Goblins Are Heavily Dependent On

Abandoned. The author wrote a very good setting and the writing style is also good. I was amazed when I first read it. I haven't read Western Fantasy in a long time, so I ordered it immediately. But after reading hundreds of chapters, I found several problems that are really unacceptable: 1. Lack of rhythm. It takes 2-3 chapters to introduce the background and psychological change process of a character who is about to leave the scene. 2. Repeatedly and endlessly describe various shops, streets, and characters' hobbies at length. A herbal medicine shop is introduced three or four times in the article, and the total number of words is no less than 2,000. 3. For a long time, I have to summarize the content of the previous chapter, which basically takes up one-fifth of the length of this chapter, which I really can't bear. This is simply treating readers like fools. When we read the book, do we need you to summarize the previous chapter? Are you afraid that you can't understand such simple content? I voted for three monthly tickets and subscribed to 400 chapters. Forget it, I made a mistake.

I am not opposed to using AI to write novels, but if you use AI to write novels, you are going too far. I spend real money on subscriptions, and if you do this, it will be even slower. How much you liked it before, but how angry you are now. Don't say anything about useless AI. You know whether it is useful or not. Finally, I say it again, I am not opposed to using AI, but it is too much for you to use AI to pay for chapters.

To be honest, I have already ordered all the books I have been chasing for so long, and I can no longer stand them anymore. When I first started watching it, I felt that it was pretty good and it was my favorite genre, but the plot progress was really too slow. I won't go into detail because there are so few updates every day. After all, every author's situation is different, but many of the descriptions in the previous chapter are pretty much the same. In the next chapter, they have to be described repeatedly from a different angle, which really feels very redundant. Even a small matter needs to be written repeatedly from different angles. Can you change the writing technique, reduce some unnecessary descriptions, speed up the plot advancement, and try to finish the unimportant branch lines in 2 chapters. You may be able to write a lot of words this way, but it is really torture for book lovers. As time goes by, your subscriptions will become less and less. It's over 2 million words, and it feels like I'm only a quarter of the way through this book. I really can't keep chasing

After reading Chapter 90, I felt that it didn't feel like a book before and after it was put on the shelves. Before it was put on the shelves, it was about fighting monsters, exploring, struggling at the bottom and fighting for the good every day, fighting various monsters. After it is put on the shelves, it will be a shady story, teachings, laying out the world view, and interacting with various people. This resulted in the book's characteristics being erased and turning into a standard fantasy novel.

Halfway through I couldn't help but write about the fisherman priest commander. Everyone knows that there must be fishman guards to protect him. Do I need to write it several times? If you write it once, it will be detailed, but if you write it several times, it will make people sick. Not only in this area, but also in other places. If you write about the nobility of Master, you can write it once, but if you write it again and again, it will be disgusting. This book was very good when I first read it, and I was willing to spend money to keep up with it. The more I read it, the more disgusting it becomes. Now when I go to the dark book world to read it, I find it disgusting. It's disgusting.

Many people say that this book has a slow pace, good writing, and delicate descriptions. At present, this is really the biggest advantage: each character has his own background story, and the villain is clean and neat; the daily life has a strong sense of being alive, such as the heavy reliance on cream of mushroom soup, the refreshing dwarf Barn, and the detailed adventure booklet. But the shortcomings come from three places: 1. Fans cover their mouths desperately and the "hydrological" comments in book reviews. 2. Meaningless supporting character backgrounds and frequent perspective switching. 3. The logic and setting issues of the entire book. First point, some people cling to the word "water", and some people cling to the word "good". These comments hurt many people, and I think this is the point that affects the perception the most. Most of the comments that criticize the film will clearly explain the reasons and point out the shortcomings of the content, while fans who support it only use the words "slow to gain popularity", "delicate writing" and "don't watch if you don't like it". The views of these two parties are completely non-conflicting, and books such as "Lord of Mysteries", "Release the Witch" and "Sword of the Dawn" can all meet the above standards. The second point is the author's issue of rhythm and emotional rendering of plot settings. This is the focus of debate throughout the book. The characters described are all templates. Anyone who has read many books will know the plot trends of these characters. It is neither touching nor inspiring. I won't say much here – novel authors all have the ability to avoid or reduce these negative effects. This is a matter of basic skills. This is the biggest feature of this book, and authors who want to learn about hydrology can learn from it. The third point is one that most critics take lightly. From what I have seen so far: the first part of fighting bugbears is not bad, at least the protagonists can barely fight against each other, have mutual advantages, and have the pressure of death. They can barely defeat them by fighting with their teammates and get the ring defense; the second part is teaming up with half-elves, and they can only run away when encountering lizards. They "accidentally" encounter other world ruins and survive, and get the rewards with no risk; the third part is with the convoy, and solve the puzzles to get the rewards without risk; the fourth part Following the leveling of the quasi-legend, the druid foreshadowing was successfully carried out, allowing the protagonist to kill the Thorn Demon without any danger on the way, break through to level 1 in combat skills, and finally earn a favor; the fifth part began to follow the green blood monster spawning, and earned a mage diary on the way, while unfolding the mage plot. To sum up, except for the first part, which has a sense of urgency, the rest of these parts are dull and boring, and even have serious routines and frequent perspective switching. In the final analysis, it is a set of stitching monsters, with a little stitching here and a little patching there, the logic and foreshadowing are messy, and many plots are mechanical.

It's good to read, although many reviews say it's watery, but it suits my taste. If you don't want to read fast-paced short stories, you can try this one. However, some fields are indeed suspect. To put it bluntly, the author writes too slowly and updates too little.

I think this book is generally controversial. It is completely opposite to the current fast food literature. It contains a lot of detailed descriptions and is easy to take in and experience the adventure of a fantasy world. However, the author's ability to grasp the plot rhythm is very poor, with few updates and too many descriptions, resulting in a very low density of effective information in the chapters, resulting in a very poor update-following experience! It feels like I spent money but got nothing useful. Moreover, the author has obvious problems in the details of the plot. Some insignificant characters will also spend a lot of ink, further raising the suspicion of hydrology, so... I can only say that wisdom is in the eye of the beholder.

I prefer the subject matter and the setting of this book. The main plot is quite exciting But this book is too watery and uses more than a reasonable amount of space to describe irrelevant content. The experience is the same as reading a paper. One thing is an example, an analysis, and then a chapter. I don't know how many times I have to repeat the same description. Unimportant people are filling in again and again, which really affects the reading experience This book can be more exciting. It is not pleasant to abandon the book. I just feel it is a pity. I can only advise new readers to be cautious, which is a pity.

It's rare for a book to be so controversial. This is a pseudo-DND Western fantasy work with the texture of a Japanese light novel. Those who love it regard it as a rare treasure, while those who hate it only see "sluggishness, poor rhythm, and unclear main plot" throughout the book. But when you really calm down, let go of your inertial expectations for "double-speed and cool writing", and enter this world, you will find that all the criticized "fatal flaws" of this book are precisely the most precious shining points that distinguish it from the assembly line upgrade novel and truly touch the core soul of Western fantasy creation. The redundant words and ink that have been criticized as "hydrology" are the flesh and blood and temperature of another world The most concentrated criticism in the book, without exception, points to its "excessive unnecessary description": NPCs who go offline immediately after they appear need to spend a lot of time writing about their lives and personalities, the deaths of temporary teammates and villains must have a complete revolving door, the geography, architecture, humanities, history, and taverns and shops must have a complete revolving door. The layout of the environment must be described in detail, and even the leisure time after each mission - handling the loot, resting in the tavern, chatting with the owner of the blacksmith shop and grocery store, and the bowl of cream of mushroom soup that must appear every time, have been nailed to the pillar of shame of "simply filling the word count". But it is precisely these contents that have been skipped by countless readers that constitute the most irreplaceable charm of this book. We have long been accustomed to the "tool man-style" world building in online texts: NPCs only exist to promote the plot, environmental descriptions only serve to enhance the combat atmosphere, daily content is all redundant and useless, and all text must serve the "main line advancement". But this book does the opposite. It uses these seemingly "useless" words to inject real fireworks and vitality into a cold framework of another world. The recurring bowl of cream of mushroom soup is never a repetition to make up for the word count, but the protagonist's first sense of stability and belonging in a different world. It is a "safe anchor" that allows the reader and the protagonist to breathe a sigh of relief after every life-and-death fight. The layout and decoration of the street shops and the daily chats with the bosses are not unnecessary conversations, but tell the readers: This world is not just the adventure line of the protagonist, it has its own daily operation and living ordinary life. People; even the villain's revolving door, which was scolded as a "waste of space", also made the priest who abandoned his faith change from a tool for the protagonist to gain experience, into a living person who had a burning faith and a life of despair - when he finally died Possessed by the citrus in his hometown, the orange rolled into a pool of blood. When the dagger he cut from an citrus branch became the protagonist's trophy, all the foreshadowing fell into place. This tragic weight can never be given by a fast-paced and refreshing novel. What's even better is the author's hidden narrative design: he deliberately switches repeatedly and rhythmically between "life-and-death crisis adventure" and "relaxed and stable daily life". Those casual contents that have been criticized as "procrastinating" are actually building a solid safe zone for readers, allowing you and the protagonist to have a real home in this different world. When you get used to the sense of security brought by the hot soup and fireworks, and then enter the next life-or-death crisis, the tension and impact will be multiplied. You are no longer watching the protagonist fight monsters through the screen, but you are actually following him, seeking life on the edge of a knife and finding stability in the fireworks. What others see as "injecting water" is actually injecting soul into this different world. When you let go of your obsession with "plot advancement", you will understand why these contents are completely reluctant to skip - it makes you not "watching a story", but really "living in this different world". The "slowness" of 0.6 In one hundred chapters is the true essence of Western fantasy adventure The second biggest flaw in the book is the "slow" growth line of the protagonist: according to the DND level system, levels 1-9 are still ordinary professionals, level 10 becomes extraordinary, level 20 becomes legendary, and level 30 has touched the realm of gods. However, when the story is updated to chapter 100, the protagonist of this book is only at level 0.6, And has not even crossed the lowest professional threshold. Countless readers have criticized it for "slow advancement of the main plot" and "nothing exciting", but it is precisely this slowness of "no strong main plot and no upgrade anxiety" that is what makes this book most understandable about Western fantasy and the charm of TRPG. We have read too many Western fantasy novels: the protagonist carries a golden finger, upgrades and fights monsters all the way, from mortal to legend, and finally kills gods and becomes gods. All the plots revolve around the main line of "becoming stronger" and advance at high speed. But the essence of Western Fantasy has never been an upgrade report, but an adventure "on the road". Just like when many people play "Baldur's Gate 3", they will ignore the main plot and indulge in exploring the full map, triggering the stories of every NPC, and experiencing every unexpected redemption and tragedy. What we want is never to be pushed towards the ending by the main plot, but to truly have a free journey to another world of our own. This book perfectly captures this core charm. It does not put the shackles on the protagonist that "must save the world", nor does it instill in readers the expectation of "must watch the protagonist upgrade to become a god". Its story follows the footsteps of the protagonist. Wherever the protagonist goes, the story takes place. We follow to see the local customs and listen to the joys and sorrows. This "no clear main line" writing method gives the story the greatest freedom. You don't need to worry about when the protagonist will be upgraded, or whether the plot has advanced to a critical node. You just need to follow the protagonist, take every step, meet those vivid people, and experience those stories that may be warm or regretful. This is the most authentic look of adventure: what matters is never how high you can stand in the end, but how many scenery you have seen and how many stories you have heard on the road. Undeniable hard power: top-notch narrative writing, and a story engraved with a sense of fate Putting aside all controversies, this book has a hard power that no one can deny: the author's writing and storytelling abilities far exceed the average level of online articles. His writing has a strong sense of lens, and a few strokes can outline a scene with a strong sense of picture, allowing readers to instantly be immersed in that different world of swords and magic. What's even more impressive is his ability to write short stories - the three-part plot of "The Lady of Luck's Coin", which is the most acclaimed in the book, plays to the extreme with foreshadowing recycling, sense of fate, characterization and emotional tension. Tossing a coin for the first time is a pure miracle in a desperate situation. There is a 0.5% Probability of physical immunity being forcibly triggered, and the escaping gravity creation appears out of thin air. The aftermath kills the enemy, and the protagonist obtains the gravity skill through this. A series of interlocking low-probability events, the words "fate's response" are vividly written. It is full of excitement but not abrupt, because all the props and foreshadowing have been laid out in the previous text. Tossing a coin for the second time is a romance engraved with vitality. The blind typing password hits once, and in a blink of an eye in the outside world, a long time has passed in the illusion. The protagonist follows the barbarians in the north and witnesses the complete life course of a black wolf cub that was abandoned by the tribe, from struggling to survive to growing up and hunting, and finally develops its skills to the full level. There is no fighting or killing in this plot, but it is filled with the romance of wildness and growth. It makes a skill no longer a cold numerical value, but has a complete life foundation. It is no wonder that it has received a lot of praise from readers. The third and final tossing of the coin is the tragedy and reconciliation in the closed loop of fate. The same chain of miracles finally turned the camera on the villain's life. We watched how the boy who believed in the gods because of the miracle of citrus gradually exhausted his faith little by little due to the intrigues of the priests and the silence and inaction of the gods. In the end, in order to save the world, he went astray and was coerced by evil forces. When the protagonist kills him with the tangerine enchantment from his hometown, the orange falls into a pool of blood in his hand. All faith, despair, obsession and regret complete the closed loop at this moment. There is no black and white right or wrong, there is only the life of an ordinary person who is caught up in the times and destiny. This profound humanistic care is something that most assembly-line novels will never be able to match. Looking at shortcomings objectively: It is not perfect, but it does not affect its brilliance Of course, we do not need to deify this book, it does have shortcomings that exist objectively. A large number of NPCs in the book are too stereotyped and lack enough memory points; the protagonist has the "Lonely Star" trait, and crises will break out wherever he goes, and teammates cannot escape the ending of death or disability. This set of settings cannot escape the criticism of the old style. These are undeniable shortcomings, but for readers who are truly immersed in the story, as long as the core story is exciting enough, these shortcomings are just innocuous flaws. Another issue that has been repeatedly criticized, "the protagonist's personality is changeable and the person cannot be established", in my opinion, is actually the biggest misunderstanding of character creation. Too many people are used to using the fixed alignment of DND to frame a character. Lawful Neutral must always be rational, and Lawful Good must always be Virgin. Whenever a character makes a choice that is not in line with the "personality", it will collapse. But we forget that the protagonist should first be a living person, not a symbol framed by a fixed label. Human beings are complex and multi-faceted. They will be cautious in situations of life and death and aggressive when they hit the bottom line. Making different choices in different situations is the most normal thing. This freshness that is not kidnapped by "personality" just makes the protagonist more like a real adventurer struggling to survive in a different world. Ending: What it gives you is never a show of immortality, but a ticket to a different world We have been immersed in fast-paced novels for so long that we have become accustomed to reading stories at double speed, used to judging the value of a text by "whether it advances the plot", and used to regard "whether the upgrade is fast and whether it is refreshing enough" as the only criterion for measuring whether a Western fantasy is good or not. But the most rare thing about this book is that it dares to slow down and go against the trend of the market to tell us a story that is not so "cool". It does not show you a fast-forward movie in which the protagonist cheats all the way and finally becomes a god. Instead, it hands you a ticket to a different world and invites you to follow this imperfect adventurer and walk slowly together. Together with him, you will bet the coin of fate at a critical moment of life and death. You will drink a bowl of hot cream of mushroom soup after the mission. You will pass by many people's lives and witness many people's stories. You will truly live a good life in that different world of flesh and blood. And this is precisely the most authentic and touching romance of Western Fantasy.

This book seems to be the best fantasy novel I have read on Qidian recently, and the daily guide is the most useful one. Although the world view and content are relatively traditional, the author's writing style and narrative style are very comfortable, and many places are handled well. First of all, the supporting characters in the novel are vividly portrayed, each with their own distinct characteristics. I think the characterization in a good novel should be so flexible and not too rigid. For example, the ambivalence of the character in the article because of his greed for gold coins and fear of death is very similar to a gambler who is jealous of financial income but is afraid of the bubble bursting. In the past, the supporting characters in previous web novels were always mentally downtrodden, and when they were against the protagonist, it was as if they had lost their minds. I really couldn't stand that kind of thing. The other is that the worldview is more vividly shaped. The towns inside have their own festivals and culture. Most of the online texts I have read so far are narrative texts, and the story routes are basically the same. The most common one is to defeat monsters, upgrade, change maps, and then repeat until the completion of the book. In this case, the main influencing factors of the quality of the work are nothing more than characters, background, etc. The characters have been told, and the rest is the background of the story. The story background of this book is actually relatively traditional, but the entire worldview is relatively complete, and the actions and thoughts of the characters in the book are logically consistent with the background of the book. For example, subsidies from associations and blood sacrifices of alien races, such as class and skill monopoly, etc. Most of the realities in the article can be logically consistent behind them. Another one is freshness. Personally, the main reason why I like to read time travel novels is that I can see different world views and learn more about weird things that bring me a sense of freshness, such as cultural customs in different worlds or parallel worlds that are completely different from real life. Before I came into contact with online literature, my favorite things to read, apart from various story collections (such as Red Fairy Tales, Ghost Blows Out Lanterns, etc.), Were various foreign travel notes. The freshness brought by completely different cultures was difficult for me to refuse. The most impressive online novels are The Ancient One and Yuan Shi's Battles. The brand-new and rigorous world structure is impressive. This book is also very comfortable to read, and it brings back the feeling I had before. Of course, I don't expect it to become really shocking in the future, so just keep the current quality. If the standard of this book does not drop in the follow-up, it will be a waste of money if it is not delayed, let alone not monitored. I hope this book can be completed smoothly

Not worth the money. It's long-winded and procrastinating, just to make up the word count. Trace a point back and forth over and over again.

How could someone be so insincere and so insincere! It feels like the number of words in an elementary school essay is too low, while others put the word count in less obvious places such as environment description or daily life, but this author really has a lot of words in every part of the protagonist that does not require too much explanation. I wonder what I'm reading isn't classical Chinese. Do you need to explain that the protagonist eats because he is hungry, and will he starve to death if he doesn't eat? If you really don't have time to write a book, don't fool people like this! You're not on a civil service contract like the second-generation fishman next door.

This book reminds me of the doomsday disaster shelter upgrading novels from previous years. They go on adventures, go home to sort out their equipment every day, and write about what they eat every day. However, this book also includes a description of a merchant/shop from time to time when going to a store to sell junk. Each adventure plot will include a character to describe it I remember a few years ago, an author I liked said that I went to Qidian author training class and benefited a lot. After I came back, I wrote in this sea water style. The author's writing style is very similar.

Personally, I think it's okay to write some details, the tavern, some characters' revolving door before their death, and other things. In fact, I feel quite comfortable writing it this way, but it's too slow and a lot of content can be written less, which will not affect the perception or the plot... And it is indeed In fact, many plots are a cycle of becoming stronger - accepting tasks - taking adventures - triggering events - killing teammates - completing tasks - becoming stronger - accepting tasks again. This routine is fine, but some are too frequent, and many times you happen to encounter hidden events, although the look and feel is not bad. It would be nice to insert one or two big events. I think this book is not as bad as the reviews said. I actually had a good impression after reading a plot in one go. The slow pace and large amount of details are the highlights of this book (well, it does get a little sloppy at the end, and some details are not written to the point). The main reason is that the slow writing makes the readers feel more uncomfortable than constipation. Think about how hard it is to push forward some exciting plots, but only one chapter is gone? The adventure is very interesting, but there is only one update a day and it is not fun at all. It is recommended to read but not to follow up. It is best to save a few hundred chapters before reading.

It is well written. It does not require novel settings, exaggerated openings and explosive plots. It only needs a simple, traditional and steady opening. With a restrained golden finger, the adventure story is written cleanly, delicately and with a touch of literary style. It has won the support of many book friends. In the past twenty years of online writing, both past and present authors have been avoiding writing similar stories, but it is inevitable. Similar stories written by different authors do not have the same taste. Book friends can see the level of the author of this work, and he has written similar stories in the past. A terrible Western fantasy adventure novel. In today's torrent of light-weight toilet paper in other worlds, I wrote a work that does not make explosive points, is not just for fun, and is not a "fast food". It can also be ranked at the top of the list for me to see at a glance. This is my luck. Thank you to the author and book friends. I didn't read many books at Qidian. If I didn't read for a while, I would probably uninstall the software and clear my phone. But after seeing this book, I probably have to keep it in the future. It doesn't matter if the update is slow. How can the creation of literary works be so impatient. As a reader, what I pursue is not the textual entertainment that can be generated by clicking on the keyboard or dripping by AI, but between the lines, where passion and romance are intertwined, revealing the "heartbeat" of the work in the plainness. The story is like a flowing river, like music and notes, and the harmonious and natural pen depicts a world. As for the follow-up outlook, I saw that in Chapter 141, the protagonist has reached level 1, and the novice village has not yet come out. It is certain that the author and I have outlived each other. The follow-up prediction may be upgrading + branch plots and supporting NPC shaping + world view foreshadowing. Based on my experience, novels with DND elements are very easy to eunuch, and the mid-term accounts, late-stage values, and combat power will collapse. This is a hidden danger, and I have not read anything that can solve it. I hope the author can continue to create, maintain standards, not go astray, and write better and better. I wish your work continues to prosper.

When others go to the toilet, the next sentence will come. Xia Tounan first performs a small inner theater for a day, telling others about going to the toilet for a day, and other people's reactions for a day. After three days, it takes another month to walk, and it takes another day to get to the toilet door before entering. It takes another three days to squat down. If you want to do something, it is still early. If something happens, the toilet may not be there yet, and you can go to the toilet for three months.

The water has reached a new level that I have never seen before, and the plot that I have been following for a long time has begun to become cliché. If you don't subscribe, you can only read the first few sentences to know what this chapter is about. It's boring.

I hope the author will continue to write and be inspired, write about all aspects of life, and achieve masterpieces that will be handed down from generation to generation. I wish this book will reach LV3 soon.

Apart from the slow update, I can't find any other problems so far.

The main problem is that there is little content. A chapter often repeats the same things, such as equipment attributes, etc. It is indeed very convenient to watch. If you update four chapters a day, there is no problem at all, but you have to catch up. . . It's really going to kill me. The Dungeon Mushroom next door obviously has fewer words than you, but when I saw the latest chapter, I felt it was very fulfilling and used the word count very well. A lot of pen and ink was used in places that were not necessary to describe. Of course, I still support writing about various local people in different worlds, but your speed. . . I can only say that I recommend not to read it. Just save it and read it once in a month or two. If you are worried about it, just turn on the automatic subscription. Advantages: For those who play the Baldur's Gate series, the writing is generally good. Although there are some private works, it cannot be exactly the same after all. It is still acceptable. After all, the look and feel of the game will not be very good. It is very clever. As for the story, it vividly depicts the story of another world, and you can smell a strong smell of another world. It is not a trap, it has the smell of working next door in Storm City, but that side pays more attention to the plot of the game. After all, the plot here is all self-created, but the style is similar As long as you don't follow the reading, the impression is definitely good. Here is the advice to the author. . . If you want to make up for perfect attendance, pretend I didn't say 🙂🙂, and if you really can't write it, just make up the word count. There's no point in that. After all, you have to live first, and if you want a good plot, you can't stably write one chapter a day. It's still understandable. Come on. . .

The setting is okay and the plot is smooth. The writing style is long and verbose, and the same objects, behaviors, scenes and characters are repeatedly emphasized. Expressions such as "that is to say" and "an analogy" often appear in the author's own words. Focusing on character creation, the memory points are relatively clear. The protagonist is suspected to be a person on the autism spectrum with social functions. Stereotyped behaviors (drinking cream of mushroom soup, killing fish goblins to gain sensory stimulation) can appear once every two minutes. Therefore, it is reasonable that the protagonist's behavior does not require advanced motivations. If you like this type, you can check it out.

It's okay if you want, just update four chapters a day. I kind of regret voting for three monthly votes. It's too watery. Sometimes you can write half a chapter of something that can be written in one sentence. It's full of descriptions that seem relevant but are actually forgotten after reading it. Go to a village to describe the local customs, go to a hotel to describe the development process, anyway, there are many such descriptions that will be forgotten after reading them. You have indeed enriched the background settings, but are you going to make a board game? Can these descriptions that are forgotten after reading be stopped a little bit, and don't say that I won't let you write like this? Can they be detailed enough, knowing that you want to download a copy, but don't write it in this way, right? Wait, too watery, and updates are slow. I admire those who follow it. At this pace, it is estimated that you will be extraordinary after a thousand chapters. You will consider becoming a legend after two thousand chapters, and you will consider becoming a god after three thousand chapters. If you can become a legend within a thousand chapters, it is because the rhythm of your book has broken. Let's use less meaningless descriptions.

How to put it this way, I saved a hundred chapters and planned to read it, but I lost the motivation after just reading a little. Speaking of detailed descriptions, I wrote a whole chapter on Killing Goblins. The whole chapter was summarized in one sentence. It's really too much torture. Although the brainless novel is poisonous, there is progress in every chapter. Although the author's writing is good, it is always so watery and it really kills the reader's mood. I can only say that I am not lucky enough to bear it. I was successfully screened out...

Some readers seem to be dissatisfied with the author's update volume, and the author's writing style is relatively delicate. It must be said here that the quality of the work is far more important than the quantity. A mediocre poet who has written tens of thousands of poems in his life cannot compare to one poem by a famous poet. Good books are rare. I hope everyone will be more tolerant. I personally will always support this work.

Yes, compared to other novels, it feels more immersive. Although it is a bit delayed, you can save it and read it again. Many people criticize this writing method, but you still have to choose according to your own preferences and don't follow the rhythm.

Author, can you please update it quickly? Also, stop stressing about levels and story. There are so many prerequisite tasks to find a key. For each task, you have to search for loot and then process the loot. Turn in the task, get the bounty, build armor, and then spend all the money. This cycle makes me tired of looking at it. Don't do so much. It's okay. Or just accept a few passers-by as teammates or friends, and be a serious supporting role. Alas, in short: every short story is well written, but it cannot always be repeated. If it is a short story or a novella, I can give it 90 points, but if I write a long novel using this method, I can only give it 60 points.

How should I put it? The writing is good, but the writing is slow. There are too many descriptive things, which makes the plot very slow. There are too many detailed descriptions.

🙂

Are the women who are victims of goblins refreshed? If you think about it, you will find that it is completely illogical. Let's not talk about where the goblins in the wilderness catch women. Women in their childbearing period are also important resources. Treating them as disposable consumables is a huge waste for both humans and goblins. It goes without saying that human daughters, mothers, and wives were harmed by goblins. They must take revenge and at the same time strictly guard against it. Going to the village to snatch women is also a high-risk activity for goblins. If you kill several companions and snatch a woman back, you will have one child. Not to mention the growth and consumption of the child, if you keep it a few times, you may be consumed by the human beings without having to kill the goblins. Unless you completely apply the world view of Gesha, humans and goblins can be refreshed.