I'm Really Not Some Great Swordmaster

The most disgusting thing is that it is obviously the protagonist who did it, but it is always written in such a way that others think that the protagonist has some talent, but they do not let others know that it was the protagonist who did it. This kind of writing style is garbage, and the results are always misunderstood as someone else's doing. I can only use the word garbage to describe this kind of writing.

After a rough calculation, the total capacity of the lake is usually measured in billions of cubic meters, and a drop of water is 0.05 Milliliters, so the density of one yuan of heavy water should be about the same as the material of a neutron star... And the annual precipitation in Japan is about 600 billion cubic meters. In a few years, it is not much different from the total amount of water absorbed by the hero... I suggest you just throw this guy into the Gobi and kill him and release the water.

Twin Ponytails

The advantage is that the writing is good and fluent. Although it is a bit watery, it is still readable. But let's talk about the shortcomings. It feels strange, but now that you are capable, from your own point of view, if you want to be safe, you don't have to be stubborn. You have to understand the information about the appearance of monsters, understand various superpowers and strange abilities of monsters, and at the same time use official channels to refresh and optimize new skills to take preventive measures. This is true. You don't just take the lead in setting up the Sunny Doll every time something happens, the author just hangs up and it's over. From a human perspective, great abilities come with great responsibilities. People are always prone to hurt others. Seeing the survival crisis of the human race, it is necessary to have the ability to stand up and do something (it's okay if you don't do it). Anyway, I feel that the protagonist is a bit brainless and too self-centered, and I really can't like it. Brother Jianjian, why is it over? Changshou still has a way of doing things and being a good person.

I just want to ask if the writing environment is so difficult now. The protagonists of many new books are in Japan. Are modern and spiritual-like revival themes completely prohibited from being written in China? But why do you write about Japan? No one writes about Lao Mei Bang Zi, Ah San, etc.

The novel is well written. However, the latest setting describing world-wide exploration of new worlds seems to be a trap. It's fun to watch the protagonist act cool in Japan. But if there is a crisis in the world and a certain place, the protagonist may feel that it will become a poisonous point if he returns to a certain place. If you don't write it, then don't write it in other countries in the world, as it will be brought in. The whole world is invading, but there is a Sunny Baby in Japan, so I just wanted to make a post. I hope the author has a good idea 🙂

Ah this? Heirloom cover?

To be serious, this book is a bit like a mixture of cool literature and two-dimensional humanities, but the integration is not satisfactory. After all, it is the first book of Midnight Transformation The cool part is a bit cool, but for the so-called plot and combat power system, the "pressure" feeling in the early stage is particularly obvious. It is particularly dramatic. It is cool, but except for the small climax plot, the plot does not feel as plain as other books, but a weird feeling. I wonder if anyone can summarize it for me The two-dimensional part Because of the background and reading preferences, few people can actually write well pure passionate fanfics. This book contains a lot of anime plots and move names, but because there are not many other plots from the original books to match, there is actually no burning feeling. Instead, it is "you are playing awkward". In fact, I am afraid that my own name will be criticized, but it can be understood, but use other people's names in the same style. From Pokémon to Pirates, the style of painting is really different I have followed 3 books in Midnight. From Prodigal Liu to Feng Gou and then to this one, Prodigal Liu's character is the best among these books. I really feel aesthetic fatigue in the later period of Feng Gou. The protagonist of this book has a flaw that he has experienced a lot of events, but what about the change and growth of mentality. If the strength is the strongest by default and there is no change in mood, isn't it essentially the same as that of Feng Gou? It's an urban invincible cool novel with a new skin It's not an exaggeration. We can analyze it in detail First of all, it is the setting of monsters and heroes with super powers. However, the setting is the same as One Punch Man. The setting is that the strongest person is not revealed or the bottom is revealed in the finale. At least I feel that I am not watching One Punch Man to see him being ridiculed by various monsters. I am watching the last highlight or the whole plot. But brother, this is a serialized novel. Can you write a complete plot in one go? There is no need to copy the whole form when looking for the core advantages of the imitation setting The second combat system has swordsmanship and super powers. The protagonist's ability is to copy one after another. The obvious shortcoming is that it has no own characteristics. I know there is a heavy water, but I still don't have a specific use. The protagonist's ability has no characteristics. Just like when we were young, I want this and that. If you insist on saying that the characteristics are like Gusu Murong's, it feels unattractive The third is about the extension of hiding identity. What kind of logic can you use to convince readers? The identity has not been exposed or the supporting characters have never doubted this. This does not need to be very rigorous. As long as the basic logic of the certificate is self-consistent, it is fine. But it has not been said. That's all I have in mind. I hope that Midnight can write better and better and at least earn money for milk powder.

The first few chapters of this book are quite good, with more than 7,000 words. This is one of the reasons that attracted me to read it. I wondered whether the author is so powerful. Afterwards, I thought it was not possible, brother. First of all, are you writing a novel about group portraits? The appearance rate of the protagonist is horribly low. Each supporting character has the same appearance rate as the protagonist or even more. You may want to increase the polish of the supporting characters, but you have more than 2,000 words in one chapter. Excluding various descriptions and the dialogue of the supporting characters, does the protagonist have 500 words? You don't have a good grasp of the topic Then there's the issue of memes. There are too many and too dense. Others are interspersing jokes in novels, but you are finding gaps in the memes to write novels. Some of the comments are right. The ultimate stitch monster gives people the feeling that it is indeed like this. This comment is very appropriate. Finally, the various actions of the protagonist, including the supporting characters, are not good enough, and there is no logic. The actions are too biased, as if the protagonist is given three choices to do it, and then the protagonist forcefully chooses the fifth and sixth options. It is particularly uncomfortable, and it will appear that he is not very smart, or even said to be brainless, which makes people feel uncomfortable. It's very uncomfortable to watch. The various thoughts and actions of the protagonist cannot be understood without explanation. It's like being hungry at night and wanting to eat, but because the old lady next door has passed away in her family, she doesn't eat. This kind of feeling can be explained, but it is not fully explained   I have now read Chapter 40 and I can't stop talking. I hope the author can write better and make more progress. This is just a little suggestion from an old bookworm. I want to hear some, but it's okay if I don't want to.

Nowadays, Di Hua and Gou Dao are really unlikable as the main characters.