I Play All Living Beings!

This thing is neither a god nor a ghost. It cannot be killed or destroyed. If you think about it, you will live. If you think about it, you will die. If it is an evil thing and turns into a human being, it can easily confuse people's hearts and make the world do its bidding. If its incarnation is not removed as soon as possible, I am afraid that everyone will be in trouble...

First of all, it is certain that the author is still good, but there are many problems with this article. This is not like an online article for readers, but more like what the author wants to write. The first point is to throw away the settings in large sections. Let me give you an example. The protagonist is in the first world, which is a martial arts world with matryoshka dolls. The author has been explaining the protagonist's abilities for a long time. Although it can be seen that he has worked hard to make it logical and self-consistent, the readers are not here to read the setting collection. The author seems to be eager to tell the readers the protagonist's abilities in the free chapter with large sections of analysis and research, which leads to a very poor impression. In fact, readers don't care about these settings at all. They come to see whether the plot is reasonable and whether the plot is enjoyable. For example, in the section about the old Taoist priest, the author spent several chapters writing about getting along with the old Taoist priest, and then hinted that this is a world of matryoshka dolls, but until the end, the protagonist never said something similar: It turns out that this is a world of matryoshka dolls. You must play the role of a non-existent junior brother to meet those martial arts masters and reach another world. The decisive words are all left to the readers to guess based on their feelings. The second point is that it is not exciting enough. The overall background of the first volume is the war-torn years of the Song Dynasty. Natural disasters continued and the people were in dire straits. The protagonist saw the suffering in the world and made up his mind to change something. However, the design here is very poor. The author focused on how the protagonist resisted the correction of fate. , The reason why the protagonist did these things was due to the influence of the whole world. Originally, the protagonist turned into a hero and led the heroes to fight against the Mongolian army. As soon as he got excited, the correction power was wiped out. Then, I think a climax of the plot was that the protagonist stood alone against the Mongolian army. In Protecting the Lights of Ten Thousand Houses, the author's focus is still on fighting against historical corrections, which leads to such a plot that can make readers feel happy, but it ends in an anticlimactic manner. It is not even as good as the drama "Zero: Familiar" where the male protagonist Saito Hiraga stands alone with 5,000 enemy troops for Louise and it makes people watch. He was moved. He stood alone against the army of 5,000 people for love. He was exhausted, and even his enemies recognized him. In the end, the magician gathered in a circle and played a grand magic to bid farewell to the male protagonist. But when he came to the male protagonist, there were just a few soldiers to set off the fear of the male protagonist. How does it feel like being protected by the people? Is the enemy admired and feared? The male protagonist's heroic gesture to protect the lights of thousands of families without retreating? There isn't one, and it looks very dry. Then here, the retrieval and data loss were huge. The author directly used the memory of the protagonist to improve the knowledge level of those people in the Song Dynasty, turning them into small avatars in a sense, and started to engage in the industrial revolution. In just a few chapters, this copy was ended. There is no trace of the subsequent influence of the protagonist, what kind of new trend it has established, or what kind of god the people later worshiped the protagonist. There is an Easter egg chapter, telling the story of the little girl who was saved by the protagonist and living a good life, hastily ending the world. (I didn't book JOJO World because I haven't watched JOJO), but I really like watching InuYasha, and then jumped directly to watch InuYasha. There are also a lot of problems here. Originally, after the protagonist entered InuYasha's world, he had the power to break demons, and was mistaken for a miko by little monsters and villagers. The protagonist could really play a miko, and then start the story line from there, but the protagonist didn't, and I started to do scientific research on the settings. After meeting the protagonist group, I borrowed Kagome's spiritual power to give Naraku a shot. Then I started to fall into my old habits again and started to study the source of the protagonist group's abilities. Then I studied and researched the settings for several chapters. In the end, I easily rescued Kagura's heart and coral brother, and Naraku can also be slapped to death with a backhand. So what's the point of coming to this world? What about the story? What about adventure? The protagonist's response to the original plot of this world is to solve it violently? Then I realized that this was not a book for readers, but a book that the author wanted to write. The author was completely immersed in his own world. Each world must be analyzed by so-called science, and then he started to talk about why this power is like this and how to reproduce it. There were long and long theories. Regarding the original plot, he just said that he did not pay attention to it at all, which does not mean that he did not engage in it at all.

After reading it all night, I really can't accept it. The author keeps using the writing skills as a shield. That's not the writing style at all. He wrote 78 chapters in a row and set up a large section without any plot advancement. We are here to read the novel, not the collection of settings. There is a problem with controlling the rhythm of the plot. The setting should be interspersed in the plot rather than thrown out in a long paragraph.

The subject matter is greater than the writing style. I basically have no desire to read your second and third books. I hope that the fourth book will not be just a role play, but will make good use of this story line to pursue the main line step by step, use scientific methods to research and detect, and finally find the root of the reincarnation of consciousness, similar to this throughout the line.

Dear author, I have an immature impression after following the update: your setting and story are very smooth, but I always feel that you are still far from "subverting cognition". This is a bit like the difference between "Stars", "Warhammer 40k" and "Three Body". The former is like an upgraded and reskinned version of human society, but it is packaged in science fiction. Psionics are a variant of magic, and interstellar battle groups are upgrades of medieval knights. The gun is still the same gun, but it has changed from shooting bullets to shooting lasers. The ship is still the same kind of ship, but it has moved the fleet bombardment from the sea to the sky. As for the Three-Body Problem, it gives people a completely different feeling. It is a kind of cognitive shock. Your work is currently closer to the former. The various power systems are more like clever reorganization and reskinning of existing concepts, providing a very excellent "story stage". But as a reader, I am more looking forward to seeing stories like "Journey to the Dimension" and "Battle at the Wellhead", which start from a fundamental new setting and deduce a set of mind-numbing rules of a strange world. That's the real 'cognitive shock'. I have read a novel before. It starts from subverting the idea of ​​"I am me, I have always been me" and creates a setting where all human souls are exchanged every day. It changes everything in the story like an avalanche. In addition to this, I have also seen a setting before, which ensures that everyone has the ability to predict danger (can predict the source and extent, and provide sufficient reaction time) and danger avoidance (similar to bullet time, but disappears when the danger is over). The background is in a demonic plane. What happens when all violence against others can be predicted and avoided. If you switch to the world of martial arts, then the martial arts skills, whether they are light kung fu, body skills, external kung fu, or techniques, whether they are fast but unbreakable or powerful enough to produce miracles, will be meaningless because they can't hit anyone. However, grievances in the world, such as the massacre of a family, will not happen at all, and the purpose of practicing martial arts will also undergo fundamental changes, such as revenge, to prevent oneself from being killed at will, to protect oneself, etc., All will be invalidated due to the emergence of this rule. If you think about it deeply, in many martial arts novels, even the core driving force that drives the development of the story in Koburi will disappear. In addition to martial arts, there are plots in various other stories, such as catching ghosts and fighting zombies in the folk world, skinning, extracting souls, harvesting and cutting animals in the world of cultivating immortals, mutants from the motherland in the world with super powers, etc. The logic of various stories will not be able to continue. In the real world, TV news shows that police shootings in the United States, murderers killing people, how many people died in earthquakes, fires, and car accidents, the Russia-Ukraine war with missiles and drones, murders and rapes, underworld intimidation and threats, and American school bullying all won't happen anymore. As long as I can think of it, whether it's what I saw on Bizhan and Douyin, what I saw on TV and movies, or what was mentioned in stories and novels, if these things are incorporated into this setting, it will all change because of the loss of the core element of violence. What this kind of setting brings is not the "tragic and grandeur of the epic", but the "chill of logic". Starting from a seemingly simple "if", it deduces the complete collapse and reconstruction of the rules of our entire world. I mentioned "Journey to the Dimension" and "Battle at the Wellhead" precisely because they gave me similar shocks stemming from "subversion of basic settings". It can be seen from your continuous exploration of "systems" and "rules" that you have the potential to master this "rule reconstruction flow". Perhaps in future creations, you can try not just to build an "excellent story stage", but to design a "cognitive singularity" that can fundamentally subvert the physical laws of the stage itself? This is just an immature expectation of a reader, but I believe that if you dig in this direction, you will definitely be able to bring more amazing insights. I will always support you and look forward to your next breakthrough!

The Jojo chapter is over, and I would like to express my thoughts. It's not satisfying enough. Yes, it's not satisfying at all. The author said that you plan to build up Kaz's strength first, and then be defeated by Zhouzhuang to feel really good. But in fact, it's not fun at all. It can even be said that it means something. When the ultimate creatures occupied the world, ate up half of the ecosystem, laid out souls, and analyzed substitutes. The performance of the protagonist is particularly poor, especially taking Caesar and Joseph around to fight fortresses, which makes him even more mentally retarded. Zhouzhuang's method of endlessly copying himself from the previous copy, or cutting out the personality of the person in the magnetic field world, was not used, and he just drifted with the flow throughout the process. When it came to the final decisive battle, I was really not prepared at all, so I just waited for the leader of hell to come out and kill Kaz with a knife. Do you know how disappointed I was after reading it? This is not so much a Jojo chapter as it is a Katz chapter. Zhouzhuang's description in this article is not as good as Katz's. You have to learn the emphasis in the work. The readers come to see the protagonist, to see him change the world and the plot. Rather than watching the original characters undergo a large number of magical transformations without contact, and finally become invincible. Then the protagonist is like a bastard, waiting for the magic stone to cheat and the deus ex machina.

Old fans are still looking forward to the plot or imagination, while new fans have already begun to guess in which chapter the magic circle will appear, and to what extent QB will be strengthened ()

It's all setting, all explanation, every chapter is overwhelming.

I read it on QReading. The author said that recommendations and subscriptions have dropped recently. I think there are several reasons. First, the enemies were inexplicably strengthened. When the protagonist arrived in the Jo world, they had no impact. Zhunan was greatly strengthened and started to engage in technology and electricity. Second, it was not fun. The protagonist seemed to have lost his memory. He had many memories of anime and could cosplay with so many people. However, in the Jo world, he felt like he had no memory at all. He had been drifting with the crowd and following the protagonist. The progress of researching Pillar Man and Ripple is also very slow, and there is no intention of creating a substitute at the moment. Third, you asked for leave. There are already few updates. You also asked for leave, which is equivalent to two or three days of interruption. I read it every day. I want to keep it and wait for you. Fast forward to the cool point and come out.

When I saw Chapter 83, I made a complaint. The initial setting of this book was that the protagonist was resurrected from human skin and could gain strength through acting. The subsequent route should be about being alone or taking a mysterious route, using this setting to become stronger and otherworldly. But suddenly, the plot of the mission to find a martial arts master was added. At this time, I felt that the protagonist's extraordinary characteristics and The uniqueness was weakened, and then added, the role played by the protagonist, which the protagonist cannot control, forced self-destruction and restart, later added the setting of dividing the world into two boundaries according to the existence of internal force, later added the setting of the world timeline closing, the setting of the protagonist being able to deduce each timeline to make his own choices, later Another addition is the setting that history cannot be changed. In order not to be changed, history forcibly summons martial arts masters out of thin air to resist the protagonist... I read Chapter 83 and finished the first volume immediately, but I didn't see what story the author wanted to write. I couldn't find the reasons and goals for the protagonist to do these things. The author's writing style is okay, but it is messy and has no main line. >For example, if you want to change history in the end, you must first write why the protagonist is in history, when did he discover it, what is the significance of changing history, what benefits can it bring to the protagonist, etc. These 83 chapters are basically the protagonist constantly experimenting, but the results of the experiments are constantly being overturned. The correlation between each experimental result is still very low. It will be very tiring to look at the chaos.