Sengoku Japan: The Rise of the Tiger of Wakasa

Laughing to death, someone in the building said that it would be too disgusting to surrender to Ming Dynasty in the end. Doesn't one write about Chinese theme awareness in China? What to write? Seeing Daming makes you feel sick? It's better to see if there is a saint in your family. Too many people in our country are really full, especially picky eaters who eat squid every day.

Talking about Toyotomi's last dream, the one-eyed dragon of Bitchu, the Eagle of the Warring States Period, Fuxing Chronicles, the Tsugawa family, and Tosa's Dream, a half-step god of Japanese war literature, including Sister Shangshan, these are all memories of the past.

I've read Chapter 58 and found that this pig's foot has no talent at all. It's just like a mascot. In terms of force, force is not good. All wars are fought by the generals below. In terms of strategy, it can be regarded as the people below giving the ideas. It can be done with or without him?

I just want to know, is this book going to flatter Ming Dynasty again? If so, don't watch it to avoid nausea later.

The early stage was pretty good, but since it gained a foothold, I feel that the protagonist's character has dropped a level. Originally, he could be said to be courageous, resourceful, and heroic, but after the early stage, the rest of the plot relies entirely on others to push the protagonist, without any personal vision or strategic positioning. The reason why so many people are complaining in the chapter is because the current protagonist relies entirely on others to propose strategies, has no force at all, and has a soft ear for decision-making (whoever speaks later will listen to whoever has the final say). He has no arrogance, no ambition, and no courage. In today's novels about troubled times, such as the Three Kingdoms and Japan's Warring States Period, whether your protagonist has superhuman vision, extraordinary martial arts, or an "outstanding" strategy (the author's IQ test project), you must always have one that stands out. Why, because you want to give the reader a feeling that his success is well-founded, logical and logical. If a protagonist wants nothing, then why can he succeed? What's the difference between that and Ding Zhen? Even Ding Zhen has a 70% good looks and good luck with the times. In this case, the heroes of the same period were defeated, then these heroes and the background of these times have all become clowns, and the protagonist is just the biggest clown among them. Only by depicting the outstanding abilities of contemporary heroes can the protagonist's own "characteristics" be highlighted, and in this way a sense of grand epic can be born. You have to write about the gradual growth of the protagonist so that readers can see that the protagonist is improving instead of getting worse. Most people can tell whether the protagonist is getting better or worse. I hope the author can think about it and clarify his ideas. (PS: If the growth cycle is too long, you will definitely be abandoned by some readers, because if you are not particularly well-written, no one will follow hundreds or thousands of chapters to see the protagonist make little progress)

I haven't played Shinno for a long time. I opened Wakasa Takeda in 1943 and played it in 1967. Takeda Motoaki became the head of the family. There were only half a Tajima plus Kuchiki Valley and Otani Castle than in the novel. It was too difficult. In the early stage, I conquered Kabuyama Castle, followed by Kuroi Castle. As soon as I hit Kuroi, Asakura came over. After a few years of back and forth, I finally won a Tajima after Miyoshi rose up and acted as Miyoshi's dog. After taking down Kanazaki, Kotani, and Mount Sawa in succession, Guanyin Temple could not be held down. Until Nobunaga's rise, he couldn't hold it anymore, he surrendered, and even stole a Kuchiki Valley from me. By the way, I want to complain about the 16 siege battle. I couldn't beat 5w against 8k. I'm really convinced.

Oda Nobunaga even made marriages here and there to consolidate relationships. When it comes to these authors, they wish the protagonist was a eunuch and have no desires or desires.

If Murato doesn't have time to read Japanese literature, he might as well look at himself. Can I be understood as having a crooked butt?

It's a pity that I have another eunuch book. You are just like Sosuke Kira. You can write well, but you are good at eunuchs.

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