Simultaneous Transmigration: Building a Mutual Aid Association for Doomsday Civilizations

The most interesting thing written is "I Created the Salvation Organization". Although it is a bit of a hit and miss, it is still a masterpiece. Is this the same type of book? I love this rescue theme so much

It can be seen that the author has been deeply involved in the science fiction field for many years, and is also trying to find a science fiction route with a brand-new setting that does not follow past routines. Compared with its previous post-apocalyptic civilization survival articles, this book aims to use a completely different group portrait writing method to present the different perceptions and real experiences brought by civilizations with different technological aspects and worldviews when dealing with civilization crises. The male protagonist is set to have the talent of "Grey Mist" that can transform into everything in the world and even change his destiny. This golden finger is based on calculating the birth of the fog based on the population when saving human civilization. What the male protagonist has to do is to use his talent to find an efficient response for the country when the crisis comes. At the same time, the Zhutianliu world view corresponding to the splitting of the male protagonist's soul and traveling to all the worlds also means that the male protagonist can rely on the research direction and technology tree that each world focuses on to more easily find the source of the crisis and solve it easily. Different from the old book salvation organization, the split parts of the male protagonist's soul are all daughter bodies with the mother body of the real world as the core. This also means that while the memories are interconnected, the differences in each world will bring a new growth path for the male protagonist. As for the reading experience, Brother Rune still adheres to his indispensable writing attitude of passion and justice, and presents the unity and fearlessness of the people in the face of the apocalyptic crisis in front of readers. It focuses on a "three correct views" and a positive energy plot. After jumping out of the traditional male protagonist as a savior, it creates a cross-dimensional and diversified game with various types of civilizations to fight the apocalyptic crisis.

Last night when I went to bed, I dreamed of a golden light that told me that it would give me a chance to travel through time to a world with orcs, elves, and magic. I think this is Azeroth? Is there such a good thing? But when I thought about it, I said I can't do it! I still have things to do, so let's do this. I have a lot of book friends who would like to go to that world. Let me help you ask if you want to go. After a while of bargaining, I secured 100 million quotas to travel to that world. Those brothers who want to adventure in another world should quickly sign up with me. The quota is limited and first come, first served. Who doesn't want to go and see Azeroth? Hurry up and register. The first 10,000 people will receive ten nutritional bars and a laser gun. You can make a name for yourself in Azeroth with a laser gun, right?

I have a question, why do people in the same genre help each other? The souls are equally divided. Maybe they helped each other at the beginning because of external challenges, but in the later stages, they still help each other after meeting beyond the realm? Even if there is a fusion, there must be a priority. After all, the experiences are different, and the personality and methods must be different. Moreover, what I think, the other self can most likely guess. Anyway, I don't want to have someone who knows the basics, even if it is another self. Secondly, equal portions of the soul should be the top material. If swallowed directly, there are probably no side effects. It can also be a great tonic. It can be used as medicine and can be used to refine weapons and make weapon spirits. It is easy to combine humans and weapons. If you encounter a bottleneck, you can break through by just eating a few. You can also join them on the road together.

Concept illustration of the adult version of the giant earth-burrowing worm 50,000 meters long 500 meters in diameter

It's too busy to write a book now. Please give me as much support as possible when writing a new book. Follow-up reading + monthly pass. If you get good grades, you will be more motivated to write. And you don't have to worry about being a eunuch. The last time Rune was a eunuch was seven years ago. He just had a pen name, no vest, and his record can be checked.

A little personal experience. If you think it makes sense, just read it. If you think it doesn't make sense, just think I'm talking nonsense. Well, I won't talk about the good aspects of this book. Anyway, everyone can feel it. If it doesn't look good, I won't read it. I'll just talk about what I think is bad. In fact, I think the worst experience this book gave me was the monotony. This monotony is due to several aspects. The first is the characterization. In my eyes, there are only three kinds of characters in this book, one is the protagonist, the second is the tool man, and the third is the villain. There is nothing else. A very simple question. So far, apart from the protagonist, do you remember any character that impressed you very deeply, apart from the villain? The answer is no, at least not to me. In the earth world, at first I thought that the King of Soldiers was a relatively important supporting role. We might be able to feel the passion and passion of the army, the dedication and dedication, the protection and sacrifice through him. However, I was wrong. None of these are present. He is just a tool man. The kind that can be thrown away after use. In the world of cultivating immortals, I thought that his master and senior brothers and sisters were very important roles. They would either become his right-hand assistants and save the world with him in the future. Either it could lead to family, friendship or even love with the protagonist, adding a bit of human touch while being passionate and passionate, but there is none. Since the protagonist came into contact with a higher level of existence, these tool people have been used up and there is no need to exist anymore. In the world of martial arts, the protagonist seems to have a wife and children, but I suddenly realized that I didn't know his wife's name or how old his children were. That seems to be just a cold symbol. The other worlds are similar. It gives the impression that the protagonist comes into contact with many people and many people appear. But if I really ask you to tell me which ones impressed you most and how they promoted the plot, you seem to be unable to tell. They all seem to be tool people. I know that in this kind of grand narrative novel, you can't portray everyone perfectly, but I don't think it should make people forget anyone except the protagonist after reading it. It is better to have a few impressive characters. Just like in The Three-Body Problem, although the protagonist is Lao Luo, you can't forget Zhang Beihai, and you can't ignore the other three wall-facers. Yun Tianming's three fairy tales are even more impressive. This is a civilization, not a person. After reading it, people should feel the thickness of civilization, rather than the fact that except for the protagonist, everyone else seems to be just a cold symbol. The second aspect is the monotony of emotional resonance. In fact, in a sense, the emergence of the second problem is related to the first problem. Because the character portrayal is too flat, many aspects cannot resonate. To give a simple example, humans went to war with their enemies, and many of us died. Can we feel empathy and sadness through this? I don't think so. I still remember that when I was a child, my teacher told us about resisting U. S. Aggression and aiding Korea. I didn't really feel anything about them, except that they were very powerful, and nothing else. Because they are just some words in a book, I don't have any real feeling. The first time I was shocked by the war against US aggression and aid to Korea was when I went to see Changjin Lake. Through movies and characterization, those cold words that only exist in books have become living people. So I was shocked and felt emotional after reading it. Also during the epidemic, I heard how many people died somewhere, but I didn't really feel much about it. But after I watched the movie and watched the videos on the Internet, I felt it instantly. Why is this happening? Because the former is just some cold words or numbers. The latter he comes alive in your heart. It's the same in this novel. If you portray a few characters, let them come alive in our hearts, and then experience the battlefield and sacrifice from his perspective, then we will have a strong sense of resonance. On the other hand, if you don't portray a few characters well, but instead the protagonist talks about how many people died, then in my opinion it is just a series of numbers. It's hard to find any resonance. The third aspect of monotony is the monotony of character relationships. Have you noticed an embarrassing problem? The protagonist is like a god who does not eat the fireworks of the world, and is aloof. There is no emotion. The protagonist basically has no friends. He barely has a few relatives, but they basically exist in the concept. Just like wives and children in the martial arts world. Although this is not a big problem, if you don't even have a few friends, as time goes by, the protagonist will become less and less humane. Will this lead to the protagonist getting taller and taller, becoming less humane, and less down-to-earth? It's getting harder and harder to relate to people. On the other hand, the brilliance of the protagonist suppresses everyone's sense of existence. If this situation occurs in a fantasy world, it is actually not a big problem. Anyway, the fantasy world pursues personal detachment, and other people actually don't matter. But if it is placed in a science fiction novel or a novel with a grand narrative of saving all mankind and uniting all mankind, I think it is very problematic, because it will make people feel that except for the protagonist, everyone else in this civilization is useless. There is no sense of presence. And if a civilization is entirely supported by one person, it actually has no future. Personally, I think science fiction is better written as a group portrait. No matter how bad it is, try to write as many representative characters as possible. At least after reading it, it makes people feel that this is a civilized struggle. Rather than one person representing the entire civilization. The former will make people feel the weight and greatness of civilization, while the latter will only make me feel very narrow-minded. Just like in The Three-Body Problem, in addition to the three protagonists, we also remember Zhang Beihai. I still remember Ye Wenjie, Dr. Ding, Da Shi, Zhuang Yan, and Tianming. Remember Wade. I still remember Mr. Ai. I still remember that several other wall-facers still remembered that Yang Dong was like wandering on the earth. What we see is not an epic story about the protagonist alone. It's the struggle of the entire civilization. Advance with all your wisdom. This book gives me the feeling of an absolutely rational engineering man who has cold formulas. Strict logic. He told me a touching story. There is no resonance, no passion, and no emotion in it. You'll enjoy it with gusto while listening to it, and you won't be able to remember anyone except the protagonist after listening to it. Also like a person who only cares about moving forward. Although you finally reached the destination, you can't remember anything if you think about the good scenery you saw during the journey. This is a small personal thought, and if you don't agree with it, you can ignore it. If you don't like it, don't spray it. Let me reiterate, I personally think this book is acceptable, otherwise I wouldn't read it. Not even interested in analyzing that much. So when I say this, I just hope that he can do better, not to find fault. If someone scolds me, I don't care. Don't say anything to me. I'll give you a pen and you can write it. I admit that I am not good at writing books. If I could really write, I wouldn't be here anymore. But I think people who read the book should give their own thoughts. It should be fine, right? OK?

It is very difficult to write science fiction now. In the past, it was all about artificial intelligence and controllable nuclear fusion. Now many people have just finished writing and the real world has been updated and broken. It is not science fiction at all and is even a little backward 💀

It feels like these apocalypse games have no special features or challenges. It's just a matter of changing the world to fight monsters. You can definitely write a few doomsday stories where humans seek their own death. For example, the outbreak of nuclear war, chemical bliss, genetic modification, out-of-control servitors... Human beings want a self-destructive doomsday. There are also natural disasters and apocalyptic solar explosions, changes in physical constants, world dimensionality reduction, time acceleration, etc.

The protagonist has parents. And they are the kind of parents who can't figure it out. Judging from the second picture. They are the kind of parents who no matter how successful the protagonist is, you are not as smart as us at home.