Corpse Monster Cultivation Notes

With a zombie as the protagonist, it tells the story of a corpse monster that wakes up from the underground and embarks on the path of spiritual practice. The setting of the work is unique, and the non-human perspective brings a novel reading experience. The author has profound knowledge, and the daily descriptions and interactions with monsters are vivid and interesting, such as the chatterbox. Weasels, shy fish monsters, apes who like to imitate others, etc. At the same time, the description of the creative system of sitting alone in the forest and thinking about new methods is very detailed. It combines fairy tales with psychological descriptions, and the description of the battle of cultivation is quite imaginative, and the reading experience is relatively unique.

It was originally meant to be a human being who traveled through time, but as a result, the zombie became more and more human-like as time went by. After more than 100 chapters, he actually became a human being as his master. It became more and more like a human being was being robbed. Anyway, the novels of this type in the starting point are all the same. I didn't dare to write the gimmick of minutes, and in the end, I became a human again after writing again and again.

First, he swore not to hurt anyone, and then went fishing for a piece of jade to enforce the law. The author gave the other side the identity of a demon and managed to get through it. I happened to take a sword by the way while fishing and enforcing the law. I refused to admit that I stole it and insisted on borrowing it. Later, he went to play with the fish monster, flooded other people's medicine fields, and started fighting with others. Then the author kept making fun of the opponent's bad attitude and the lion's mouth, trying to establish an image of a victim for the protagonist.

The author's writing style is very good, and he is a good hand at writing about immortal species. This should be praised. At the very least, it can be seen that the rhythm is very good, which is refreshing and refined. At the same time, the sermons during practice are also very good. The gap in ability that is easy to make mistakes can be separated, which is really good. The expression of different abilities is also good. The shortcomings are also obvious. The biggest one is that the author just arranges the plot, and the rational arrangement is very poor. The big plot is foreshadowing, and the small plot is really pushed sideways, making you always feel unreasonable for no reason. Especially in the later period, it feels like the author wants to be like this, not the male protagonist. Moreover, the male protagonist is obviously written indifferently, but his character will become unreasonable along with the plot. It seems like forcibly demoralizing and pushing the plot.

I've been a bookworm for 20 years, and it's quite enjoyable to read, but the updates are too slow, so I don't need any eunuchs.

Too much nonsense! Talking on and on for a long time without getting to the point

The trilogy "Human Era", "Yellow Court" and "White Bone Dao Palace" is set in the Zhongyuan world, which can also be called Zhongyuan Continent, and this endless darkness is said to have not been fully explored. Well, the world views of "Xuanmen Conferring Gods" and "Taoist Priests Fighting Swords at Night" are integrated. The Tianyuan Continent in "Xuanmen Fengshen" is the same as the Tianyuan Continent in "Zombie Monster Cultivation Notes", and the All Saints Mountain is the same. It's hard not to think about whether this is the same world. Since the darkness is boundless, "three yuan", right, is there an X yuan continent? How about forming a three-dimensional pan-universe together? 🤔🤔🤔

In terms of plot: the protagonist is a corpse resurrected, which is really attractive, and the early interactions with small animals are also quite interesting (for me). Later, the little weasels play a game with the protagonist to guess the name, which is easy and fun. The protagonist is neither bitter nor vengeful, nor compassionate, nor does he want to dominate the world. He should be his younger brother, run away when he should, and admit his mistakes. In the previous game, the man cave was flooded with water. The protagonist wanted to make compensation, but was not merciful and deliberately sought trouble. The protagonist is not from the Good Order camp (zombie monster). The immortal cultivator cannot understand the situation. If he does not fight to avoid future troubles, he will ask you to sit down with the Immortal Police Station to mediate. Then a lot of holes were dug but not filled in. The previous cross-sea sect recruitment for disciples was directly changed to the seal. The banyan god hung up and sent a message to Princess Yu but did not fill it in. There was nothing about the dynasty history behind Princess Yu's corpse raising. I felt that I ended the novice village in a hurry. I suggest You can write more group portraits, Qing Lin, Huang Can'er, and Big Crab to increase the shaping of the overall world view, and you can also write more watery plots Logically: The realm of the protagonist is not very obvious, and the foundation soul does not have any special realm characteristics, just I wrote about the magical powers I learned, the yin and yang body, and the ability to kill others. It may also be that the protagonist has no common sense in the world of cultivation. The world he is in is the cause of the collapse of the Kingdom of God and the destruction of knowledge. When he arrives in Tianyuan Continent, he should find someone to supplement the knowledge in the world of cultivation. For example, before, monsters, zombies, and Yin gods have different cultivation methods, but there must always be a division of each realm, what abilities are there at which realm, restraint relationship, comparison of strength levels, what resources are needed to advance to the realm faster, the currency of the cultivation world, aura? Spiritual stone? Essence of the moon? Yin energy? I think it's okay to have loopholes, but don't write poisonous points, don't tease readers, be relaxed and comfortable, and don't make characters too brainless or hasty, but I still hope that the author can write a good story 🙂

I can tell at a glance that you are not a "person". The old lady is pointing at me, and I dare to say that it is not you.

Two monthly passes are presented.

I'll leave all the previous intelligence-lowering operations in the spotlight for now, and let's talk about Chapter 76 separately, which I think is the chapter with the biggest problem. The King of Montenegro called the people below to gather together, and let the wind blow from all directions to the meeting point, just to show others the way. The protagonist didn't want to go, and another wind stopped, stopping the wind around him... Isn't this specifically to refute the leader's face? The classic "leader picks up the food and you turn the tables" behavior. Forget it, after all, it can be understood as an epiphany, and you don't know what the world is. You're good. When the protagonist clearly heard someone say "huh" after the wind stopped, a plot was arranged where the protagonist wanted to see more clearly and walked forward a few hills... Isn't this lively thing a must-see? Did the leader who just made a fool of himself move forward instead of moving back? Now it's good, the protagonist himself has become a lively person, and was caught by the Black Mountain Lord Qianli Netherworld... If any point in this plot is changed, it won't be so abstract. It is clearly stated that the protagonist has an epiphany about his own behavior and the things around him, and cannot hear the "Eh", and the subsequent behavior of the protagonist moving closer to watch the excitement is considered reasonable. After all, the protagonist can be lucky and think that he has not been discovered; or the protagonist does not write the "Eh" at all, and the latter is also reasonable; or the protagonist does not move forward, but walks to both sides and flees before being caught, all are considered reasonable. The author refused, and instead chose the most abstract way of writing... It can only be said that the book friend in the chapter is right. If he writes like this, the readers will be exhausted, and no one will read it. In the end, he will be a eunuch. ———————————————————— When I wrote this book review, it was October 16th. I had already abandoned the book. I felt that the world view of the book was indeed quite to my liking, and I felt sorry for the book, so I came back to write this content. Now on November 21st, more than a month later, in view of some people saying that the wind was not blown by the Lord of Montenegro, but from the opposite side, I came back and patiently read Chapter 76 again, and found that the content that can prove that the wind was not blown by the Lord of Montenegro was in the last few paragraphs of this chapter, "Those dark clouds seemed to have been blown away by the wind, and also seemed to be scattered by thunder and lightning." In such a paragraph, the amount of information is comparable to a hint. And in online novels, either the author deliberately leads readers to think that "this wind was caused by the Lord of Montenegro", or the author simply does not have the writing skills to tell the story clearly. If it is the first type, then the author has to bear the misunderstanding and abandonment of the book by readers for this kind of guiding behavior; if it is the second type, it only means that the author does not have the ability to write a book. After talking about the author's writing style, let's talk about the plot. If the "Montenegro King" in what I wrote before is replaced by the enemy, you will find that except for the "leader picks up food and you change the table" behavior, there are no other big problems. He just broke the enemy's law by jumping in the face, knowing that it has already been triggered. The enemy's attention is drawn to him, and he rushes forward at this time. Isn't this behavior still abstract... ——December 3, added again———— In fact, I am quite tolerant of the character's behavior in the novel. He can be cowardly, after all, his life is at stake; he can also be reckless, after all. After all, everyone has a thirst for knowledge; he can also be cowardly and reckless in different things. After all, since ancient times, there has been a saying that one can die at night/sacrifice one's life for righteousness... But this character cannot be cowardly and reckless in the same thing. At one time, he said he didn't want to be cannon fodder and didn't want to go through, and then he "moved forward again" "Climb a few hills", even if the mentality changes and the desire for knowledge suddenly overwhelms the desire to survive, the author has to write out the psychological activities of this change in mentality. Otherwise, as I said, in my eyes, this guy has moved forward a few hills with the mentality of "life matters"...

First of all, I'm sure the author's writing is very good and attractive. There are two characters that I can't stand. In the case where monsters are the material for human cultivation, the Black Mountain Monarch fights against the humans, and I don't see any little monsters it oppresses. The protagonist doesn't ask for help. If the protagonist doesn't dismantle it, it will be considered a blessing for it for eight lifetimes. How can the eggs be completed after the nest is overturned? As for whether the king will have another purpose in the future, it has not been shown yet. I guess this king will die in the hands of the protagonist in the end The above one is relatively harmless. I really can't bear the next one The protagonist plays a game with his fish spirit friends to bet who drinks more water. The two of them spit out the water and flooded the cave and spiritual field of the Green Calyx Fairy without knowing it. The Green Calyx Fairy wants the protagonist to compensate. , The protagonist said that she had nothing to gain from being poor, and asked the protagonist to give her the bow to the male protagonist but was reluctant to give it up, and asked the protagonist to restore the cave and the medicine field. The protagonist felt that it was difficult for others, so she gave her a spell. The Green Calyx Fairy, but someone with a background will lack a spell for you, so she said that you should pay for it with the fish spirit. When the fish spirit got angry, she took the initiative to attack the Green Calyx Fairy, and then the protagonist thought that since she took action, she should kill it. The Green Calyx Fairy ran away and brought in rescue soldiers to kill the male protagonist. At this time, the male protagonist pretended to be a watchman and even set up a memorial arch, saying that there was a problem with the attitude of the other party. After describing it in several paragraphs, he couldn't come up with it. It's so disgusting.

After reading a few chapters, my personal experience is that this protagonist is like a timid, opinionated, and thoughtless woman who travels to a strange place and discovers that she is a zombie. Normal people will think that this should be a fantasy world, a very unsafe world. As a zombie, she is an alien and it is very dangerous to go out. So, as a zombie, does it have any abilities? What are the attack methods? No description, no exploration, is the surrounding environment safe? Is it safe to explore and make sure the surroundings are safe? No, so as a zombie, where will you go from here? Is there any cultivation method? Never thought about it! He found that sucking blood and eating a kind of soil should be good for him instinctively, but he just refused to eat it. It was like that kind of wilderness survival show with women. After starving for a day, he caught a rabbit and thought the rabbit was too cute. He would rather starve to death than eat it. It is like a woman drinking Chinese medicine. She thinks it is too bitter and stops drinking it. No matter if it is useful or not! When there is any movement, he doesn't know anything, so he runs directly into his own grave, and the coffin board is stuffy, and he won't come out for a few days. After you look at it, you will feel that he is timid and fearful, has no independent opinions, no future plans, no sense of crisis, and is a bit arrogant. When something happens, he will find a corner to cover his head and tremble. This is the feeling of such a woman! Whenever a normal male protagonist travels through the past, the first thing that comes to his mind is that since he has become a zombie, this world should be a fantasy world. The fantasy world is very dangerous for a little zombie. Zombies are aliens, especially a little zombie. Even an adult cannot defeat it. It is very dangerous to go out. The first thing that comes to mind is where is it around? Is it safe? And as a zombie, do you have any attackers? What are the methods of cultivation? When you lie in the coffin every day and have nothing to do, do you want to try how to practice cultivation? Why do you have the means to attack? What should you do if you encounter danger? What will you do as a zombie in the future? What is the goal? Is there anything around you that can improve you? This is the decision a normal man should make when traveling through the past, so I said that after reading a few chapters, I feel that the protagonist should be a woman, or is the author a female author? Arriving in a strange place, I have no idea, no plan, no future, I am timid and afraid of getting into trouble! So after reading a few chapters, I don't have much desire to continue reading! If you can accept this, the writing is okay. I don't know what the plot will be later. As long as you can accept such a protagonist, you can continue reading.

To be honest, it feels like the protagonist is like a 🐶 who recognizes his master everywhere, including Yin Laogui, Black Mountain Lord, and there will definitely be other masters later. The owner goes hunting and takes the protagonist's dog with him. After hunting, he will be rewarded🦴. The protagonist has a little bit of subjective initiative. He realizes something and practices a method, but is threatened by his owner. It's really like a real dog being beaten by its owner. ¬_¬｀

He doesn't look like a newcomer, but he's definitely not the reincarnation of a great god. Judging from the writing style, he should be a literary youth who writes cool articles. He has gained experience after being reincarnated. Novices can enter, and experienced people can enter. Those who like to think and talk logically can take a look and run away.

It's definitely a smaller version of Kissing Fingertips. You can't go wrong with this kind of protagonist whose IQ fluctuates between high and low.

The settings for time travelers are too redundant. A time traveler knows that the place he is in is a corpse raising place arranged by others. Why not leave quickly? A time traveler arrived at the most sinister place in the corpse-raising area and found a coffin engraved with runes. He realized that there were zombies inside, but he still had to risk his own life to open it? Then he was almost charged to death immediately. Then you have to have a forced (but not forced) kiss with a beautiful female zombie... You are so stupid, you should not be this stupid. I know you want to give benefits to the protagonist, but the routine is too boring.

The process of learning the law is a bit like a kiss-your-fingertips novel, the language is generally humorous, the characters are relatively smart, the supporting characters have sufficient IQs, and the pig's feet don't have the domineering air, which is very appetizing.

Why did you write the protagonist as an indigenous clown? It can really put poison, an old ghost can bully the protagonist at will, cast a spell to crush the protagonist to death, and finally escape, and give it some sweetness, the protagonist will become loyal, this is a dog, right? It's true that there are no books about weak and abusive masters in the early period, but the protagonist is resigned to the situation and still wants to be a slave and loyal to the other person. It is really a unique history.

The writing is quite realistic, and it completely portrays the kind of brainless zombie with rigid thinking and chaotic brains.

The protagonist has a corpse turned into a spirit, and finally manages to find some ways to do it, but is forced to look at the tomb by an old monster. Then, as soon as he developed some methods to control ghosts and gods, he was suppressed by this old monster for more than half a year...

It's so fun to watch, it's this kind of immersion in the world, it's like a strange hero, it's like an old friend coming

This article in Xiaocheng is good. I feel that it should be in the top three in terms of writing and story at the starting point! Why is the popularity so low!

Just when I was enjoying reading Chapter 99, Linggen did this again. Worse than eating shit while eating.

It's hard to understand how the whole text is full of loopholes and the protagonist is a brainless thing. How did he get ten thousand subscriptions? Is the quality of Qidian's readers so low?

It's difficult, if you want to create conflicts to highlight the protagonist's strength, why do you want to make the protagonist so villainous? You flooded someone else's medicine field, and they asked you to pay for the bows and arrows. You thought it was not worth it and didn't want to change it. You were asked to restore the medicine field to its original state, and you felt that they were forcing things on you. Author: You hit someone else's car, and others asked you to restore it to the original state. Do you still feel that others are forcing you to do something difficult? I don't understand why I wrote such a useless plot and threw the characters I created earlier into the cesspit.

Slip away! A zombie doesn't suck blood. Didn't you say that the psychological barrier doesn't suck human blood or animal blood? Yin soil can improve your strength and you won't eat it, and you won't eat it even if you have it! Then why are you still alive? In a world full of monsters and monsters, you don't even need to improve your strength, just wait for others to treat you like a monster and crush you! ?

I don't know whether the author is considering the protagonist's character or image, or whether he is considering shaping the plot. In short, there is a problem in all the chapters of the protagonist so far, and that is that the subjective initiative is too poor. Since it is the early stage and the protagonist's strength is still very poor, it is not a big problem if the subjective initiative is low. But if the plot develops to the middle stage and the protagonist has some strength, if it is still like this, I guess someone will definitely talk about this issue.

I came to the city for no reason, and became a disciple in a daze, and all the strength of the big monster in the mountains suddenly disappeared I have also written a book, and I am very familiar with it. This kind of thing is that the author doesn't have to write it, so he just has an idea and the whole thing comes up. After he finishes writing, he realizes that he has lost control. It will be too cheap.

The protagonist seems to be cautious, but in fact he is a bunch of stupid people. The female zombie is very deliberate when she comes out, and the writing is not worth mentioning. The plot is a piece of shit. The protagonist is like a piece of dough that can be manipulated by others, without any temper to be attacked by others. If you don't chase the killer, you don't even use a stick to hit the female zombie. You're just a doormat. So what do you think you're going to do? Am I here to be angry? It is also said that the protagonist is a time traveler and is not as good as a native aboriginal. There is no concept of time travel at all.