The Sword Sect’s Unorthodox Branch

Secretly pop up and see who can spot it

The biggest highlight is the description of the character a cultivator should have. Nowadays, most novels either lead to cultivating an immortal or becoming a demon, or they have a funny character that has nothing to do with cultivating.

I originally wanted to say a lot, but after thinking about it I decided not to. To sum up, it is well written and I look forward to the subsequent plot development.

It is said that some people in Qidian don't want to read a book with a female protagonist. Maybe I'm a bit special. I originally read this book because of the female protagonist. Because in the beginning, there were too many fantasy fairy tales where the male protagonist single-handedly destroyed the world and destroyed the world. I was really tired of reading them. Originally, I saw the author saying in a single chapter that the male protagonist is set to play support, and the female protagonist Han Yan is set as damage dealer. My eyes lit up, and I became interested in reading. I thought that I could see a new and unique male protagonist with strong support, a male and female protagonist who is the first assistant in the national server and the first top single in the national server to fight all the way. This seems to be the development of the novel in the early stage. As a result, I watched the male and female protagonists suddenly break up in certain chapters without any warning, and the male protagonist's character setting also suddenly transformed, turning into a cookie-cutter invincible warrior male protagonist. There were a lot of such male protagonists at the beginning. In the chapters where the male and female protagonists parted ways, I was completely confused at the time. I didn't understand why the author's writing ideas suddenly changed. It wasn't until I clicked on the comment area and saw the comment "I don't want a heroine, I don't want a heroine, I don't want a heroine" that I kind of understood the reason. A good book with innovative ideas has become a bad routine under the command of some readers. Some people can't write a book themselves, so don't instruct the author how to write a book. If you feel the book doesn't suit your taste, just abandon it and find something you like to read instead of forcing the author to modify it according to your taste. If you like braised chicken and rice, you can't ask all the shops in the street to change it to braised chicken and rice, right?

To rectify the name of the heroine I really didn't expect that I finally saw a heroine (Han Yan) with a normal personality and simple thoughts saying one or two that the heroine has no self-awareness, the heroine is a waste, the heroine is blah blah blah, co-author. In today's novels, the heroine must be thoughtful, strong, cold personality, obedient to the male protagonist's words, and have (use) value to be the heroine? Do all people have to be like monks and dogs to be friends? (In my eyes, a monk is almost the same as a dog. It's not that the male protagonist's attitude towards the monk is the same as that of a pet, but that this person is just a tool that is only suitable for being a dog. He has no characteristics and no highlights. What surprises me is that many people like this character. After all, most people may bring in the protagonist, so they like this kind of dog-like slave. In my opinion, I only feel sad for the monk, but I have never been in it. It was commented in there (because I feel it is unnecessary to slander a character like this), but the female protagonist is completely different. She is a very common girl who hates evil and has a strong personality. She does not have the life experience of the male protagonist like a greasy uncle who is several decades old. She is a bit like a newborn calf who is not afraid of tigers. She is too real and too similar to the young person in life. She has an aura that is not afraid of anything, and is stubborn and good-looking. She is just an ordinary girl and has nothing to share with others, because whatever she can share, the male protagonist can get better, and the only thing she can share is the ten pills she got from the master. And in the part where she shared the pills, some people said that the heroine was useless and was holding her back, blah blah blah, yes, the heroine is not the Great Luo Jinxian or the Eternal Emperor, she can only share what she thinks is the best of herself. I really like this girl who is probably the heroine (I have only read more than a hundred chapters). At present, except for some self-righteous comments, there are no poisonous points that make me feel very poisonous.

Already invested, hope not to be a eunuch.

I couldn't stand it when I saw a radish being used as a printing mechanism. It was just a running account, but I still made such a thing and produced hundreds of sheets a minute. Originally, the setting of talisman making is that the maker gathers his energy and spirit to write down his understanding of a certain rule on the carrier of spiritual ink talisman paper with similar spiritual energy. You are outrageous and you have hundreds of them in a minute. It has nothing to do with the maker. Not to mention other settings, in your story, there is obviously a country, so there must be a seal seal. It has also been said that there is a magic calamity in five hundred years. In other words, how come the history of monasticism has never been tried for thousands of years? Do you think it's okay? Can you carve a carrot and just raise your fingerprint? If ordinary people can print talismans at will just like using a spiritual ink seal, then the imperial court is not allowed to print hundreds of millions of them at will? If there is no advantage in force value, will there be a heterogeneous threat like immortal cultivators? At least you stopped being a tool? What you wrote may seem interesting, but upon closer inspection it simply doesn't hold up. Tu Yile is also worried about it.

Happy New Year! I have been reading online novels for more than ten years. To be honest, the quality of this book does not match the ranking. It should be higher. I hope the author can work hard and don't give up. You are a treasure author worth exploring.

This book has three correct views and reasonable logic. The more you read it, the more interesting it becomes. The author works hard and doesn't collapse!

*The content of this article has been converted from traditional to simplified. Please forgive me if there are typos or unclear words The secret of the sword sect's success is that the important characters who support the sword sect are not the main sword cultivators. At the beginning, it is a fresh start, a story of relaxed cultivation of immortality by finding a new path instead of taking the right path. The protagonist can be filled with several adjectives at the beginning. He is kind but principled, genius but not lost. Advancing and retreating, being strong and struggling to survive, I think the story is best concentrated in the first 30%. The subsequent 30 to 60% of the story gradually becomes more and more tasteless, and the image of the protagonist is also inconsistent, and begins to fill in some unpleasant traditional novice plots. After 60%, the story takes a sharp turn, completely returning to the traditional route of eliminated geniuses slapping each other in the face, and the reading experience is not good. The most exciting and flavorful plot in the front may be the story of Lone Table's life towards death, "A lone boat, carrying everyone out of trouble" This sentence matches the current scene and makes people excited. In addition, the protagonist does meritorious deeds without doing his job. Practice medicine and taste herbs, this kind of ordinary It rarely appears in novels, and it is generally meaningless. Ordinary actions make people feel full of fairy flavor. I think a true fairy should be so free and able to do whatever he wants, regardless of whether it is worth it, appropriate or whether there is a better way. This makes me happy. It is a great good that conforms to the principles in my heart. However, subsequent stories have become less and less fairytale. Instead, what is added is to support the mortal country, the protagonist is omnipotent and performs the deeds of the gods with the body of the golden elixir, the sect elders who slap in the face for disobedience, the Taoist friends who return from exile in shock, and the immortal officials who slap in the face are not like gods. These are really difficult for people to describe in detail, in short, they are not very comfortable experiences. The most disappointing thing is the change in the protagonist's attitude and principles. From treating mortals to treating gods, he always behaves the same willfully. To being dissatisfied with the collar, making things difficult for the Moon Sword, slapping the elders in the face and running away, and causing conflicts after going to the world. All these make people more and more disappointed. That's about it. The follow-up is boring. That's about it for the main text. What I want to see is the young immortal who is full of immortality in the early stage, not the great omnipotent protagonist who becomes a god later. The following part is full of personal biases and dissatisfaction. If you are just looking for the experience of the text, it is enough to read the above. Don't let my bias affect your views. The following paragraphs mainly want to talk about the supporting actress Han Yan, who has no destiny as the heroine. This is my favorite character in the whole book, and therefore I have a lot of dissatisfaction with it. Han Yan is a character with an arrogant and impulsive personality. In her early years, she was replaced by her brother and survived. She is dependent on Gu Zuizhi and the protagonist. She has excellent swordsmanship talent and ignorantly likes the protagonist. She is struggling between swordsmanship and the protagonist. Because he is arrogant, he sometimes appears to be unruly and willful, but he can make correct decisions on matters of principle. He regards the protagonist as the most important person and shares everything with him. He feels inferior because of his incompetence and hopes to protect the protagonist. These are probably the images that Han Yan gave me in the early days, a female swordsman with a savage appearance but a soft and firm heart. When I was young, I didn't understand the meaning of dual cultivation, so I established a zhenqi cycle with the protagonist. I was a childhood sweetheart with the protagonist, and regarded each other as my medicine. It happened that their attributes were complementary, and thus established a cycle of five elements. When the sect asked them to become Taoist couples, they found that they had done what Taoist couples can do. In their inner confusion, they could not confirm what their intentions were. After the mid-term period, Han Yan suffered from the death of various companions, and her heart was full of suffering. She could not let go of her feelings for the sect and the guilt of being too weak In the end, she chose to be the protector of Jianya for ten thousand years. After ascending for ten thousand years, she went to guard the demigod world and continued her lonely life. I would like to say that the protagonist's attitude towards Han Yan is not as good as that of her pet, or even worse than that of a shopping guide girl in the middle period. The protagonist has Su Hui in his previous life. Would he not understand what dual cultivation means? When a girl is suffering internally, the protagonist chooses to let nature take its course instead of taking responsibility. When the girl cannot let go of her guilt, the protagonist chooses that she will get through it on her own. I don't need to say anything more. I just think that the protagonist is no different from a cold-blooded stranger. On the surface, he says he cares about his relatives. Is this his attitude towards his relatives when they are hurt? The protagonist who emphasizes nature in everything is really treating Han Yan, who is full of pretentiousness, 'If I don't move, I will wait for her to jump on me. If she doesn't come, it will be her loss' If you don't want to treat her well for the rest of your life, then why do you do those confusing actions to provoke others? When people's hearts are filled with ripples and hesitation, they remain motionless like a cold-blooded stranger, full of hypocrisy and say let nature take its course. Is this the truth in the world that childhood sweethearts can never beat the Skyfall system? It seems like she dislikes Han Yan for being ordinary and not high enough to be worthy of the Almighty God protagonist. Of course, it may be that I don't have love for Han Yan. If I have love for the character, I think the first thing is to stand up for her, and then tell others how good she is. I think no matter what, it is impossible to re-write a template character that meets the needs, and then abandon the character that originally injected soul into it.