My Folk Custom Game Console

I feel that the more I write this book, the better it gets. The writing style of the first book seems to be very immature, especially the early copies. I was inspired to write about gastric juice in the future. I wrote about customs from all over the world, especially Nanyang Shengxie. The following words are too stream-of-consciousness, and it feels like a stone hitting your head. It is so uncomfortable to read. The second book Yongzhen. I have to say that it really captures the true meaning of local characteristics, especially Yongzhen's words, "As long as I live, I am compassionate." The plot along the way is like a real Bodhisattva. I feel that the three books currently written are the best. To be honest, from the beginning of the third book, I can tell that it is not based on the previous book, and it still has that flavor. Then the strength has taken a big step forward. This is the fastest improvement among the three recent books. It did collapse later, which I have to say is a bit of a pity. This is the fourth book of . It can be seen that the author's writing style has been integrated and it will not be as uncomfortable to read as the previous books. It is also the only one that I can read in one sitting, and the plot is just right. It makes me want to stop reading, and I wait for updates every day. In particular, the protagonist's abilities are directly reflected, unlike the previous ones which were basically a bit too mysterious, resulting in the feeling of being both strong and weak. There is no specific division. Generally speaking, this book is full of creativity and charm based on the experience of the previous three books. The only pity is that it's not very popular. You can tell that the author is really serious about writing a book. After all, no one would write such a stream of consciousness. Each edition is full of creativity, and the author's improvements can also be seen.

The plot so far is very good, it feels similar to My Weird Life, but the writing is a bit problematic, which is a pity, if the writing was better it would be Ambrosia. Another point is that I don't know if the author did it for the sake of word count. There are a lot of words that affect the perception.

Just like the title, the author should go and learn it when he has time. If it doesn't work, ask a Chinese teacher for advice. You didn't write the flashback like this. The climax is not expressed, and then you narrate it through memories and flashbacks. Who taught you? You are writing an online novel. You want to make money, you have to rely on readers to reward you for reading, and you have to vote for results. Good guy, this is the first time I have seen this kind of writing that cuts off at the climax, and then uses two chapters to intersperse memories for flashbacks. And the semi-white spoken language is also suffocating. No wonder you have to use festival activities to promote the book. You can't do it on weekdays, and you don't think about how to make progress?

It's been a long time since I've seen such a well-written method of adding a weird and infinite flow to the real-world main line. There are very few that write interesting occupations and have a sense of design about folklore. Many times I don't know where you learned those unorthodox things. It's well written, but I have a few comments: The first copy of Chapter 1 or 200 is not even finished. Is there only one cartridge in the game console? This is because the explorable content is rated as small and the cassette is so long. Wouldn't your next copy be a copy and a book? The core point of Infinite Streaming is that every time the protagonist enters the instance at the climax of the event, many boring parts are skipped. But to be honest, your writing is a bit overwhelming. 2. I skipped it for no apparent reason when I reached the climax, and then turned it over in the following paragraphs to explain what I experienced during the climax. I actually don't quite understand this way of writing. The climax of the plot is obviously the most interesting part, so what does it mean that you insist on skipping it? Everyone can actually infer what happened in the climax plot from the context, but knowing it does not mean feeling it. The most important thing in a novel is experience, and the climax plot should be well written. 3. Writing style, we are not here to do reading comprehension, but to be honest, it does affect reading. But you are an old author, and your sense of language is probably the same. If you can improve this, it will be very popular 4. Compared with the design of the copy, the sense of reality is really thin. The act of writing a copy can indirectly affect the actual design or what inheritance can be brought out from the copy. It would be better to have a little connection with real people and hang on to the thread

If a huge crisis such as the Yellow River Monster can only be solved by the corpse stitcher in the end, and if the solution is not solved, life will be ruined, then the corpse stitcher should not be able to barely make ends meet. The protagonist's master gives his own food to his apprentice, and only eats a little when he goes to the restaurant. There is a deep relationship between master and apprentice, but I always feel disconnected.

To put it bluntly, the thunder is loud and the rain is small. The leader of the evil cult in the Ancient Tomb of Gods and the Dragon Corpse Reveals Immortals in the Yellow River is so awesome that it actually doesn't cause any trouble at all, and it's not harmful to a small county town. Not to mention the county magistrate, the petty officials can solve the problem without even having to step forward. Learning magic and magical powers is worse than taking the public exam.

This guy has so many books, but he's still talking about the same stream of consciousness, skipping lines at every turn.

This was compiled a few years ago for reference. If you want to write about internal revision in the future, you can refer to this But I didn't fill in the details because it was too troublesome. I will add it later if there is anything you need to know. I don't know if I will write about heaven and hell later, so I will post it here just to supplement everyone's knowledge Finally, there are the levels of Taoist gods This is compiled by me, not generally accepted. After reading this, you can say that you have an understanding of the Taoist world of gods and immortals.

I feel so-so. Che Zulu talks a lot and can't explain things clearly. And the angle of view is often changed very deeply. In short, it is not as exciting as the previous books.

This is the third book of "Chasing the Boss". The first book "Arcana" was good in the early and middle stages, but it became more and more difficult to understand in the later stages. The two or three hundred chapters before the end felt like reading comprehension, so I had to abandon it. The second "Nuo Opera" inherited the obscurity and difficulty of "Arcana" and "The Riddler". It was not as good as "Arcana", so I abandoned it in the middle. I caught up on the latest new books in one go, and they gave me a good feeling. Even the beginning gave me a better feeling than the Mystic Realm. I hope to maintain this rhythm, and don't write and write like reading comprehension.