonist had started to become an official again, so I decisively gave up the book. The protagonist started to keep saying that he should just live his life well and not be an official and ignore the government affairs. So he should not say a word about the affairs of the court, but the court handles foreign affairs, especially the first diplomacy, and has to take the initiative to be in the limelight. What he says and what he does are really contradictory. He can open a shop to sell modern food, use it to make money, and then do other things Use all the good things for yourself, do not give them to others or sell them, just hide them well, never show your talents in front of outsiders, and be your own businessman. After all, ancient people basically looked down on businessmen, which is consistent with a low-key life. This can be written down completely reasonably. It seems that the author cannot write it if he is not in the imperial court, and what I actually want to see more is the interaction between the protagonist and his daughter-in-law, teaching her daughter-in-law, etc., But the author's writing is a bit brief. Well, how should I put it? Many people have written about this kind of subject matter, but there are very few that are refreshing. Although the protagonist is a prince-in-law, he can really disguise himself as an ordinary person, and his characteristics are only some food inventions. He said he was alone, but what he did was really helping the court conquer the world. He laughed so hard that he resigned from his office. He resigned from his nm position. While he was saying he was resigning, he was helping with diplomacy😍😍😍

The protagonist is too self-righteous. You, a common man, dare to play tricks on those nobles and royal families. If you do this in ancient times, no matter how many lives you take, the protagonist will not die.

The princess watched the protagonist work hard to support his family. The princess knows the protagonist "The Genius". The protagonist works hard to keep a low profile, but steals things while working. The protagonist doesn't have a system, but he has a set of small materialization and regeneration workshops, and he does everything by himself. The protagonist recruits two cooks. The two cooks are similar to "A certain person is willing to be a foster father" without any small thoughts. The protagonist has traveled through time. Although he has countless unique skills mentioned above, he has endured hardships, endured princess disease, and enjoyed it.

It feels like the protagonist has no interests, no desires, no ideals. He is just like a suture monster robot doing things that other time-travelers have done, and has no soul. Daily life is good, but daily life without soul will appear extremely boring no matter how well written it is.

Author, please tell me, did you write about the leisurely life of the Tang Dynasty Prince? It looks like it has the same taste

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Overall, the writing is very good, but there is a big problem. The more I get to the back, the less I can stand it. The protagonist, as a time traveler, seems to have no personality and no meaning of independent existence. The meaning of existence and the advancement of the plot are all about blindly catering to the people around him. I also like to write about the daily atmosphere, but is it really meaningful to blindly accommodate the princess every day? What's the point? There is also no problem for the princess to grow up through continuous learning. There will inevitably be conflicts in married life, and her own ideas will appear in the process of growth. All in all, this makes me think that the princess is the protagonist. The so-called protagonist is more like an accessory. If this problem is not adjusted, it will become more and more uncomfortable later on. No matter how you travel, you are still a living person, especially in daily novels, you should pay more attention to it, anyway, it just lacks a sense of soul.

Everyone should be careful with the characters every day, because the rules for tipping monthly tickets have been revised, and those who tip less than 10,000 points do not have monthly tickets, so I hope everyone can tip more characters, please support, thank you all! Come on!

Daily entertainment is still fine

It's pretty good, and it's above average in terms of historical writing. The history aspect is not too hard-core. I think it is unnecessary to be picky and hard-core like "Iron-Blooded Remnant". Most of the readers who appear in this article have some idea of ​​the characters. In terms of technological progress, it can be seen that the author may not be a professional, but he has also done a good job in handling it, logically, and can't find any major faults. There is no such outrageous technological progress as the steam engine that was developed in three to five months. The author has a good grasp of the rhythm and context of technological development. There are no big surprises in the plot, and the characteristics of the times are fully taken into account. In the first few chapters, I thought the protagonist was going to be Genji Hikari, but soon the image of the heroine was established. The IQs of the supporting characters are online. There is no story about time-travelers killing everyone and opening up unparalleled weapons, and there is no golden finger of the system father. The plot is logically logical and interlocking. The author is good at describing long plots, foreshadowing a plot hundreds of chapters ago, and he can also recycle the foreshadowing. The contradictions and conflicts are set up reasonably and distributed In terms of character creation, there are many supporting characters with different styles, all with their own characteristics, and they are not just ordinary people. The image settings are throughout the whole story, and there is no character collapse. The shaping of Li Yue, Tang Taizong, Songtsen Gampo, Xu Jingzong, Li Chengqian and others was very successful. The protagonist is able to assess the situation, has upright views most of the time, and can also create eclectic characteristics of a time traveler in addition to a positive image.

Why did I only see the extras and sequels? Didn't it mean that the prequels updated the story of the encounter between the male protagonist and the female protagonist? Why didn't I find it?

Wu Zetian's sister was Wu Shun, named Mingze, who was from Wenshui, Bingzhou (now Wenshui County, Shanxi Province). She is a female historical figure in the Tang Dynasty, the daughter of Ying Guogong's warrior Xun and the half-sister of Wu Zetian. Is the apprentice Li Yue accepts a big one or a small one? The younger one is Wu Zhao, right?