Dujing Dungeon

The "ascent inhibition" concept in the book is quite interesting. While it seems to protect ordinary people living on the surface, in reality, anyone who succumbs to the allure of power and treasure, entering the dungeon to kill monsters and level up, will be driven by greed to continuously descend until they become a "white card adventurer," a near-immortal god, yet still confined to the…

It's changing, it's changing [Image and text unrelated]

It's a pity. The author might only realize this after experiencing a major setback. Adding philosophical and social commentary to Qidian (a Chinese online literature platform), along with a sudden change in the basic setting (referring to the movie-making section, where the setting shifted from prioritizing force to prioritizing intellect), and playing with sudden mind-bending plots (there's…

I initially found it acceptable, but I lost interest later on. Here's my review before abandoning the book: Pros: 1. The supporting characters are well-developed. 2. The protagonist's character development is decent, especially regarding his dungeon adventures; the setting is also good. Cons: 1. The supporting characters are given too much screen time.

Persist until chapter 25! To be honest, the book is good, but the author has too much personal bias, and is clearly suffering from a severe case of pretentious, artsy writing. Excluding the personal bias, the battles and plot deserve high marks from me. So, just a side note: if you want to read a novel but dislike brainwashing writing, you might want to consider this.

I don't really understand the latest plot. The protagonist starts to influence his skill choices for a trivial movie. That's a bit much!

Why would the government allow ordinary people to participate in underground cities? Personally, I feel that these kinds of dungeons would be jointly managed by nations, right? There's absolutely no need for ordinary people to participate. After all, this isn't a chaotic period, and qualifications or professions aren't randomly assigned.

Could you please try to discuss philosophical issues as little as possible? Young people will only read a couple of chapters of your book before giving up. Most of your readers are adults who already have a basic understanding of these topics. You can't write about them at length, and if you write little and only superficially, you won't be able to explain anything meaningful, which will make it seem very boring. So constantly touching on these issues is awkward. Don't you, author, realize this?

Reminder: This commentary contains spoilers due to the author's citation of the article. Foreword: When I typed this title, I felt I had chosen a topic too broadly and wouldn't know how to write about it. I'll just share some of my thoughts on this book, which may not be entirely relevant to the topic. Please forgive me.

If the author had written a story where the protagonist went into their own dungeon alone, using their intelligence to conquer it, I feel the book would have attracted far more readers. It would be better if the protagonist leveled up before venturing into other dungeons and teaming up with others; currently, the protagonist feels like a supporting character in the team, not playing a significant role, because we've seen far too many dungeon-crawling storylines like this.