True Lord Chilong

The description of the environment is too complicated. It is recommended to strengthen the plot, so that the article can be more balanced. Come on 😎

It is not a fiction, it follows the official history, and it is located in the Ming Dynasty.

The writing is okay, but the plot is poorly written and not atmospheric enough. Those who don't know it might think it's about some small animal. Forget it, I have never been like this as a dragon, so I don't blame the author.

：，，，，，，        ——， People like me who clearly identify with modern moral values ​​will have an obvious sense of strangeness when reading. Moral view: The author seems to have really come to such a world and become such a "spirit" in the form of a chilong statue, and at the same time he also has the knowledge of modern society. This knowledge allows the protagonist to "know etiquette and justice", but it does not create the corresponding three views of the protagonist. Of course, this is more in line with the protagonist's vague description of past life memories in the article. But the problem is that the protagonist's actual three views are just like the template he was born with. They are directly in line with the world view of the classical fairy tale: he has a sense of class that practitioners are superior to ordinary people; he has a simple concept that all problems can be solved by strength; he has a natural stance of being based on monsters; he has an egoism that puts himself first and does not care about others; he also has values ​​​​that everything can be traded... And so on. This way of writing has its own advantages and disadvantages, but it may be a danger to your performance. As the work reflects the author, I still hope that the author can achieve results with this. Rhythm: Generally speaking, it is sequential and orderly, with some light and some heavy. However, in terms of details, the author seems to want to show off his ancient prose skills, which makes some descriptions of the environment a bit overwhelming - of course, this does not exist for brothers who have a quick look at ten lines. There is no foreshadowing in part of the plot, which is a bit abrupt, but it is still within the acceptable range. Worldview & Situation: I have seen someone say this. The protagonist and supporting characters often act according to their heart's desire, and the holy nature remains the same. The worst thing to say is that they do not consider themselves and the situation at all. Especially in the early and mid-term, the protagonist wants to improve his strength with peace of mind, and the remaining soldiers will come to cover up the water and the earth. But what is the strength of Qingcheng Mountain? What is Xishan's strength? What is the strength of Ruyi Guan? More importantly, what is the protagonist's strength? The comparison of the protagonist's strengths from the reader's perspective is unclear, so how does the protagonist make a judgment? If the protagonist you want to write is someone who only cares about the three points in front of you, then... I can only say that the one that suits the protagonist is Su Hui's, but the setting is mainly about the monsters born in this world. Character creation: I really want to give you a thumbs up in the portrayal of the protagonist. I don't know if I'm over-interpreting it, but even if I just don't like the protagonist, his behavior and settings can be explained by each other. They are very detailed and unusual. I think the other supporting characters are a bit too facial-looking, and the only one I can look at is a fox, which is a plus for my personal preference. Finally, the work is a reflection of the author's heart. I have mentioned at length the strange feelings that the protagonist's three views have brought to me. Isn't this intentional on the part of the author? The biggest impression this book left on me was that the protagonist had a fight with Brother Qingcheng, who was seeking revenge, and the sky was filled with snow. After the fight, the dangerous wind and snow turned into moist snow, and the description given at the time was such that the audience was surprised by the protagonist's strength. You can write that the audience is silent, or you can write that the people at the foot of the mountain are frightened when they see the wind and snow, but feel moisturized after falling, but you choose to write about being surprised by the protagonist's strength. To be honest, I don't see the "people-oriented" nature of this description and its contents. Does the protagonist really care about the people at the foot of the mountain? Do Ruyi spectators who want to protect themselves from the wind and snow really care about the people at the foot of the mountain? Maybe a work should not be criticized from this perspective, but when I saw it, I just felt that the author thought it was not appropriate to write like this, so he brushed aside the wind, snow and the people. At least, it should have been more brilliant here, better reflecting the protagonist's character and the complexity and multi-facetedness of Ruyi's audience.

Overall, this matter has nothing to do with Xiao Huangxian. Why can a small sin lead to such a big punishment? You want to run a wild hall and eat incense, but all you get is a meal, just a meal. If nothing else, help the villagers exorcise ghosts and eliminate evil spirits. Isn't that a good thing? What view in your book, cure every disease and expel evil spirits with money, needless to say which merit is the greatest. Then, looking at the incident as a whole, a person commits murder and violates human law. If the case is solved, it is also a human case. Because of slander and suicide, you should also find the judge who will judge the case. How can it be possible that the main responsibility lies with Xiao Huangxian? If the laws of the underworld are as random as yours, then what is this underworld? All gods are ghosts, right? Then let's talk about the punishment of ghosts. They are not worthy of being called Yin. There is underworld but no heaven, right? The underworld is the biggest, right? If the underworld can meddle in human affairs at will, then there is no need for a court, and there is no need for cause and effect. Anyway, sooner or later, they will all be killed, so don't go down to the underworld, just come up and be human. Summary: A person killed two people because of some things, and then solved the case and was slandered to commit suicide. The government, not the local government, held full responsibility for solving the case. Are you sure that you, a member of the underworld official system, are not sealed by the government in the 21st century? They are all dirty. You are really not afraid of nightmares when you write like this.

If the protagonist is just a dragon-shaped stone sculpture, can he really be so powerful? I feel that the author basically wrote the protagonist as if he were a real dragon. Similar to using dragons and other auspicious beasts below the three realms, they cannot be measured by realms. But the problem is that the protagonist is not an auspicious beast, but a stone spirit carved into an auspicious beast. It would make sense to say that there is something special about this stone sculpture (just make up a story such as the spare body Balabara prepared by the poisonous dragon for itself) (maybe it is a foreshadowing? I see there are similar descriptions related to the poisonous dragon), but if It's just stone carving. There won't be any essential difference between dragon-shaped stone carving and 🐷-shaped stone carving. They are just stones... Jay Chou's fame and the fame gained by playing Jay Chou are completely different. It may also be foreshadowing, which will be revealed later, but the author's anomaly of basically writing the dragon-shaped stone sculpture as a dragon without indicating this is still a bit logically unsound. But the book is a good book. I have read them all. The book "Shan Yu Jiao" and "Shan Yu Jiao" are two good books on classical immortality and exotic beasts (dragon-like) that I recently discovered.

Chilong has no horns or wings, and is the female dragon That is to say, the protagonist is a little female dragon.

It feels good to me, but it smells of a female author for some reason, I hope it's an illusion.

A tiger-headed dragon statue was also unearthed in Sanxingdui. If you're curious, let's see if it's a chilong

If it is Ultraman, can the stone sculpture become Ultraman?🙂

There are a few questions that I have never quite understood. One is that the protagonist dares to offend the Taoist Crow of the Third Realm as soon as he transforms. He is not afraid of his opponent at all. Of course, this can also be understood as the Taoist Crow doesn't bother to come over to ask for trouble, or he has no time. The second is about Mi Jingzi. I looked at it a little too fast and forgot why he felt that the protagonist got the inheritance. The third is that this is a world with heaven and earth. How come it feels like the status of dragons is so low, and a person can cause trouble. Although the protagonist is a stone dragon, but Tian The dragon sign is born, and a bunch of little elite monsters around them just come over to touch porcelain. I have never understood this, and I have never written about whether there are other dragons in this world. If there is, the protagonist has a backstage. If not, I can only say that the protagonist is a bit brave. Speaking of realms, it was said at the beginning that the three realms are rare now. As a result, as soon as Crow Taoist died, three more appeared around him. Normally, the map should be changed and new ones would be released. In this small place, if there is anything to grab, one will die one by one.

The writing style of this book is half-literate and half-literary. The advantages of classical Chinese are concise writing and high information density. The disadvantage is that some words are too difficult to understand. The advantage of vernacular writing is that it is easy to understand, mainly spoken, and can be easily understood. The disadvantage is that it is a bit watery. This book is half text and half white. It combines the advantages of vernacular and classical Chinese. It has the concise text and high information density of classical Chinese, but also combines the ease of understanding. It seems that the author has carefully studied Journey to the West and Water Margin. Because many novels in the Ming Dynasty were half written and half white. In terms of literary talent, he crushes many current novel authors. . If you want to improve your literary talent, you should read more Journey to the West. . Alas, but the shortcomings of this book are also obvious, that is, the plot is relatively scattered, a bit similar to the flow of life, the control of the climax, and the plot structure are somewhat scattered. Looking at this book reminded me of another book called "Dragon King", which is also half-written and half-white. The current Xiaoxianxia novels are basically about underworld cultivating immortals. In fact, this is a truly reasonable fairy novel. As Meng Shenji said in Eternal Life, cultivating immortality is not about being carefree, flying up on a crane, or becoming immortal, but about naked fighting, plundering resources, fighting for a future, and fighting for immortality. The essence of this world is the competition for resources. Whoever can obtain resources will obtain the right to reproduce and the right to survive. If you lose resources, you will lose the right to survive, and the qualification to reproduce will become extinct. The animal world is like this, and the human world is like this.

Have you ever been a dragon? Some things are written randomly, taking it for granted

After reading novels for so many years, I always feel that the civilization of cultivating immortals is nonsense. The higher the level, the greater the gap. To the next level, monks can't die with too many people. According to this logic, there will be a finalist in this world or universe, so everything belongs to him. All creatures below him are toy slave property.

I don't understand a bit about the previous plot. What is the purpose of protecting the reputation of the perpetrator? For example, Qin Hui did a lot of evil things, but you said you wanted to protect the reputation of the perpetrator, who was already dead after all, and then you just made up a story and found someone to take the blame? What was the author thinking? If someone harms you, you have to say, forget it, don't affect his reputation (the other person does it on purpose and wants to kill you). The other party has already done this kind of thing, so what kind of reputation do you need? What qualifications does he have for fame? In what state of mind did the author write this paragraph? What do you think about protecting the reputation of the perpetrator? Is it because his reputation is gone, will it cause chaos in the world, or what? Is it that important?

Author, can you please stop swallowing your own settings? It was said before that there would be bad things if the six evil spirits were united into one, and now it is necessary to combine the six evil evils into one. Earlier, it was said that one should hurry up and break through the golden elixir to face the enemy. The appearance will make up for it later, but now it is just trying here and there but not breaking through.

Let me comment, this book is really good. Another life flow book. It follows the flow of writing, not the flow of plot.

Zhima is cute, but there are too few scenes, and the focus is too much on the fox apprentice. The latest chapter is a bit impatient, destroying the aesthetic feeling of slowly cultivating immortality. The most important thing is, why is the protagonist so confident that the sword immortal cannot defeat the protagonist? After all, how long has the protagonist been practicing? Why did this kill off the supporting character? It's so offending...

1. In ancient times, wherever there were people living and a dense population, trees, grass, and other green areas covering dozens of kilometers would be cut down, so it was impossible to achieve harmony between man and nature. If the protagonist follows the natural path, he will inevitably have disputes with others. This is inevitable. 2. The protagonist or the author is too ideal. In ancient times, people were resources. They could work as cattle or horses during life, and they had many uses after death. For example, in this novel, the corpse of a monk after his death is a road to heaven, whether it is used to refine elixirs, refine weapons, or be sold as materials. Instead of this waste like now. This kind of thing, if you just look through the history books, you will know that it has many uses before and after life. Of course, in this book, small animals should also be a resource. 3. The protagonist is still too idealistic about people's hearts, thinking that his kindness and strength can protect the mountains and forests. In fact, people themselves are greedy. As long as they get a little benefit, they will keep pushing on. You think you are in control of the place, but in fact, you are just waiting for someone who can kill the protagonist to appear. In ancient times, people who worshiped those who were not my own race must have had different intentions. Not to mention, one village is more likely to regard another village as a threat, and it is often easier for villages to fight with each other, which ends with the people of the other village being overthrown. It's like this between people, and the protagonist thought he couldn't argue with others. It's so ideal, it's simply impossible. 4. Forgot, I will add it when I think of it.

I don't want to say that this book is not good, after all, the author's writing skills are still good. But what? This way of writing is no longer suitable for modern web writing, as the pace is too slow.

The writing is very good, it has a fairy flavor, it is a book of fairy herbs

It turns the things written by Long into a commonplace. It's very idealistic, what kind of symbiosis between humans and monsters?

Can the author close his eyes when typing? I don't want to read second-hand words

After all, the author has never made a dragon. He still writes according to people's way 🙂 and is bound by people's rules, such as realm theory.

I have been reading your books for ten years, ever since your first fantasy book. Author, give me a good review, I really like your writing! !

Have you ever learned about dragons? Just scrawling, Chilong is the juvenile form of dragon, and it is also female.

After reading dozens of chapters, I have two feelings: either the author has good writing skills and writes with artistic conception, but can't hold it back and randomly piles up words and sentences regardless of the occasion; or it's purely an AI article, and only AI can write like this.

I'm a little tired of fighting all the time.

When will you, this author whose gender you don't know, correct the inconsistencies in the context pointed out to you by readers? . . Although it's common sense to lose your mind when reading a novel, isn't it a bit ridiculous that it changes within one chapter? (Scratches head)

I heard it's a trumpet for blowing wind, is it true?