Tokyo: I Use My Avatars to Invent Myths

I am really speechless. No matter how strong the extraordinary person is, he must be captured and confronted. When a normal government sees a transcendent being able to freeze Mount Fuji, it has long been like, "Can we reconcile?" The other idea is to kill a gap in an instant, and also requires cooperation with the magicians, which is really very witty.

If people with superpowers really appear in reality, is there any other way for the government to deal with it besides treating them like fathers? Will there be so many tough leaders who dare to stand up to people with super powers?

Are there any big guys reading this? Please forgive me for the bad writing. If you mention anything bad, I will definitely change it and I won't give poison to the big guys! The world is huge and the readers are the biggest!

Firstly, a small problem arises: if the avatar has self-awareness, there will be questions about whether it belongs to the same person as the protagonist. Then comes a major problem: the ability to prioritize other matters over the protagonist's commands raises the question of who is truly in control.

To answer everyone's question, why can't the Japanese recognize Crow Tengu? The first thing I thought about it was that it was a comic, and it was drawn to beautify it. It was not a serious Crow Tengu, including the Yuki-onna and Shuten-Douji in the back. They just borrowed a name, and the abilities they were given were not those in serious mythology. This point is to write that the protagonist is making up myths, not reviving myths 😭

This would have been amazing 10 years ago alongside Tokyo Naruto, but now it seems so clichéd.

The battles in these Kyoto Animation chapters, resembling a card game, weren't very engaging. They felt like a turn-based system where you punch me and I punch you back. Even the most dazzling wild punches are still just wild punches...

It's not particularly good, but the quality isn't bad either; it's probably just passing. The main problem is that the book uses too many familiar formulas, which, to put it bluntly, has become tiresome. High emotional intelligence means maintaining a relatively stable level of quality, preventing it from becoming too bad, and keeping a certain minimum standard.

The writing is alright, but I don't really like reading this kind of thing. I only read it when I'm out of other books to read. I like to empathize with the protagonist when I read novels, but in most modern behind-the-scenes stories, the protagonist is just a tool, a bunch of people with multiple identities fighting with lucky people who stumble upon opportunities.

If the author is going to go to America, then using a monotheistic guise like Christianity or Islam would be best. And in your setting, will the monotheistic religion's status and power be the same as in reality—invincible, or will it be balanced?