Alchemist!

Enter Huangtian and the following plots are a bit awkward, and the routines have a half-new, half-old flavor. It feels like the reincarnation of an old thing.

You are definitely not a new writer I don't know which old guy changed his vest🙂 Based on my seventeen years of experience in reading online articles, this book is really good

Some people think that Little Carrot is a troublemaker and hate this character. It is indeed the author's use of Little Carrot to cause trouble to promote the development of the plot. At first, I was also disgusted, but Xiaoluobo's character has undergone several changes. This change is just the author's plot needs or a flash of inspiration, but this growth makes the character more full. I hope that the author can specifically design the character growth of the protagonist and Little Carrot later. There must be changes in order to make people like it. Little Carrot cannot always be a troublemaker, and the protagonist cannot always have no psychological fluctuations. His attitude towards Little Carrot should also change at any time. A good story does not mean that the characters serve the plot, forcefully subdue the intelligence or violate the character's personality, but that the characters are well designed and the character's personality is used to deduce the plot. Little Carrot first appeared as a funny character, and then he was the troublemaker who promoted the plot. I was a little bit disgusted with it, but then the scene where Little Carrot begged for a dowry immediately made me feel pity and made me like this character immediately. In such a dark world view, Little Carrot is lonely and helpless, mixed in the group of ginseng spirits and being excluded. It reminds me of the ugly duckling and Uzumaki Naruto. Little Carrot's naughtiness is just a desire for existence and recognition. Little Luobo is just a mentally retarded child. Although his nature is somewhat willful, under the dark world view, he appears to be very pure and has no malice. He is trying hard to find his own identity. From the beginning, he was mixed in the ginseng group, and then he followed and helped the protagonist wholeheartedly as his wife, stealing Dudou just wants to play the role of a wife, and is the only one who treats the protagonist wholeheartedly without asking for anything in return. In this world of intrigues and cannibalism, Xiaoluobo and the ginseng king who only appeared once are the most humane ones. The more I look back, the more interesting the role of Xiaoluo is. On the contrary, the protagonist, from being persecuted and revenged at the beginning, to eating fox meat and cheating on ginseng essence, has completely adapted to this world. Maybe the author created the protagonist to be decisive and cunning, but instead the protagonist lost his arc. He quickly entered the plot at the beginning, almost seamlessly, and integrated into this dark world, but he started to integrate Salvia ginseng without any protection. The protagonist appears to be too confident and too leisurely, which conflicts with the dark world view, including some other supporting characters, who may seem inhumane at first glance, but in fact most of them are just ordinary people with simple minds, which gives the protagonist room to take advantage of and move around. The author wanted to show a mature old demon character and a rich world view from the beginning, but he also limited the protagonist's cheating, and did not write about the protagonist's struggle, strategy, and perseverance. Every time he faced difficulties without preparation, he always solved the difficulties by chance and obtained benefits. The protagonist lacked Fang Yuan's character charm of planning step by step, having no bottom line, and surviving in death. In short, the more I watch, the more I like Little Carrot. Instead, I feel that the protagonist is not worthy. The protagonist is too trusting and seeking death, the protagonist does not cherish Little Carrot enough, or the protagonist himself does not realize that Little Carrot has gradually become his spiritual sustenance. I generally do not pursue CPs, and I hate abusive protagonists. I hate suffering, but it is precisely suffering that can make the character grow and make readers fall in love with the character. At this moment, I kind of want the protagonist to lose Xiaoluobo, and let the protagonist experience the pain of abusing his wife to chasing his wife. I hope the author can write Xiaoluobo as a serious character, and change the interaction with the protagonist from a pet to a real partner and lover. In Xiaoluobo, I can see the shadow of the fairy sword heroines such as Zhao Ling'er, Lin Yueru, Tang Xuejian, Solanum Solanum, and Zixuan.

MD's writing is really good. Why is there no one promoting this book? Which great god are you wearing?

It's a good book, and the interaction between the protagonist and the little carrot's wife is quite interesting. As I get older, I can't stand the idea of ​​killing all alone. It's nice to have Little Carrot as the main character in this book.

Otherwise, eight out of ten book friends would not want to click in when they see it. Unless there is someone as mean as me, 😜

It was so cool in the past, what is it now?

Beautiful, so beautiful. The true evaluation of Shen Nong in the past fifteen years.

This author is definitely a veteran. It doesn't look like a book written by a newcomer. What's interesting about Bailuobo Wife is that it's relatively slow to warm up, but now it's not a problem as long as it's faster.

But ah, those who write fairy novels nowadays have some bad habits and are influenced by the evil system. It is also influenced by Damai's two novels: The Lord of Mysteries and The Immortal of Weirdness. It creates a sticky and disgusting setting. Therefore, many Kexianxia novels nowadays have no meaning of Xianxia at all. It's just a sticky mess of shit and piss on my forehead. The world view of these novels simply cannot contain the existence of mortals.