From God of Lies to Lord of All Worlds
从谎言之神到诸世之主
- Status
- Completed
- Length
- 2.2M Words
- Genre
- Urban
- Subgenre
- Urban Superpowers
- Updated
- 5mo ago
- English
- Request a translation
Synopsis
Stats
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Reader comments 44
Google Translate
The divine status of lies has significant limitations. For example, once someone discovers a flaw in a lie, that person should be unaffected by it; that would be reasonable. Otherwise, what kind of lie is it? Can a lie that isn't exposed still be called a lie? That would be omnipotent. But there will always be people in the world who don't believe it, and that's what makes it diverse.
I've seen similar ones before.
It was also Thaksin's magic touch that made things come true, but unfortunately, it couldn't be finished quickly. Hopefully, this one can break the curse. 🙂
Did Shennong exist?
The first chapter's divine spirit didn't include Bengbu. Are there more thunderbolts later? If so, I'm running away.
Does Shennong exist?
Seeing the God of Lies trying to turn falsehoods into truth is making me cringe. A lie is inherently false; even the most convincing lie can't become truth. The basic logic is completely different. In a D&D world, this would be enough to cause your self-destruction. You're the God of Fantasy, so it's understandable. So, I'm wondering if Shennong will become very toxic later on.
I feel like I've gone off-topic. Author, have you missed the point? We're looking at the behind-the-scenes story, the extraordinary, the mythology, the various characters gaining abilities in this grand world, the stories unfolding, and the protagonist transforming the world.
Is this going to be another one that overhypsizes the pantheon and makes the whole novel feel like a jumbled mess? Many novels handle the behind-the-scenes element much better, like *The Sun God*. Letting them occasionally show off is fine, but insisting on exaggerating their power is just disgusting.
At least it's better than those novels that clearly depict behind-the-scenes stories but still revolve around women, building a harem and acting like simps.
The author has written nine books, and his writing style is still so immature. It's really not easy. It's downright childish. The background setting is completely unverified. If you're going to write it's in the US, at least do some research, okay? Don't actually come up with something like an analogy, right? Secondly, the Los Angeles People's Hospital is just laughable, you know?
Three chapters of persuasion to withdraw
How can a weak, worthless god from the original world be allowed to travel to another world and become incredibly powerful? Then wouldn't all the powerful and great gods be invincible? And what's this about the original world having over 5 billion people and only 1000+ gods, and a main god supported by just over a million followers? That makes gods incredibly cheap. The beginning is full of logical inconsistencies and contradictions; I really can't stand it.
You might as well not write about China at all.
It contains absolutely no content and yet it disrupts the main storyline. The incongruity is horribly jarring. It keeps talking about how things are in the East, but nothing is actually affected. The latest chapter is about the protagonist making cultivation here more efficient than anywhere else, and how did he manage to create cultivators using the D&D system?