The Strange Old Domain

A romantic story about children existing in the real world. Foxtail gives the protagonist a chance to grow up again. A heartwarming story that heals childhood 🙂

Tell me about your understanding of books I have been chasing books recently But this time Huwei's new book is very suitable for me Maybe it is just right for our generation because it is written about the stories of people in our 18-20s. The audience is us. Foxtail Catch is quite good. I have read Daogui before, but I think the new book is not worse than Daogui. I read some book reviews and some people said that they can't read it, boring, etc. I think it may be because of the different audience groups (personal opinion) The book is based on the main line of adults traveling through childhood, but this childhood is also inexplicably absurd and weird. Foxtail shapes the world of the book to reflect childhood, that is, using children's imagination and absurd perspective to make this world exist Chapter Comments and Duan Ping has many childhood memories, such as songs from the Children's Palace, and various things from childhood... (You can really dig up anything). Listening to Duan Ping's voice, the absurd flavor of childhood suddenly comes up, which is still very attractive. It also writes that the world of adults is completely different from the world of children. They are bound by society and influenced by society, so they are turned into a series of choices in the book... It also writes that adults in the eyes of children are people whose edges have been smoothed by society and are a walking dead. The content is quite in-depth for me. Please like, please like. You are welcome to comment and communicate on this post. You may not say it well. If you don't like it, please don't comment. Thank you🙏 {"TopicId":"586286831142961152 ","TopicName":"Book Recommendation"}{"TopicId":"1163803277210353664","TopicName":"Old Domain Weirdness"}😃😃😃

It's just a child's fantasy. At first, little Hu Wei didn't go to class and watched TV at home. He was beaten by his parents. The seven wolves fiercely fried meat with belts. The kids came and the beatings stopped. (When I was beaten when I was a child, I most wanted who would come to the house 😭 so that my parents would let me go.) Then little Hu Wei went to the Children's Palace. What a dead thing. The doors and windows of a group of dolls were closed. It's just a hallucination before carbon monoxide poisoning About Catwoman, just a little wild cat on the roadside. She was bullied by Xiao Hu Wei. She was forced to bring other people's cat litter under her own bed in a slow and careless manner. About parents. Speculation 1. Left-behind children don't have many parents in their childhood memories, so parents will not appear in the article (the beating just happened to be there). Home, but he has not seen his parents several times throughout his childhood, so the memories of little Hu Wei when he grows up automatically block his parents) Speculation 2: Little Hu Wei's native family is unhappy. The unfortunate shadow of childhood causes little Hu Wei to look at his parents' room, which is always shrouded in shadow. Healing life with invisibility (among them, Mr. Rabbit takes Hu Wei home on a bicycle. Hu Wei feels that the bicycle is flying in the sky. This is a typical expression of lack of care. Now) About supernormal abilities, there was indeed a period of time in the early days of the founding of the People's Republic of China where various supernormal Qigong masters were popular all over the country. There were a lot of real people and real stories (when I was a child, I always felt that I was running very fast and then I could fly forward when I dashed forward. As a result, my two feet fell and I couldn't squat down💩) About Teacher Rabbit, haven't you seen that kind of special teacher when you were a child? (When I was a child, I had a female Chinese language teacher who was very violent and gave me a pile of homework that was impossible to finish every day. My friends would even work until two or three in the morning to finish it. And I was kicked into corners by her all year round. In my eyes, she is the murderous leader of the demon sect. There is also an English teacher who is very sweet and looks like a strawberry.)

Foxtail's latest masterpiece, when it comes to writing a story about mental illness or epilepsy, no one can compare to him. This one is even more charming and unique. 'Old Core', 'Dream Core', 'Weird Core'... These are supposed to be just a kind of visual art. No one has thought about how to express this thing in novels or written words. But Foxtail knows. Those familiar things that people have grown up with for generations have turned into weird and twisted elements. Foxtail uses his crazy words to show the familiar yet twisted, calm, yet huge uneasy horror of the 'core' in an awkward way, which is extremely impactful. Going back to the past, in a strange and paradoxical world of the 1980s, 1990s, and the millennium, he wrote about the huge sense of contradiction from the perspective of childhood. If you can accept his out-of-the-box thinking and deliberately groundbreaking narrative style, you will understand what it means to be truly unconstrained, bizarre, and so crazy that you can't even imagine how the story will unfold next.

First of all, Foxtail is so easy to understand (she used to be a mentally ill person), and these chapters tell the story of a miserable child. 1 The protagonist has severe mental illness. 2 One of the protagonist's parents, or both of them, domestically abused him. Regarding things like going to school, his parents almost beat him to death for skipping school. 3. The red core is self-destruction, and growth is just a few more strokes 4. The protagonist is a precocious but not very capable person who cannot keep up, and will give birth to a person called pessimism. 5 Rules, in a sense, are equivalent to laws, family rules, and school rules. They are customary in society. 6 When you become an adult, your illness is a little mild, and when you become a child, your psychological trauma is too severe, and it is a protective mechanism of the body. 7 Regarding children, it is an innocent perspective. Happiness can suppress pain, just like hope can survive pain. 8 The adults from the protagonist's perspective are all strange shapes that have to change in order to survive. 9 Old people. Things like age spots are normal, but they can frighten some children. The children who died were probably killed by forced changes in their understanding and society. From my point of view, someone dies every second, and someone is born again 10 The protagonist probably lived in an era when the Internet was just emerging when he was a child. There are indeed pros and cons 11 Superpowers are just children's fantasies, they are just better than others in a certain aspect 12 I have never been to the Children's Palace 13 Library It is the library, a place for reading and studying 14 Foxtail was probably defeated by a cat when he was a child, and was beaten by Cat 4i (just kidding) 15 Regarding this book, it is easy to understand without setting, but this is Foxtail, there is an idea. 17 If you want to hear Foxtail's short story, love me and update the book review

If I dig any more holes, the book may die. Unless I want to write more than 1,500 chapters, I don't think the hole in this book can be filled completely. Every setting such as ideological trends, special powers, qigong, three lines, etc. Is in The Riddler. The combat is also a bit boring, with three primary colors and three cores mixed and matched (the three primary colors are colored, and ideological trends can arise and be destroyed at any time. There are as many ideological trends as there are as many colors in the world as there are in the world), and the application of mouse friends and monster characteristics. I feel that it has not reached the level that Foxtail should have (for example, pointing a flashlight at the hole in the monster's body to let the light emit from the body to deal group damage, and using the three-core to pull the boy's palace of the first trend of thought to fight such a mind-boggling attack). I feel that I want to write about childhood trauma, and I want to write about things decades ago (I think the relationship between the big circle and the third line is a bit like the feeling of allergic people, that is, the original outline has been misinterpreted, leading to the deterioration of the subject), but because such topics are relatively sensitive, I dare not write. The emotional aspect of childhood trauma is very awkward or obscure (not told to outsiders, but can be psychologically described to readers). Part of my childhood experience is very similar to zwd, so I can see part of his psychological entanglement and pain (for example, he will get angry when he sees Jianguo injured, and it can be seen that he cares about Jianguo. Regardless of whether the portrayal is a father and daughter, a couple, or a friend, it can be seen that he cares about Jianguo, but his performance is too light. If this book wants to be well written As for the emotional line, I think the psychological thoughts here should be written through some small actions or facial expressions.) It can be seen that zwd is very lacking in love. I also know that this kind of child is indifferent to feelings. It is impossible to say that he can express his true feelings at will, but his heart must be longing for love (this kind of description of wanting to have strong power to protect the people around him, but being afraid of hurting others is not enough, and combined with the description of him being a social animal who is eager for benefits, it is really abrupt). It can be seen that Foxtail wants to do something big, but if he doesn't fill in some holes and create a climax, everyone will be gone. Otherwise, Jianguo's life experience will be revealed, or the emotional line will be pushed forward. Otherwise, reveal something about the Third Front or my uncle and grandfather (even if what is revealed is false, he will overturn it later). This book needed a climax, both the battles and the emotional expression were too bland. I feel that Hu Wei did not balance the performance of combat and the performance of emotions, causing both sides to look mediocre and boring. I have finished reading both Glitch Utopia and Tao Wei Xian (I feel that Glitch Utopia has improved emotionally, but it is a bit laggy at the end) (I also feel that Tao Wei Xian is a little bit anticlimactic). This book feels like Hu Wei has noticed this shortcoming of the first two books. I want to leave the exciting parts for later, but I can't write like this so that it's not exciting at all. I keep digging holes and don't add any settings. I like Huwei's writing style and amazing imagination very much. I have also recommended his books to my friends. "The Strange Fairy" is the first online article I have read. I am really surprised and feel that a new world has opened up. So I hope Hu Wei's works will get better and better. He is really a very special author, but I feel that sometimes his writing can't keep up with his imagination (it's not that the writing is not good, but that the imagination is too big, which leads to insufficient writing). In Foxtail, I can (should be able) see what Hu Wei wants to express, but there are more than 150 pictures, and I feel that there is very little performance in this aspect. Also, the writing is a bit too fun, and it feels like there is something wrong with it. There will be some more abrupt jokes (I think these are more reasonable in the world view of Utopia, but a bit strange in the world view of the old domain). After all, Dao Wei Xian does not have so many more der jokes. Summary: This book is not a good balance between emotions and battles The battles are not novel enough, and the emotions are not deep enough There are too many holes to fill (many things have not been written) This subject matter and the previous performance have great potential. I hope Foxtail can stop it, fill these holes, and write his own style I hope Foxtail gets better and better and continues to bring better works.

Red core: "Primal impulse", the original joy, joy is joy, "I want", obtained from the light in grandpa's transmitter, replenished by pleasure (lollipop). Suspected to be a symbol of "self", the basic ability is to strengthen the strength, and become a child Yellow core: a gift when an adult, restored regularly, Zhang Wenda will also give it when his mood fluctuates, suspected to be "self", the basic ability is an auxiliary position (strengthening other abilities), becoming an adult Blue core: currently being used The "self-defense mechanism" prevents death and cannot be obtained normally. It is speculated to be the "superego". It is affected by rules (set by parents and society) and does not accept the rules. It may not be produced. The basic ability is immobilization. It is speculated that it can become a sickle monster. Green core: It may be produced. There is little hint of this in psychology.

First of all, congratulations to our protagonist for successfully clearing the first dungeon and officially starting his life as the protagonist of Foxtail. The smallest unit of strength is the ability to carry out one's own willfulness. As the most willful and the most willful group, primary school students are undoubtedly the strongest among the strong. The best age to start practicing martial arts is between 4 and 6 years old. Do you think it is to lay a solid foundation for becoming a martial artist? Wrong! Of course, becoming a primary school student is more important and closer than becoming a martial artist! Picasso has been pursuing a child-like perspective in his later years, and primary school students are children themselves, so primary school students must beat Picasso! Yujiro must be killed in seconds! It's a must-second! The Wenda God of War, who has the ability to single-handedly kill the Children's Palace, is definitely a primary school student among primary school students 🪖 To be honest, as a post-00s generation, seeing a character with the same name in a similar life era or even an old-core online novel, going on thrilling and weird adventures in the book, and even having a large number of book friends chasing the book together, is a strange experience that should not happen once in a lifetime. When Zhang Wenda in the article risked his life to save others, fought with injuries, and fought with objects such as a globe and a triangle in order to take his companions out of the Children's Palace with an old flashlight, I had a subtle feeling outside the article: the contradiction brought by the same name, the absurdity and distortion caused by the subject matter and plot, and - a trace of imperceptible jealousy. Fortunately, I discovered this feeling and tried to analyze it myself, which is why I wrote this article. I still yearn to be the protagonist in stories and cartoons like I did when I was a child. Zhang Wenda inside has become an old social beast and changed his job to become an "adult". Did he also grow taller unknowingly? How many playmates did he have in his childhood that he later became estranged from? How many stupid things has he done and how many embarrassments has he made? Is his childhood also made up of a happy background? Okay, Boss Foxtail's book, I won't force this. Did he have the same little regrets he had in his childhood like me? Has he become the omnipotent adult he fantasized about when he was a child? Has he found a partner who loves him sincerely and passionately? But none of this is important to him for the time being. He has returned to a new and bizarre childhood, but I can never go back. So, Zhang Wenda, go on a brave adventure, explore the world again, and get to know it again. It doesn't matter if you are injured without a lollipop. Blowing air on the wound may also blow away the pain. Facing strong enemies and difficulties, believe in yourself and your own cheats, blow them all down in one breath, and then become the upright adult you imagined in your childhood^_^ I feel so hypocritical...→_→

So far, I personally feel that Foxtail is recalling and nostalgic for the past days when he was a child. As an adult who has been beaten by life, I always think of the big windmill in my childhood in the dead of night, the meals left by my parents when I go home at night, the playmates who went to and from school together and have disappeared, and I mutter "I want to buy sweet-scented osmanthus wine". When I was a child, I would ask a hundred thousand whys. When I grow up, I will only sigh that ignorance is a blessing and suffering from disadvantages is a blessing. It is better to do less than to do more. Knowledge is like an invisible source of pollution that isolates adults from innocence. Fortunately, I can still miss my innocence. What Comrade Foxtail commemorates in this book is "Sunny Day" in another sense

Let's talk briefly Pig's feet are not a return to boyhood, but a memory of childhood. The student code is the various requirements or rules that parents and teachers have for their children in reality. Being late to school will result in corporal punishment. TV can only be watched at 8 o'clock because parents generally do not allow their children to watch TV. The black and white chess pieces in the Children's Palace represent right and wrong in reality. The triangle, globe and sculpture all symbolize mathematics, geography and art. Candy is happiness. Why is there a flashlight🔦? It was used by children to read comic books in bed at night, and it was also used by students to stay up late at night to study homework. This is not a weird story, but a dialogue about right and wrong, black and white, relief from the past, and self-salvation of the soul. The above is some personal understanding, please include more if it is wrong🙏

The most thoughtful book, but also the most unfortunate one. Some time ago I was reading Yuantong's new book "Hotel Alien". At that time, I commented that the characters in that book were too stereotyped and the plot was a bit stereotyped. It also has a weird beginning. Compared with the absurd dream core of "Old Strange", "Hotel Alien" even seems a bit dull; but after a while, it is obvious that Foxtail does not have the plot control ability of Yuantong. Obviously, it is also a skill to write the taste of plain water, but Foxtail is still somewhat lacking in this aspect. I don't need to say much about the characters of "Old World". The fox-tailed male protagonist with hyperthyroidism is the same old man who criticizes the female protagonist for being unconditionally good to the protagonist and then commits suicide to prove his ambition... The plot has been falling apart since the explosion in 1999. The previous book "Glitch Utopia" did not start to collapse until the end of the book. Your world view has just been laid out, and the story has just begun. Before I even got into the details, I felt like I had nothing to write about, so I just blew up the old world... To put it bluntly, Tan Yougen and Wang Xiaohua's group of people died in vain, and the characters were not developed. However, a lot of pen and ink was spent on Wang Xiaohua and the old boss. I think Huwei wanted to write a lot of things at the beginning, but then he ran out of inspiration and just blew it up. I don't know what happened to the little gods who were offered sacrifices, and there is probably no follow-up. The heroine is as naughty as ever. After finding her memory, she completely overthrows her character and starts over again, regardless of whether the plot makes sense or not (the amnesia at the beginning, including the jade pendant, and the connection with people like the Millennium Crow, are actually foreshadowing). It looks really awkward. Hu Maomao doesn't make any comments, and doesn't know what position it is. The story behind it collapsed before the holes in the front were filled, which is a pity...

I saw a collection of childhood fairy tales. For an adult, it is inexplicably sad. That kind of inexplicable sadness is like something that has always been determined in the heart that will not change. It is slowly dissipating unknowingly. Just before it completely dissipates, you suddenly notice its change, but you can't stop it. You can only watch it slowly disappear. This is the world of fairy tales, Alice in Wonderland, The Blue Bird, The Wizard of Oz, Grimm, Andersen, Don Quixote, Zheng Yuanjie, Cao Wenxuan..., This is the fairy tale world of Foxtail, the real world of children. I don't dare to read the next chapters. If the protagonist really becomes an adult, then this story can only say that he has also become an "adult". Looking at it from the front is uncomfortable, like a lump in the throat. Permeated with a touch of sadness.

This new book by Foxtail gives me the aesthetic feeling of the protagonist traveling to Yueji City and stabbing Foxtail with a golden branch, and then being drawn into the world of Foxtail's mind 😂

I think the outline of Fox Tail is clear. It is Zhang Wenda's own redemption process. And Zhang Wenda embodies the characteristics of a teenager who is not understood by his parents and is branded as an Internet addict, and the storyline is presented in the form of a monster core and a dream core. The first target group is those whose original family trauma has not been resolved. You can correspond to Zhang Wenda and see what solutions the author gave, or failed solutions, and learn from experience. However, it is recommended to watch it to the end, otherwise you will easily be swayed by the temporary plot, which will aggravate the trauma. And don't read book reviews. Easily mapped to oneself. I think this is also the reason why Huwei chose to think about it in the middle of writing and then release it. Foxtail wants to reflect the trauma of the times. If it is not handled well, it may be in the wrong direction. The second group of people are those who like Foxtail's magical imagination. Foxtail's description method is still very weird. The third group is for fun. This kind of plot is still very suitable for fun. The following is my personal request, or hope, that book friends should restrain themselves when attacking the protagonist, and restrain their mentality of having fun, because many times they often attack those people who are mapped to the protagonist.

Romantic and absurd childhood imagination

It's a very interesting book and a perspective. I think it talks about one thing, that is - emotional and violent abuse are both abuse and have a huge impact on children. Everyone understands violent abuse. Emotional abuse means that when you were a child, you may have experienced: • Emotionally indifferent or mentally controlling parents; • Being asked to be "sensible", "obedient" and "sacrifice yourself"; • Not being able to say "no", not having emotions, and not being able to trouble others in the family. The reason for this problem is that the society we live in, due to traditional education and the rapid development of society, has led to a huge contradiction between the values ​​​​of parents and children. This also leads to a result. Many of the subjective feelings and trivial matters in the eyes of adults will actually cause objective and real harm to children. Typical examples include accusations, curses, and violence in childhood. Children who remain in such an environment for a long time will suffer from hidden trauma. When I was young, because I was unable to escape from the family environment, my children would think that it was their own problem, that I was not good enough or that there was something wrong with me, so my parents would scold me, beat me, or abuse me. When you grow up, or become financially independent, you will realize that it is actually the parents who are not responsible enough, and it is the parents who directly emotionally and violently abuse their children in order to save trouble. And the most frightening thing is that children who grow up with violence and abuse have no psychological barriers to leaving the original family, which means they can be easily broken off. However, many children who grow up in emotionally abusive families often want to escape but at the same time feel that their parents sometimes love them. Such people will become endlessly internalized when they grow up. Most of your energy is spent on solving your own emotional problems. As for the way to escape from this problem, it is actually the protagonist's superpower, which is to discover and improve oneself. According to Freud's theory, people have three selves. The id represents the most primitive desire and pursues instant gratification. Self, represents the reality principle, coordinator. The superego is formed by internalizing the moral standards, values ​​and rules of parents and society. The integrity of a person's personality is to balance the three selves. Many children who grow up in Chinese families are good at suppressing their desires, that is, they restrain themselves and dare not ask for anything. This is an invisible trauma caused by the family environment. The most extreme case of this kind of thinking of finding a new self and breaking the old self is the young Nezha. Through physical reshaping, I have completely grown into a new me. Of course, this is a literary creation, reality should not be so extreme. In short, I think this book can be described in one sentence. "Only when you know how you have been hurt can you believe that you are capable of getting better."

I feel like this title is even worse than Dao Wei's Huo Zi Ge.

Will dream core man Zhang Wenda dream of Taoist man Li Huowang? (Do robots dream of electric sheep?)

Shame is a strong negative emotion that focuses on "impaired overall self-evaluation" and drives a strong tendency to "withdraw and hide." East Asian societies are often described as having stronger "shame culture" characteristics, relying more on social evaluation and avoiding "losing face" to regulate behavior. The key is how to channel healthy shame into something positive, while preventing it from becoming a shackle that harms oneself and relationships. The plot and expression of shame in "Old Territory Weirdness": The materialization of body shame: scars serve as the embodiment of rule punishment, turning abstract shame into tangible physical trauma. This kind of punishment does not need to be witnessed by the audience. Shame is directly internalized into self-judgment through physical pain, and behavioral restraint relies on external sanctions. Loop structure: Zhang Wenda repeatedly encounters rules and sanctions, forming a closed loop of "violation-punishment-struggle", imitating the process of the solidification of shame in the psychology. Magic realism shame: such as the eyes of the children's palace, the moving buildings, the teacher's gaze, the "other gaze" in shame culture, externalizing the oppressive nature of shame with grotesque aesthetics. Shame is not only a weapon for power control, but also a catalyst for the awakening of human nature. Zhang Wenda's transformation from "self-deprecation and lying down" to "walking towards death" reveals the dialectical nature of shame: it can not only destroy the subject, but also be reconstructed into a redemptive force through collective connection and responsibility. Using shame culture as the background, it integrates magical settings and social allegory, and ultimately points to a core question - when rules become alienated into a cage, can shame be the key to breaking the cage? Only in caring for others can individual shame be transformed into the courage to resist absurdity. True growth begins with accepting your imperfect self, and only then will you have the strength to transcend yesterday's limitations. The above are all excerpted from ai Ciallo~(∠ω< )⌒☆

It turns out to be the old core of the Monster Core Dream Core, which is indeed very old and weird.

Happy listing, may the old domain weirdness sell well

I am trapped in this old territory Reunited with old friends for a moment and a moment Can't figure it out Questions about the rules The sound of keycaps came from the bird's nest

I think it's really good. I feel like it's a bit like a fantasy novel, but the Children's Palace and the Internet world have pushed this book into the unknown.

Foxtail has regressed, Daogui seems crazy or insane, is this new book just a continuation of multiple personalities? A sense of powerlessness in the late stages of Taoism

After reading the latest chapter, Foxtail's big enemy is still as smart as ever When Zhang Wenda was at the old domain level, he was obviously invisible at the adult level (suddenly appeared) After that, he probably had to use the yellow core to jump repeatedly There is a very strong tendency for a serious illness to be cured I just saw the latest chapter's thoughts. It's very eye-catching for me According to my experience of reading Hu Wei, 80% of this is the main plot In short, I look forward to {"TopicId":"1168494056272822272","TopicName":"Happy release of the old domain weirdness"}

Foxtail, when will you escape from the reincarnation of darkness? I can't see the follow-up of the old domain, I feel like there are bugs crawling all over my body 😎😎😎

{"TopicId":"1168494056272822272","TopicName":"Happy launch of old domain weirdness"} Come on, author!!! Go!

You can think of "core" as a synonym for "style" in more mainstream subcultures. Strange cores also include dream cores and old cores, which are the three most famous ones. Three styles are respectively related to grotesque, dreamland and nostalgia. In the vernacular, weird core is "weird pictures". But this weirdness is unique, first of all, its tone is very bright, and the undertones are often comfortable, yet something is misplaced on the soothing and bright tone. In Monster Core, this sense of dislocation is very obvious, with a strong sense of surrealism. You can see various weird elements being put together, and there are often unsettling images of eyes, like a hangover after drinking Yunnan mushroom extract. The dislocation of the dream core is much more obscure. For example, the structure of the building is unreasonable, the swimming pool is not water but the sky, the corridor is connected to the cliff, the corridor is full of flowers and plants, etc. They imitate dream scenes, and although they seem gentle, they remind you at every turn that this is not reality and something is wrong. Things that shouldn't be here have appeared; structures that shouldn't have ended here have ended. Dream core uses details to inspire people's fear of dislocation and the unknown. As for the old core, it is much easier to understand. It is like the above two that have removed the weird elements, leaving only the soothing background, but with a sense of nostalgia. It comes from somewhere in your childhood. It seems familiar, but it is no longer there, being sealed in the low-resolution image. The essence of all weirdcore works is to put things that make people soothing and elements that make people uneasy together. —— That's about it.

Primary school students, yes, yes