I'm Really Not Some Great Swordmaster

The most disgusting thing is when the protagonist did all the work, but they always write that others think the protagonist just has some talent, and they don't let others know that the protagonist did it. This kind of writing style is garbage. They always misattribute the results to others. I can only describe this kind of writing as garbage.

I did a rough calculation. The total capacity of a lake is usually measured in hundreds of millions of cubic meters. A drop of water is 0.05 Milliliters. So the density of monolithic heavy water should be about the same as that of neutron star matter... And Japan's annual precipitation is about 600 billion cubic meters.

Twin tails

The advantage is that the writing is good and flows smoothly. Although it's a bit padded, it's still readable. However, I must mention the drawbacks. It might seem strange, but from my own perspective, once you have the ability, being safe isn't just about hiding.

I just want to ask, is the writing environment really that difficult now? So many new books have protagonists in Japan. Are modern-day/spiritual revival themes completely banned from being written about China? But why are they all writing about Japan? Nobody's writing about Americans, Koreans, Indians, etc.

The novel is well-written. However, the latest description of exploring a new world on a global scale feels like a plot hole. It's satisfying to see the protagonist showing off in Japan, but if there's a crisis both globally and in a particular region, the protagonist returning to that region could become a toxic element.

Huh? An heirloom cover?

To be serious, this book is somewhat of a mix of wish-fulfillment novel and anime/fan fiction, but the fusion isn't quite as successful, especially considering it's Ziye's first book in this genre. While the story does have its enjoyable moments, the initial sense of tension and immersion is particularly noticeable due to the supposedly demanding plot and power system.

The first few chapters of this book are quite good, with over seven thousand words, which is one of the reasons that attracted me to read it. I wondered if the author was really that talented. Later, as I read on, I realized this wouldn't work, bro. First of all, are you writing an ensemble novel? The protagonist's appearance rate is shockingly low.

The current meta of Dihua and the "survival of the protagonist" is really hard to like.