Ryuzo

I didn't understand what I wrote. I left with a few words that I didn't want to say: 1. There is a power system with great personal power, but it uses the governance logic of the Dharma-ending era, which is a fundamental conflict. Reality does not follow logic, but novels need to follow logic. 2. The author's writing is a bit literary, and he likes to use obscure descriptions. His foreshadowing of the supporting characters is too intellectual, and his emotional foreshadowing of the male and female protagonists is too shallow, just like the ancient Three Kingdoms routine of collecting military generals. 3. In the beginning, there is no simple explanation of the world background and power system, which makes people confused. I read this book when it was 2 million words long and had Wan Ding. When I got to the fifth or sixth chapter, I wanted to close it, but I saw the Wan Ding tag and wanted to persevere. But before the first climax, I couldn't stand it anymore. Goodbye👋🏻

·The story begins with the registration for the Immortal Sect. (Prefecture, county) The protagonist is in a county with three places for the Immortal Sect. As a result, they have been divided by the aristocratic family. The entrance quota has been determined. The protagonist has his master's master's unofficial quota and has been targeted by the aristocratic family. This is a bit brainless. In the competition, the judges crazily suppressed the protagonist's score. If the protagonist cannot reach the score line, he will not be able to enter the Immortal Sect (divided into first-class, second-class, third-class, and fourth-class immortal sects). There is a score line), but the protagonist has his own master quota, why does the supporting character dare to grab it? The supporting character also doesn't take Taichu Sect seriously. In the book, Taichu Sect calls itself the No. 1 Immortal Sect in Datang, which is full of contrast, and why the next generation leaders of the Li family and Bao family are in the same county as the protagonist. The map is very big. There are immortals in these aristocratic families. They are at the same level as Taichu Sect, only their background is different. At the same time, I wrote it in order to forcefully describe something. After reading it, I will find that it is very illogical. After the exam was completed, some aristocratic families failed, and the family found connections to force them to go up. The original three places were finally increased to six, so why did you take the exam? Can't you give it a recommendation? The number of places you wrote was tight at first, and finally you were forced to go up by giving gifts. Didn't you write it to forcefully describe it? If this is true, then how can it be done in the Immortal Sect? Not all of them are from aristocratic families, so how did the protagonist's master enter the fairy gate? Then how did the protagonist's master's master get in? Why was he so kind to the protagonist and gave all his resources to the protagonist? This is the ultimate good and the ultimate evil. The protagonist's elder masters all love selflessly, and those who are against the protagonist are selfish and extremely evil. But is this right? Some things cannot be thought about in detail, and there is no depth. ·The protagonist Wei Yuan's Daoji is Wanli Rivers and Mountains, a non-grade Daoji, which surpasses all Daojis. This is very protagonist. Later, he will perform the mission of the Immortal Lord. The task item is the Boundary Stone Qingming, which is the Immortal Grade Boundary Stone (the highest level). After various reasons, he merged with the protagonist to form a basic territory. This is no problem, but after the fusion, Qingming will not be able to use the Wanli Rivers and Mountains Daoji. , What is going on... After merging with Qing Ming, it has become a shackle. It can only exert one-tenth of its strength when leaving the territory. Doesn't anyone really think that there is something wrong? Doesn't this suppress the protagonist's combat power? So is the existence of this boundary stone still necessary? I am speaking from the perspective of the protagonist. If the author has to abuse the protagonist to write the plot like this, it is really painful. Normally speaking, this fairy Shouldn't a high-grade boundary stone be a kind of increase? It can exert normal combat status outside the boundary, and can use Daoji thousands of miles of rivers and mountains normally. It has a very strong increase in combat power within the boundary. This is the immortal boundary stone, but why is it only one-tenth or two-second strength when it leaves the territory... Is this right? Isn't anyone really thinking it's wrong... ·The immortals of the Li family described are too evil. Surrounded by the surroundings, the human race does not know when it will be destroyed. The human race does fight among itself, but all the alien races are dead and only humans are left. This book shows that the alien races are very strong and diverse, while the weaker human race has been fighting and expanding its territory. However, here the human army is fighting the human army, the Faxiang is fighting the Faxiang, and the Taichu Sect immortals are fighting the Li family immortals over there... Are there too many people? Is this the wisdom of the top management? Not quite right ·The writing is a bit enjoyable, but there are only a few small points in hundreds of chapters. It feels like it was a bit fun to read, but as I read it, I found that I was going into a ditch and it was not very coherent. ·I think there are a few people in the comment area who are very good. Others cannot say anything bad. They are like rebelling. The comment area is originally for feedback on book reviews. Why can you only see good reviews? Or can you only see the same ideas as you? Any difference is heresy.

This book is generally a good book. The relationship between various characters and the rhythm arrangement are very good. However, there are some plots in the middle that the author wants to lead to. It is not suitable for reading defensively. It is recommended to be cautious.

Human affairs🐸... Maybe in the world in the book, there should be no human beings at all. Wei Yuan may have thought that when he turned everyone into monks, these people would be able to stay where they were and live and work in peace and contentment. In fact, this was the beginning of new desires and new disputes. The ending of the Utopia is generally due to the fact that human nature is unresolved.

There are more than 600 chapters. What is the main plot? One moment, I will hunt down the witch, and another moment, I will move to a dungeon. There is also Zhang Sheng working with the people he likes. Why does the author always write things that hint at the tauren? Don't understand. The most important thing is that the pace is too slow. There are a lot of things waiting for the protagonist to do. Before this thing is finished, a lot of things come up, leaving a lot of holes unfilled in just over 600 chapters. There is also the mental world that people don't want to talk about. It's understandable that you can't control the mental world that you cultivate, after all, there are a lot of things stuffed into it. But why did it become more and more out of control later on? It is obvious that he came from his own cultivation, but he has no authority. Then the author also mentioned that the higher the spirituality in the world of mind, the more likely it is that problems will occur and the dove may occupy the magpie's nest. After thinking about it, the author hinted at the words of Zhang Sheng and the Tauren of people in the world of mind. If you really have no life left, just settle down.

I've seen Chapter 168 (the latest chapter) and guessed the number of female protagonists. I feel that the senior sister doesn't know how to do it. There are no special events except helping with bathing I don't really like Xu Waner and Yun Feifei. Compared to other female protagonists, they are a bit lowly. Being a female supporting role is about the same.       Zhang Sheng is not explicitly said to be a woman, but I feel that there are many traces that can be determined, such as "a cracked corner on his face", "eyebrows like moon tips and swords" in the first chapter, and later saying to the master "this is just a body" (when the master said he was not as good-looking as Wei Yuan), and when the master took the committee member's figure to take his place, he closed the door forcefully, etc. Many descriptions point to him being a woman (more than 90% probability) with a woman's mentality and thoughts. But I don't know if Yan Nan will accept it, but it is very likely that, based on Yan Nan's previous behavior, he would like to have a strong female teacher such as Su Hailun, but it is difficult to accept Xiu Xianwen. It is understandable that the limit of Western fantasy is low.         ，，，""， Moreover, Xiaoyu's behavior is very cute, such as taking the initiative to ask Bao Yun for the committee member's debt, waving a sword in front of the committee member for half a year, pretending not to care, getting angry, and arguing a little, etc. I also admire Yan Nan's writing style. The description of these behaviors made me feel the innocence, liveliness and cuteness of the girl. There is a girl-next-door feeling in her words. She often "hums", which is almost the most "hum" in this book. The character has no masculine spirit at all, and the name "Xiaoyu" is also more feminine. If it becomes a woman, I feel that it will also be the character closest to the committee members. They often quarrel and so on. I feel that this character is well created. I like it very much 😍 Just like Androni, I think there is more than 90% probability of being a woman  Baoyun, I feel that the current progress is still far behind, but not too far away. Just like Feng Yue, she is one step stronger than the protagonist, but she also has the charm of Froya, which makes her feel a little superior (maybe Yannan likes this tone 😌), such as "Sanniang" "When teaching a son", and I don't usually communicate much with the committee members, but the value of saving the committee members twice is still very high 🤓 (although it was recommended by Zhang Sheng once) and in order to change the committee members to the fairy palace and place the committee members' "gifts" in a high-status place, the first Giving the fruit to the committee members undoubtedly showed his feelings, but Yan Nan wrote Baoyun a bit high (his status in Qingming is on the same level as Senior Sister and Zhang Sheng, and his strength is also written as a little stronger than the committee members. The committee members are a bit biased towards mages suitable for group fights, such as Hundred Swords and Dinghe Tower. , The one-on-one ability is not too strong (relatively speaking), except for the possession of black energy, just like when killing the young leader of the tribe, but it is not easy to use it actively, it is more passive like the protagonist's halo), it is not easy to express one's feelings directly, and I feel that I need to rely on some experiences in the future to strengthen the relationship. Generally speaking, I feel that "Dragon Hidden" is very well written. I am not interested in reading other books. The heroine is vividly described and each has its own flavor. I hope the plot is longer. I feel that after industrialization conquers this continent, there will be another place, the plane where the "three-headed bird" is located.

What's so good about this copy for me? The good thing about it is that after foreshadowing and provoking thoughts, Wei Yuan did not fully agree with Lian Xin's behavior. Wei Yuan appreciated and sighed, but did not agree or follow suit. A friend mentioned the tram problem. There are five on each side and one on each side to save which side. Lian Xin What kind of person is he? What he wanted to choose was to stand in front of the car and block the road to save people. He is Superman. He can indeed stop the tram, but he does not save people. He has to wait for the six people to free themselves. After being exposed to the sun, wind and rain, the rope that tied the person was broken and the person was saved. As a result, five of the six people starved to death, and the one who survived was also a superman - is it the same as the plot? He preached sutras to the villagers for thousands of years in an attempt to protect them from transcendence, but they all died and only Wei Yuan survived. As for Lian Xin, she can only feel relieved that I didn't save people in vain, and my path is clear! It's really powerful, but it probably won't work.

Come on, Yan Da, give your full support

The female supporting character was not easy to deal with, so I simply wrote the female supporting character off to death, and then ended it with just a few sad sentences. There are hundreds of chapters in a small place, and a few villains and supporting characters are easily written in a small number of words. This novel is really not interesting at all

Does the author like to fuck up his crotch so much?

My love is separated by mountains and seas, the seas can be crossed by boats Mountains and seas cannot be leveled, mountains can be crossed by roads Mountains and seas can be leveled, it is difficult to level the human heart Wrong mixing of ink and vinegar, half bitter and half sour Three thousand in the prosperous Chang'an Regrets are written everywhere Gao Shi wasted half his life and gained his ambition in his later years Li Bai was unrestrained and wanton, and was a prisoner Pei Twelve women, no way to serve the country Du Fu is comfortable and agile, but the village elder is powerless No one has a perfect Taoist heart in his heart, and all emotions are evil Everything is evolving and it is difficult to live up to your original intention, and Taoism changes There are two strokes of human character, one is "persistence" written in the first half of life, and one stroke "relief" is written in the second half of life The fairy character has two sides, one is "people" who have gone through hardships, and the other is "mountains" that are obstructed by many obstacles Quiet but not contentious. Right and wrong, stop and forget and go with the wind, walk and see and be calm Don't think about the past and not be afraid of the future Zhang Sheng·You can do it [Turn to an old video and share it] Regret·It's just a new beginning

I started to read Yanda's books from "Sin City". I saw the new book "Dragon Hidden" and kept following it. It's another story I like. I resubscribed Sin City and voted for Yanda to commemorate my youth studying Sin City. I hope the story of Yanda will be better and better, and that my work and life will go smoothly!

Originally, I was thinking about the little princess part, which is intertwined and climaxed one after another, but it fell into trivial matters again, which made people a little uncomfortable. I don't know what kind of paving the way is going to be, and who is going to be drawn out. What kind of picture does Xu Wenwu want? Radar? Nuclear weapon?

The pace of this book is slow, but it is very comfortable to read. It can be regarded as a very good book among the same type (Oriental fantasy/Xianxia classification).

Up to Chapter 100, we haven't seen anything about the Industrial Revolution.

The longer you live, the harder it is to be impressed by slogans like this. Although it's a bit disappointing to say the following words to the battle scene, I still can't help but think about which side's spiritual power is more moving, between the millions of Qing Ming people defending with enthusiasm, and the millions of Wu people attacking with enthusiasm. The answer doesn't seem to be easy to say. If Wei Yuan, as the protagonist, is destined to end the suffering of the human race, what about the Wu and Liao tribes, with a territory many times larger than the human race, a population many times greater, and a history many times longer, what about their suffering? If there is a character who can lead the Wu Clan or Liao Clan to end the sufferings of history, then it may be considered that from some perspectives, it may be greater than Wei Yuan. The Witch Clan in the eyes of the human race is just like the human race in the eyes of the Witch Clan. The hundreds of thousands of years of continuous fighting in the world in the book are no longer just. If Wei Yuan, who ended the suffering of the human race, brought greater suffering to other races, then evaluating whether Wei Yuan is more noble or despicable becomes a question that requires choosing a side before answering.

From Destiny, Blasphemy, to now Long Zang, Yan Nan has always been my favorite god-making writer! Provided me with a lot of spiritual food. I also voted for you a few days ago with my monthly vote

Can this thing rank more than 40? After it started to be put on the shelves, what ideas were written down later.

Yanyu Jiangnan's "Dragon Hidden" is an important work in his creative sequence. It continues his consistent grand world view, philosophical speculation and dark aesthetic style, but it also exposes some controversial characteristics. The following is an analysis of the advantages and disadvantages from a sharp perspective: ### **Advantages:** 1. **Worldview Ambition and Metaphorical Depth** Yanyu Jiangnan is good at constructing a complex worldview. The "dragon" in "Dragon Hidden" is deconstructed into a symbolic system of power, desire, and original sin, implying criticism of the evolution of civilization and the alienation of human nature. The entanglements of religion, race, and class are intertwined into a narrative network full of tension, continuing the subversive thinking on faith and order in "Blasphemy." 2. **The "violent aesthetics" of writing** Its writing style is unique: cold, sticky, and full of metallic texture. The description of the scene is as rich and colorful as an oil painting, and the battle scenes are both bloody, violent and poetic, such as "the crisp sound of broken keel bones fermented into an elegy in the rain." This language style forms an intertextuality with the core of the work, reinforcing the suffocating sense of fatalism. 3. **Deepening of Anti-Hero Narrative** The protagonist often walks on the edge of good and evil. "Dragon Hidden" further blurs the moral boundary and presents "growth" as a dialectical process of degradation and awakening. The character's struggle is no longer limited to personal destiny, but has become a microscopic mirror of the rules of the world, echoing the author's persistent exploration of the complexity of human nature. --- ### **Controversial points (or shortcomings):** 1. **The risk of losing control of narrative rhythm** Yanyu Jiangnan is accustomed to multi-line and fragmented narratives, but some chapters in "Dragon Hidden" fall into the quagmire of over-elaboration. The complexity of the side plot exceeds the necessary threshold, causing the main plot to lag behind. Some readers may lose patience due to information overload. 2. **Character Toolization Tendency** In order to serve the grand theme, secondary characters are often reduced to "mouthpieces" for philosophical propositions, and their behavioral logic gives way to metaphorical needs. For example, the sudden betrayal of a supporting character is more of a forced twist to deconstruct the concept of "loyalty", weakening the credibility of the character's arc. 3. **The separation between the "setting party" and the "story party"** The author's carving of the world view is almost paranoid, but the integration of some settings (such as the gene lock system of the dragon bloodline) with the main plot is a bit stiff, as if he is piling up concepts to show off his skills. This arrogance of intellectual writing can lead to a sense of alienation in the average reader. 4. **Aesthetic fatigue of dark aesthetics** The iconic gloomy tone of Yanyu Jiangnan reaches a new height in "Dragon Hidden", but the high-pressure and desperate atmosphere throughout the process lacks a narrative breathing point, and the cruel description of some scenes is almost sadistic, which may cause some readers to criticize "value nihilism". --- ### **Summary:** "Dragon Hidden" is a typical "Mist and Rain" work: it is like a bone blade inlaid with gems, delicate, sharp and dangerous. It is a feast of intracranial carnival for readers who are keen on speculation, but it may become an obscure nightmare for readers who pursue smooth narrative. Its value lies in the ambition of using fantasy themes to question realistic propositions, while its flaws stem from the author's subtle loss of control over the balance between literature and commerciality. If "Profanity" is used as a frame of reference, "Dragon Hidden" goes further in terms of philosophical depth, but is slightly inferior in terms of emotional resonance. Suitable for serious dark fantasy fans, but not friendly to light readers.

I have been following it since I first started reading it, and I have read through the whole book from scratch in the past few days. To sum up, Yan Da's book is a bit like the game in "Three-Body": there is much more information hidden behind the words than is revealed. Cultivation system, values, interpersonal relationships, economics, no matter where you start from, there is a lot to see. But Yan Da will only give you a glimpse of Feihong.

The Dumpling Queen in the novel world, some people love her and some hate her

I have read Chapter 403 so far. Before making the gun, the protagonist looked a bit like a young general. After making the gun, he turned into a wretched and sinister villain. Since starting to make the gun, the base and body washed with 20 million are useless. He went to Bao's house to steal a bride and used a cold gun to attack him behind the back. Forget about sneak attacks in normal combat. You can't steal a bride in a dignified way. It's better not to steal Including that the author sometimes deliberately guides readers to think about it🐮I don't know what the idea is. For example, Yun Feifei took away everything from the main character and even wrote that she was hugging a man when she died. Isn't this just disgusting? I suddenly wrote Zhang Sheng as a female and they got together. Xiaoyu might as well do the same. If you want to accept it, you should be more responsible for the female character like Xu Waner. After you close it, I will not mention it after appearing twice. It is better not to accept it. If you want to arrange the offline, please give a more serious ending. I spent a lot of ink on Yun Feifei and was killed directly in the end. Don't you think it is a bit hasty? I think I will read harem stories. Generally, virginity plots are more serious. Let's talk about Yun Feifei. First she was seen by several men, and then she hinted that she was a bitch before, and maybe she slept with her senior brother. What does this mean? Generally speaking, the first two hundred chapters are very cool and cool. After setting up Qing Ming, I first secretly guided him🐮, and then shaped the protagonist into a villain who only knows how to sneak attacks. From time to time, he also wrote some meaningless but popular moments, such as the child who scolded the protagonist. I really couldn't understand what I was thinking.

This book makes no sense. It is obviously a world where cultivators focus on immortality, but the protagonist's cultivation level is not mentioned at all. Even after he has cultivated to Dharma, he does not say a word. It took me a long time to write and I have no idea what is being said. The whole text is just an enlarged quadrangle full of birds.

There has been a book shortage recently. I opened the monthly ticket list and looked down from top to bottom. I saw that the book Yan Yu Jiangnan has more than 4 million words, and I am full of expectations. I read his books a long time ago, and the ones that impressed me most were "The King of Night" and "City of Sin", so even though there are many bad comments in the book review section, I still have high hopes, but now I really feel like - is this really the author I liked before? The beginning of the chapter is nothing new. I almost couldn't watch it during the unified examination. When I took root in Qingming, it made me embarrassed. Why do you have to make some nonsensical jokes in the depressing background? Why does the climax have to happen suddenly when there is no emotional foreshadowing? Very disappointed. This is the first time I write such a long book review to complain about a book. Maybe there will be more exciting parts later, but unfortunately I can't hold on. Maybe Yannan's book is more suitable for people around his age.

From the author's point of view, there is nothing much to say about writing a book that starts at the age of 6. It is just for fun, for those who are novices or those who like cool stories about fetal wear. From many perspectives, it is no different from a pure cool story about wearing a baby. The author wants and wants it, and the writing is nondescript. The most basic thing is that the protagonist is 6 years old, and it is written in the same way as a 20-year-old. It is the same as a normal adult's perspective. It can be said that age is a note in this book, for the sake of fun later. In fact, not everyone likes this. On the other hand, it feels very poisonous, and it will remain poisonous in the future.

I haven't read a new book in a long time. I was bored a few days ago, so I read Sin City again. I couldn't stop it, so I caught up with this one. I have read more than a hundred chapters so far, and I feel that it was quite interesting when I was still in the sect. But from the beginning of the chapter of the Pauper's Expedition, everything felt so awkward. It seems to be a stitched monster that has been forced together, showing incongruity everywhere. I really don't understand what the great author who was able to write about blasphemy, eternal night, and crime in his early years went through to write such a book. What I don't understand even more is that the book already has more than a thousand chapters 😅 I originally wanted to talk about my dilemma with this book in detail, but I thought about it and let it go. Whenever the author starts writing about topics that suit him again, I'll come back and follow him!

It feels a bit strange to write 3 stars like this. The writing style is okay to be honest, but the logic is not well controlled. There is a problem with the overall story rhythm. I wrote the Shadow Realm just to get the Yin Yang Daoji and the Underworld Earth. I may also be afraid of being discovered. The plot with Yuan Fei is a bit abrupt. From time to time, I jump to another realm and get seriously injured. Development is not like development. Invincibility is not invincible. The B level drops too fast.

The essence of cultivation is the possession and competition of resources. Several novels of Yanyu Jiangnan have this setting, such as "Sin City", especially "Eternal Night King", where life is plundered... The same is true in this book. Common people want to practice spiritual practice, but they owe 20 million in debt! For those who can easily accomplish a small goal, this is just a piece of cake; for people in cold villages, it is unimaginable. This is still the possession and distribution of resources. "Chen Yuan", a classic fairy tale, is slightly better, but the fight between immortals and demons behind the scenes is also for resources. For the wealthy legal couple, wealth ranks first. However, in these novels of Yanyu Jiangnan, "wealth" is really the big one! The financial couple is like this in Taoism, but not all religions are like this.

In this chapter, a new world opens up. As soon as you hear the name, you will know how powerful the Immortal-Eating Vine is. You can eat Taoji when you are born, and you can control a world. When you grow up, you will have to eat immortals. That's an immortal, so he can eat it as he pleases. Then the Immortal Eater Vine itself will fall, and there will be existences stronger than it. The two-way foil is no longer enough to support the power structure of this novel. In this way, the power system of this novel has been greatly improved and elevated. I used to think that the strongest in the world were immortals, and above them were the rules of heaven and earth. In the first few hundred chapters, the immortal is described as being miraculous and lofty, one of the strongest in the world. Although there are also stories about the fall of immortals, they all died in disputes with other immortals. Not only that, the immortal can create a small world by himself, and he is the master of the universe, which is amazing. But in the midst of such a low-level battle where the little minds and worlds collide, a sudden existence appeared. When you are weak and helpless, there is only the world of mind, but even the methods of immortals may not be as effective as it. Is the immortal the strongest? But now it seems that there is also the Immortal-Eating Vine, and there is a level of power even more powerful than the Immortal-Eating Vine. So is the three-headed bird no longer the strongest being in this novel? Xiao Weiyuan has a long way to go, and he still has a super invincible goal to achieve!

Look at the charm of "Longzang" Border division Taichung Palace forces and characters Miscellaneous Big Soup