
My Low-Dimensional Universe Model
我的低维宇宙模型
- Status
- Ongoing
- Length
- 337k Words
- Genre
- Sci-Fi
- Subgenre
- Evolution & Mutation
- Updated
- 2d ago
- Source
- Qidian
Synopsis
127Chapters
32Votes
589Recs
43Fans
In booklists 1
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Reader comments 48
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I haven't read it yet, but I have a question.
Does the protagonist have cancer🙂
It's a pity
I feel that this idea is quite good, but after reading the first three chapters, the main plot is too weak, and I don't know what to do specifically. It feels like I am reading an outline flow, without any specific details and the development of the protagonist, such as the inner calculation, what the protagonist has gained, and so on.
It's a bit like my ultra-low-dimensional kingdom map, but this one starts from a quasi-real world, and it feels a bit trivial. When will there be a crisis of national annihilation?
It has nothing to do with the title at all.
First of all, why does the protagonist want to modify the low-dimensional world wantonly? This is the reason why many people give up. Why is the protagonist? Even if this dimension is low-dimensional, simply put, there is no reason. In a world where everything belongs to the human category just because of the low dimension, then the protagonist is set as a villain in the story, a big villain, but there is no reason to explain to the readers why the protagonist is a villain, and why the readers allow the protagonist to become a villain. Secondly, the fantasy that readers come in through the title is this: with the Foundation as the main body, every dozen or dozens of chapters is a copy world. The Foundation controls everything in the multiverse. Occasionally it cannot contain it. If it runs away, it means the destruction of a world line. The problem now is that there is no concept of the so-called world line, or even the concept of a copy world. Therefore, we have to wonder again, what is the reason why the protagonist wants to become an intelligent creature? Even if it is just low-dimensional, what is the reason that allows the protagonist to harm ordinary people so unscrupulously.
Very good, platinum juice, turn over my ultra-low-dimensional kingdom map!
After watching it for a while, I have a question, what is the main line? It feels like the protagonist is just playing around. Firstly, he doesn't want to study the low-latitude universe, and secondly, he doesn't want to change real life.
That's not how it is written about raising Gu. If you throw one away every few hundred years, what do you think? You won't throw away hundreds of them? , No matter how you write it, it won't work. It's not like it can be seen now. You are here and there, and you have no tricks. And when you write this kind of thing, can you not say that civilization is rubbish and extraordinary people are immortals?
The wild Shennong passed by, the starting point was hay, and the tomatoes were about seven o'clock.
One, the author, you have no main line, two, the author, you have no characters, three, the author, you have no plot, no excitement, no confrontation, so, author, what are you doing?
A question
I was attracted to read it by the foundation-related content in the introduction, but after reading dozens of chapters, it turned out to be a battle between mutant creatures. In my personal opinion, things like anomalies/contained objects can highlight the gap between high and low dimensions better than mutant creatures. In addition, many abnormal/contained objects are often everyday things, which are convenient for the protagonist to obtain, but they are special in some aspects, which provides the protagonist with room to play. As a high-dimensional existence, whether it is reality distortion or upper-level narrator, it has a strong ability to interfere with the low-dimensional world. After mastering the rules, anomalies/contained objects can also be used by the low-dimensional world, which provides the possibility for the low-dimensional world to fight against the disasters caused by the protagonist, making the story more exciting. In short, there is a big deviation between the contained object-related elements in the introduction and the actual content of the novel.
Can the protagonist use the technology of the sandbox world for free? If the technology in the sandbox develops to the point of genetic immortality, as long as the protagonist can keep up with the wisdom, he can basically achieve immortality through genetic technology in reality.