I Formed the Strongest Swordsman Guild

Ninety percent of the Japanese samurai of that era were garbage, no problem, right?

The writing is very good, but don't let this book give birth to a few bad days.

Tachibana Aoden: "Is this the living legend, the unparalleled sword in the world that kills countless people? Sai Ogata's power? What a terrifying sense of oppression!" Ten seconds later... Nani, he doesn't have any talent!!!

Just to make a complaint, any time traveler with a good IQ would not support the shogunate in any era, right? Not to mention the political and ideological courses we have been learning, which makes us instinctively hate feudal oppression. No matter how romantic it is, it is the romance of gentlemen, but the common people below are suffering the same. The author is also familiar with history and should understand what the silent majority is like. If you don't ask the sun and moon to change the sky, and don't move three mountains, the protagonist relies on one person (a small group) to make physical repairs, and he is nothing more than the second shogun.

I wrote this post just to scold him I really don't understand the author's brain circuit. This novel is countless times worse than the previous one, "The Swordsman". First of all, in terms of the main plot, the main plot is the growth experience of Nioh Aoden, but the context cannot be said to be unclear, I can only say that it can be seen. It is true that the speed of growth and the growth experience can be seen, but there are too many miscellaneous things inserted in the middle. The relationship between the characters is not much but confusing. Then there is the part that I want to criticize the most, the emotional line. I was so angry that I couldn't sleep while reading a book in the middle of the night, so I came here to write a special post about it. It's true. First of all, let me explain that I am a single-heroine person, and I am not interested in novels with multiple heroines (if there is no heroine, I will tell you otherwise), unless the writing and plot are good. As a reader, I have a preconceived notion that I like Kinoshita Mai the best, but! ! ! ! ! ! ! ! ! ! ! ! What did you create for me? The emotional line was inserted into the ambiguity of Sanako, Okita (Historically, Okita Souji was a man), and even the young widow. No, brother, what is the difference between you and a scumbag when you write like this? The characters and personalities are not consistent, and opening a harem will lower the quality of the plot. Secondly, the previous book "The Swordsman" has a single female protagonist, but you are not capable of writing a harem. It is easy to get involved if you go too far. Thirdly, the market for harem novels is not big anymore. It is not what it used to be. Two female protagonists are relatively stable, and there are many single female protagonists/no female protagonists. Finally, I want to say that it's not that I can't see your hard work, but the quality of your new work is far different from your previous one. If you continue to write based on this, I think it will be difficult for book friends to pay the bill ps I am a Kinoshita Party member, and I am really convinced! ! It woke me up in the middle of the night 😡😡😡😡😡😡😡😡😡😡😡😡[ fn=47]😡😡😡😡😡😡😡😡😡😡 The above is my personal opinion.

Okita

Qingdeng: Five flowers in the harem, I don't know whose house I will stay at tonight, I am so sad that I am thinking about the moonlight 🙂

Ogata Issei Class: saber Rarity: five stars Character details: (1769-?) A legendary swordsman and ronin samurai active in the Edo period during the Kansei period. Born in Hirose, he escaped from Tibet for the crime of killing his lord and was wanted by the shogunate as a "thug". It is rumored that he killed countless people in his life and is full of legend. Starting from killing a tyrant with one enemy against a hundred, he also had brilliant achievements such as capturing the burning Kyoto castle tower, wiping out the Shiranui Ninja Village, and retreating thousands of troops from Ezo alone. At that time, he won the majestic titles of "Ittosai the Executioner", "Shura" and other majestic titles. His legendary experience is still talked about today. The kabuki play "Ittosai" adapted by the Edo period playwright Nishino Jiro based on his debut battle is still very well-known and popular in modern Japan and even around the world. Ogata Issei did not make any outstanding contributions in the field of swordsmanship throughout his life, but his shocking achievements earned him the title of saint. Along with Ueizumi Nobutsuna and Tsukahara Fuden, he was revered as the "Eternal Sword Master" by later generations. Parameters: Strength B+ Durability A++ Agility A+ Magic E Lucky E~EX Noble Phantasm EX Skills held: Mind's Eye (True) A+: Grant yourself invincibility (3 times·three turns), increase defense (three turns), and increase critical star concentration (one turn). Magic Release•Thunder (Pseudo) EX: The performance of one's own skill command card is improved (three turns), the power of one's own Noble Phantasm is increased (1 time·three turns), and a large number of critical stars are obtained. Breath of the Source EX: Increase own attack power (three turns), remove own weakened state, own NP +50%. Class Skills: Immortality B: Recover 2% of the upper limit of your health every round and grant yourself the perseverance status (1 time). Response to Magic A: Increases own weakened state resistance by 20%. Transparent EX: The performance of own skill command card is improved. Noble Phantasm: Asura Path • Transparent World (Blue Card Noble Phantasm) Class: EX Type: Anti-person, Anti-Army Noble Phantasm The performance of the own skill command card is improved, and the invincible penetration is obtained (one round), and a powerful attack that ignores defense is launched against all enemies, and the own critical strike power is increased (3 rounds). Personal information 1: Height/weight: 170cm·64kg Source: historical facts, literary works. Region: Japan Attributes: Neutral • Moderate Gender: Male The legendary Ronin samurai experienced a legendary story. The true extent of his legendary story has not been verified so far. Personal information 2: Character There are different opinions on his character. It is said that he was fearless of power when he was young and killed tyrants by himself; but there are also rumors that he killed too many people and killed countless people in his life; there are even rumors that he was a lawless maniac. In folk dramas, there is a legend that a woman set the tower on fire. But there is no doubt that whether he is eager for justice or cruel and tyrannical, good or evil, right or wrong, has become history and will become part of the "legend". Personal information 3: Immortality B: It is said that Ogata once encountered the undead in a fantasy adventure and gained immortality. As long as his injuries are not fatal, he can heal quickly. Transparent EX: Ogata reached the highest level of martial arts with kendo, and he was still able to exert magical power in the Edo period when there was no magic. Profile 4: Mind Eye (True) A+: Ogata's instincts have been honed by countless battles with people throughout his life. He can deal with all kinds of enemies in the best way and find an opportunity to win. Magic Release•Thunder (Pseudo) EX: There was no magic power in the Edo period, this ability was sublimated from legends. Ogata once triggered a thunderbolt from the sky during a life-and-death battle with a powerful enemy, and killed him with a single stroke of lightning. It is said that the then veteran Matsudaira Sadanobu witnessed this scene with his own eyes and spread it. Breath of the Source EX: The matching breathing method of the swordsmanship style Mugo Nito-ryu created by the "hidden swordsman" Kinoshita Genichi in the Edo period. It is the foundation of transparency, the supreme realm of martial arts. Ogata practiced it to the highest level, surpassing its founder Kinoshita Genichi. Personal information 5: (please add) Personal information 6: [Asura Road·Transparent World] Class: EX Type: Anti-human, Anti-army Noble Phantasm The ultimate sword that combines Ogata's life-long killing career, legend and martial arts realm. Integrating with the world on the basis of a transparent realm, thereby mobilizing the power of heaven and earth, can be called "a mystery that is not a mystery" in the Edo period, an era without magic. Be sincere to the sword, and the world will respond - Kinoshita Genichi

Pictures of Souji, Sanako, and Kinoshita Maibai Muzan～

This book is really tiring to read. The author writes too seriously and always makes three unnecessary detours. To explain the identity of a stranger, you first have to look familiar, and then you can't remember it. Then your friend tells you the name, and then the author narrates the identity, status, and experience. Isn't it tiring? Keep it simple. The protagonist introduces the appearance of the person when he sees it, and the friend introduces other information. Do you always look familiar and can't remember it? Is it in the front, has photographic memory in the back, or is the protagonist suffering from Alzheimer's disease? The same is true for plot promotion. A plot involves several parties. You need to write down the decision-making process of this matter from several perspectives. The protagonist's line, the protagonist, the victim, the villain. Are you writing a criminal record? Remember who and who said everything, and you don't need to explain the overlapping ones. You can keep it simple for non-protagonist lines. Some villains are written in detail to create characters, but your villain is written in detail to explain the situation? Neko Monk and Mai are the same person, so she doesn't have to explain why she showed up in Fujisawa to catch a thief. Everyone knows what happened, but she still has to explain why she went there, why she caught it, how she caught it, and whether you were tired or not. There is nothing wrong with imitating the tone, wording, and sentence patterns of the time to reflect the sense of place of the times, but haven't you noticed that the protagonist, supporting roles, heroines, passers-by, and villains all speak in the same mold? The differences in character in the setting cannot be reflected in the language, and can only be determined in the plot. The contradiction is very uncomfortable. This is a novel, not a textual research document. This thing of yours is said to have a low number of words, but it is very careful. It is said that it is not watery. All kinds of unnecessary repetitions are like filling the sea. The result is that the pace is as slow as a turtle, all the characters, including the protagonist, are all NPCs with no personality, and the plot is as boring as foot bindings. Riqing Riqing, some of them were written in China, and they were all written according to the Japanese style. Didn't you feel uncomfortable writing it?