God Simulator

The writing is good, but the protagonist is not the only one with the simulator, which is a poisonous point for me. Why? First, this makes the simulator world lose its texture. Before other players appeared, I felt that the simulator world was a real world. The protagonist was the god who controlled the development of the tribe. But after other players appeared, this point quickly faded. The simulator world really became a simulator game. The protagonist and other players were a group of predators. Yes, it's a predator, even the protagonist is no exception. The whole story is even more cliché. Even if the apostle comes to the world, this can only remind the protagonist over and over again of the instrumental nature of the simulator world. In the future, there will inevitably be various plots to recruit people to deal with other players, turning it into a competition of weapons and tools. Second, the development of the two worlds is also more limited. Let's not talk about the simulator world. The so-called safe zone and upgrading of wonders. No matter how much the protagonist's godhood is improved, his simulator tribe will only face real players. There may be fantasy creatures that are divorced from reality as players, but they will always remain the same: sad Unfortunately, while the simulator world lacks the interest of exploration, the concept of player committee introduced by the author makes the protagonist's world lose the interest of the protagonist changing the world, and becomes a battle with other players. However, players are still real people. How much change and imagination can there be? Both inside and outside the simulator have become an attack between people, which is limited to this narrow scope. No matter how the protagonist develops or how he provides help to the tribe, his purpose is limited to this. To become stronger is to fight with others, and to fight with others is to become stronger. In general, I thought this novel was to explore the simulator world, to show the changes in the protagonist's world, and to show the author's imagination. But so far, everything, including the pixel villains, apostles, and the suddenly discovered ghost town, are all to give the protagonist faith points, become stronger, become stronger, become stronger, fight with people, and upgrade to fight monsters.

With so many gods in the God Simulator, why does it feel like only the protagonist is living a comfortable life? I feel that it is not the reason why the author keeps sending him inheritance, but rather the god's own positioning of himself and the principles and policies for the cultivation of the Kingdom of God. Looking at all the simulated gods, all gods except the protagonist define the Kingdom of God as a tool to strengthen themselves, just like the street lights of operating capital. They shape the kingdom of God in their hands into various functional or commercial kingdoms, and use them to make predatory money. Therefore, you can see that they are engaged in various struggles all the time. The level of civilization cannot be improved, and they can only carry out barbaric aggression and are very aggressive. The protagonist's definition of the kingdom of God is its foundation and civilization, just like the old saying: "If you want to get rich, build the road first." When civilization is still in its infancy, we should cultivate it in many aspects and solidify its foundation; when civilization gradually goes astray, we should point out the direction and strengthen our hearts; when civilization is developing rapidly, we should dig deep and conduct longitudinal research. After developing to a certain height, the cultural literacy, spiritual core, science and technology, and inclusiveness are far beyond the upper and lower limits of other kingdoms of God. At this time, the protagonist basically does not make major changes to the civilization in the kingdom of God, so in the later period, the protagonist is always picking up garbage outside. In fact, do you have any sense of déjà vu about the protagonist's Kingdom of God? Doesn't it look like the real motherland? It seems to be a kingdom of God, but it is actually a civilization (fog) disguised as a kingdom of God. The protagonist's Kingdom of God civilization is just like the Chinese civilization. It is self-sufficient, self-reliant and self-reliant. It deeply loves and believes in its own Kingdom and gods. It always has a thirst for knowledge and explores forward. It is firm in belief and courageous. It is very tolerant of all foreign knowledge and ethnic groups. This also makes them more diversified and always has ways to deal with emergencies. Maybe Chinese people who attend compulsory education within the socialist system will be influenced by the inner spirit of Chinese civilization when they create literature. The protagonist himself is like an ancient saint, pointing out the direction for both the inner spiritual pursuit and the outer material pursuit of the civilization of the Kingdom of God. Use Confucianism to shape the inner spirit, Taoism to cultivate external pursuits, and Legalism to constrain behavioral norms, making the core of the civilization of the Kingdom of God indestructible. This book has a very important setting, "Population is the body, faith is the power." All the gods are pursuing the latter, but they don't know that absolute power produces absolute expansion, and absolute expansion creates absolute arrogance, and arrogance makes people despise all dangers. The body is fragile, and the external threats are obvious, but the hidden dangers inside are not easy to detect. Those gods who use the Kingdom of God as a tool think that they can use the power plundered from the outside to maintain the stability of the body. Little do they know that forging iron requires one's own hardness, which cannot be cultivated properly. When the body is nourished, the internal hidden dangers will become larger and larger. When the era changes or other external factors are superimposed, these hidden dangers will be exposed one by one. Not only will more strength be required to maintain stability, but the body will also become more fragile. Once the body dies, it will be difficult to continue. In The Adventures of Jackie Chan, an old man named Dad said something that I think is a classic: "A wise man seeks strength from within, while an unwise man seeks strength from the outside." Although it is fun to watch the protagonist pick up garbage all the time, I hope the author will not be addicted to being a garbage man and let me see more of the spiritual core. Civilization itself is a miracle. I hope he can burst out a different spark.

The beginning of this book is amazing, creating a completely different theme from similar novels. (I can't tell, but it's more attractive than other similar novels.) As the period of curiosity passed at the beginning, a huge world view was gradually given to it. From the personal development in the early stage to the introduction of the committee's real-life contact side, it gave me a second surprise. (This type of brain must be big, and thinking and coherence must be clear, so there is no way to grasp the second surprise period, and the real world is too bland and complicated, making it tasteless. But the system is still being built.) After that, there is the mid-term development stage. With the development of the Yao people (this depends on the theory of "reality" The author's grasp of this point is amazing, and he has just grasped the critical point of theory and interest, except that some systems are slightly too redundant.) This stage is mixed with reality, examples of small people, and biographies, and also gives many timelines and a larger world view. (The last book was like this and ended up with less than 1,000 chapters. The author was so brain-bursting that he died of discomfort.) This can be said to be the third surprise period. This is something that most authors dare not do. Of course, it is high risk and high reward. The author took the risk of brain-bursting and gave the novel a prose-like nature, and made the reader's memory fade through occasional interruptions. (Anyway, I can't remember all the wonders, etc.) When this character is mentioned, the reader can imagine and fabricate it through vague memories and the author's description. Form a system and character line that is the most comfortable for you. It's a pity that I'm not very good at this, and the author doesn't seem to be very good at it, so it doesn't show much. (It may be that the author laid out too many lines in the early stage, causing him to forget it. He suddenly thought of writing it. The abbreviation may be under water word count.) Readers can try to go back and read the previous articles during the short update to supplement their memory but not to have a big impression (just read it casually, don't memorize it). It can make the imagination of the new chapter more three-dimensional and closer to a "circle". It is possible to discover new "surprises" and amaze you with the addition of partially forgotten articles. This is the fourth surprising period of "Reincarnation" (it increases as the number of chapters becomes longer.) I hope that the similar repetitive plots in the later period can be reduced to increase the quality of this surprising period, so as to achieve the so-called endless reading. (Of course, the author is a human being, not a god, and he does not write books for us in the virtual universe. Suggestive repetitions caused by time constraints and imagination constraints are inevitable. But don't people have to have dreams 🙂) With the gradual introduction of the writing method "Without a pen, Long Aotian rises. Insufficient imagination, parallel universe (cell universe)", this article may gradually become mediocre, but there is still a way. It is to simply make an outline and update the way of writing through parallel universes (that is, one story in one universe and it must be different, and it must be no worse than the first story. Because there is an effect of aesthetic fatigue. Therefore, writing a parallel universe, the difficulty of writing articles increases exponentially.) Then connect multiple novels to the coordinated linkage, (that is, one book on the Yao family, plus other books with the same world system. The plots overlap, giving the feeling of multiple perspectives.) Turn the novel into a world tree. Small suggestions: (1. You can add a rebirth episode to the article, such as someone who died in other worlds of cultivating immortals, etc. Because of the instability of the world wall, they traveled to the Yao world and picked up garbage again. This can temporarily increase the freshness. 2. Or The author can find good pen pals with different writing styles but similar styles to help co-write. (Abstract reference to the famous book Dream of Red Mansions that is forced to be intertextual but not obvious. PS: If you don't understand this sentence, don't read it. I don't seem to understand it either.) Multi-dimensional theoretical novels, (you can do this. Let's judge) system, timeline, freshness of the plot, and interest of the protagonist (meaning there are small challenges, rather than meeting everyone in seconds, so far we have a good grasp. I won't mention the economic system, since we are not economic giants anyway.) Are all very important. At present, it does not seem to be the case. It may be either eunuch or vulgar. I hope the author can hold on to 🌹🌹🌹 and drink six more nuclear bombs to replenish his nuclear power imagination. I won't say that I wish your book will last forever (because I finished the last one and it was eunuch.)

The pace is too slow and deliberately suppressed! The small world inside the protagonist must be at least 200 years old It turns out that there are only tens of thousands of people... Normally, it can double several times in 50 years It turns out that in the past few hundred years... Population growth is exponential.

Starting from the time when Xu Xiake and Xu Fu were written, it became unsightly. There was no need to manage the small world, and there were not many wars to fight. Divine weapons were flying all over the sky, and Tai Sui had nothing to do. I ran out of things to write and started relying on messy content to keep up with word count.

The author's composition is too complicated, and I can't even pick up the plot points thrown out. But this can also show the author's level. He can write an imaginary world view so real and vivid, which is really strong. I hope that good books can be read by more people.

Exchange, bosses

If you open the monthly list and there are novel and good books from beginning to end, then congratulations, this is at least a book of food, or even fairy grass. Of course, if you are a book lover who wants to read novels, then this book is not recommended. This book is covered with a layer of civilization game and adds some high-dimensional vs. Low-dimensional elements and ancient Internet writing routines. The author probably wanted to write about the protagonist's growth and efforts, but what the readers see is only the invincibility of the protagonist caused by various protagonist auras and deus ex machina. It would be better to state that the protagonist is invincible at the beginning, and then slowly accept the "power" of invincibility. It is a bit regretful. Poison or non-poison can be determined by a thought.

After reading Chapter 18, I can't stand it anymore. I feel like I'm just consuming believers just to fight with various players. I feel like I'm not reading this, but many people say that the later chapters are good, so I subscribed for the later chapters. I hope someone can give me some spoilers about what the setting of this book is. I'm a little confused.

It's okay, but summoning the apostles to reality is a poisonous point. Some plots are quite awkward. Secondly, there are some bugs in some settings. But the author is a novice, so overall it's not bad.

This is one of the best God-mode farming stories of this type. Although the rhythm is a bit tight, I think it's okay overall. Come on, the author, by the way, I will be able to solve all the problems of not running away as soon as possible.

I wonder why the argument of "continue the game to reincarnate the protagonist" is still there. From the beginning of the reincarnation of the dark forest to the later discovery that Xiaoyao is stronger than those two, it developed into the beginning of "continue the game" and clicked on the Spirit King or the Old One. Don't you mention that the God Simulator game itself is made by the Zodiac Star Track. The Spirit King used to want to discuss Do you want to fight? It was even more outrageous in the past. "After rebirth, I found out that I was actually the leader of the villain?" I feel that this book is generally entertainment-oriented. The protagonist is a real person (relying on hooks and luck) step by step to become what he is now, and no matter how many assumptions are made, it can't change the fact that the protagonist is a real person, with a relaxed tone of having a father and a mother. (Mainly, I feel that the Soul King is not strong enough. It would be too vulgar if the protagonist relied on some "plan from the previous life" step by step. I feel it is more dramatic to defeat powerful enemies just by luck) 😏

The author focuses on describing the beauty of human nature, which also includes the beauty of moral character and will. The writing is vigorous and the techniques of line drawing and background are used to highlight the beauty. The works such as Dengzu and Yanjiu are the most impressive. The author's descriptions of the heroes of the Yao people are characteristic of the people's view of history - the deeds of the heroes are created by the people. This alone makes it stand out from many online articles. From what I have seen in my life, contemporary Chinese people lack aesthetic education in all aspects, but this work is rich in the spirit of aesthetic education. When reading this work, I feel similar to reading Mr. Victor Hugo's Les Misérables. If the author's writing is refined and polished, it can move closer to serious literature. (PS: The author has a delicate description of the female character's heart. Could it be that the author is a girl? Of course, this is just a guess. If it is a big man...🤫🤫🤫)

Behind the scenes, creation, and farming are realized in a way that I didn't expect. After seeing the latest chapter and waiting for the update, I will write a book review to let readers who may be hesitant know their thoughts after reading it. What I like most about this book is actually the promotion of civilization and watching it slowly develop, and at the same time, the protagonist also grows up because of it. The chemical reaction between the protagonist and the main characters is also what I like to see, especially the heroes of some civilizations whose deeds are really worth recalling. Anyway, just good reviews and that's all. Hhh Come on, author 🤭

The whole book, how should I put it? Ordinary and heartwarming, the protagonist is an ordinary person who transforms the world with his own ideas and realizes his ordinary and sincere life value. The experiences of many villains in the middle made me cry to death. Tonghai's self-report: Not a warrior, just a husband with a hammer. Every small character strives to change the world, more or less, just like us. The warm atmosphere, the stories of different villains, and the vigorous development of the villain's world are the highlights of this book. The author please work harder and don't finish it.

It's quite good to watch, especially in the early and middle stages. The character creation is also good. There aren't so many messy emotional lines and routines. However, it seems very rushed in the later stages. The extras are very interesting.

I think it's good, but don't think it's not good-looking because it's a group portrait. Complete.

Urgent, more, understand? Author, get up and code (drag 🙂

If God loves the world, then I love God too. When we try to look at the relationship between most religious believers in the world and God, this seemingly utilitarian thought exists more or less in these religions. This is essentially a form of mutual dependence between us and the world, or between us and God. In essence, this kind of "love" does not represent utilization, but a more sincere feeling. If He allows me, I will support Him, if He supports me, I will support Him. After excluding those utilitarian intentions, this sentence shows a certain loneliness of human beings. ​This kind of loneliness seems to be innate to us. It plants the seeds of pain in the form of [curiosity] when we are young. As the seeds continue to absorb nutrients called [cognition] in our lives, what is finally bred is a path, a path that is exclusive to me, and I will achieve it on this path. My value is to realize my ideals. This road promises me endless light and dazzling jewels at the end of the road, but there are also shadows under the light. This road is too private, so that many times we cannot find people walking with us. Life is like a reverse journey, and I am also a traveler. In other words, I have never seen the ancients before, and I have never seen the newcomers after. Thinking of the long journey of heaven and earth, I burst into tears. The moment this realization appeared, some huge loneliness was like the wave of the Qiantang River, carrying the force of the sky collapsing, ruthlessly passing through the fragile emotional defense we had barely built up, hitting our souls with a five-digit critical blow. Life seemed to be crumbling under this blow. We urgently needed support and companionship. At this moment, the gaze of the gods was like a five-color stone, filling the hole when my world was shattered. God is silent, but He loves the world. The so-called Heavenly Lord is compassionate and Heavenly Lord is nothing more than this. In fact, everyone knows very well that no one can put ourselves in our shoes and no one can truly understand us, but Heavenly Lord can. When I feel When I feel extremely hesitant and restless, I only need to kneel in front of Tianzun, and Tianzun's slightly lowered gaze can give me the greatest strength - I am a child of Tianzun's family, and Tianzun's eyes have always been with me. I am witnessed by Tianzun, and I have never walked alone. ​

The writing is very good, it's not poisonous and it's readable. IQ is online. I think one of the highlights is that the protagonist is not the smartest and most thoughtful person in the whole novel. The author describes some of his thoughts from the perspective of a villain. This is very, very good. It confirms that development is uncontrollable and how society develops is not entirely determined by gods. Villains are the protagonists of society. I also have some doubts ① First of all, it is very simple to meet players in reality. Although there will be a patch later to explain the reason, I feel that the description of reality makes readers like me who like construction and development feel boring. Will the description in this aspect be reduced? ② I have also thought about it, since gods have opponents, can they also have collaborators? Can gods cooperate and in what way? The book says that belonging to gods is a type of relationship between gods but it is a subordinate relationship. Can there be equal cooperation between all gods? Can there be a collision and exchange of beliefs between believers? ③Whether there will be a love line, I personally hope not to write it. Great book, worth investing in! ! !

Author, I really like this book, but I am really not impressed with the current audiobook audio. I have basically not used it since the update. I will wait until your book is available in Himalaya or the audiobook audio is revised. I used up the starting coins today, ordered as many chapters as I could, and then just let them go.

Have you ever been a god? Some things are written randomly, taking it for granted

Woc, I found that many people were making fun of me. I was scared away several times before. Now I came here to read it after reading the recommended book. It was indeed well written and reasonable in all aspects. The protagonist has a stable character and there are no bloody incidents. It is very good.

God, farming management is not a stand-alone game. There are multiple novice villages. The novice village where the protagonist is located has the legacy of a big boss. Once the strength reaches the standard, he will not be forced to leave the novice village. However, if outsiders want to come back to the novice village, their strength will be greatly reduced. Therefore, the outside boss will let his subordinate gods commit suicide to enter the protagonist's novice village to hunt for treasures. Therefore, the protagonist is currently developing in the Novice Village, and can still upgrade with advanced experience babies sent from outside.

I'm not very good at drawing. I'm really sorry for my poor pixel drawing. Don't scold me:(

There were other players who were very toxic and slipped away, but it was a pity that the writing was quite good.

I regretted giving up the book after reading Chapter 688. In the early stage of the book, from the perspective of a god, he fought with several other trainee gods in a broken novice world, but at the same time he was vulnerable to his opponents. There are also soldiers arranged by the two gods to enter the broken world to hinder the protagonist from discovering that faith is energy and population is life. From the beginning, there is a person, a village, a tribe, and three major cities, each with its own characteristics. Develop science and technology and do business, and produce heroes and prophets. Interact with reality through sacrifice and advent. Then there is a ranking of gods after the trainee gods, followed by the main god, and the protagonist may have turned one of the main gods into a subordinate and inherited part of the property of each of the two main gods, so the start is very fat. If you don't ascend, you won't enter the rankings. It turned into an existence similar to a pseudo-lord god. It's actually pretty good to write this. Probably it won't be interesting once you come into contact with the police in reality. Similar reality is an existence similar to the spiritual world, and the spiritual world is related to the transfinite zone and the like. Anyway, it's quite complicated, and the more you look at it, the more complicated it becomes. I can actually understand it at this point, it's just that the setting is rigorous, but I can't bear to use Faith Points to hire people. It's just a few small characters, and I thought the protagonist would be dismissed after a few casual attacks. Why, he spent hundreds of millions of Faith Points to hire four door gods? Are you kidding me? After all the hard work of developing the population, discovering technology, and a few little Karami have arrived, you are going to fight mosquitoes for me, killing chickens with a knife? How comfortable is it that you promised? There are nearly 700 chapters. I am a true fan of this. The more I read, the more frustrated I become. There is no climax.

I've read Chapter 20, and the poison points are a bit frequent. The little poisonous points are nothing, but the huge logical loopholes are too hard to ignore. The most poisonous part is in Chapter 20. Knowing that this is an online game with a high density of players and a great influence on reality, if you engage in provocative behavior against an unknown being whose level is significantly higher than your own, are you not afraid of being exposed? Or do you feel that your behavior is very covert? To bring an unrecorded stranger with obvious appearance to a public place, to be seen by acquaintances, to come into contact with case investigators, and to participate in many incidents related to game players, no matter how you look at it, you feel like you are seeking death. Secondly, even if we put aside practical factors, just judging from the development of the tribe in the game, you use a huge amount of faith value to provoke a god whose level is obviously higher than yourself. You don't even think about whether your remaining faith is enough to resist if another god retaliates. At present, the tribal technology tree only has bows and arrows. The most powerful weapon apostle is out, how dare you cause trouble. Finally, there is the use of letterhead. It is unreasonable to use letterhead as a prop without a word limit. The bug-level function allows it to be understood by villains. So wouldn't it be a direct takeoff to attach a lot of knowledge that can be used under those conditions? The author just couldn't think of it. Interesting idea, but I'm going to be poisoned.

I don't know which glass-hearted person got me wrong. The following is the original post

The plot in the early stage was quite good, and the author's writing was also good. Unfortunately, it started to fail in the middle stage, and various systems collapsed in the later stage. It's really a pity. The various trolls in the circle who are not allowed to speak are also a major poison, and the operations are completely ignored.