Alchemist!

Let me first conclude that this book must have been written by an experienced person, and it cannot be written by a newcomer. Secondly, it is easy for a boss to open a trumpet account🌚, please be careful when following updates.

The Three Golden Chapters are very attractive, but the name has the smell of a bad book (the "no words... Blindness, and the exclamation mark"), and changing it to an ordinary name would be better than this. For example, "Add some diary of evil cultivators". It's better if you are more creative.

The conflict in the first few chapters was a little old, but the writing was good. It was only from Chapter 8 that I really started to feel like a monster. I went to join the monsters and make a crooked dragon king, and the hero saves the beauty, right? Hahahaha, I hope Xiaoshan Ginseng can be the heroine! ! ! You get a little wild ginseng to be the heroine and I'll nail it! !

The author writes very well. Has the author read the novel Long Shezhi? It is very similar to the setting of one of his books. They are all weird, alien, and similar to villages. But your writing style is better, it has the flavor of ancient prose, and it has more feeling.

Apart from anything else, the writing about people is really good and feels very good.

Good books, but there are too few, not enough to read

Enter Huangtian and the following plots are a bit awkward, and the routines have a half-new, half-old flavor. It feels like the reincarnation of an old thing.

You are definitely not a new writer I don't know which old guy changed his vest🙂 Based on my seventeen years of experience in reading online articles, this book is really good

Some people think that Little Carrot is a troublemaker and hate this character. It is indeed the author's use of Little Carrot to cause trouble to promote the development of the plot. At first, I was also disgusted, but Xiaoluobo's character has undergone several changes. This change is just the author's plot needs or a flash of inspiration, but this growth makes the character more full. I hope that the author can specifically design the character growth of the protagonist and Little Carrot later. There must be changes in order to make people like it. Little Carrot cannot always be a troublemaker, and the protagonist cannot always have no psychological fluctuations. His attitude towards Little Carrot should also change at any time. A good story does not mean that the characters serve the plot, forcefully subdue the intelligence or violate the character's personality, but that the characters are well designed and the character's personality is used to deduce the plot. Little Carrot first appeared as a funny character, and then he was the troublemaker who promoted the plot. I was a little bit disgusted with it, but then the scene where Little Carrot begged for a dowry immediately made me feel pity and made me like this character immediately. In such a dark world view, Little Carrot is lonely and helpless, mixed in the group of ginseng spirits and being excluded. It reminds me of the ugly duckling and Uzumaki Naruto. Little Carrot's naughtiness is just a desire for existence and recognition. Little Luobo is just a mentally retarded child. Although his nature is somewhat willful, under the dark world view, he appears to be very pure and has no malice. He is trying hard to find his own identity. From the beginning, he was mixed in the ginseng group, and then he followed and helped the protagonist wholeheartedly as his wife, stealing Dudou just wants to play the role of a wife, and is the only one who treats the protagonist wholeheartedly without asking for anything in return. In this world of intrigues and cannibalism, Xiaoluobo and the ginseng king who only appeared once are the most humane ones. The more I look back, the more interesting the role of Xiaoluo is. On the contrary, the protagonist, from being persecuted and revenged at the beginning, to eating fox meat and cheating on ginseng essence, has completely adapted to this world. Maybe the author created the protagonist to be decisive and cunning, but instead the protagonist lost his arc. He quickly entered the plot at the beginning, almost seamlessly, and integrated into this dark world, but he started to integrate Salvia ginseng without any protection. The protagonist appears to be too confident and too leisurely, which conflicts with the dark world view, including some other supporting characters, who may seem inhumane at first glance, but in fact most of them are just ordinary people with simple minds, which gives the protagonist room to take advantage of and move around. The author wanted to show a mature old demon character and a rich world view from the beginning, but he also limited the protagonist's cheating, and did not write about the protagonist's struggle, strategy, and perseverance. Every time he faced difficulties without preparation, he always solved the difficulties by chance and obtained benefits. The protagonist lacked Fang Yuan's character charm of planning step by step, having no bottom line, and surviving in death. In short, the more I watch, the more I like Little Carrot. Instead, I feel that the protagonist is not worthy. The protagonist is too trusting and seeking death, the protagonist does not cherish Little Carrot enough, or the protagonist himself does not realize that Little Carrot has gradually become his spiritual sustenance. I generally do not pursue CPs, and I hate abusive protagonists. I hate suffering, but it is precisely suffering that can make the character grow and make readers fall in love with the character. At this moment, I kind of want the protagonist to lose Xiaoluobo, and let the protagonist experience the pain of abusing his wife to chasing his wife. I hope the author can write Xiaoluobo as a serious character, and change the interaction with the protagonist from a pet to a real partner and lover. In Xiaoluobo, I can see the shadow of the fairy sword heroines such as Zhao Ling'er, Lin Yueru, Tang Xuejian, Solanum Solanum, and Zixuan.

MD's writing is really good. Why is there no one promoting this book? Which great god are you wearing?

It's a good book, and the interaction between the protagonist and the little carrot's wife is quite interesting. As I get older, I can't stand the idea of ​​killing all alone. It's nice to have Little Carrot as the main character in this book.

Otherwise, eight out of ten book friends would not want to click in when they see it. Unless there is someone as mean as me, 😜

It was so cool in the past, what is it now?

This author is definitely a veteran. It doesn't look like a book written by a newcomer. What's interesting about Bailuobo Wife is that it's relatively slow to warm up, but now it's not a problem as long as it's faster.

Beautiful, so beautiful. The true evaluation of Shen Nong in the past fifteen years.

But ah, those who write fairy novels nowadays have some bad habits and are influenced by the evil system. It is also influenced by Damai's two novels: The Lord of Mysteries and The Immortal of Weirdness. It creates a sticky and disgusting setting. Therefore, many Kexianxia novels nowadays have no meaning of Xianxia at all. It's just a sticky mess of shit and piss on my forehead. The world view of these novels simply cannot contain the existence of mortals.

I felt so depressed after meeting Carrot Spirit. The story was good to read, but not enjoyable.

The protagonist does not look for system bugs to improve himself, and looks like a stupid robot.

After entering Huangtian, the character creation is very awkward and I feel that the characters are very fragmented.

Not bad, really good. But there is one thing I don't like very much. Can you please stop using troublemakers to advance the plot? It's even more annoying than the plot of reducing intelligence. To put it bluntly, this kind of thing is comparable to the disobedient friends in horror movies. Other aspects are okay. Overall, it is quite good among these recent books.

Items upgraded by Gold Finger will backfire on the protagonist, but it is the author who has the final say whether it will backfire or not. Is it interesting?

The author can change his name. The title of the book makes people think it is a fun and refreshing book at first glance.

Just like the title of the book, just add some points. But I didn't see the intensity. The previous Xie Fan added two years of points, but by Huang Tian it can only be regarded as a medium foreign object. This addition is not as good as dark blue.

Talking about words and coquettishly. This kind of book is either a hit or a hit.

The writing has the quality of fairy grass. The story is driven entirely by a radish spirit causing trouble, just like a radish would never be written if it didn't cause trouble. Looking at the angry group. Tasteless

This novel doesn't read coherently. Is this writing a flashback? Sometimes it can be a bit dramatic. Is this the best way to write novels?

Is this article always updated like this? It's rare to find a book that suits my taste. The result is such an update method. Can any old readers tell me whether the results have always been unsatisfactory and the performance is bad, or it has always been like this because of the unsatisfactory results.

Can anyone tell me why?

If he updates more every day, the monthly ticket will be more than that.

At present, I have read Chapter 360. The protagonist has obtained most of the opportunities for the three realms of ghost, spirit, and immortality, and they are all roughly integrated into a system. Only the opportunity for the sacrificial path has not yet been determined. Why do I think Lu Nu is the promised place for the protagonist's opportunity? First, the performance of the combat power of the old lady Lu Nu. The current sacrificial setting is to worship the ancestors and borrow part of the power of the past, that is, alchemy. At the same time, the sacrificial ceremony has the meaning of retaining the past and the meaning of "unprecedented". The old lady helps the protagonist restore the state of mind of the slender man who has committed suicide. For now, it is completely consistent with the sacrificial setting Second, the unreasonable thing is that the old lady's combat power has just exceeded that of the great alchemist. It is the biggest unreasonableness to have the combat power to crush the same realm. The principle of equivalent exchange. If you have a realm, you must have an opportunity, and if you have combat power, you must have a price. Since the old lady has almost crushing combat power, why can't she kill Yanzhi? The answer is that she can't do it. The power of sacrifice has a price and a time limit Thirdly, how can the old lady really be selfless? When she can't kill Rouge and is surrounded by wolves, she doesn't run to other places. The place enjoys all the glory and wealth, I think she needs it, she must do this, because she is the way of sacrifice, the so-called cycle of heaven, there are gains and losses, a system has higher combat power than others, there must be a price, unless the author is crazy, build an invincible system, sacrifice, you sacrifice to others, you must also need others to sacrifice to you. I guess this may be the anchor point to distinguish whether you are dead or alive. I think there are two foreshadowings here. First, the puppet alchemist The protagonist opens the sacrificial path with his arm, and the protagonist hangs the portrait of the puppet alchemist in Heimi Town for people to worship. Secondly, the protagonist has clones in all directions. Where did the sacrificial avatar come from? I guess it is the puppet brother who has recovered. Fourthly, this has little to do with the above. It is my guess about the plot. The protagonist may master the sky, sky and water scriptures through the deduction ability of Xiaoshan Ginseng's best friend, and get the promised opportunity to break the crisis in Black Mountain