A Celestial Master Between Two Worlds

The protagonist seems inexplicably stubborn. The early parts were alright, but things got a bit confusing at Kunlun Mountain. Master Qingyang made so many sacrifices for his master, even taking him in despite objections, and giving him the Three Treasures and the Ruyi Scepter, yet he still tries to run away like Zhang Sanfeng.

After reading five out of ten chapters about the plot of the movie "A Chinese Ghost Story," I think I'd better go see the movie.

1. Is Wudang Mountain a Zhengyi sect or a Quanzhen sect? From the very beginning of Wudang Taoism, Wudang has been Zhengyi (Orthodox Unity). Emperor Yongle (Zhu Di) built palaces and temples on the desolate Wudang Mountain, and only then did Taoist priests begin to reside there and preach. These priests were sent by the Da Shangqing Palace on Longhu Mountain.

The Demon King of the Flood Dragon takes a concubine, and the protagonist inexplicably gets entangled in a romantic entanglement with Xuanming, the woman of his good friend Yan Chixia, which is then forcibly explained as a "love tribulation." This plot development is utterly nonsensical and reminiscent of Cao Cao's style, significantly lowering the book's overall quality. The inconsistent and disjointed feel makes it seem like the work of a completely different author.

No, I mean, author, you've written three books already, haven't you learned your lesson yet? Every time you write a romance between the protagonist and a woman, it's so inexplicable. In the first book, it was already late in the story when suddenly there's a reincarnated Guo Jing, and then Huang Rong appears out of nowhere, completely ruining the protagonist's character.

I couldn't continue reading after chapter 42. I was already about to lose my temper when you reported the martial arts manual you were passing it on. You even verified its effectiveness and saw the results of mastering it. How stupid would you have to be to report it? The police are blatantly aiding and abetting evil; that's just ridiculous...

The author should learn more about traditional culture instead of writing a book based on assumptions, as if cultivating Taoism is as detached from reality as studying mathematics and physics. Regardless of the school of thought, traditional Chinese culture aims at practical application, naturally containing philosophies of life and conduct.

I don't know what his master's considerations were in going down the mountain to find his junior brother before the battle. I only know that even in a modern army, such desertion that causes huge losses would be a court-martial offense and result in execution.

The term "Celestial Master" means "a teacher who follows the natural way," not a teacher of heaven. Those writing fantasy novels should learn more about traditional culture!

Finally, there's a book without a female lead, and now they're going to add a romance between Xuanming and other immortals? Please, stop! Focus on the fantasy genre, stop with the immortal romance! Immortal romance is the worst!