Your Majesty, Drink Your Medicine

There is a review of the author's last book that summarizes the author's strengths and weaknesses very well. Simply put. Imagination: 9 Stunning The author's beginning is often very attractive, and many of his ideas and settings are truly amazing. It is top-notch in the entire online literature circle Plot: (7) Excellent. The plot structure is complete and the foreshadowing is recycled in place Characterization (6) Average Writing (4) Slightly bad. Narration, dialogue, and inner thoughts are all mixed up. Key characters' ideas and important clues are missing or passed over in stages. This flaw will gradually amplify as the plot progresses, making it more tiring to watch later. What is desperate is that this is even the result of the author's obvious improvement compared to the previous book. I just want to say about the previous book... Sitting at the children's table with the third young master of the Tang family

The author says that he is a fan of rails, but I don't think it is the right approach. A story style that is absurd, ironic, funny, and even weakly logical. It is a novel that you don't need to think about so much. It can even be said that you shouldn't read it with your brain. This is not to say that this is a mindless and enjoyable book, but it means that only by not using brains can you feel a different kind of fun, which is more cost-effective. Since there are too few updates, it's hard for me to say what kind of guesses and thoughts I have, but I don't recommend this book for people with mental illness and chuunibyou. Because mentally ill people may wonder why such an author could get away with it and strengthen their belief that they are not sick. Chuunibyou will wonder why such a protagonist can live so happily and feel that he cannot die if he falls from the second floor, so he wants to try the method of traveling to another world.

I understand, our world is also a paper world, they control everything about us, and every time we question the truth of the world, we will be corrected by them - we will forget it in a few days, that's how it is! ! ! I understand! ! !

I was confused at first (really), but after watching it for a while (my brain moved), I started to enjoy it! ! ! ! (I was fascinated) It's incredible. It was really awkward to read before. Fairy tales add great color to this book. Maybe maybe this is really a masterpiece! ! ! ! ! ! ! ! ! Looking forward to the follow-up and not falling apart!

The current progress is Chapter 40, I understand, I finally understand. There are three latitudes in total. Lens, reality, Tadar The lens is the latitude we are in, reality is the latitude of the mental hospital, and Tadar is the latitude of toilet paper. These three latitudes are gradually degraded. The protagonist "travels" from our latitude to reality, and at the same time he can see the low-dimensional Tadar world. This causes the protagonist's gaze to superimpose three worlds, embodied in the lens, reality, and storybook. This is the protagonist's ability and his "disease". (Realistic doctors cannot see the lens and the toilet paper dimension, so these two dimensions do not exist for them and are fantasy) When the protagonist is in a coma, he enters the toilet paper dimension. It needs to be made clear at this point that the latitude of toilet paper has very different rules from our latitude. We need to understand it as a book, not linear and without the concept of time. So the protagonist tears up the ending and the story goes back to the previous pages. So the protagonist is both the creator and an ordinary mental illness from another world. (As long as it is written in Chapter 500 that the protagonist becomes the God of Creation, he can create the world in the first chapter) So when the evil god reduces the dimension, the protagonist can use the book to modify her setting and condition So the protagonist can destroy the cornerstone of the evil god's advent by throwing the sword casually (original text "kneading a piece of paper". Yes, the protagonist just kneaded a piece of paper. When he is like this There was no World Stone before it was made, it was just that the book needed the logic of the book. When the protagonist kneaded the paper, in order to make everything meet the requirements of the book, the book was revised to break the World Stone) It is smoother to understand the story in this way. The protagonist is indeed the supreme person, but his supremacy is not due to some bullshit creation, but simply because he can modify the paper from outside the paper. (And when he modifies the pages of the book at will, he is the creator god to the people in the world) It is like a person is both the author and the protagonist. But because the protagonist's main perspective only exists in one latitude, and is denied by the people around this dimension; Or the protagonist can see it, but it does not exist in the lens latitude. When he changes the setting of the book, he himself will be affected; (just like after World War II, a person sees Germany as a victor and a defeated country at the same time) Or the protagonist is originally mentally ill As a result, he obviously has such an ability, but cannot use it normally. (Sometimes I can understand my own power, and sometimes I feel that I don't have this power and am just mentally ill.) To be honest, this setting is really novel, logical, and very useful for the author. (It is logical that it is because of the projection theory. When the protagonist cannot recognize his own power, it is as if the projection has been distorted.) However, after sorting it out, it feels like the author stuffed all the occult concepts in his mind into the computer code, and then let them run independently, so he escaped from this bug world. Then due to the author's writing skills, the protagonist thinks which world is real. (In the reality dimension, it's "all fake. I have mental illness and I'm actively recovering." In the toilet paper dimension, it's "I want to take the magic book back")

Li Pu is a talented person, Ekaterina is an evil actress, a script book, a toy sword as a prop, and a director? No director! This is a celebrity show, and watching Li Pu perform is enough.

I originally felt that the writing was vague, but until I restarted the book for the first time, the plot became more and more interesting (it is still crazy), come on, update soon! (Author I like you)

This is a true divine book! Divine book! Divine book! Update quickly, update quickly, update the author is awesome, the author is awesome, the author is awesome!

When my anger destroyed the tomb, removed the boundary stone, shattered the old inscription, and pushed it into the steep deep stream: When my ridicule eliminated the rotten words, I swept out the cross spider like a broom Earth, I am like a storm attacking an old and melancholy tomb When I lean happily on the tomb of the old gods, leaning on the old inscriptions of the ancient slanderers of the world, I love this world and I pray for it

Very good, crazy enough. Loved it. (One more word, the settings in the book are really interesting Fantasy participates in the real operation. The unnameable thing must use filth as a carrier to manifest. Two different explanations compete with each other, and the winner becomes the truth. One proof is permanent, tearing the book and rewriting (toilet paper that is constantly stained with feces and fished out). These settings put together make me feel that the author is playing something big. (?)