I Loaded a Strange Tales Game

Has the author never exercised? A very rubbish ordinary person under normal circumstances. After running continuously for a month, I can basically run 5 kilometers continuously, which means running 12 and a half laps of a 400-meter playground. This should be a level that a normal person can do, or even a person below normal. Don't ask why I used to be an ordinary person who could take a breath after running two steps.

The introduction reminds me of "Toilet Hanako VS Qu Qiang Exorcist"

I have read three hundred chapters. Although overall I like it and enjoy reading but the male protagonist is a relatively boring existence in this novel. Probably not many people will think so, because once you get involved, you will no longer think of him as a novel character. The male protagonist is a person with no personality and no ego. It seems like an exaggerated evaluation, but many system articles are like this, so it is actually a normal situation. Why do you say that? Let's put aside things like systems and abilities. What kind of person is the male protagonist? An ordinary person has no characteristics, including small complaints from time to time and kindness that is not the Holy Mother. They are all in a range that has no personality and cannot be called characteristics. Especially without the abilities given by the system, I don't think he has any qualities that can serve as a protagonist. I have always believed that the reason why the protagonist is the protagonist is because they are special, rather than just picking up a random passerby and giving him a cheat to become the protagonist. One thing that is obviously undisputable is that his fundamental ideal and driving force as a person was given to him by the system: to become the co-owner of ghosts and gods. There is no reason to become a co-master. Hatred, or love for the supernatural, or simply wanting to open a harem and make money, none of them The system says to become a co-master of ghosts and gods. He went for it with all his might. Like I said, Palu, go mine, it goes. To be honest, the male protagonist's ordinaryness is not the ordinaryness of ordinary people in reality. In reality, everyone is different. There are so many personality models. Everyone has some differences from others on a normal basis. This is normal. The male protagonist is more like cutting off all his personality traits, leaving only a basic blank slate. Even if you say that he is a weirdo and externally controlled person, or extremely greedy for money, or a ghost, as sinister as a fox or as honest as a young man, I still think he looks like a human being. However, this is not surprising in system literature now. The protagonists who cut off the system and become useless are everywhere. Not to mention ability, ideals, three views, behavior, and personality are all more or less systematic, and life becomes a shell of a system. Because there is no protagonist with any personality traits, his emotional line is quite dispensable. It's not that there's nothing at all, but the writing is completely uneventful. As time goes by, feelings will develop, things will come naturally, and the story will be told in a straightforward manner. That's probably what it means, is there any, if so. Anyway, I have no desire to twist into a maggot on the bed. 300 chapters, 300 chapters. The emotional line between Mary and Prajna is completely frozen. What was the same during the contract is still the same now. The daily interactions are limited to one cooking and one leaving some smell on the bed which is not described at all. The very thin yandere and tsundere character is still as thin as a piece of paper after 300 chapters. Writing daily life, I still admire the love game loaded. A delicate and vivid personality and gradually rising emotions can be written through daily dialogue alone. Although I didn't say I wanted to reach that point, I really didn't write at all. Because there is no emotional line that has any sense of existence, the main body of the novel is simply writing a report, and I have been pushing forward the main line. And it's really a Dark Souls-style push. The protagonist harvested mobs in map a, b defeated the boss, c obtained props, d unlocked abilities, e upgraded shikigami, f, opened the next map g... You can fill in all kinds of things you want in abcd, etc. It's really unexpected that you can also fill in the characters from crayfish to the invincible cosmic king crayfish like a certain meme.

It doesn't matter if you don't have a harem, but when I see you write a supporting character talking about love, I feel a little bit...

Strongly requesting Kamiya to accept Mr. Hachiku, not for anything else but for the little horse and the big cart.

Is Chapter 369 serious? The author doesn't want the male and female protagonists to be together. Let's just say it straight away. Taking this kind of plot as an ex-reader, I originally thought it was a harem story, but it turned out to be a stock trading story. There was no emotional line at all. I just like to have ambiguities with various women.

This book started to go downhill after Hanako was solved, or the trend of going downhill has already begun. After all, I don't understand what the author thought. Mary was hidden when the character was the most popular. Although Mary appeared to save the scene again later on, because it had happened once, it gave people a much worse feeling than the first time, and I think it was Satoru-chan who stood out more in this appearance. Then the author hid the character again. Perhaps the author consciously tried to balance the protagonist's back-office group, which is the so-called stock trading, although in my opinion this is very unnecessary. After all, they are all shikigami and not human beings, so what if they all take them all. Also, Hannya's emotional line is very strange. I understand that the author wants to write about a tsundere, but the problem is that Hannya is forced to be subdued, and the initial favorability towards the protagonist will definitely not be a positive number, even if it is not a negative number. Therefore, Prajna's initial performance will never be tsundere. After all, the premise of tsundere is that the protagonist can make her coquettish. How can she be coquettish towards someone she doesn't like? Is it possible that the protagonist's ability to conquer the shikigami also increases his favorability? If so, please explain. I can understand the idea of ​​a girl posting something negative, since it is a male-oriented novel after all, but the problem is, an "enemy" shouldn't post something negative without any reason. Then the plot is too compact, with events following events, dungeons following dungeons, and the protagonist is either on the way to open a map or on the way to fight a boss. I don't know the reason why the protagonist works so hard. The reason of wanting to become the co-master of ghosts and gods doesn't convince me. In this book, being the co-owner of ghosts and gods means that there is almost no explanation. Why on earth does the protagonist have to work hard for an identity that only has a relatively impressive name? Are you so worried about being the co-owner of some ghosts and gods? I can still feel happy in the game. Can the protagonist feel happy if he is so lazy? As mentioned earlier, Prajna's emotional transformation is too rigid, and the emotional line of the heroine (questionable) in this book, the little miko, is similar. I just finished watching the dating part and I was confused. Why do you suddenly want to develop a relationship? Okay, I can understand if you give it for free, but it's okay to mention a little reason when you go on a date. Even if the reason is far-fetched, it's okay, as long as there is a reason. Your emotional drama is so bad. If you don't write down the reasons why the heroine falls in love with the hero in detail, how could I possibly know? A book that is tasteless to eat and a pity to throw away. It depends on how Miss Mary comes to the rescue.

The book itself is quite to my liking, so I'm ordering more. I would like to give some personal opinions. I do not mean to teach the author how to write a book. It is just a suggestion and reading feedback. 1. Do not add entities if necessary. I hope the author can make good choices. There should be choices for content that is of little significance. Continuously stuffing the protagonist with things will lead to the protagonist team becoming bloated and rigid in all aspects. To give a simple example, the factors that limit the number of shikigami for the protagonist include spirit control and shikigami statues. Are both necessary? Is it possible to only keep Poke Balls/Shikigami statues like Pokemon? It is set that the shikigami statue can unconditionally conquer kaidans that are 2 levels lower than the kaidans. The kaidans that are 1 level lower need to be in an abnormal state such as serious injury/restraint. The kaidans of the same level can only be conquered if the opponent is willing. Is this equivalent to integrating the restrictions of the spirit control technique? Of course this is just an example. If the spirit control technique has other important functions, that would be a different matter. 2. I hope the author can make differentiated settings. In this regard, the author has actually done a good job so far. The main character settings and abilities of the protagonist team are highly differentiated, which deserves praise. However, the problem of differentiation will become more and more serious as the plot progresses. One of the reasons why most online articles are reduced to a big game in the later stage is the lack of differentiation. This is also a manifestation of the importance of the first suggestion. The more things are crammed in, the harder it is to reflect the difference. The key to differentiation is to plan ahead. Before new things are added, they must have a clear positioning and fit their background. For example, if Mary is transformed from an abandoned doll, she can be designed into a dual form of Forgotten Doll/Bloodthirsty Doll. The doll form has the ability to make others forget herself, similar to invisibility; the doll form has strong attack power, and the first surprise attack out of the forgotten state is a fatal blow, similar to the effect of Wind Walk in Warcraft Sword Master. This not only fits the background, but also conforms to Mary's positioning and division of labor as an assassin. 3. Some plot segments are not handled smoothly and sophisticatedly enough. The patience of online readers can be said to be very short. An uncomfortable plot may cause readers to abandon the book. The author's handling of some plots is somewhat imperfect. For example, the operation of the protagonist in the first reality trust mission is a bit confusing: if you plan to act cautiously, you should not expose yourself, and it is not difficult to use the lie ability to directly deliver the letter; if you plan to take advantage of the opportunity, you should let go and gain more benefits. But in fact, the protagonist's choice exposes himself to risks and does not gain much benefit. This kind of behavior pattern of being the first and the second is undesirable to both sides, and its appearance in the early stage of the story is enough to persuade him to quit. 4. I hope the author can treat some readers' feedback rationally. It seems that many people are urging the author to speed up the progress. In terms of personal reading experience, it is not very slow. On the contrary, the third dungeon world is a bit too hasty. I hurriedly collected all my NPCs and started the boss. The rhythm and excitement of the plot have declined compared with the first two dungeon worlds. I suggest that the author should write according to his original arrangement as a long-term solution. The current situation of online writing today is that no matter how tight the plot is, some people will complain about it, and no matter how fast the plot develops, some people will criticize it for being draggy. Finally, I wish the author will get better and better as he writes, and this book will become more exciting!

. . .

It's almost 400 chapters, and the male director is a virgin. Let's wait and see.