Beneath the Red Dragon

At present, there are no big shortcomings, but there are still small shortcomings 1. The legend is too strong. It is no problem to have strong [force] and [spell]. The problem is that it can directly distort the world view under the legend. With this setting, how to write [demigod] and [god]? 2. As a [Five-Colored Dragon], the memory inheritance of the protagonist and his companions is too little. Highlighting the evil dragon bloodline only has the same side effects. The protagonist slept twice. In addition to the physical evolution, did he gain the knowledge to increase his combat power? 3. The red dragon in the arena can actually be hurt by iron weapons, even if it is a young dragon. The opponent is not a superior race, and it has not stepped into the extraordinary like the ogres before. 4. The world view is a bit inconsistent. I feel that the author has been emphasizing the power of [dragon] in the human world, and then trying to highlight the weakness of [dragon] in other aspects. If at least it is because of its infancy, what about the other young [dragons]? If a legendary mage can catch a baby dragon casually like this, then the dragons in the world must not become extinct in the wild? You must know that contrary to the number of [Dragon Blood Creatures], the number of [True Dragons] must be much less That's it.

What attracts me most is that the author has written a feature that is different from other dragon novels: the unique dragon character of the protagonist. Caron is a wise "true dragon", and he is the emperor who truly cares about the dragon race. Other excellent points: the design of the legendary destiny is truly worthy of the word "legend"; the unique portraits of large and small characters highlight the appearance of the dragon kingdom; other dragons gradually break away from the wild dragon under the will and guidance of Charon; the stitching of players, warhammers and other elements is also something I like to see. Finally, let's talk about the shortcomings: the stage of enlightenment in Longchang lacks polish and will be very discouraging; the stage of exploring other planes is a bit too fast, and is too broad for a farming exploration enthusiast like me. Finally, let me make a summary: As a new author, this book will get better the more I write it, and the shortcomings are outweighed by the advantages. As a reader, I hope the author will write an "epic" of the dragon civilization! Write Cuarón's "legend"!

The three large sections divided by double solid lines from top to bottom, are strong dragons, ordinary dragons and weak dragons. Note: This category is introduced in the Dragon Book/Legend Book, the unique advanced rules of DND True Dragon. The reference standard is the body shape of the dragon in two special periods. The specific description is: a dragon that is ultra-small in the hatchling stage is a weak dragon, a dragon that is small in the hatchling stage but cannot reach the super giant size in the ancient stage is an ordinary dragon, the dragon stage is from small to large and the dragon that reaches super giant size in the ancient dragon stage is a strong dragon. Although this rule can generally determine the strength of a card, it is not an accurate strength reference. There are strong dragons that are weaker than weak dragons and weak dragons that are stronger than some strong dragons are not special cases, such as scroll dragons. The arrangement from left to right is based on CR. The arrangement is based on comprehensive consideration of the card data, that is, the strength reference.

I will share my views on this book in the following points 1: The protagonist is well-shaped and has his own views and understanding of things; he has his own thoughts and ideas about the protagonist's abilities and gradually digs deeper into them, rather than simply using them. This is commendable. Generally, when I see these passages, I I can analyze and think word for word; I have a gradually clear goal and move in this direction, not driven by the plot. This is very good, emphasizing that the protagonist himself is writing the legend 2: The design of the protagonist establishing a country is found in many dragon novels, but it is still well shaped in this book. The setting of the country is very good, and the purpose of the country is very clear, which is to provide the dragons and the protagonist with more sufficient resources to support them, so that the dragons and the protagonist can grow more efficiently, instead of fighting alone or becoming a force because there are many vassals, but letting the forces help themselves. Classes are mentioned in the book. I think that in the current world view of Avnica and the Kingdom of Gold, the Kingdom of Gold should clearly sort out the basic system of the country's class-ruling relations. It can carefully establish the status of each class in the country, stipulate to which class the national power belongs and what organizational form this class adopts to realize the control of its power. To put it simply, kobolds are for war, centaurs are for war, and mages are for research and development. A brief description of what this race does is well written here, but it seems that each race is separated, with only responsibilities but no hierarchy. It is clear that the dragon group is the highest level, but the other superiors and subordinates are not clear. In the plot of the war with the orcs, the response of the Kingdom of Gold felt a bit chaotic. Generally speaking, the organization and response were well written. Although the orcs were also very chaotic (dog heads), I think this chaos was acceptable in the early days of the founding of the country. However, after the war, there seemed to be no adjustments to affairs. It seemed that it had passed. The adjustment of various races The animation is very vague, which I think is a bit disconnected, because the text assumes that the inheritance of dragons has extensive experience and knowledge. There should be inheritance to deal with such a war, so after the war, it can be simply dealt with, so that each race can clarify its responsibilities and classes earlier and combine them together to form a tight fist. In the future, the races of the Golden Country will be more diverse. Establishing classes and dividing responsibilities as early as possible will allow the country to operate faster and face future challenges and difficulties. The writing is very good and the context is very clear, so this part can be written more brilliantly. Sorry, the political issues brought about by class and responsibility are really food for thought, so I prefer to think about these aspects. Of course, it doesn't need to be perfected. Just leave it blank and leave room for unlimited imagination. I think I may be too picky about this and don't need to consider my thoughts. I originally wanted to praise it, but I don't know where I ended up writing it (sweat). 3: Aesthetics is mentioned many times in the book. I think that to understand a country, we can start from music, art, painting, politics, landforms, traditions, ethnicity, beliefs and politics, etc. They are intertwined and form an inseparable whole. Although the article also mentioned business and trade, aesthetics still left a deep impression on me. This made my understanding of the Golden Country concrete, which is very good. 4: Regarding the legend, in the last few chapters, the legend has appeared. The background and growth path of the legendary demon Thackeres paved the way for the concept of "legend". I feel that this legend is the right one, not just a cat or a dog. Just like Dou Zong is to Dou Po Cang Qiong, Dou Zong is the stage that Xiao Yan has faced for the longest time in the entire Dou Po Cang Qiong, almost half of the book. From Wutan City to Yunlan Sect, Xiao Yan wanted to compete with Douzong along the way, so the Yunlan Sect's leader - Douzong - Yunshan, who has paved the way for half the book, is really oppressive. Run away, the appearance of the legend in this book is well written here. It does not become a legend when the value is reached, but it is the exploration of the power path ahead and the gradual growth that makes it a legend. There is an epic flavor behind every legend. The growth story of the legendary demon Thackeres must also be full of twists and turns. With the legendary demon Thackeres in front of me, I have high expectations for the protagonist's legendary journey. 5: Does not suppress the protagonist's strength, and is well received. It can be seen that the author has a plan for the development of the plot. It seems that the writing is a bit messy and I don't understand it (sweat). In short, the book is very good. I have full subscriptions and monthly tickets.

This is the best novel I have read this year. The characters are well-shaped. The charm of the pig's feet in this book is not the personal force, but the image of a real king. From the moment he said that he protects all the dragons in the world, the protagonist is very vivid. With the spirit of a king, this I personally think it is the most beautiful dragon novel. I even said that this book is limited because it is a dragon novel. If it were a human being as a Western fantasy setting and an empire was created, it might be very popular. Of course, the author needs to accumulate fame now, so he can only attract some people through some dragon novels. Come on, write well, it will be platinum.

Many people ran away after seeing this episode.

I am so tired from reading this book. The scene switching in this book is simply anti-human. Each time I thought I had missed a few pages.

The writing is very good. You can tell that I have been a dragon before. The writing is very real. It matches my experience of being a dragon. Come on.

Toot toot! We can arrange a dragon like this in the future!

Although it looks good. But your sudden jump makes your head hurt when you watch it. The transition is too abrupt. It's like eating, and suddenly the scene changes to shitting in the toilet 😥