Imperial Bloodline

When I saw the Golden City, I realized that you were just copying Xuanjian. The Xuanjian conflicts are constantly taking place on the battlefield. You are the same. Why can't you give some development time? Suddenly Yan died without any transition. Cindy's character design is also wrong. How can you have the nerve to open your mouth and ask the army to go back? You still write when you know it is impossible. The characters are defeated without mentioning the water. The so-called wisdom in the front is a carrot and a pit. The pure author uses his strength and keeps downgrading. You all know this. The sword is the Holy Sword of the Abyss. Why are they rioting? Why do they need to think about it? Lu Mao is looking for trouble everywhere. You also wrote it yourself and thought that the magic sword will attract Lu Mao. You also wrote that the person is so mentally retarded. The protagonist has restored the memory of the soul palace. Why not? Reminder, I just said that I couldn't reveal my purpose and searched books everywhere, but I started asking directly, so what are you careful about? It's really retarded. It's just a bunch of weird plots. I just watched it casually, but do you really think that others can Akaashi?

The protagonist is a sword. Those who like to read non-human protagonists and family stories can read this. It prefers group portraits. If you like to see the protagonist pretending to be a slap in the face, you can leave. The protagonist only appears once in a few chapters.

Are you a bitch? If you keep writing like this, the whole book will be about a female lord.

When I was in junior high school and high school, I enjoyed watching the author's Lord of War. Author, author, you might as well write traditional Western fantasy or Kohaku-ryu. With all your stitches and hard stitches in pursuit of hot spots, you may not be able to accomplish anything in the end.

The false heir to the marquis personally led a group of soldiers to grab the potion materials The real heir to the marquis, butler: "Master, your potion is ready. You can bring it over at any time if needed."

Comment, I really like to play conspiracy. The outline of the book is good, and the plot makes people want to read on. But the character design is really bad. Read the first 7 chapters. There is no character development at all. There are three father and son characters, and the characters are very flat. The author only reflects that a family loves each other and lives in harmony. But each character's personality is not reflected. The bloodline system settings are very old-fashioned. The world view is not explained clearly in the first few chapters.

I gave up when I saw my younger brother swear allegiance to the female character. I think the logic of my younger brother's behavior is in line with that era. But the author wrote the younger brother as the two protagonists in the early stage. This makes me feel that the younger brother is too romantic. If he is a The supporting role is okay, but he is the protagonist. I don't want to read it immediately. Imagine that the protagonist of your book is a love brain. He is loyal to a woman at the first suggestion. In the end, the person of loyalty wants to marry another man. I can only say that I can't stand it.

I don't know what the author wants to do. When he arranged for Yaka to be Anne's knight, I thought that Anne would try to be independent under Yaka's protection, and gradually become better. They would grow up together, and eventually have the right to embrace each other, but in the end, Anne would get married. I was shocked and felt disgusted. I thought it was pure love running in both directions to support each other. The author took out a combination punch of minotaur + boiling sheep + licking dog with his backhand.

The introduction is really ridiculous. Ten Thousand People Killing Gods made me feel like I have returned to the ancient Long Ao Tianwen in the 1990s.

Speaking of which, to outsiders, wouldn't the men of the Soderber family always have the image of being soft-boiled and hard-working? Get the first pot of gold by eating soft food and then feed back your own strength. I won't mention that Yam made his fortune purely by marrying a lord's wife, Acies also married a young lady from a marquis family, and our Liam even married an heir from a marquis family. Isn't this all about relying on women to make ends meet? !

Author, have you finished the main mission yet? The Demon Sword feels worse than the Land Turtle, and the Land Turtle makes a secret poke at the layout. The Demon Sword is just a mess?

This book has no priority and the plot is too scattered. It is hard to imagine that anyone can read it.

Reading the introduction reminded me of a book I had read before, "I am a Magic Sword" The protagonist of this book also traveled through time and became a magic sword, and it is also a group portrait novel But what is much better than this book is that the protagonist has a sense of existence and is indeed the protagonist, although he cannot transform into a human being, just as a weapon spirit He will influence various sword masters and communicate with them to achieve his own goals The sword masters are also constantly changing, and different sword masters tell various stories. That book is a model for me to become a protagonist who travels through time and becomes an artifact This book is completely a farming novel under the guise of the protagonist turning into a magic sword, and the protagonist is not actually a magic sword, so what is the point of having this time traveler identity, because most people like the protagonist who is a time traveler? But you don't actually give this time traveler a role as the protagonist, making him a pure story prop This time traveler's identity is no different. You might as well just remove it and write the traditional Western fantasy family story, which will make the impression much better When you write about this time traveler's identity and don't write a time traveler story, you are selling sheep's meat, selling dog meat, and the goods are not relevant.

Although I am only in my twenties this year, I started reading books from Misty Journey on my dad's mobile phone. After so long, I can barely be considered an old bookworm, and I have also joined the cat fan group. Having read this book from beginning to end, I am currently the 36th person to have ordered it in full. I personally think that the advantages and disadvantages of this book are very obvious. Let me talk about the advantages first: the main line is relatively clear, the subject matter is fresh (group portraits, family), and the writing is smooth. I think the area that needs improvement the most is actually not easy to summarize in a simple "plot", but "commercialization skills". The so-called "commercialization skills" mean that the author needs to realize what content readers of online articles want to see most. After a tiring day of study and work, what they need most is "enjoyment", and this is where the author needs to use commercialization skills. Some readers may say: How do you know how to read cool articles? The cool stories I am referring to here are not the ones where the character kills everyone and has three wives and four concubines. I had seen enough of this kind of stories ten years ago. What's more, readers want to be moved emotionally by the author. We want to immerse ourselves wholeheartedly in the world described by the author, and this kind of power that can tug at the heartstrings is the "cool" point that the author needs to provide. I take the "Lord of Mystery" from some time ago as an example. Of course, the setting of the article is relatively new, but the most important thing is the author's use of commercial techniques. The world in the article is mysterious to both Xiao Ke and the author. The reader must follow the protagonist to explore on the edge of collapse and madness little by little. The God's perspective and the Source Castle allow the reader to have the pleasure of hiding behind the scenes and knowing more than the protagonist. This is the stimulation of double pleasure. The most important reason why the second part of Mystery is not as good as before is that the double sense of excitement has almost disappeared, the world is no longer mysterious, and there is no ability to manipulate behind the scenes, so even if I like the setting very much, it is difficult to continue. When it comes to mystery and mystery, it is actually the same. The mysterious and magical world and the black hand behind the scenes are core commercial skills and are tools that the author makes full use of when depicting the world. Of course, these other works of great masters have other characteristics, but I focus on these two points here because I feel that this book can do better on these two points and become a masterpiece. One of the characteristics of this book is that the author likes to tell everyone about the backgrounds of each force in one go. What are the levels of the Robert family, what levels are they meeting the Wolf King, what are the levels of the pillars in the Spiritual Palace, and the protagonist is only level three. Logically speaking, these fifth- and sixth-level characters should not be introduced in such detail. It's like the game's exploration setting is inconsistent with the character's level. Just like when I first entered World of Warcraft, someone told me everything about all the powerful monsters. Yes, my curiosity was suddenly satisfied, but my desire to explore the game dropped to close to 0. So I think the author can definitely use business techniques at this point. For example, at least the description of several levels should be a little more mysterious. For example, when it rains heavily, it should be a little vague. For example, the change of celestial phenomena is an extremely high-level phenomenon! As for how many levels, readers can guess. Of course, Demon Sword knows what is going on through experience, so it can tell some things, but it doesn't necessarily tell readers everything. There is also the fact that Demon Sword does not have the satisfaction of being behind the scenes. This is also because the first author is too popular and is afraid that we will not understand it. Secondly, he has no control over the overall situation. This is more of a setting technique. For example, I just thought about it: Can the magic sword possess some kind of higher-level power? In fact, can you lend it to the protagonist to pretend to be a high-level person? And then scare off the wolf king? Anyway, this is a book that I like very much, and I am not stingy about giving it a monthly pass, but there are actually many commercial techniques that can be applied in it to greatly enhance the enjoyment. Especially in the last few dozen chapters, there are many places where I feel uncomfortable. I was just about to have a good time, but suddenly I don't feel good anymore, which makes me feel particularly uncomfortable. And it feels like Cat is obsessed with writing about horseback riding and slashing and political tactics. Is this a Western fantasy novel or a medieval family feud novel? In this world of high martial arts, what is the meaning of the existence of these civilian soldiers, and why do they spend so much time writing about it. There are some difficulties in knowing the situation of cats. I hope cats will get better and better as they write more.

I quite like sword and spirit novels, but it's a pity that relatively few people write about them.

In fact, from the beginning to the present, more than 500 chapters in, the protagonist is actually a member of the Soderber family. The real protagonist is like the cheating grandfather in the fairy tale. Anyway, I think it's pretty good. Whoever the author writes about is the protagonist for me, and I'll read his or her story. At least writing more different characters will give me some new ideas.         ， Because starting from the beginning, if you want to integrate into the aristocratic class, you can only cross the class by parasitizing others and purely relying on improving strength or something. This setting at the beginning of the author is actually quite difficult and dangerous. However, I think the progress of this novel is indeed a bit slow, and it seems to be a bit overwhelming. But the author's descriptions of battles are still very detailed. Well, as for the war, there are actually several authors who have actually participated in the war. I think I am very tolerant of this. The author has laid a lot of foreshadowings, and I am very much looking forward to the unfolding of these foreshadowings. The ancestral heritage of the Pangbo family, the future battles with pirates at sea, and more bloodline power, etc. There are still many things that can be written. Many people will find the content of Yakka very off-putting, and think it is very poisonous. I feel that as Anne's husband, it is impossible to maintain complete trust in the knights who have sworn allegiance to her, especially in the context of this novel, where nobles are very promiscuous. And Yaka's impulsive swearing is indeed more like the brain being controlled by the cerebellum without careful thinking. Alfonso in the back may be better than Biaaka. However, in the later chapters, Anne's plot performance is still very good, and this should also be a plot foreshadowing that the author wants to occupy the magpie's nest, but it is not buried well. In fact, I think there will be a slap-in-the-face plot for Alfonso in the future. He will bring his descendants with excellent blood back to the Gaunt family, start the slap-in-the-face drama that we love to see, and then annex the Gaunt family just like the family that annexed Monica. Oops, there should be more plot climaxes like this. There should still be vulgar people like me. In short, at the beginning of this book, the part about Yaka was quite toxic, but I thought the other parts were okay. And the plot actually gets more exciting as it goes to the end. The author's writing style is very good, but writing too many war plots may be a bit boring. Moreover, there are really not many authors with such writing styles for works with this kind of subject matter. Western fantasy group portraits feel relatively niche. Sigh, it would be great if more authors wrote these types of articles. 😭

With Mingyu from the Xuanjian Immortal Clan in front, it would be difficult for the similar subjects behind to drink soup.

Hahaha, I just want to laugh when I talk about it. Ever since "The Master" was released as an anime, fans have mourned the author every year. "You died so miserably, Su Muqiu" "Butterfly Blue, I ask you why people die in e-sports articles" "I once went to Nanshan once and bought a bouquet of birds of paradise/" "He is the glorious bird of paradise" I can't help it. I can't help but laugh when I think that the author of Su Muqiu's prototype is still alive. Butterfly Blue completely won. Although Mu Qiu is alive, Mu Qiu is dead forever, wahahahahahahahahahahahaha. Every year, the protagonist based on the author is chosen as the protagonist in the fan novel of "The Master", but in fact, new fans who don't read the comment section of the original work don't know the story behind it. Do you know why "Jun Mo Xiao" is called "Jun Mo Xiao"? Actually, this is "Ye Xiu" complaining to "Mu Qiu", "Don't make fun of me", "It's almost done", "Brother, you are drunk, so you can't get pricked too much". Su Muqiu's death was not unjust at all. He died happily. After Su Muqiu's death, he must have traveled to another world and started a harem as a brave man and adventurer. Speaking of which, I don't know if Muniu Liumao will read the fan novels of the full-time master with himself as the protagonist. To be honest, there are quite a lot of fan novels on this subject. Fans write them every year, and they even have their own hot-searched CP words, "Umbrella Repair Orange". Back then, he wrote Butterfly Lan as a fat man in his book, so Fatty Butterfly Lan asked him to get a lunch at the beginning of his new book, which happened in 2011. Both of them are writers in the game category, but Muniu Liumao prefers to write novels about the fantasy world of the game alien world. Su Muqiu must have traveled through time after his death. So Su Muqiu's death was not unjust at all, he died happily. After his death, Su Muqiu must have traveled to another world to be a brave and adventurer, saving the world and opening a harem at the same time. According to the plot setting of Mu Niu Liu Mao, Su Muchiu will definitely be able to travel back to Earth with his entire harem to see Ye Xiu and Su Mucheng in the finale or extra chapter. I want to laugh when I think that there will be follow-up plots in e-sports stories about the resurrection of the dead. The worldviews are connected, friends. Old readers, please add some additional stories about Mu Qiu and Butterfly Lan.

The author feels that he is always powerful and has designs. Everything you do has to be explained again, and the characters also explain everything externally. The writing is mediocre and very chatty. When writing about war, we neither focus on the scenes of the war nor the process of the war. We write a lot of nonsense before the war.

It was exposed to the eyes of others too early, and there was no time to develop. It was all forced by the editor and the author.

This name, the bloodline of the Kingdom of Vision, I thought the old eunuch had left the palace

Have you ever been a magic sword? A bunch of random writing, taking it for granted

Although the author's writing style is very average, even a bit poor, the concept is still very good. It's pretty cool, why is it so popular?

Such a good book, why is the monthly pass score so bad? I'm so afraid of dying.

After reading more than 200 chapters, I feel that compared to the Xuanjian Immortal Clan, I haven't grasped the cool points at all. The protagonist of this article is basically offline, and there are even cases where the protagonist has no role in more than 30 chapters, which is very outrageous. The cool points of this kind of article are how much benefits the protagonist can bring to the family as an artifact, how to help the family improve, the behind-the-scenes layout, and even It can be directly controlled, or when you meet a suitable mutual growth, to help explode at a critical moment, or to borrow strength. The group portrait should not be separated from the protagonist. In other words, although the group portrait should have a main line, everyone has their own characteristics, and everyone in the family works towards a goal. Not only the growth of the family, but also the growth of the protagonist.

It's a pity for the author, War Lords was so well written at the time, even though it ended

Spoiler: Brother Yaka betrays the covenant and kills Monica

I really can't stand it when I see Yaka running away for a girl. Isn't he afraid that the incident will come to light and someone will destroy his family? Besides, he knew such a big secret and his brother asked him to go? Doesn't this destroy him? He would ignore it for the sake of a woman, and he would tell his secrets for the sake of this woman, so I really can't stand it, it's so stupid! Anyone who can read the first 60 chapters and still read it is a genius!

I didn't say anything. I just told the truth. The female characters in the book are all in love with the men from the protagonist's family. Why did you delete my comment? Is what I said false?

It's outrageous. You are awesome at others and let others be awesome. What a magical idea. Also, why is she a female character who is in love with the protagonist's family?