I Am Immortal

I can't bear to hold on until this point.

The first few chapters or even dozens of chapters are quite good, but what are you going to write in the back? You are pretending for the sake of showing off. A newbie who has not yet debuted is giving lessons to Liuli Pharmacist. Today you will be shocked by this and tomorrow you will be shocked by that. The level of pretense is comparable to that of a sword in the snow. Isn't it embarrassing to watch? The dialogues are all blunt in order to appear fairy-like 😴😴😴

I believe in the quality of the author and the author's literary talent, so I keep persisting, but I really don't feel happy about it. The Killing King from Entering the Mortal World looks more and more awkward. I don't know if other readers feel this way. There are too many explanations, and they are always re-explained. They are detached but not detached. Entering the mortal world seems free and easy, but in fact they are not free and easy. Kill those who do many evil things. , Why make amends, and give each villain a "whitewashing" angle, of course whitewashing in quotation marks, always writing that the bad guys were once good people, were once miserable people, and were also the children of their parents. Even the eunuch protected more than 3,000 people, which is completely unnecessary! If you write like this alone, that's fine. You can feel that this is a troubled world where you can't help yourself, and you can feel the difficulty of becoming enlightened. But it's really uncomfortable for everyone to write like this. There is also the old Buddha. If you want to say that this is an invincible article, it can be considered as something that can be written. But is the span too big? You are still studying Taoism at the same time, and then you turn around and say that the old Buddha has passed away? Isn't it better than Sanqing? I think there is a bit of a bug. You have to know that although you have accumulated experience in previous lives and Huang Liang's dream, how can you be comparable to Lao Buddha and Sanqing? It makes people think deeply at every turn. We must know that compared with ancient times, some of our "ideas" have not made much progress, especially in philosophy. After explaining for a long time that "the accumulation of suffering destroys the Tao", there was no new point of view, and then people realized it, emmm. Later I saw a book review saying that the peacocks had clear grudges. Although I didn't read that chapter, I didn't understand it. This is my first time to post a book review. I really like this book. This is a book that has made me lose track of time after reading it for so many years (only the first part). I hope to sort out the outline and write better and better!

Isn't this a re-imagining of the trolley problem? In the end, you still judge the result based on pure law, which is meaningless and has no new ideas. I came to read the novel to have fun, not to torture myself. What I want to see is that in the face of the trolley problem, I flew up and stopped the trolley with my bare hands and no one was hurt, instead of continuing to do those stupid multiple-choice questions in the face of the law and personal feelings. Why did Lao Yan Fei pick up the trolley problem and write it again? The more you write about controversial issues, the more readers will be hurt, because you can't make both sides happy with the outcome, and you will inevitably lose part of it. Now Qi Wuhuo's character has been established like this. Either he will always be written as a moral saint without any flaws, or he may end up like "Sword Comes". In my personal opinion, it is not impossible to write a moral model protagonist, and the protagonist of "Apocalypse Forecast" is really just a stand-up person. Dancing on the moral high ground, but Fengyue handles it very well. The protagonist cannot be considered perfect. How do you deal with this later? You want to write a flawless saint, but no one can be a saint all the time. If the protagonist continues to be like this, it will only increase his unreality and make him more and more like a machine. As long as there is a slight mistake later, it will make people feel that the writing has collapsed.

I couldn't read the first volume until I finished it. I didn't even bother to complain after several large-scale battles. My savior, the old Dragon King and his son, could kill at will. How do small people deal with themselves under the pressure of the general situation? The merits and demerits of the ruthless nature cannot be offset, and there is no reward for saving three million people. , Ended up with injuries all over his body, and saw that he was bewitched by a monster and made a big mistake. The father and son ended miserably. However, the protagonist pretended to be successful and had merit and could redeem his skills. He was such a god of heaven. The protagonist even killed people as if relying on his defense and asked others if they regretted it. Forgive me for killing my savior because I understand the truth and cannot agree with it. The most unacceptable thing is that the Arctic Demon Exorcist Academy is said to be so awesome, killing this and that, so that if you make a mistake, you will be arrested and beheaded in the blue and the underworld. The emperor of heaven can kill, but the emperor of the mortal world can't kill? The emperor participated in this matter as a collaborator and destroyed the formation. He was a participant in the absolute sense. However, the relevant people were not punished in any way. Did he deliberately forget these people in order to pretend to take revenge in the future of the protagonist? I was really disgusted to see this.

This book is very fairy-like in the early stages. Although there are some minor problems, it is indeed a good book. But it didn't work in the mid-term. All the pretense was not in place, and the supporting characters were belittled to improve the pig's feet. It was written as if the Sanqing could not realize the talent of the pig's feet if they didn't fight for the pig's feet. Many of the promising foreshadowings in the early stage were also wiped out. The president commented that the front is grass jelly and the mid-term is food and grass, but after looking at the front, he expects too much from the back, and the gap is a bit big.

I can feel it from the front, but the further back I look, the more something is wrong. It looks awkward. It's a pity.

This book has a strong classical spirit of immortality and chivalry. This is an orthodox way of cultivating immortality. In the process of cultivating Taoism, it pays attention to the way of seeking Taoism. The rhythm is ups and downs, and the protagonist has an unparalleled character. The story of "I am the Immortal of Immortality" is very exciting, and the writing is also very good. It is a fairy grass, worth reading!

This book doesn't mention the hard-boiled characters who appear in the book. I feel that this book has various plot arrangements and the speed at which various villains appear is also different. Most novels. When I read it, I always had the same impression, such as Donghua who was hacked to death in the first volume, the Demon Emperor who was beaten to death in the second volume, and Anji who immediately followed the wolf jump, such as Taiyi, the big boss who is basically the same as the famous one. It feels like the author is just trying to make the protagonist quickly jump into all kinds of villains. By the way, there is one thing I really want to complain about. The author describes the training system in the book as a traditional system of cultivating immortals that requires hundreds or thousands of people to practice. However, in order to let the protagonist fight the weak against the strong and show off, he did not give the protagonist a traditional plot to end, and then the protagonist retreats to practice in conflict with the cultivation plot. He just lets the protagonist pretend all the way. I keep pretending to fight without stopping, but it turns out that the protagonist in the latest volume has just reached adulthood 😅 It seems that the author intends to make the protagonist invincible in the world and defeat the last villain before he is a hundred years old. Gee, if it is really written like this later, it will feel like it is a joke that the other characters in the book are so useless and have been repaired for so many years 🤭

The author describes a completely conflicting worldview. The author believes that in the world he describes, the imperial power has not been restricted at all so far, and it is unscrupulous and can do whatever it wants. Therefore, Qi Wuhuo's main mission is to restrict the imperial power. Based on this logic, the author is completely unable to explain how the previous prince lost his position. Don't forget that the former prince is also a member of the royal family. He also has the power to do whatever he wants. So, has the imperial power been restricted so far? If there was no restriction, the former prince should not lose his position. If it is restricted, what is the meaning of Qi Wuhuo's existence? Walk the same path that the current emperor has walked? The current emperor created the illusion that the prince had lost his moral character and ruined the luck of the previous prince. But Qi Wuhuo exposed this fact, letting people know that the emperor was unethical and ruined the luck of the current emperor. Essentially, it's all one thing, that is, imperial power is restricted by the human heart. What Qi Wuhuo did was something that the current emperor had already done. Revenge novels can be written like this. Cultivation novels, novels that pay attention to originality, is it necessary to write like this?

After a full review, the first 50% of the book can be said to be a masterpiece, but after the 50% mark, the plot becomes repetitive and redundant, making it difficult to read. I feel that when the author was writing, there was a problem with the rhythm, and the plot was not ideal, which was a pity for the previous high quality. Looking forward to new works and improvements.

Powerful and domineering, calm and domineering, all kinds of domineering, the front part is obviously very good, but why does it look like a low-quality cool article, even a high-quality cool article can't stand it 🙂 Do you read some sentences fluently? Is there any handsome guy who thinks about the latter part? Are you still so bearish?

Currently, the big bosses are Changsheng and Gou Chen, the small bosses are Demon Emperor, and the hidden bosses are Fuxi or Taiyi. The key point is that you tick Chen before the three flowers arrive. What are the four stages of immortals like humans, earth, gods, and heaven in the back? ! Ever since Zhu Ling seized the Fire Seal, his combat power has collapsed. In the past, novels could only kill people across one or two realms. Even with formations and rituals, it would be too inconsistent to cross five or six realms every day to crush the remaining emperor from ancient times (yes, the ghost emperor who was killed without any injuries). Even if it is said that Journey to the West will be rewritten later, the Bodhi Patriarch must be at least the leader or the emperor, and there will be a five-hundred-year clone competition in the middle. The progress in the front is so slow, and he is always involved in high-level struggles. If the world supports the King of Qin in the future and is not an instant human emperor, then the human emperor will be worse than the Ghost Emperor and Gou Chen. In the past, I always laughed at Dou Po Douluo for upgrading and changing pictures, and the enemy would send experience babies to upgrade. Although it was criticized for being cliché, at least it was smooth without any brains. I hope the author will adjust the rhythm and defeat monsters step by step and upgrade. Online novels need to be updated every day. It doesn't matter if the water is daily. You can't lose the basic logic and balance of combat power. The second part will be like this, and there will be no way to get it right later.

I feel that the level of a first-class master like Hou Tu in this book is a bit low. As for the IQ of the protagonist, I don't think it is heaven-defying (the ancient Huanghuang Holy Path has a profound influence on me in terms of talent, and it is not as good as the talent of Daluo Xiaoxiao) (Not considered hanging)) I feel that in this book, the status of these gods with names in myths has been lowered. Well, my problem is mainly that these gods die too easily, their status is too low, and they don't have that mysterious and mysterious feeling.

Let me briefly describe my impressions from the second half of the second volume. Overall, I can accept it. The second volume is not much to comment on. Some of the settings it throws out have a feeling of being forcibly rounded and forced to bury the thread. The handling of the relationship between the Three Purities and Fuxi and the Jade Emperor is also relatively blunt. It is a bit suspected of forcibly demoting the status, elevating Fuxi and weakening the presence of the Three Purities. I am not very satisfied with this part. As for the third volume, the writing was rough at the beginning, but there are still a few interesting points in the writing, and the overall foreshadowing is either very obscure or not at all, and the plot connection is not very smooth. It gives people the feeling of rushing to fill up the outline and publish it. It is a bit suspected of forcing the number of words for the sake of speed. It can also be clearly seen in the period from a few days before the Mid-Autumn Festival to the National Day. There is not a drop of saved manuscripts left. My personal suggestion is not to be too impatient and lay out the clues. Now there are four or five vests and a lot of pits that have not been filled in. It is recommended to take your time and deal with the plot that has been written first, and don't rush to code the number of words. The most basic typos have also increased significantly during this period. I can find two or three in the past two days or even a chapter. In short, I hope Lao Yan will work hard and take care of himself 🙂

Withdraw, withdraw, I can't stand it anymore

I got into trouble after watching Lao Yan's Demon Suppression Museum. I followed it all the way to the end and found that it had the same problem as this book. The beginning was particularly well written, a model of the three golden chapters. In the early stage, it can also be regarded as the pinnacle of online writers. But by the time In the middle stage, it has started to move up and down, and in the later stage, it can only be said to be mediocre. This was the case in the last book, and the same is true for Qi Wuhuo in this book. He was so heroic in the early stage, but ended up falling into the quagmire of Shinto. Even so, Lao Yan still diligently updated nearly 3 million words in less than a year. There is no credit but hard work. I will finish it soon...

This kind of article has a fairy spirit, and repeated reading can increase your understanding, understand the way of heaven, and improve your state of mind. It is far from the comparable value of ordinary immortality novels. This is what Han Yu said about writing to convey the Tao.

It can be seen that the author is very careful, and he should have consulted a lot of information. However, I read it in a hazy way. There are many writing methods similar to the stream of consciousness, and the corresponding sense of picture and continuity are weak. It may also be because I really don't have much Taoist culture and can't see anything. It's a very hard-core classical style, not a knight-errant. I'm afraid I won't like those who want to see the rough road, draw their swords to help, kill demons and demons with one sword per person.

There are so many pitfalls The writing is good at the beginning, but it gets weirder and weirder the more you write 😂 It took me a year to realize the Tao in the early stage, and I am still 16 years old

The fairy in my mind is a person who grows up step by step, and is not a fairy from the beginning. Immortals live in mountains. People on the mountain are like immortals, but people at the bottom of the mountain are still human beings. The protagonist of my book Immortal of Immortality fits my idea of ​​immortality. A mortal breaks away from the secular world, realizes his own needs, and finally wakes up and cultivates immortality. "Immortals caress my head, knot my hair and receive immortality." I always look forward to adventures and immortals in life, and the protagonist in the book has such an experience. Meeting an old man is a chance encounter, which can be said to meet an immortal, seek immortality, and eventually become an immortal. This is the inheritance of immortals. I often think about the word Xianxia, ​​and I also like to read Xianxia novels, but many novels actually only describe immortals, not heroes. There is a fairy spirit but no chivalrous spirit. If he doesn't act bravely and doesn't help the weak, how can he be called a fairy? I am an immortal. The protagonist encounters an injured old man when he is a mortal, and the protagonist Qi Wuhuo chooses to treat him. This initial choice was chivalrous, and it also allowed Qi Wuhuo to open the door to the Immortal Immortal. The word chivalrous person fascinates people. There are immortals and chivalrous people, and only this fairy-tale novel has "spirit" in it. The content is nothing more than flesh and blood, which is important, but the "spirit" is more important. I have this kind of "spirit" for Immortal Immortal. "Huang Liang's dream awakens and breaks the ordinary mind, and from then on the door to practice is opened." This broken ordinary mind is worldly desire, and this is the beginning of the transformation from mortal to immortal. But immortals are human beings after all, and therefore they have desires, such as becoming an immortal immortal. People must have desires, and immortals are no exception. However, the reason why humans are human and the reason why immortals are immortals is because they can control themselves. I read this book and often travel in the world in this book. I want to watch the dragon girl hold the lamp, the wild fox meditate in Zen, and the tiger realizes the Tao. I want to fill the cup with the sea and drink it all. I would rather travel to Beihai in the morning and Cangwu in the evening. These are all my desires. Unfortunately, I am only a mortal after all. Firewood, rice, oil, salt, sauce, vinegar and tea are my life. Fortunately, Qi Wuhuo can show me around and witness the immortality! The author Yan ZK portrays the protagonist very well, and the plot has ups and downs. Overall, this book is good. Looking forward to the author's new book.

Since reading Lao Yan's book, it's basically difficult for me to read other novels about cultivating immortals.                                                                                                                           Lao Yan, who I met from "The Museum of Demon Suppression", turned to "I Have Many Masters" and "I Train the Big Boss Behind the Scenes" after watching it. The biggest difference between Lao Yan's book and other novels is probably the thoughts and thinking about Lao Yan himself contained in it. Some people call this style of writing "immortal spirit". What is "immortal spirit" is the kind that is in line with our consistent fantasy of cultivating immortals and visiting Taoism since ancient times. It is also the Taoist thought contained in the text, whether it is awe or resonance, or the characterization, behavior and ideological core of each character. These form a very strong contrast with the consistent routines of other such novels, in which immortals are not immortals, and humans become beasts. This makes it more consistent with our inner expectations and fantasies, whether it is to be a chivalrous person or an immortal. Starting from "The Museum of Demon Suppression", Lao Yan may reveal what he wants to tell in his writing. He is no longer just writing a story, but wants to tell some truths. When it comes to Immortal Immortal, he further writes about his understanding of Buddhism and Taoism through the theme of classical fairy tales, which makes it easier for readers to resonate. Of course, in addition to these, it is very, very good for me that Lao Yan likes to study. He really looks at the quoted things and has his own understanding. This is better than most authors. From the solitary and monotonous vows of the Yin Qian Jue Yun Tuan in "I Train the Boss Behind the Scenes", "Master Xuzai! If you do this, I will kill you! Kill the thief!" To the intense military conquests written in the museum about the emperor's patrol in the mountains and seas. From the scene and the words of the great virtuous master, "A poor Taoist opens his horn and invites a big man to die", and now all kinds of Taoist scriptures are easily recited and translated into natural forms. Whether it is the edict of the mountain god or the ambition of the Medicine Buddha, we can see very, very obvious progress. Of course, there are a lot of disappointments, forget it, I don't want to say bad words. After "I Train the Boss Behind the Scenes", the heavenly system was applied in a hurry. The protagonist quickly upgraded, refined magic weapons, and then worked on the dark side of heaven. "Demon Suppression Museum" was well written and insisted on pulling out the top ten or something, and then collapsed all the way. The style of "I Am the Immortal" has changed drastically, and it has started to show off. I can only say, Lao Yan, can you do it? Why are you unable to succeed every time? Men at least can't...

I don't understand the grammar. I've read so many novels about cultivating immortals. Could you please make it easier to understand? I'm tired from reading it.

I re-read the excerpt today and had a new understanding. What runs through the whole text is ordinary. It is not an ordinary mind, but a mind that flows naturally without deliberate effort. Especially the comparison with the people in the book review area and the people in the book is a good illustration of this state of mind. Greed, anger, ignorance, arrogance and prejudice should not touch one's body, do not cloud one's heart, and the aura will not be destroyed. Lively and long-lasting. Don't let other people's hearts disturb, provoke, or reflect in your own heart, but let others let the sprouting of all things trigger your own heart. Only with a bright mind can you naturally go further. Because in a world without demons, cultivation can only start from the body and mind. But if you look at a different scenery, it is also very good to use stones from other mountains to attack jade. Don't regret it, each has its own fate. The most special and different thing is that the choice of mind and understanding for accepting disciples is indeed very harsh, but it is indeed very reasonable and necessary. Now I can understand the thoughts of Teacher Wen Zhong that I could not understand in the past. If I were to change places, I would also use this criteria to select. All kinds of limitations are gone, so you have to choose someone who has a bright heart, a strong will, and a profound understanding, who can go on naturally and on, without stopping halfway, and who is willing to build a new hometown with peace of mind. Keep walking, keep walking, and will not stop until the end of the world. Only such people can inherit the mantle and become fellow Taoists of the same realm. As for protection, it protects the body and mind from being destroyed in the early stage. Only after the seedlings have passed through the most vulnerable and vulnerable period can they develop further. In short, do not be disturbed by other people's hearts and thoughts, do your own actions, hearts and thoughts, do not be deliberate or scheming, use your heart and Tao to guide your actions, and use skills and techniques to verify and protect the Tao. Confirming once again that this direction is correct is the biggest gain from this review. (The following is what I want to say at the beginning, let's put it later as a ps.) Review. A few years ago, I saw the first half of the book and stopped reading it. The pace of this part seemed too tiring, and I don't know the level of the later parts. Reading the book reviews, it seems that it is not as good as the previous part, which is a pity. This year I have a different mood, watching the clips of Wu Huo in the mountains, offering incense, preaching, leaving on New Year's Day, visiting with the teacher, playing by the river, eating, and formally becoming a teacher. I have a different understanding.

The most interesting thing about this book for me is the plot of Qi Wuhuo and Yunqin, two men and women who are ignorant about love, coming together. From the beginning when the two were childhood sweethearts, they shared each other, and then their relationship gradually deepened and they missed each other. The relationship between the two can be said to be as pure as ever. How can such a relationship keep people from being moved? Such an innocent description of emotions makes people feel more involved. I am increasingly looking forward to more exciting emotional descriptions in the author's new book.

Lao Yan, who met Lao Yan because of "I Train the Boss Behind the Scenes", likes this book very much and also likes this subject matter very much. This book is one of the few that I have read many times. Because of it, I fell in love with Behind the Scenes. Unfortunately, I couldn't find a meal replacement for a long time, and I cried. (There are many similar settings, but the writing style is so different that most of them can't stand it.) Then, I watched Lao Yan continue to write "The Museum of Demon Suppression" and "I Am the Immortal Immortal". Although they are not as stunning as "Behind the Scenes", they are still great books. The writing, setting, and plot control are all excellent. It is worthy of being produced by a master, and the quality is guaranteed. To be honest, I haven't followed up on this book for a while, because I am not used to catching up on updates (it's really painful to follow up on updates, especially when the author has missed a good chapter), and I thought I would just save them and slaughter them together. I just saw someone saying in the group that "I Am the Immortal" has started its final event, and I was really surprised. Because I thought it would be another huge novel like "Suppressing Demons", but it turned out to be less than three million words. I immediately looked at the latest content and found that it was really about to end. Mixed mood. However, Lao Yan is a very mature author. I believe that where he should end the story is his carefully considered arrangement, and it is also the most suitable state at the moment. That's fine. After finishing the book, we can read it together when we have time. I can't remember the previous content clearly, so I'll stop talking nonsense. Write a book review seriously after you finish it. Now, scatter the flowers. Wish Changsheng a successful ending. I also wish Lao Yan good health and that he can continue to write excellent works. Happy New Year and looking forward to the next book!

😐😐😐

The characters in this book really have their own distinctive characteristics. Qi Wuhuo's integrity and kindness, Yun Qin's innocence, the old scalper's greed for money, the Tai Shang's protection against shortcomings, Yu Qing's directness, etc. Are all shown in every aspect of the plot, allowing readers to remember these novel characters at once. Nowadays, many novels except for the protagonist have the same characters and have no characteristics, which makes people feel boring at first glance. This "I Am the Immortal" can bring so many supporting characters to life, which really shows the author's skill. The advancement of the plot of the novel is also quite good. Although the early plot is a bit dull, various foreshadowings in the later plot burst out, and the plot is extremely exciting, which makes readers feel really happy. This book is indeed an excellent work of Xianxia novels. I hope the author will continue to work hard on the path of Xianxia novels and write better works!

I started to get into Lao Yan's books with "The Demon Suppression Museum". I also wrote a book review of "The Demon Suppression Museum" in April last year. Here is a little excerpt from my previous book review. "The description of the protagonist's past life in "Suppressing Demons" is not unsatisfactory. He fought all over the world with Yu who had not entered the house three times, recorded the recipe "The Book of Mountains and Seas", revolted with Zhang Jiao, and fought to the death with Xiang Yu in Gaixia. Finally, in modern times, he saw the goddess Yu who was imprisoned in order to save him at the risk of stealing the magic medicine. But I think one shortcoming is that the author defines the book "Zhen Yao" as a mystery and suspense. Readers who originally like to read horror reasoning suddenly become fantasy when reading it. Readers who like fantasy should not miss it. Readers who like suspense and horror can also try it. Anyway, the quality is high and you will not suffer any loss. " The pace of this book, "I Am the Immortal of Immortality", is a little slower than that of the Museum of Suppression of Demons. When I wrote 500,000 words of "Suppression of Demons", I was already fighting with various gods and immortals. Immortal Immortal is still practicing, and his progress in cultivation is a little slow. However, Lao Yan's Immortal Immortal is obviously more immortal than Zhen Yao, and compared to Jasmine's "I Didn't Want to Become an Immortal" at the same time, it doesn't overdo it. Daily life + cultivating immortals is no longer just about showing off and slapping people in the face, but ordinary daily life can be regarded as a kind of attraction. Lao Yan's writing style is also constantly improving visibly to the naked eye. In this book, Lao Yan uses his solid writing skills and refined language descriptions to outline for us a grand world of immortality, in which immortals, humans, gods, ghosts and monsters all live. Finally, I wish Lao Yan that this book will get better and better, with each book making progress!

"I Am the Immortal" uses various mythological characters from Chinese classical mythology and gives them vivid personalities and characteristics. The author is undoubtedly very successful in this regard. The images of each mythical character in the book are very distinct, and they have their own stories. They are no longer just labeled characters in ordinary myths. The character description is really wonderful. The protagonist Qi Wuzhuo is a typical growth-oriented protagonist. His growth process is wonderfully depicted. He transforms from a mortal to a true martial emperor step by step. There is no abruptness at all. It makes readers feel like they are growing up with the protagonist, which is a plus. This book is indeed transcendent from previous Mortal Immortality-style novels, and has written many Mortal-style novels without the classical charm. It can be called a landmark novel.