Asking About Longevity

Let's talk about the conclusion first. The writing is delicate and vivid, which is considered a rare masterpiece in Qidian. However, the plot carried on top of the excellent writing is too simple, too straightforward, and too dull. It is a complete waste of writing. As for the central principle of the whole text, it highlights the tastelessness of food and the pity of discarding it. I believe that many readers came in for the "formation" at first glance, but so far, there is no difference between the so-called "formation" and "talisman", and they have simply become a stepping stone for the protagonist to cheat, which is quite a pity. For readers who like slow-paced storytelling and a slowly unfolding worldview, this book is definitely not to be missed. However, for readers who just want a refreshing read or have requirements for plot conflicts, it is recommended to read with caution. The following is a detailed review, which will involve spoilers of Shaolian and certain dissatisfaction with the plot and opinions on modifications. During this period, it may involve some other works, but it does not mean to criticize them, it just points out a direction, and I also admit that the books I gave examples also have other problems. (Crazy Stacking of Armor) The first volume of Questioning Formation is centered on the protagonist's apprenticeship and a series of events triggered during the period as clues, but the core is actually the foreshadowing of the world view. Therefore, although our perspective is on the protagonist, we are actually using the protagonist's ears to understand the current situation of the world, whether it is the Taoist court's monopoly of resources, the domineering and profound heritage of the aristocratic family, or the hardship of life among the low-level casual cultivators. This writing method is actually a bit similar to the first volume of "Sword Comes", which uses Chen Pingan's perspective to expand the worldview and understand the world's various schools of thought and the four major worlds. So there is definitely no problem with this writing method, then the problem lies with the characters that carry the plot. The first problem is that the characters are seriously homogenized. The entire group of casual cultivators, centered on the people around the protagonist, are almost all the same. As long as the protagonist gives help, they will be friendly and kind to the protagonist, and then feel that they owe the protagonist and try their best to make up for it. This way of writing is fine for one or two people, but it becomes problematic when everyone thinks this way. Because people are diverse after all, we yearn for kindness, but we cannot deny the darkness in human nature. There are arguments that we should stick together because we are poor, and "if we are poor, we foster evil schemes." There will be disputes that we cannot share the joys and sorrows together after all the hardships. But none of these are in the plot, so the characters around the protagonist are untenable, empty and tasteless. On the other hand, the villains do not have the oppressive feeling they deserve. The early villains, the Qian family, were the number one family in the city and even turned the sects in the city into their own industry, monopolizing almost all industries. Such a villain should be oppressive, full of arrogance and domineering, and make the protagonist feel like a dark cloud. But actually? The protagonist goes out on the street to scold the children of aristocratic families, but a big aristocratic family would not even dare to do anything dirty. You didn't dare to kill anyone and smashed up the restaurant anyway? If not, why don't you make some conspiracy to squeeze out the protagonist's business? It is said to be number one. The combined strength of any two companies can be offset by adding them together. He was said to be good at conspiracy, but in the end he only knew how to fight hard when robbing the mine. If you couldn't defeat the mine, wouldn't you attack your family? If you can't beat the elders, you won't bully the younger girls? There isn't a master in the city across the way, so why don't you dare touch a few children? Can you play? Not to mention that the court doesn't allow it, why don't you find a few people to take the blame? He didn't raise many dead soldiers and so on, but he still had the nerve to say that he was from a noble family. The elder was the same in the past, and the head of the family was the same except that he didn't say anything and pretended to be cool. I don't know who is behind the conspiracy. Wouldn't he spend some money to bribe and offer a reward? There are always people who are short of money. The result of the lack of villains is that the plot lacks conflict and is boring. As for the core formation, it is even more heavyweight. Although it is difficult to boast about the formation, it is unambiguous in cheating and the focus is unclear. Here is an example of another work "Endless Sword Armor" with sword array as its core, so the protagonist is either collecting array diagrams or looking for good swords along the way. However, the core formation of the Wen Zhen lacks uniqueness and forcibly squeezes out the settings of the talismans and seals, resulting in nondescript results. I can only say that I hope the author will not waste his writing skills. Writing is not easy, and it is not easy for readers to follow up. Please produce better plots. I also hope that the author's works will have a better future.

This novel is the most pyrotechnic in the world of immortality. Just like a mortal with magic, there is no bitterness or hatred, but more of a sense of responsibility and responsibility to complain about, and also has its own calculations. Seeing the world as innocently as a child, but not in black and white. Innocent Heart

Good works need to be polished. As a bookworm for twenty years, I have read too many books that were good at the beginning and collapsed later. I accidentally looked at the comment section today and found too many impetuous voices. The author is great, keep your own rhythm, don't be disturbed by the outside world, and don't be confused by some noise. The quality of a book is far more important than speed. As long as the book is good, people will see it sooner or later, so don't be impatient. Those who like refreshing articles and reading quick books, as long as your book is good, they will come back to read it sooner or later when it is finished. Readers who are yours will come sooner or later. Readers who are not you will leave once they come. Don't deliberately accommodate others and write a book that you don't like. Dedicate yourself to describing the world in your mind! 😳😳😳

After reading more than 600 chapters from the first chapter, I can only say that this book is really good, and I am an old bookworm. But I still see many people saying that this book is ugly, or the setting and so on. All I can say is that these people never seriously read what the author wrote. For example, the author said that he only awakened a little vague memory of his previous life, and he was essentially still a child. But there are always people who are enduring this, thinking that this person is reborn, and this article is inherently slow-burning. Because I read it in one sitting. So from the first chapter to more than 600 chapters, the plot connection is very smooth, but the only drawback is that if you follow them one by one, you will indeed have a very watery feeling, but if you read them in succession, you will find that everything is just right. And as for people who say that this book is intellectual or something, I can only say that you are more suitable to read such refreshing books.

What Lao Yutou wrote was so miserable... 1. A foundation builder and a mid-stage foundation builder son's life is not as good as the qi training in Xiao Mohua's hometown. You say that he, a low-level foundation builder, can't beat the family's qi training disciples, but he can't beat the casual qi training disciples? As a foundation builder, they can't go to the second-grade realm to show off their power? If you are still here just to make money for your descendants to enter the sect and cultivate a golden elixir, my evaluation is that you can make more money by going to a small place to form a family or even an alliance of casual cultivators. The chances of a golden elixir are much greater! 2. The first-grade fish they catch only costs one point, and the second-grade fish only costs one spiritual stone. If I remember correctly, this fish meat can also strengthen the qi and blood and help with cultivation, right? Can't you eat second-grade fish by yourself? 3. Prices are unreasonable. Seeing that Lao Yutou and his family are short of tens of thousands of spiritual stones, are they not short of a few? I wonder how much the clothes cost? Still wearing torn linen clothes? How much money does it cost to eat? The two Zhuji families are eating the lowest-grade fish soup and bitter and hard pasta? Not to mention foundation building in Xiao Mo Hua's hometown, just in the later stage of Qi training, he lived more like a human being than Lao Yutou's family! 4. Qi training and foundation building are disconnected. This can be seen from Mo Hua's hometown since childhood, and the corpse training family also started from foundation building. It can be said that among the layers of blood-sucking, the bottom is the worst, but foundation building is by no means the lowest. You can write that you spent all your money to enter the sect, but it is definitely not just such a miserable life. The author writes that the Taoist court did not take the fishing village seriously because it did not have a local identity card. However, the people at the bottom are not stupid. They would rather be the head of a chicken than the tail of a phoenix. This concept goes back to point 1. The author wants to write about the suffering of Qi training at the bottom of the second-grade realm. Even the foundation-building elders in casual cultivation have a hard time. When he reaches the location of the fourth- and fifth-grade sects, he writes about the suffering of foundation-building at the bottom. The summary is that the bottom is miserable, but I want to say that the bottom is always Qi-training, and foundation-building is made up of Not everyone can build foundations as Qi training progresses. If the bottom layer of the fifth level is all about foundation building, and Qi training is easy, but the golden elixir is so difficult, I think they will all move to the third and second level realms, but judging from the second level realm, there are only a very small number of foundation building... Which is very unreasonable. The summary is that what you have seen before is good, but when you reach Lao Yutou, everything is wrong. Two people in a family have such a miserable life in foundation building, so if you write it as two people practicing Qi, it is normal. (Update) What did I say? This also needs to be changed

The author likes to repeatedly emphasize the young age of the protagonist using words such as small head, small hands, small shoulders and legs. In many places, there is no need to add a small word. The point is that the author cannot write out the cuteness of children. In addition, there is a past life in his 20s at the beginning, and there are more than 30 years old in this life. Just imagine what it would be like for a 30-year-old man to be cute and cute in front of you. My heart has no fluctuations, and I even want to vomit. The author can completely describe the protagonist's young age and high achievements through the actions and language of others, so that the writing looks more comfortable.

After reading Chapter 190, I found it really childish. It felt like watching cartoons when I was a child. Although the protagonist in it is young, he always overcomes all difficulties and manipulates the bad guys with applause. I thought this article was interesting at first. The protagonist is finally no longer an orphan and has parents. Every formation is difficult to draw, and the exercises learned are also very average. Then I look at it and find that it is still an invincible style. As long as I go through hardships in the early stage, I will learn how to draw a formation and draw a few paintings. I can use the fireball technique to point out where to hit with my strong spiritual consciousness. Later, grabbing the mines is even more childish. As long as the villain's strategy designed by the protagonist is 100% successful, and the enemy retreats in the end and rushes towards the formation unconditionally, without detours, the formation formed will be 100% successful. Even if you suffer a big loss, you won't be able to find the protagonist. You can just say that you didn't expect a young child to be a formation master, and then you will continue to fall into the trap 100% of the time. The future path I am thinking about for the demon hunter is also the same. Since it was thought up by the protagonist, it must be a prosperous business and a happy life. This kind of plot direction relies on the author's power from beginning to end. No wonder some people praise the author's writing skills, and it is true.

This book is estimated to have 30 million words, and it has more than 1,000 chapters and is still in the foundation building stage.

The writing is very, very good. It is a rare masterpiece in a slow-paced, multi-character, and technical style. I hope the author will not be casually affected and continue writing according to the original plan. Actually, after reading Zhen Wen Changsheng, I was starved for books. I tried my best to find novels from Qidian, Baidu, DeepSeek, and forums, but I couldn't find one with a similar style and enough to satisfy my appetite, so I read it twice or three times after reading it. If web articles are divided into ordinary and extraordinary, (Zhenwen Changsheng) belongs to the extraordinary. If it is divided into ordinary (junk), ordinary, and king, it belongs to the king. As far as my experience of reading novels for many years is concerned, the vast majority of online novels are very ordinary. If I choose one as the best representative in each genre, (Zhenwen Changsheng) is well-deserved, equivalent to the e-sports category (Full-time Master), and can be compared with the popular (Jianlai). As for other mortal cultivation streams, there is nothing worth mentioning in the past and now. Finally, like other updaters, I also hope to update faster and more, but if it is not easy, don't worry and don't just finish it.

This book inspired me to have a desire to post that I had never had before. The subject matter is good, but the content is a little too watery. "The elimination rate is eighty-nine out of ten. This means that there are about 80% to 90% of the disciples...", The author, take a look for yourself, there are many similar nonsense, do you not believe in the compulsory education level of readers? I often read a few chapters without seeing any valuable information, which is disrespectful of the subscription money.

It's too clumsy, there's no useful information, it's all water, and it's only the late stage of foundation building with more than 4 million words 😡

"Array Asking Immortality" 1. Advantages: The story is vivid and interesting, the writing is fluent, and the concept is novel, which satisfies everyone's imagination about cultivation and formations. The author leads everyone into a fantasy world of cultivation through writing, praise! 2. Reading this book reminds me of the scene in 2009 when I just wanted to write "The Legend of the Master". They all practice diligently and work hard to improve. Fang Da's writing style is more sophisticated, and his descriptions of both training and battle are more fascinating and vivid, making it both enjoyable and meaningful to read. The author can refer to Guanxu. After improving his writing style, I personally feel that this book can be used as a fairy tale.

The dry-learning paper started to be filled with water, and when it came to the winding stage, it was flooded with water. 1/3 Of one chapter were bystanders speaking.

I rarely leave comments but I was so moved when I read Chapter 546 when the master entrusted me to him... The master teaches like a teacher and protects like a father. I like the character of Mr. Zhuang very much. I have read too many evil masters in various fairy tales. It is rare to find such a novel that describes the inheritance of master and apprentice in such a delicate way. Although some people commented that the progress is very slow, there are hundreds of pictures and the foundation has not yet been established, but I really like this kind of story that describes various emotions in a long and steady manner. It is like the real world is not our universe, but we just observe that the ink paintings are the same as the lives of each of the characters. Several times when I see half of the most exciting paragraphs, I have to open the table of contents and count how many unread ones there are. I am afraid that the most exciting parts will be lost when I see them. When I see that there are still hundreds of passages that I can read, I am secretly happy and continue to immerse myself in it. I hope that Xiao Mohua can see Master and Mr. Zhuang reunited again, and that the three children, Mr. Zhuang, Puppet Lao and Dabai can continue their journey.

The protagonist is also too villainous. .

I saved about 2 chapters and read them in one day. Most of them are descriptions of settings and cumbersome psychological activities like Cheluolun. I read another book in the past 20 days, the title of which I won't mention here. What I feel deeply about is that in a novel, in addition to the theme, outline, characters, plot, etc., There is another very important thing: the appropriate complexity and simplicity, leaving blank space, and giving readers more room for imagination. Although one chapter only has 3,000 words, the remaining 7,000 words are left to the reader's imagination. I don't know whether the author reads the comments or not. In my mind, the concept and innovation of this book are at the T0 level. I hope the author can stop writing in as detailed a manner as he does now, and get rid of the long-winded and slightly disrespectful remarks that have been criticized by everyone. The writing is really like a running account.

I really like the author's small ink paintings. The black-hearted glutinous rice balls appear vividly on the paper, and the white-cut and black characters are very vivid. It's like developing a two-dimensional protagonist. I read it every day and am eager to see the protagonist grow up. This is the first time in my life that I have written a book review for a book. I hope the author can work harder and update more.

Provincial speed version: The raw materials of the Chu dog are nowhere to be found, and the ink paintings end up in the underground sect! Another scam🥵

Looking at it now, this book is still good. It would be better if it could be updated more every day.

I saw a friend copied the book Jian Lai. From my perspective, Jian Lai and Zhen Wen Chang Sheng are actually similar. They all make sense and are contained in them to strengthen the soul of the book. What is a classic? I don't know either. However, the meanings in these books are enough to make people think deeply and improve themselves. Reading, reading, meaning in reading. The thoughts move along with the descriptions in the book. How can we not accompany the protagonist to practice and cultivate his mind? This may be one of the prototypes of classics... Taoism is called Tao, but I dare not express what I think in my heart. The Tao is so vast and profound, how can it be described in words? As written in the previous chapters of this book, formations are inherently complex, confusing, and mutually contradictory. When I saw that place, I was thinking - isn't this the case with "Tao"? Different people may see different things when they look at the same thing. This can also be true for different people seeing the same truth. Of course, there may be some similarities. This is one of the charms of classics - using texts to convey teachings and arouse common thoughts, putting oneself into the protagonist's situation, and cultivating one's body and mind together. Maybe there is no need to introduce the protagonist yourself. In the text, in the whole environment, one or two sentences may be able to make people think deeply and make them think. Whether it makes you feel something or solve a puzzle, or reminds you of something about yourself, sadness, or interesting experiences, it is also part of the fun. It's my fault that I can send but cannot receive. Except the first paragraph is a book review of that chapter. The rest is all extra. In fact, I don't think I should say these things. Maybe in the future, I will see that they are just some unsightly remarks, but I can't help myself. The author's article touched my heart. I can't wait to write down my feelings, but I can't hold it in any longer, so I won't suppress it forcefully. It's good to express my feelings directly.        ，，？ First of all, the writing style of his book is very different from other books. It's quite tiring to read his book. In some places, he is connected to the later part, but there is no previous part. It just leaves us with some suspense and confusion. Reading this kind of place makes me feel tired, but I still insist on reading. This is his charm - it is not his writing style that is charming, but his book that has this charm. The first few chapters at the beginning are about the daily life of the protagonist in Li Zhu Dong Tian and the confusing events. It reads like a blur. At that time, I got into the trap because of the borrowed fame. I thought about the scene where Sword Mother and Chen Ping'an met, so I kept reading. As I read, I could slowly taste it... The text description of this book is quite good, very detailed, and this meticulousness gave birth to a kind of picture. Chen Ping'an's persistence and tenacity came step by step. And the peace of mind, etc., Etc... (I have only read less than 1/4 of the whole book so far) The warmth of Chen Ping'an and Ning's love and relationship on the Great Wall of Sword Qi... It is picturesque and poetic - its meaning flows naturally and warms the heart...  He also told me that sometimes I have to move forward courageously and be confident... Especially those chapters, where the arguments between truth and theory often made me think... This book is tiring to read, a little bit tiring, but sometimes it also makes people feel at ease and makes people want to know the development of the story in the future. I heard that the author of this book spent a lot of time writing this book. Updates were always slow in the past - but I only got into the trap recently, so I don't have any worries in this regard (Xiao Xingxin, having said this, I have to mention that Zhen Wen Immortality is the first book I catch up on for updates. Usually there is only one book a day, so I just... But Jian Lai has the same meaning as Zhen Wen Chang Sheng, so it makes sense to write slower - do you think about how long it took Jian Lai to write from the beginning to the end? Alas, I have to start catching up on updates) Although they have the same meaning, there are still many differences between Let Jian Lai and I Ask for Immortality - I feel less tired when I read the book. Many times when I read this book, I feel calmer. I am like the child saved by the ink painting, wonderful beyond words. Let me look at it with admiration and wait and see Aier.

I can't read more than one chapter a day 😒

I haven't subscribed for many days. I came back occasionally to subscribe to a chapter and found that if I didn't subscribe before, it would have no impact on reading 🤐🤐🤐

There are some basic information errors in it, but the flaws are not hidden. "Array Asking Immortality" takes the world of immortal cultivation as the carrier, focusing on the core proposition of "the game between the rules of the Supreme Being and the selfish desires of human nature", through the shortcomings of sect inheritance, the distinction between good and evil, the rise and fall of the Taoist court, the evolution of sacrifices in the wilderness, and the setting of the "Supreme Supreme Nature and Realistic Limitations" of the Heavenly Dao Array. It deconstructs the eternal contradictions of "rule design, technological progress, and human heart constraints" in human civilization. Its profound connotation can be completely sorted out from eight core dimensions: 1. The difference between good and evil: The devil is born from the heart, it has nothing to do with labels, and it has nothing to do with the most just rules 1. The essential core of the origin of good and evil: The novel makes it clear that "good and evil are inherently one, and the devil is born in the heart of the Tao". The distinction between good and evil has nothing to do with the origin of the practice or the label of the sect - the Taixu Sect uses the devil to kill love but uses the precepts to keep the bottom line. Upright; the Hehuan Sect abandons the practice of love and pursues desires, indulges selfish desires, and eventually falls into the devil's path; the upper echelons of the Taoist court engage in exploitation in the "name of the righteous path", and the powerful people of the Great Wilderness torture and kill barbarian slaves under the pretext of "sacrifice to worship the gods". These are essentially manifestations of the evil nature of the expanded selfish desires of the human heart. 2. The neutral bottom line of the Tiandao Array: The impartial nature of the Tiandao Array determines that it "only prevents destruction and does not distinguish selfish desires" - it will suppress the alienation of the five elements' sect origin pattern, weaken the overflow of the Great Wilderness Evil God, and resist the catastrophe of the demons, but it cannot define the "demon that squeezes all living beings"; its early warning of crisis is based on the laws of heaven and earth, but it cannot stop the upper levels from using the information gap to hoard profits, confirming that "the rules are neutral, and the human heart is the key to good and evil." 2. The paradox of civilization: technological progress ≠ civilizational progress, the rule of justice cannot withstand the sinking of people's hearts 1. The disconnect between skills and civilization: The people of the Great Wilderness have multiplied and their monastic skills have improved, but sacrifices have degenerated from "sacrifice of grass and trees" to "living sacrifices"; the formation deduction and inheritance of exercises in the Kyushu Immortal World have become increasingly sophisticated, but they are used to monopolize information and optimize exploitation; the Tiandao Formation, as the crystallization of top-level skills, has a righteous nature, but due to innate limitations and acquired loopholes, it has become a tool for the upper class to consolidate their privileges. This reveals the core truth: if the human mind is unconstrained, the more advanced the skills are, the more efficient the exploitation will be, and civilization may slip towards barbarism. 2. The eternal struggle cycle of the human heart: The ancestor of Tieshu Gu said, "The skills of Taoism can be developed over the generations, but the human heart has always been like this, sinking in desire and cycling in stupidity." This reveals the tragic background of the novel - the backlash of the Five Elements Origin Pattern, the catastrophe of the Taixumen Heavenly Demon, and the prosperity and decline of the Taoist court are all historical cycles driven by the selfish desires of the human heart. Even if there are impartial rules such as the Heavenly Dao Formation, if there is no human restraint, the new order will eventually fall into the same old ways. 3. Criticism of inheritance: The "original sin" of the great sects is the shortcut of desire, not the inheritance itself 1. The common logic of the original sin of inheritance: the rise of all top sects has not departed from the shortcut choice of "desire overpowering awe" - the Five Elements Sect plundered the origin of the five elements and condensed them into source patterns, the Taixu Sect borrowed the killing power of the Demon Slashing Love Path, and the Great Wilderness bound the evil god in exchange for protection. The original sin of these "shortcut inheritance" is not the power itself, but the choice of "trampling on the bottom line for selfish desires"; and the core authority of the Tiandao Formation is monopolized by the top and becomes the technical support for "legitimate exploitation". The essence is "alienation of authority" in the inheritance, rather than a problem with the impartial nature of the Formation. 2. The bottom line is the only key to survival: the "stain" of inheritance is not inevitable for degeneration - Taixu Sect uses precepts to suppress the demonic nature and repair the inheritance, and it is still decent even if it is catastrophic by the devil; the Five Elements Sect and Dahuang let their desires swallow up the bottom line and eventually lead to destruction. This confirms the core of "skills are tools, inheritance is the carrier, and the bottom line of people's hearts is the direction." 4. Reflection on power: The root cause of the lack of checks and balances is "people's hearts + loopholes in rules", not the absence of external enemies 1. The logic of external checks and balances and internal alienation: After the destruction of the Great Demon Palace, the Taoist court lost external restraints, and its power quickly became a tool for the upper-class families to carve up interests; this is consistent with the logic of the deterioration of sacrifices after the Great Wilderness' "people multiply and selfishness grows", and also echoes the practical dilemma of the Tiandao Formation - when the top level controls the core authority of the formation, without the dual checks and balances of "rules to make up for leaks + people's constraints", the rules of justice will be distorted by selfish desires, and power will eventually go to the extreme of exploitation. 2. "Equally matched opponents" is a false proposition: the core of power checks and balances is "filling the loopholes in the rules + restraining people's selfish desires", rather than relying on external enemies. If the Taoist court establishes rules to restrain desires after unification, and if the design of the Tiandao array includes a "authority supervision" mechanism, order can last long even if there are no external enemies; on the contrary, if there are only external enemies without internal constraints, it will eventually fall into a "reincarnation of hegemony", and the bottom will always be cannon fodder. 5. Class criticism: The core of exploitation is "taking advantage of the limitations of rules" rather than unfair rules 1. The logic of "speculative indifference" from the upper levels: The ancestors of the Hua family who mastered the deduction of heaven's secrets, the top sects who knew the hidden dangers of inheritance, the powerful people of Dahuang who led human sacrifices, and the powerful Taoists who controlled the core of the Tiandao array all failed to break through the ultimate level of the Tiandao array. The bottom line is public, but exploitation is achieved by "taking advantage of the limitations of the rules" - delaying the disclosure of early warnings of disasters, secretly changing the rules of spiritual energy distribution, monopolizing the authority of the large-scale deduction, transforming "the most public rules" into "class privileges", which is essentially "arbitrage of selfish desires within the legal framework". 2. Sufferings and awakening opportunities at the bottom: casual cultivators at the bottom cannot afford Bigu Pills, sect disciples are unaware of the hidden dangers of inheritance, barbarian slaves in the wilderness are reduced to sacrifices, and ordinary monks cannot touch the truth of the Heavenly Dao Formation. Their suffering does not stem from "unfair rules", but from the deliberate use of "limitations of rules" and the monopoly of authority by the upper levels. The breaking point of the novel lies in "marginal awakeners" like Mo Hua - breaking the monopoly of information and authority, exposing the truth that "the rules are being used", and uniting the bottom forces to fill the loopholes in the rules. This is the only hope to break the cycle. 6. The Great Array of Heavenly Dao: The Supreme Being is the body, limitations are the functions, and reconstruction is the key to breaking the situation 1. The nature of the Supreme Being: the neutral embodiment of the rules of heaven and earth: The underlying logic of the Heavenly Dao Formation is to "protect the survival of the nine states without distinction" - crisis warning is based on objective laws, the distribution of spiritual energy follows the principle of "symbiosis of all things", and the restriction of extreme destructive behavior is not transferred by power or class. It is the purest "carrier of public order" in the world of immortality, just like the "basic system based on objective laws" in reality. 2. Realistic limitations: congenital shortcomings and acquired loopholes: - Congenital shortcomings: only "defending the bottom line of survival" and not "adjusting distribution fairness" - it can warn of famine but cannot force resource sharing, can balance the basic aura but cannot restrain excessive plunder, and cannot solve the problem of "legal exploitation"; - Acquired loopholes: The core authority is monopolized by the top and becomes an "arbitrage tool" - the upper level takes advantage of information gaps, secretly changes the details of rule implementation, and restricts the opening of authority, twisting the impartial nature of the formation into a support for class tilt. 3. Reconstruction direction: fix leaks rather than overthrow: The protagonist's future reconstruction of the formation is not to deny its impartial nature, but to "make up for innate shortcomings and plug acquired loopholes" - to disclose early warning information, establish a spiritual energy distribution supervision mechanism, and open basic deduction permissions, so that the "uprightness" of the formation can be implemented from "theoretical essence" to "realistic results." 7. Value Reconstruction: The ultimate meaning of cultivating immortality is "thinking about the common people" rather than "immortality for oneself" 1. The value of the old order is lost: the old world of immortality has "eternal life, wealth and honor" as the ultimate goal, and all monks are bound by this obsession - the bottom class is struggling for survival, the middle class is dependent on power, and the top class is plundering immortality. This pursuit of "putting one's own selfishness above all sentient beings" is the fundamental driving force behind the growth of demonic nature, the exploitation of rules, and the cycle of history. 2. The core connotation of the new view of immortality: The novel redefines the nature of "immortal" through the questioning and plot deduction of ink paintings - the real "immortal" is not a powerful and immortal individual, but a "Taoist heart that cares about the common people, respects the rules, and restrains selfish desires." The ultimate meaning of cultivating immortality is to "understand the way of heaven and benefit the common people", rather than to satisfy selfish desires. Only by incorporating "common people" into the core of monasticism can we fundamentally curb the behavior of "taking advantage of rule limitations for personal gain" and break the civilizational paradox of "advancement of skills and sinking of people's hearts". 8. Reflection on order: The way to break the situation is the triple revolution of "reshaping the Taoist heart + fixing the loopholes in the rules + optimizing the formation" The ultimate connotation of the novel is to reveal the "eternal game of impartial rules and human selfish desires" and point out the only way to break the situation - the triple revolution is indispensable: 1. Reshape the inner Taoist heart: restrain selfish desires, replace "immortality first" as the core belief of Taoism, and establish the bottom line of "respecting the rules and rejecting exploitation" from the depths of the heart to avoid the new order repeating the mistakes of "using rules for personal gain"; 2. Filling loopholes in external rules: breaking the upper-level monopoly on information, resources, and authority, and establishing a fair resource allocation mechanism system, power supervision mechanism, and rule enforcement mechanism to institutionally compress the space for "arbitrage by exploiting rule limitations"; 3. Optimization of the Tiandao Array: Based on the "principal nature", it complements the inherent shortcomings of "fair distribution" and plugs the acquired loopholes of "authority monopoly", making the array a dual carrier of "Tao Heart + Rules" to achieve the unity of "survival protection" and "fairness guarantee". Summary The profoundness of "Inquiry into Immortality" is that it uses cultivating immortals as a shell to describe the core dilemma of human civilization: rules can be designed to be impartial, and skills can be developed exquisitely, but if the selfish desires of people are not restrained, they will eventually take advantage of the limitations of the rules and the power of skills to create exploitation and cycles. What it criticizes is not the "magic way" or the "rules", but "the selfish desires that take advantage of the limitations of the rules"; what it praises is not the "strong man who defies nature and changes his destiny", but the "awakened one who has the common people in mind and dares to complete the rules". The ultimate proposition of this novel is **"How to make the rule of justice take root, how to make technological progress serve all, how to effectively restrain people's selfish desires"** - this is not only the path to redemption in the world of immortality, but also a profound reflection on the "system design, power supervision, and human nature constraints" in real society, and ultimately points to the ultimate value of "rules for people, not people using rules".

Summary: Formation is physics, spiritual consciousness is calculation power, Tao is mathematics

With some further polish, it could become a good novel.

Aunt Bai brought Old Ghost Mo to the Lu family. Old Ghost Mo met the Fourth Young Master of Kunzhou (one of the young masters from a family with vindictiveness at the Oiran Banquet) and Little Ghost Lu.

Add a few more. I can't even get enough of these monthly tickets for you in a month 😐 It's so hard to spend a whoring book in vain (ꐦÒ‸Ó)

Please be sure to study the secrets and calculations carefully. This interesting writing style will attract people to keep reading. I believe that if you continue to write it, it will be as good as "The Story of a Mortal's Cultivation of Immortality".

One of the fantasy fairy tale novels that are written from the perspective of a child is one of the most impressive ones for me is "Perfect World" by Dong Ge. I found this book "Form of Immortality" on a best-seller recommendation. The protagonist is a ten-year-old casual cultivator with both parents. It is different from the common orphanage setting. As the name suggests, Golden Finger opens the road to immortality through formation.

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