Disaster Messenger

The ups and downs of the plot are very attractive, and the characters are very vivid. These are all advantages. Then there are some problems with this worldview framework. It was originally positioned as a real-life online game, but there are many settings that have never been seen in real-life online games. The author spends a lot of time explaining the rationality every time, which obviously hinders the smooth rhythm of the story. The advantage of applying online game templates is that it reduces the difficulty for readers to understand the worldview. Everyone has a common understanding of online games. As a result, one chapter is all about new settings. Doesn't this have no effect? And because I often play online games, I have a preconceived notion of normal online games, but I feel repulsed by the novel settings added later. It would be better to say that this is the world of cultivating immortals at the beginning, and then it is invaded by games, and blame the unreasonable aspects on the world of cultivating immortals, instead of adding settings to online games that no one agrees on. Let me talk about my personal reading experience. I read it with gusto at first. The story gradually reached a critical moment, and then it reached a turning point. Suddenly, an online game setting that I had never seen before appeared (doubt ing). Then the author had to prove the rationality and started to explain the whole story. The plot of the story did not advance at all (silence ing)

Finished book. It has few advantages but a lot of shortcomings. It is at its peak when it debuts. After the first mission, it is all gone. After watching the rabbit being imprisoned by the foundation, I really couldn't stand it anymore. Don't read it. The shortcomings are as follows: 1. The most poisonous one is that the characters' brain circuits are curious, the character creation is extremely poor, the characters are flat, and there are many intelligent characters that make me sick of stupidity. The first one is the protagonist, who looks like a giant baby and has an inexplicable psychology. The author wanted to create an image of "Money can't buy me, I'm happy, I do whatever I want" and "I don't care about heaven and earth, I just show off", but in fact, he created a weak, overly emotional, huge baby with a serious lack of personality and an extreme lack of love, and almost no growth curve. He often makes irrational decisions when he is emotional, such as rescuing Jiang Shi after getting a return order, or secretly going to help businessmen in Yitian, which is of no benefit. The Second Thousand Gongyu is a pure weak character, always prepared to maximize losses, and the one who doesn't get sick of stupidity after watching this is a god. Third, the image of Black Snake is severely fragmented. When he appears, he is headstrong, reckless, self-centered, uneducated, does not know how to respect others, and is extremely irritable, like a superhero. During the rabbit line, he suddenly becomes gentle, considerate, educated, and respectful, with almost no transition. This garbage character creation is outrageous. Fourth, Shang Xinyue, the overall problem is not big, but there are many flaws in the details. It's more of a problem with the article as a whole than with specific characters. For example, the article said that Yan Qing was a little afraid of Shang's scheming and city government, but the article didn't portray her scheming and city government at all. She was like a child who had a heart-to-heart with Jiang Shi in five days in the forest. Where is the city government? In order to save Qian Gongyu, Tou Yitian made a sudden and hasty decision to assassinate the emperor. The logic made people laugh. The protagonist still felt it made sense after hearing it, and said it was the only way 😅. This shows that the author is extremely naive about politics. By the way, the protagonist is also very double-standard. The author's portrayal of the protagonist is weak. Many times it is a label-like definition, which directly points out the character's personality instead of integrating events to reflect the character's image. In the woodland plot, the author pointed out that the main character went crazy (he fell into an emotional state, he could have turned invisible but had to go on a killing spree) because he felt guilty for indirectly killing two people. In the absurd plan to assassinate the emperor, killing the emperor caused bloodshed, turmoil, and the people were in dire straits. Where was the protagonist's compassion? It can be seen that the protagonist has double standards, and the woman is benevolent and even hypocritical. All kinds of details are scattered all over the place, there are a lot of grooves, illogical and unnutritious psychological descriptions fill the whole text, and the plot is protracted. I haven't looked at the back, but I guess it's even bigger. The last point is the serious sense of fragmentation caused by the difference in the protagonist's big and small characters. The main character is a male, and the main part is devoted to the female trumpet. Jiang Shi is cold and cute, but the person who controls these female characters is actually a man, and his personality is completely different, which brings a strong sense of fragmentation. Basically all the characters in this book are poorly portrayed and have serious personality flaws. In the final analysis, it is the author's lack of writing skills.

I feel that this book is actually very similar to Small World. Although the story structure and plot advancement have been optimized, the character dialogues still have a human-machine feel, which is far less natural than the magician's manual.

I didn't expect that it would be over 1 million words long, but to be honest, this book is not as good-looking as the Warlock's Manual. I couldn't stand it when I saw Bunny Girl, because it's essentially a man in a leather suit. The protagonist is manipulating an innocent and cute little girl behind his back. It looks very awkward. I hope there will be better results next time (ง•̀_•́)ง

A copy of this book, As long as this is really a game, ch is the person I eat. . . Gou Tingri has played a lot of games, hasn't she? Fang Na came up with such an outrageous game setting ps Based on my understanding of Tingri, she probably buried a big one?

It's short and concise, I can only say I wish you happiness. After reading it for two days, your book will start to eat dust. See you next year.

I was first attracted to sand sculpture animation. The animation is nice and engaging. I saw Chapter 220 in June and couldn't stand it anymore and gave up. By the way, I didn't even open the starting point. Just abandon logic completely for the sake of the plot you want to write. If a fake foundation builder is beheaded and can still run wildly holding his head, do you think this is ridiculous? I checked in on a whim today and it turned out to be true What a pity, what a pity. But it still seems like it. How I wish I could see that the novel is still being serialized when I come back, that Huang Gou has opened many trumpets, that many new copies have been released, and that the relationship with the heroine is gradually warming up, even if it is friendship. Instead of hanging on the Bunny Girl. It's a pity, a very pity. But it still seems like it.

I am at the pinnacle of the third level of perfection. Who dares to kill me? 😜😜😜

The novel "The Messenger of Disaster" is quite creative in my opinion. As a reader with average game skills but keen on reading game-themed novels, I always like to follow the protagonist in the text and gallop through the virtual world, and find a sense of immersion in it. Speaking of game novels, I have to mention one of my favorite authors—who used to be named Da Sniper, but is now known as Baoyue Liuguang. Many of his game novels are excellent works. Although they are not deliberately promoted, they are really worth reading. As for the author of "The Messenger of Natural Disaster", the first thing that amazed me was his "Small World is Fun". The creativity of that work is no less than that of Baoyue Liuguang's. Compared with other novels of the same type, it is completely different. In terms of creativity alone, it is enough to be called a masterpiece. Unfortunately, "It's a Small World" has an obvious shortcoming: the protagonist's "Madonna" qualities are too prominent. Not to mention the many entanglements between the heroine and the protagonist in the book that are constantly being resolved and messed up - although these are not my favorite, I can still tolerate them - the most regrettable thing is the later plot. Even though the protagonist has already understood the dangers of the enemy by virtue of his abilities and opportunities, there is still no smooth battle and decisive counterattack. It was so tame that even though I repeatedly read the early content, I finally stopped halfway through, which was a pity. Looking at "The Messenger of Natural Disaster" again, I would like to call it "the evolution of compassion for others". The protagonist has indeed made progress and is able to take decisive action against demons, but in my opinion, she has still not gotten rid of the label of "The Holy Mother". He was already insecure after traveling through the game world. He relied on his handheld computer as a golden finger, but his emotional connection with his fellow thieves was a little stiff. What's even more puzzling is that in a precarious and dangerous situation, he actually has the energy to deal with emotional entanglements and work hard to build foundations for others - you must know that the other people are mostly from big families, and he himself is still under foundation building. This kind of behavior of "thinking about others first, then yourself" inevitably makes people question: Why do we shoulder so many responsibilities when our foundation is not stable? Is this a continuation of the "too many female protagonists" in the previous work, or is it another manifestation of the characteristics of the "Madonna"? Not only that, the protagonist often shows the impulse to "draw the sword when the road is rough", making it difficult to tell whether this is the compassion of the "Mother" or a lack of consideration and recklessness. After all, this is no longer a simple game world, but a real life-and-death situation. He was charged with the high-risk mission of "one thief every ten days and one thief every fifteen days". He should have made full use of the golden fingers of his handheld computer and made decisive decisions about trumpets. But in the end, most trumpets are tied to the emotional line and become difficult to let go. Such a contradiction makes people wonder: Is the protagonist decisive in killing or indecisive? Of course, these comments are not asking the author to change his mind. From "It's a Small World" to today's "The Messenger of Disaster", you can feel the author's gentle heart - the values ​​​​revealed in the writing are always correct, and the protagonist's decisiveness against monsters and bad guys is a significant improvement. Perhaps those qualities that are rooted in the core of creation, such as the emphasis on emotion and care for others, are part of the author's style and cannot be easily changed. Even with these misgivings, I still really enjoyed this novel. Its creativity is still dazzling, just like "It's a Small World" shocked me back then - that creative edge is still difficult to match in other works, and it has even attracted latecomers to imitate it. This is probably the most touching part of this work.

Water, the battle session took too long

This is a system dungeon-like light novel that focuses on first-hand imagination and humor. The male protagonist travels into the game world as a "player" to experience the dungeon he designed as a planner. It responds to the calls of a lot of players in the current game comment area to let designers experience the status quo of not changing values ​​​​at will. If it were a game novel of the Fourth Natural Disaster type, then the male protagonist's growth path must be to lead the system all the way through the levels and add points in the six dimensions to reach the peak; but since it is a "field investigation" situation where one wrong step can determine life and death, then all the latter can do is to complete the tasks issued by the copy in the fictional ancient world background and find the truth about his time travel. The novelty of the setting of this book is that it associates the main world of the game with the dungeons. The aborigines obtain "out of nothing" resources by constantly conquering the dungeons that are refreshed on a regular basis. The main city area, which is like a "game safe zone" and is defined with rules that cannot be harmed, makes the world view more real. The way the male protagonist uses the game console to create unlimited characters in the game world to improve his body's strength is like using the growth of many children to supply the mother body, integrating the essence of hundreds of schools and gathering resources into one body. The emotional line between the male protagonist and the female protagonist is increasing day by day along with the tasks assigned by the dungeon, and the bond and trust between them is increasing day by day. What I can't say I'm not looking forward to is the Shura Field plot that will surely follow👍🏻.

This book should really be considered unfinished, or it could be said that the setting from the beginning was extremely restrictive. The author also said in his closing remarks that the outline only reached the point of auction, so it is not surprising that it was unfinished. First, there is a problem with the positioning of the protagonist. His mentality is that of a player, and he prefers to stay behind the scenes. However, after having an affair with his teammates, he still treats the natives as NPCs. The identities of the controller and the participants are very separated. The second point is that the emotional scene is very abrupt. The protagonist rarely communicates formally with his teammates or communicates very rarely with everyone. The main communication method is the trumpet, but unless he confesses, the teammates' attitude towards the trumpet cannot directly change to the protagonist's attitude, so the emotional changes seem a bit weird. If I say one more thing, I can actually open more dungeons, telling the story of the protagonist changing from the Shura field to the harem, and the story of sacrificing the alt or confessing the identity of the alt and changing the mentality. The third issue is the identity of teammates. The best way to open a big map in the later stage is for teammates to go to the Four Wastes. However, the identity restrictions set in the early stage are too great. They are not alone and are restricted to the novice map, so the plot cannot unfold in the later stage. Let's talk more about adding new characters by using gangs, opening small accounts to make friends, etc. It would be a new direction to focus the plot on gangs and grinding dungeons, but the plot of teammates will inevitably become weak, and teammates must be allowed to participate in the new map. It is really a pity that the settings of this novel, including unlimited dungeon resources, novice village protection and cracking, and air walls, are all amazing to me. The player functions that can only be used by the protagonist are a bit old-fashioned but also very classic. However, the protagonist is so hung up that he is looking forward and backward while making rapid progress. It is really irrational. I hope the author will polish the outline of the next book and not waste good ideas. I don't think the cultural settings mentioned in the author's closing remarks are anything to worry about. They are just the icing on the cake in themselves. They might as well polish the game mechanics, character settings and plot.

This book is not a bad one. I started reading it from the follow-up to the roundtable video. This book was also the first book I read at the starting point, so I finished it carefully. The writing is neither good nor bad. Overall, it is not a book worth reading again and again. When I read the final remarks, I felt that what the author said made sense. There was really nothing to write about. I suggest you not write about the harem in the new book. I feel that the author is suitable for writing about two people for a lifetime. It is best to stop pretending and write something more serious. After all, the author is a "just partner".

The book is quite interesting, but it's a pity that it ends so quickly. So many characters appear in the background and the interaction between wolves, foxes and snakes is also greatly reduced. Who can help me fill in the impact of the four people I'm missing 😭

I have fattened up, and I have finished killing it all at once today. Next, I will briefly discuss my views on the content of the new book. Note, Small World is fully ordered, and the Magician's Manual seems to be quite a part. If you haven't read it all, it won't be comparable to other books. (There may be spoilers, but they are probably harmless) [Character creation] You can always trust Tingri's character creation. When you are discussing why the protagonist is so nerdy, why the trumpet is so weird, there is a succubus, and the heroine cannot do anything, you should realize that the creation of these images is already three-dimensional. When readers discuss whether the characters' three views are correct and whether they suit their liking, these people are getting rid of the human machine and have impressions. But! There are many problems! First, the difference between The Messenger and Small World is that most of the characters in Small World are wage earners from various places. It is normal for them to have different personalities. There is no need to take into account the front and back when describing them. However, the various accounts in The Messenger are pure tool people. Although they can be divided into strong men and teenagers due to their facial expressions and attribute settings. , Girls, lolita, etc., Can create various effects during play, but in the end, the bond and action logic need to be completely returned to the protagonist. It is not like a stand-alone game that can be separated from the game. It is foreseeable that the processing of so many alts will require a lot of effort in the future to allow them to appear reasonably and perform effectively. Second, the game console is only revealed in the finale of Small World. There is basically a time lag between the game results and the actual effects. But the messenger is different. The play time is basically all time except sleep. There are more and more trumpets that need to explain what they are doing (the monks and friends in the barracks have to cue from time to time) (Part 2), the main character still has to fall in love with someone even if he stays at home, and then there is a main player outside to play a long copy, switching multiple perspectives, messy and long, you can't say that these are unnecessary, all kinds of growth, various props, and various character interactions with high scores, but it is redundant, and the rhythm is even more disrupted. [Background setting] It can be seen from the name of the book that, like the magician, this is a brand-new setting that readers have never seen before. It is a brother who came to cut it (off topic), so there is some novelty, and from reading it in one go and reading the chapter comments of other readers, it is a relatively sufficient background setting. Everyone can discuss right and wrong based on the content of the story, and there are relatively few people who question the rationality. From the perspective of the telling method, it is similar to Small World. It is about playing games. You play many games to create many characters, and then the protagonist gradually becomes stronger and affects the entire story. But! This creates some problems. First, after all, it is a new career setting, and it takes up a lot of ink to add settings from time to time. Although Tingri is a veteran, he will not fill in a lot at once. He will continue to add as the plot continues, but some readers will still feel that the stream is watery and drags the overall rhythm. ; Second, a more authentic game text. Different from Small World, there are relatively few props and game data in Small World, but not in Messenger. This book is set in a real different world but it happens to have an MMORPG "online game" that I have worked in as the underlying world logic, huh? Bro, do you like the hundreds of items in my 200-square backpack and 200-square warehouse? Although The Courier is not so exaggerated, the descriptions of useful consumables, weapons, armors, dungeons and world logic are still enough to satisfy readers who have not experienced much game writing. It forms a cheese sandwich with the previous career setting, leaving readers completely powerless! It's almost the fourth turn. After the fourth turn, there will be another stage. New settings, new equipment, new maps, and other things will have to be completed again. I wonder if readers will continue to hold their noses and eat it. [Whether the plot is enjoyable or not] It's really not that exciting. Under various circumstances where the above two major points exist, the rhythm has quite a problem, especially for students who are pursuing studies. The Anji episode was a good little climax, and then it stopped. Then in the second theft, the interesting point was the trumpet succubus, but during the theft, the protagonist went to pick up girls and steal things. Is it fun? What do you think? There is also the Shenhou Mansion that paved the way for two thefts. Now there are no clues. It is an advanced reservation. Is it in vain to see it? Also, the protagonist has been emphasizing that the game only starts at level 4, but apparently the top level of the Central Plains Three Kingdoms is level 4 foundation building (a bit like the innateness in urban novels in the past), so it can be seen with the naked eye that the current plot and map are definitely only a small part. With the ability to listen to the sun, if the setting is enough, it may be like a magician's experience, but the reader (that is, me) can't think of it. Instead, the protagonist always emphasizes this matter, which makes me speechless, but! The protagonist actually only knows about one house of thieves (this information is too little now). He never plays his own games. He only knows about some functions of some props. It is too fragmented, so sometimes the protagonist does not know what is superior and what is good. There are still many enjoyable parts, but they are very fragmented and spoiler-y, so I won't go into them. [Points worth looking forward to] First, there are three heroines for you at the beginning (a little tiger is added at the end), each with a familiar setting, a corrupt country, and each has its own problems. It is true that the opening has given you a preview. (So ​​will the queen accept it in the end? I guess not. Even if there are extenuating circumstances, she did kill a lot of people and did a lot of ridiculous things. But I am looking forward to the country of the white fox, but I am not looking forward to the plot of the black wolf at the moment. After all, as long as it is strong enough, it will be too difficult for him to form a gang and fight back with Tingri's style.) So before you see what you want to see, you can still look forward to it. Second, I don't know how to unfold the new setting. Tingri always emphasizes the "Central Plains" and "Three Kingdoms". There should be new maps in other places, and the protagonist group is in sight. The new setting will be unfolded again, which is good for readers who are interested in it. Four, ugh! I want to see Shura Field! I want to see the blood flowing into the bayou teeth! Anyway, come on, keep raising books~

When you have more than 300 chapters, you feel like you can't write anymore. This book is a high-end and a low-end. Now that I have seen the ending, it is not difficult to accept. It is a bit eunuch, but there is an ending after all. That's it, it's over. I hope you will make an outline of your next book and save more manuscripts

Quick, quick, quick, quick, quick, quick

Come on

Gouzi has saved manuscripts

Damn it, I really want to see the end in one breath~

The author will definitely not give up his advantage of writing female characters, so he will definitely write more female characters. However, he is unable to finish the story, does not dare to write stomach medicine, and does not dare to write a bloody ending. He has no choice but to flatten these gem-like female characters into bricks and build walls to build a harem.

I personally think what everyone wants to see is that after the game plot is over (or skipped), players will start killing everyone. No matter who you are, whether you are the salary king or the principal, they will all be killed. What kind of monsters, monsters, monsters and monsters? Let's talk about my build that has both numerical values ​​and mechanics. Highlight a dimensionality reduction strike. Rather than being chased by an NPC who suddenly added a name, like being chased for a long time on the side of the road and then kicked twice. Other people's BOSS's powerful buffs have expired and become weak and have no backhand power. This is a good time for players to output fiercely. Your BOSS's expired buffs mean that they have too much power to control. Now that their strength has been weakened, they have reached their comfort zone and their combat power has greatly increased. Would you like to read what you are writing? As mentioned before, the value of the fourth-turn foundation building is only ten times that of the third-turn. Everyone knows that the value of 300 people can be stacked on one person. You can also wait until everyone is dead before using this move, highlighting one thing and making the best use of it. tmdThis person's value is thirty times higher than that of level 4? ! With this value, what kind of mechanism can I play with you? Ying Le now has 800 guards, and he can recreate them at any time. He can only build one with 300 guards. If he makes a few, they will be the best in the world, okay? ! Indigenous people need numerical values ​​and mechanisms. Who is the player? May I ask? Is this a domestic second-tier game? Players are responsible for escaping and being defeated, right? I didn't ask Tingri that you couldn't write about powerful indigenous people. I'm not a devil. But what does the collapse of combat power mean? What happened to your concept of numbers? It's only the third rank. An NPC on the roadside with a name can beat the world's best rank 3 and rank 03 at the same time. At the fourth rank, you will be tortured by the nameless NPC. As a tea-drinking messenger, I may have to control you, really.

Among the novels I have been following recently, the main character of Crow is as unreadable as a licking dog. Iron Egg, the protagonist of Jian Zong, is completely lost. Iron Gunpowder and Spellcaster take time off every day, and just read a few chapters from time to time. The story of Ying Le is even more exhausting... Are there any light novels that add combat that are fun to read?

Whose book is this? Why is it on the new book list after 4 chapters?😐😐

I really feel that this protagonist has a lot of left- and right-brain interactions. One moment he kills the guard for the sake of his old lady, and the next moment he talks about the morality of the world with the famous Shura who has countless shrimps. This plot of Shu Dao Mountain is really uncomfortable to watch🙄 The protagonist is good and not good, and evil. Not evil, reckless but not ignorant, stubborn but not strict, neither extremely self-interested nor helpful to the world and the people. The author calls it the character of a player, but there are really only a few players who are so chaotic. Hey, I can't understand it anyway. I just want to say... Why do you have a pointy head, protagonist!

You mean, in the past two years, there has been no news about your new book, no manuscripts, and no extras. Now you are back just because you have no money to play games, right?

I declare that "The best three turns in the world" will become a new hot topic in the Internet literary world and will be recorded in the history of the Internet literary world.

You win, I will definitely keep reading this book. Reading this book now feels like the same experience as the Spell Return War against Su Nuo. Every chapter can make me laugh out loud. I admit that you are as great an author as jjxx. No, it may be greater than jjxx, because even jjxx can't slap himself in this chapter. I would like to call you the God of Settings.

If Ying Ru Shi and Yao Shi Yu are surrounded and suppressed by two people, just tell me if you are the best in the world🤡

Come to life, my love! Si Ting Quan Thoughts are flowing like a fountain! 👊😭👊 Nian Ting Sword, never forget it!! 🗡😭🗡 Listening to Sun Palm, life after life!!! ✋😭✋