Living in a World of Swords and Magic

I saw the latest chapter. It's a very good book. I personally like the story of the whole book very much. It's like an ordinary person traveling to a different world, and then we slowly get to know the world from the protagonist's perspective, life, dialogue, etc. Although this makes the plot a bit slow, it is not a shortcoming but an advantage to me. The character creation is also three-dimensional because of this. As for the arrangement of Goldfinger, it is actually good. (It's just that some readers are used to the Crimson King and didn't read carefully why the protagonist didn't need to keep arguing.) If there are any shortcomings, the only ones are the insertion of some cheats in the first few chapters and one chapter that forcibly promotes the plot's intellectual decline. However, this kind of intellectual decline only appears once, so it's okay. Finally, I hope the author can maintain the style and standard, write better and better, and have some personal details. Extravagant hope: "Author, please give me a million words right now!" Ps: In fact, some of the requirements in the comment area are reasonable. Most of today's online readers want fast/refreshing articles. If an author wants to be popular, there are only two ways. One is to easily cater to the market, and the other is to insist on personal style and lead the market. The author may have struggled with this. , Although I am just a reader, I still have the right to make some suggestions. My suggestion is that if you can, please do not change the current style. Personally, I like this book, but as far as the audience is concerned, the main tone of this book has been set. Changing it will undoubtedly drive people away. Of course, the above words are just my suggestions as one of many readers. The final decision lies with you, the author. Come on, big brother who works hard to write novels.

As an old bookworm who has been in the book for more than ten years, I would like to give a simple evaluation of this book. This book is not a trivial novel, nor is it the kind of book with a protagonist like Long Aotian. There is no plot about the chosen son. Currently, I have seen the free chapters before it is put on the shelf. There are no obvious poisonous points. The writing is smooth and it is worth reading.

This way of writing doesn't guarantee that many people will like it, but it will have loyal readers. It is recommended to learn Sword of Dawn to increase the ups and downs and tension of the plot.

I wrote it this way on purpose. I've read Chapter 40. It's well written, but it's too inky.

Everyone basically only saw thieves eating and not being beaten, and the solidification of classes in DND was basically unsolvable. A mage has high intellectual requirements and requires literacy. These two basic requirements are insulated from the lower class. The natives don't have a complete list of magic spells for you to choose from. The threshold of knowledge, the error of intergenerational inheritance, and the artificial malice in inheritance. To become a magician, you have to be rich, well-connected, and talented. How do you get there? It all depends on reincarnation. Even if you are reincarnated very well, born into a noble family, have a sixth dimension of 94, and have an unmistakable and abundant inheritance, there will still be a bunch of sixths waiting to catch you. Fishing skills are not just for cultivating immortals.

It is important for people to be self-aware. To be honest, the protagonist's wisdom is not beyond ordinary people. Among ordinary people, it can only be said to be average. If it has to be written with extraordinary wisdom, it can only be said that it takes advantage of the body of a child to appear slightly stronger than others, but that can only be the case. To use too much force on this kind of is to lower the IQ of everyone around you to highlight the extraordinaryness of the protagonist. This is really a bad idea

What I can't stand the most about this book is that in the world of swords and magic, what serious illness does Chunchun have? Do you think the audience for these two things can be the same group of people? I'm speechless.

A few points to pick after reading it 1. It's too bland. I know you want to write a realistic story, but in fact what it shows is a running account, one event after another, but there is no connection between the events, it is just repeated encounters and solutions to problems. 2. The presence of cheats and magic is too low. In the first hundred chapters, there is almost no appearance of voodoo, and in the last hundred chapters, voodoo is only an occasional passive defense. The protagonist possesses the profession of swordsman under the rogue, has voodoo, magic, and a lot of means, but when it comes to fighting, the protagonist charges fiercely and kills people with his sword. The fight was like this in the first chapter, and the fight is still the same after Chapter 200. It would be too rubbish for you to write a battle scene. The most interesting part of the fighting in Western Fantasy is that in the middle stage, everyone has a little bit of skill. They are neither incompetent at the beginning nor as abstract as the high devil. As a result, your battle in the mid-term ended up looking like this. 3. Can you be more rigid in the way you advance the plot? Suddenly you are involved in a war. The protagonist recruits a group of men in the war and immediately encounters a hag who kills four-fifths of his men. How long can you play in a game that relies entirely on unexpected events to advance the plot? Can you think about the main plot for a moment, what is the protagonist going to do? What does he want to do besides becoming stronger? I doubt you have an outline.

I feel like it's written by a female video author. I've read twenty-four chapters. I cook every day. It's like a vacation. It can be read as a light novel. But I'm gone. I feel like it has nothing to do with the title of the book.

1. It's not that the author doesn't understand DND, on the contrary, he understands it very well. Being able to talk about the Kingdom Tianyu and the Torian Multiverse proves that he has surpassed 90% of the authors of this subject. However, the gods and churches described by the author are very strange and awkward. The book is full of very difficult things such as the believers of the Red Knight who cannot order troops and the Chantia Church who is crazy about making money. There is a sense of pain that the author knows the setting but has to write it blindly. 2. A career that combines east and west. This is not a big problem, because dnd already has a profession of cultivating gu, and it also has an Eastern god system. But as the protagonist, the Gu technique has no sense of existence. It has been used only a few times in hundreds of chapters. I can't understand the meaning of this arrangement at all. 3. The author deliberately avoids quantifying the character's strength. This is one of the biggest problems with this book. In order to make the medieval village fighting plot reasonable, the author deliberately blurred the character's abilities and deleted levels, expertise and even attributes. To give the simplest example, a hardwood longbow without corresponding expertise will suffer a -3 agility penalty, and a farmer with a full level 10 professional level (a farmer is also a profession) will not be able to use a hardwood longbow if all the free attributes are focused on agility. Forcing the weapon to use it will result in no hits and no damage. In the author's description, a farmer who has practiced bow and arrow for half a year can actually kill a knight with full armor and combat profession by concentrated shooting. It's incredible For the same reason, the author forcibly changed the plot in order to avoid level-quantified strength and not let the protagonist take the mage route, because the number of spell rings is the most intuitive level-quantified strength. After the author consciously reduced the protagonist's spellcasting, the overall plot showed a very inconsistent aspect: on the one hand, the author said that mid-to-high-level spellcasters can resist small armies according to the dnd setting, but on the other hand, on the battlefield with the participation of the protagonist (intermediate spellcasters), it is still a medieval village fight. Overall, this is a DND novel without dungeons, magic, or adventure teams. But what is left of DND after removing these elements? It can't be a medieval village fight, right? Author, why do you like medieval village fights so much? Have you played Lord of the Manor too much?

I don't understand a bit. When I read the latest chapter, I felt that the protagonist didn't care much about becoming stronger? Isn't there a way to become stronger? Don't want to learn? Why did you just get a stone Gu and run away to make money? And if you create a stone poison, why don't you find a mouse or something to test its power? How can you use it in battle without practice? In the latest chapters, as long as the protagonist focuses his thoughts on making money on the study of voodoo, he won't be so passive, right?

The current poisonous points: 1: The description of the golden finger poison is dull and tasteless, and the appearance rate is extremely low. 2: The background world is said to be Faerûn, but in fact it describes a low-demon western fantasy world, and the appearance rate of sword and magic elements is extremely low. 3: To put it bluntly, it is a slow-paced farming article, but the process... Is relatively dull and boring. 4: This is also what I think is the most poisonous point at the moment. The way the protagonist makes a fortune is either to take advantage of the war to hoard goods and resell food, or to take advantage of the locust plague and plan to annex land at a low price... What about the local tyrants and evil gentry who cosplay? ! It would be fine if you were a dark writer, that's not the problem... But what you do is immoral, so you're stuck on both sides, right? Moreover, the behavior of local tyrants and evil gentry can easily arouse disgust, even more disgusting than that of black-hearted capitalists. After all, black-hearted capitalists and refined egoists can substitute themselves, but who will take the place of local tyrants and evil gentry these days? ? ? Those who stand upright feel disgusted, and those who stand crookedly find it old-fashioned. I really don't know why the author prefers this kind of behavior? Did your ancestors do this? Now put aside your starting point and revisit your old dreams?

Drive high and go low. . Really, this author had a background in writing about farming in the Middle Ages. A fantasy adventure world where you don't write fantasy or adventure. The organization is not clear, and it feels like the author doesn't know what attracts people to this DND-like world. What do we want to see? All of us who watch DND want to watch adventure and fantasy. The cultist incident I wrote earlier was not attractive either. It ended well but ended well. The elves were good at the beginning, but there were a lot of things like cooking in the middle. In the end, the protagonist harvested a bunch of useless gold coins, and then he transferred those gold coins to real estate and started farming. The fields he farmed were worthless because the protagonist was not a lord. The premise of the farming novel that everyone wants to read is that the protagonist must first be a lord, okay? Later, there was a sudden locust plague. Then you went to collect the locusts? Get more poison? There is no distinction between priority and priority. We have to farm with the farmers and build water wells. The most important thing is that you can't control these farmers. We Chinese like to watch farming, but we don't want to watch this kind of meaningless farming. What we want to watch is the growth and development of the protagonist and his power. You don't understand the audience for which you wrote this article. What we are going to see is the fantasy world. None of the 10 pictures you wrote have fantasy elements, did you know that? It made me feel like I was back in the Middle Ages.

When I read Chapter 5, I couldn't accept the golden finger given in the first one... I was given an Eastern-style Gu training book out of nowhere. It's better to awaken a system 😁

Typical fujoshi writing style, procrastinating rhythm, slow progress of the main plot, scribbling on the extraordinary route in the world, writing a worm in the magical world? ? ? 😓, I don't understand what does it mean?

What a waste of time! Oriental cultivation elements appear in the first chapter: all the fighters march forward in formation, Gu Zhenren's poison, Miao territory, body training, body training... There is no outspoken system, grandpa, nothing, but there is a golden finger prescribed by the author! Learning: The Eastern cultivation techniques sent from heaven (that is, arranged by the author) are the Gu'a nine-character mantra in the first chapter The male protagonist can learn it as soon as possible without any pressure or bottlenecks. The road to physical training of real kung fu is smooth. (By the way, my preference is that there is no harmony system in different worlds such as Time Travel with Sword and Magic, so I won't read it! Because it is inconsistent with logic - latecomers are welcome to express different opinions) If you read my evaluation and you don't believe me, to save time, here is the summary - Read the first chapter, and then read the author's remarks before it is put on the shelves. There are the original intention and route of writing the book, as well as the elements to be mixed.

A very simple but beautiful DND-like realistic novel with no system. The protagonist started from a smart country boy and developed step by step. Now he is a romantic swordsman (I don't know how many levels he has) and a part-time mage (can put 3 rings). The presence of the golden finger is too low, but I think it would be better if there was no golden finger from the beginning... The reading experience is not good, but the experience of saving some and reading again is good. However, if you use DND as the background (which couldn't be more obvious) there are still some flaws that need to be noted. I find that the author's description does not reflect the role that a high-level professional can play in a small war, especially when ordinary soldiers are not even professionals. After seeing this recent battle, I feel that the senior priest of the God of Justice, as the head coach, has completely failed to exert the fighting power that a senior priest should have... A senior priest, if compared with a senior mage, should be able to cast a 6-level divine spell... Pulling in an alien ally or casting a flame attack can completely turn the situation in a small battle. Compared with the defeated senior priest, Karl, who can only reach level 3 at the moment, is too expressive... Stoneskin, which basically completely resists (rather than reduces damage) arrows, magic missiles that have no level limit like magic, and a mage who can stab a knight in the temple with a dagger. Hand trick... There is also the Lothmon that looks like a big truck... But in the DND background, the Lothmon is positioned similar to a cow. This description is like a giant rhinoceros... Of course, these can be explained by reality and house rules. After all, the novel is not a game. However, since the classic content of DND is used as the background (the same gods, Harpers, and Waterdeep), some relatively certain content still needs to be self-consistent even if there are house rules, such as the expressiveness of spellcasters of different levels. The dead are resurrected at the priest level 5, which means that even if Karl or other commanders die, the priest of the God of Justice, who serves as the commander within ten days, can now bring him back. No matter how expensive diamonds are, they are not worth their lives. If this is the case, Karl sometimes does not need to be so cautious. The Seventh Ring can still be resurrected, the Nine Rings can still be fully resurrected, and people who have been dead for a hundred or two hundred years can still be brought back. But such resurrection would be too easy and unrealistic. Then the resurrection spell could be completely banned or moved to the eighth and ninth rings. This change is completely reasonable. But if we throw away a series of other non-supermodel spells of the 6th-level priest, I feel that more explanation is needed, such as the immobilization of the priest from the second level, and the summoning spells in each level from the third to the sixth level (spirit guard, faith guard, alien oath, alien world) Allies), the sixth-level signature damage spell Sun Ray, even in reality, it is impossible for the caster to know every spell of every level. For example, the sixth-level sword wall, damage, and fifth-level flame strike that are suitable for the priest of the God of Justice. As a senior priest of the God of Justice, he cannot know all of them. Another principle is to downgrade the entire team, or the opponent also has the same strength. But it is too late to downgrade the whole. It has been clearly stated that the protagonist's mage master needs to learn 6-level spells to upgrade to the intermediate level, which means that the senior priest should be the same, so it is best to arrange a high-level professional for the opponent and then the priest will be restrained and unable to exert its due power. Otherwise, according to the description in the book, even if there are more than three knights on the opposite side, they should not be the opponent of a senior priest. In fact, I think based on the existing combat scenes, high-level professionals should not come out. Level 11 is quite high. The protagonist group of Baldur's Gate 3 was only at level 12 in the end. I think a very important reason is that from now on, they will move towards high magic. It is not easy to reflect the effect in the game. In fact, it is not easy to write in novels, especially in the novel background that looks more realistic and low magic. It may be better for mages to impose restrictions. After all, learning spells requires money and opportunities. In order to obtain a 6-level spell, a spell teacher has to be hired and join the war for several years before he can obtain it. In other words, a 6-level mage does not mean that he can know 6-level spells, but a priest does not rely on learning spells to cast... Every day when praying Just choose from the list. Of course, realistically, it can be said that priests also need to practice (for example, praying for a long time to learn a spell, and continuing to pray can deepen the level, that is, level up and cast spells), but after all, you need to know some advanced spells. The priest of the God of Justice cannot learn all auxiliary spells in a place like Faerun, right?

Prices are a bit strange, 3 leeches are 10 copper coins, and a chicken is only 7 copper coins. If you are a farmer who catches leeches every day, you can become a nobleman.

4,000 People can build a city wall of about 1.1-1.3 Kilometers with a height of 6 meters and a thickness of 2 meters in one month (based on 30 days). The core calculation is based on the ancient rammed earth quota and modern analogy: 1. Project volume and quota: The wall is calculated as a rectangular parallelepiped, and 12 cubic meters of earth per meter (6×2×1); refer to "Taibai Yin Jing" "46 people build 1 zhang (3.3 Meters) per day" → average daily construction per person is 0.072 Cubic meters, or "0.5 Cubic meters per person per day" in Liangzhu (including excavation and transportation), a compromise of 0.15 Cubic meters/person/day (taking into account efficiency and loss). 2. Total progress: 4,000 people per day to complete 600 cubic meters, 18,000 cubic meters per month, corresponding to a length of 1,500 meters; deducting losses in rainy days, transportation, tools, etc. (About 15%-25%), the actual number is 1,125-1,275 meters. 3. Impact of variables: Materials: Pure rammed earth is the fastest (soil taken on site), bricks and stones need to be quarried and burned to be transported, and the progress is halved to 500-700 meters; Transportation: The soil source exceeds 30 steps (50 meters) efficiency drops by 30%, and over 1 km drops by 60%; Tools: wood, stone and pestle are slower, iron tools are 30% faster; Organization: clear division of labor (digging/transporting/construction) is 20% faster than casual workers. If it is pure rammed earth, the soil source is close, and iron tools are sufficient, the construction will be 1.3 Kilometers per month; if the masonry or soil source is far away, it will only be 500-700 meters, which is consistent with the records of Liangzhu Ancient City (4,000 people built 1-1.2 Kilometers per month) and the border city of the Tang Dynasty (rammed earth 1-1.5 Kilometers per month).

DND is essentially a dating game. Thanks to the pig-raising gear strategy, most people have no idea about the operation of society, production and production relations, and the governance system even if they enter the workforce. The most profound exposure is to games and schools. But for Lao Deng who has known part of it, he has a poor sense of empathy. A lot can be written based on the five eras originally set by DND. There are also continental maps stitched together based on the settings. It would be too boring to only upgrade monsters and play dungeons.

Read to Chapter 26 Poisonous Disease What is said in the comment area is basically correct, and the small details are well written But the protagonist in the author's novel is too stupid The farmer's son discovered that an unknown entity had entered the home, it ate the van and then helped clean up The protagonist thinks this is not possible, it might be a bad thing People around him have reminded him that it is not a bad thing, because if it was a bad thing he would have died a long time ago He doesn't believe it, so he must be driven away Speaking of famous quotes "On the side of the bed..." I can't stand it anymore, goodbye

It is enough to build private mills to evade the lord's stone mill tax without the strength. I really thought that ancient Europe was paradise on earth!

We came to see the study of magic, the dazzling magic, and the exploration of the magical world. Now Gandalf has become a melee fighter, so why not watch martial arts or fantasy?

Calculate according to the city lord's guide, assuming that a human worker's daily wage is 3 silver coins (according to the highest level for ordinary people), works 360 days a year (some holidays are not open), the salary per year is 108 gold coins, and the monthly expense of living in extreme poverty is 3 gold coins (cannot escape, except Unless you are a beggar who relies on begging for everything), you can save 72 gold coins in a year. You start working when humans reach adulthood at the age of 15 and stop working at the age of 60 (many people do not survive this age). You can save 3240 gold coins in 45 years. This is without encountering any natural or man-made disasters and not getting sick. The luxurious aristocratic life costs 1,000 gold coins per month. An ordinary worker's lifetime is not enough to cover the consumption of the luxurious aristocrats for 4 months. The richest standard level 1 adventurer starts with 300 gold coins, and the poorest one (a begging monk) only has 10 gold coins.

I was approached about the grain harvesting plan to make a fortune. I laughed to death. Isn't this a complete clown? The protagonist is just greedy and has no personality charm. He likes to stand on the moral high ground and suspects the teacher of being cold and other things. He is completely a rat person (ﾉД`)

Race: Brown Fairy [Small Fey Creature] Alignment: Absolutely Neutral Attributes: Strength 7, Agility 18, Constitution 14, Intelligence 12, Perception 15 Charm 17 Spell-like abilities: Cast at will - Dancing Lights, Restoration, Magic Cantrip Once per day - Lesser Confusion, Any Door, Mirror Image, Ventriloquism Treasure: +2 Enhanced Short Sword Theoretically, this little guy can defeat the three protagonists by themselves 😏😏😏

The first few dozen pictures are boring, very boring. There is no sword or magic at all. The protagonist has no idea what he is doing. An adult travels through time and becomes a child, and then his character actually becomes an indigenous child. I cannot understand what the author is thinking. I am afraid of this and that. What else is there to see later?

Why does Sword and Magic have a cultivation system? Readers on both sides are unhappy

Seeing Chapter 444, the protagonist is still holding on to the fact that there is no extraordinary power or true god The world's GC and modern thinking personality are the best in the world. From the early stage to now all gods and sects of any camp are regarded as modern cults, but the problem is that here there are really gods and great power attributed to themselves, and there is really a inheritance of bloodline talents. In this kind of The world is close to superstition. Princes, generals, Xiang Ning, and science are fundamentally wrong. Moreover, the earth's pantheon of gods also really exists here. It seems to use this set of ideas to despise this world with true gods 😰. Some things are not good if they are done, but seeing this and the focus of AI now, there is no big poisonous point.

Don't you think it's weird to write about Gu in a dnd novel? Although there are also spiritual flukes, I can't hold back as soon as the names of those Gu are mentioned. Nowadays, orthodox immortal cultivation novels where the protagonist uses Gu are not popular anymore. Write this in your dnd. A group of people also said that there is an Eastern system in DND. Please, DND adds the Eastern system to provide Western readers with a sense of freshness and exotic culture. Don't Chinese people just read DND novels and just look at swords and magic in other worlds? Otherwise, what are you looking at? It turns out that you wrote Gu in the Western Fantasy for Chinese people. Did you go in the wrong direction? It is definitely more reasonable to insert it for Western readers than to publish it at the starting point.